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--INSTRUMENTS--
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Piano Trio: piano, violon, violoncelle
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4 partitions trouvées
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1
Stand up for Jesus ( trio for violin, cello and piano )
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
#
Dudley A Tyng and George Duffi
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Phoebe Chen and Phoebe Chen
#
Stand up for Jesus
#
Phoebe Chen
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 3 - SKU: A0.868105 Composed by Dudley A Tyng and George Duffield Jr. Arranged by Phoebe Chen and Phoebe Chen. Christi...
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Piano Trio,String Ensemble - Level 3 - SKU: A0.868105 Composed by Dudley A Tyng and George Duffield Jr. Arranged by Phoebe Chen and Phoebe Chen. Christian,Sacred,World. Score and parts. 12 pages. Phoebe Chen #3675083. Published by Phoebe Chen (A0.868105). The hymn, Stand up for Jesus was written during the great revival of 1858, that came to be known as The work of God in Philadelphia It was based upon the dying words of the Rev. Dudley A. Tyng , one of the most active ministers of the revival, whom died by an accident few days after he preached to five thousand men at a noonday prayer meeting . his sermon was taken from Ephesians chapter 6 . his friend, Dr. George Duffield Jr. wrote this hymn, based upon Tyng's dying words.
$4.99
Soul On Fire
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Piano Trio: piano, violon, violoncelle
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FACILE
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Musique Sacrée
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Christian contemporain
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Third Day
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Stephen DeCesare
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Soul On Fire
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Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.620007 By Third Day. By Brenton Brown, David Carr, Mac Powell, Mark Lee...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.620007 By Third Day. By Brenton Brown, David Carr, Mac Powell, Mark Lee, Matt Maher, and Tai Anderson. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 17 pages. Exultet Music #3101881. Published by Exultet Music (A0.620007). The popular Christian rock song by Third Day has been freshly arranged as a duet for Violin and Cello with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used for many times throughout the liturgical year but especially when the themes are about revival or coming back to God.
$4.99
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
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