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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
409
Piano & claviers
Piano seul
380
Piano, Voix et Guitare
362
Piano, Voix
81
Piano Facile
60
Instruments en Do
33
Orgue
30
1 Piano, 4 mains
9
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
57
Guitare notes et tablatures
32
Piano, Guitare (duo)
8
2 Guitares (duo)
5
Ukulele
5
4 Guitares (Quatuor)
3
Basse electrique
3
Paroles et Accords
2
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
1
Dulcimer
1
Mandoline
1
+ 7 instrumentations
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Voix
Chorale SATB
158
Chorale 3 parties
39
Chorale SSAA
28
Chorale TTBB
26
Chorale 2 parties
16
Voix Alto, Piano
12
Chorale Unison
11
Voix Soprano, Piano
10
Voix duo, Piano
6
Pack Instrumental pour Chorale
5
Chorale SSAATTBB
3
Voix duo
3
Voix seule
2
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Baryton, Piano
1
+ 13 instrumentations
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Vents
Flûte traversière et Piano
33
2 Saxophones (duo)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Quatuor de Saxophones: 4 saxophones
29
2 Flûtes traversières, Piano
25
Flûte traversière
19
Flûte, Hautbois, Clarinette, Basson
18
Clarinette
18
Saxophone Alto
17
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Soprano et Piano
15
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
13
Clarinette et Piano
13
2 Flûtes traversières (duo)
12
Ensemble de Flûtes
11
3 Saxophones (trio)
11
Saxophone Tenor
11
Saxophone Tenor et Piano
10
Ensemble de Clarinettes
10
Quintette de Saxophone: 5 saxophones
9
2 Clarinettes (duo)
9
Hautbois (partie séparée)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Baryton, Piano
7
Quintette de Clarinettes: 5 clarinettes
6
2 Hautbois (duo)
6
Flûte, Hautbois, Clarinette (trio)
5
Saxophone, Clarinette (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Saxophone (partie séparée)
4
Hautbois, Basson (duo)
4
Clarinette Basse, Piano
4
Ensemble de saxophones
4
Cor anglais, Piano
4
Clarinette, Violon (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte et Guitare
3
Saxophone Soprano
2
Saxophone Baryton
2
Flûte, Alto (duo)
2
Hautbois
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Hautbois, Flûte
2
Flûte, Violon
2
3 Clarinettes (trio)
2
Clarinette Basse
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
Hautbois, Violoncelle
1
Flûte à bec Soprano
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Saxophone
1
Saxophone, Tuba (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
Ocarina
1
Flûte, Violoncelle
1
Flûte, Trompette (duo)
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
Piccolo, Piano
1
Flûte, Hautbois, Piano (trio)
1
+ 60 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trompette
25
Trombone
18
Trombone et Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Tuba
12
Cor et Piano
12
Cor
11
Euphonium, Piano (duo)
10
Tuba et Piano
10
Trompette, Piano
9
2 Trompettes (duo)
7
2 Trombones (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Cors (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Piano
4
Quatuor de Cuivres
3
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Trombone basse
2
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
Ensemble de Trompettes
1
Cor, Violoncelle (duo)
1
4 Tubas
1
Euphonium
1
Trombone, Orgue
1
3 Trompettes (trio)
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon et Piano
39
Violon
35
Violoncelle, Piano
32
Harpe
23
Violon, Violoncelle (duo)
22
Violoncelle
19
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
15
Alto seul
13
2 Violons (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
2 Violoncelles (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Contre Basse
7
2 Altos (duo)
6
Violon, Alto (duo)
5
Contrebasse, Piano (duo)
5
4 Violoncelles
4
Alto (partie séparée)
4
2 Contrebasses (duo)
2
Violon, Basson (duo)
2
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
2 Violoncelles, Piano
1
4 Contrebasses
1
4 Harpes
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
153
Orchestre à Cordes
46
Orchestre
42
Ensemble Jazz
30
Orchestre de chambre
25
Ensemble de cuivres
22
Ensemble de Percussions
12
Cloches
10
Ensemble d'École
5
Fanfare
3
Marimba
2
Jazz combo
2
Piano et Orchestre
1
Orchestre, Violon
1
Vibraphone
1
Batterie
1
+ 11 instrumentations
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Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Piano Trio: piano, violon, violoncelle
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Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in E flat major, Op
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
(+)
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio in B flat major, Op. 28
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in B flat major, Op
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1...
(+)
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
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