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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reminiscent
Non classifié
266
Piano & claviers
Piano seul
439
Piano Facile
30
2 Pianos, 4 mains
25
Orgue
17
Piano, Voix
16
Piano, Voix et Guitare
12
Instruments en Do
11
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
3
1 Piano, 4 mains
3
Clavecin
2
Accordéon
1
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
+ 11 instrumentations
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Guitares
Guitare
28
Guitare notes et tablatures
15
Ligne De Mélodie, (Paroles) et Accords
2
Guitare (partie séparée)
2
Basse electrique
2
Ukulele
1
3 Guitares (trio)
1
+ 2 instrumentations
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Voix
Chorale SATB
94
Chorale 3 parties
28
Chorale TTBB
25
Chorale 2 parties
11
Chorale SSAA
11
Chorale Unison
8
Voix duo, Piano
2
Chorale SSAATTBB
2
Voix haute
2
Voix duo
2
Voix seule
2
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Alto, Piano
1
+ 9 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Flûte, Hautbois, Clarinette, Basson
12
Flûte traversière
8
Clarinette et Piano
7
2 Flûtes traversières (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone (partie séparée)
7
2 Saxophones (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Clarinette (partie séparée)
6
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
5
2 Clarinettes (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Alto
4
Flûte, Violon, Piano
4
Ensemble de Flûtes
4
Clarinette, Guitare (duo)
3
Hautbois, Basson (duo)
3
Hautbois (partie séparée)
3
Saxophone Tenor et Piano
3
Ensemble de Clarinettes
3
Clarinette
3
3 Clarinettes (trio)
2
Saxophone Soprano et Piano
2
2 Flûte à bec (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Saxophone (duo)
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Tenor
1
2 Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
3 Saxophones (trio)
1
Hautbois, Violon, Piano
1
Flûte à bec Soprano
1
Flûte, Clarinette, Violon (trio)
1
Quintette de Flûte : 5 flûtes
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
+ 45 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone (partie séparée)
11
Trompette (partie séparée)
7
Trompette
5
Trombone et Piano
5
2 Trompettes (duo)
4
Trompette, Piano
3
Cor et Piano
3
Quatuor de cuivres: 4 cors
3
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
Tuba
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Trombone
2
Trombone basse
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
1
Cor anglais, Piano
1
Tuba et Piano
1
Quatuor de Cuivres
1
2 Euphoniums et 2 Tubas
1
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon et Piano
19
Violoncelle, Piano
15
Violon (partie séparée)
14
Violon, Violoncelle (duo)
9
Harpe
9
Violon
9
Trio à Cordes: violon, alto, violoncelle
8
2 Violons (duo)
7
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Violoncelle
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
4 Violoncelles
3
Alto, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto, Violoncelle (duo)
3
Violon, Alto (duo)
2
Alto seul
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
+ 25 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
319
Orchestre à Cordes
48
Fanfare
28
Ensemble Jazz
25
Orchestre
22
Cloches
22
Ensemble de cuivres
20
Orchestre de chambre
8
Jazz combo
7
Ensemble de Percussions
5
Percussion (partie séparée)
4
Batterie (partie séparée)
2
Vibraphone
1
Batterie
1
+ 9 instrumentations
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Instruments
ACCORDEON
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CITHARE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
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LIVRES
LUTH, THEOR…
MANDOLINE
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OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Piano Trio: piano, violon, violoncelle
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1
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
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Contemporain
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Colin Bayliss
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Piano Trio
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Colin Bayliss
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.
$12.00
Over the River and Through the Woods (Easy Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Sharon Wilson
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Sharon Wilson
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Over the River and Through the
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 2 - SKU: A0.565513 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christmas,Folk,Holiday,Tr...
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Piano Trio Cello,Piano,Violin - Level 2 - SKU: A0.565513 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christmas,Folk,Holiday,Traditional. 8 pages. Sharon Wilson #4639339. Published by Sharon Wilson (A0.565513). Here is a beautiful instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the familiar song written for the Thanksgiving holiday. This gently flowing arrangement is reminiscent of days gone by when the horse and sleigh carried the family over the river and through the woods, to Grandmother's house. . .Both the VIOLIN and CELLO have a turn leading with the melody. With its flowing, yet festive melody, this arrangement will be a valuable addition to your holiday repertoire. Â All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 5-page combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO (1 page each). This arrangement is one of the 10 songs in the collection Holiday Classics (A Collection of 10 Easy Violin and Cello Duets with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Praise Ye the Father (Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Praise Ye the Father
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.565553 By Sharon Wilson. By Friedrich F. Flemming. Arranged by Sharon Wilson. Baroque,Classical,Holida...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.565553 By Sharon Wilson. By Friedrich F. Flemming. Arranged by Sharon Wilson. Baroque,Classical,Holiday,Sacred,Traditional. 12 pages. Sharon Wilson #4786477. Published by Sharon Wilson (A0.565553). Inspired by the stylings of the Baroque masters, this trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) weaves a classical sound throughout the familiar hymn tune FLEMMING. The lyrics typically associated with the tune were written by Elizabeth R. Charles and titled Praise Ye the Father. This bright and festive arrangement is equally fun for all performers as the piece creates a complex intertwining of patterns reminiscent of classical works.The VIOLIN carries the melody for the first verse and half of the second verse, followed by CELLO on melody for the conclusion of the second verse. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 6-page combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO (1 page each) and also a PIANO only score (3 pages). This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 1 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in B flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
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Reminiscent
