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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
358
Piano & claviers
Piano seul
181
Piano, Voix
45
Piano Facile
44
Accompagnement Piano
24
Orgue
20
Piano, Voix et Guitare
16
Instruments en Do
8
2 Pianos, 4 mains
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
Piano Trio: piano, violon, violoncelle
2
+ 7 instrumentations
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Guitares
Guitare
21
Guitare notes et tablatures
9
Basse electrique
8
Paroles et Accords
3
2 Mandolines (duo)
2
Ukulele Baryton
2
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
+ 3 instrumentations
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Voix
Chorale SATB
96
Chorale 2 parties
21
Chorale 3 parties
17
Chorale TTBB
11
Chorale SSAA
7
Chorale Unison
4
Voix Baryton, Piano
4
Voix duo, Piano
3
Chorale SSAATTBB
3
Voix Tenor, Piano
2
Voix seule
2
Chorale SSATB
2
Voix Soprano, Piano
2
Voix haute
1
Voix Alto, Piano
1
Voix basse
1
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Voix duo
1
+ 14 instrumentations
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Vents
Saxophone Alto et Piano
36
2 Saxophones (duo)
33
Saxophone Tenor et Piano
27
Quatuor de Saxophones: 4 saxophones
24
Saxophone Soprano et Piano
23
Saxophone (partie séparée)
21
3 Saxophones (trio)
15
Saxophone Alto
15
Clarinette et Piano
15
Flûte traversière et Piano
14
Hautbois, Piano (duo)
14
Saxophone Baryton, Piano
13
Saxophone Tenor
9
Clarinette
7
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette Basse, Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone et Guitare
6
Ensemble de saxophones
6
Saxophone, Clarinette (duo)
5
Cor anglais, Piano
5
Clarinette, Violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Soprano
3
Saxophone et Piano
3
Flûte traversière
3
Flute (partie séparée)
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Clarinette (duo)
2
Hautbois (partie séparée)
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
Clarinette et Alto
2
Hautbois, Basson (duo)
2
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
Ensemble de Clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois
2
Flûte à bec Soprano
2
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon
1
Hautbois, Guitare (duo)
1
3 Clarinettes (trio)
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
Flûte à bec Alto
1
Saxophone Baryton
1
Clarinette, Guitare (duo)
1
2 Flûtes traversières (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble de Flûtes
1
Flûte, Trombone (duo)
1
+ 51 instrumentations
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Cuivres
Trombone et Piano
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trombone (partie séparée)
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone
13
2 Trombones (duo)
10
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
8
Euphonium, Piano (duo)
8
Trompette, Piano
8
Quatuor de cuivres: 4 trombones
7
Trompette, Trombone (duo)
7
Trompette
7
Trio de Cuivres
6
3 Trombones (trio)
5
Cor anglais, Piano
5
Trompette, Saxophone (duo)
4
Tuba et Piano
3
Tuba
3
Cor
2
Tuba et Orgue
2
Ensemble de Trombones
2
Trompette (partie séparée)
2
Trompette, Violoncelle (duo)
1
Trompette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
2 Trompettes (duo)
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon et Piano
21
Violoncelle, Piano
18
Violon
18
Alto, Piano
17
Harpe
8
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
5
Violon, Violoncelle (duo)
4
Violon (partie séparée)
4
2 Violoncelles (duo)
3
Alto seul
3
Violon, Alto (duo)
3
2 Altos (duo)
2
Contre Basse
2
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Contrebasse, Piano (duo)
1
2 Harpes (duo)
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orgue
1
Violon, Orgue
1
Contrebasse (partie séparée)
1
Alto (partie séparée)
1
Alto et Harpe
1
Alto, Orgue
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
215
Orchestre
43
Orchestre à Cordes
31
Ensemble Jazz
27
Ensemble de cuivres
23
Cloches
13
Orchestre de chambre
9
Ensemble de Percussions
4
Jazz combo
4
Xylophone
2
Piano et Orchestre
2
Xylophone, Piano
2
Fanfare
2
Percussion (partie séparée)
1
Orchestre, Violon
1
+ 10 instrumentations
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Autres
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Piano Trio: piano, violon, violoncelle
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Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in B flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
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