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COR ANGLAIS
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FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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BOUZOUKI
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DIDGERIDOO
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PIANO & CLAVIERS
Piano, Voix
1131
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296
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132
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Orgue
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22
1 Piano, 4 mains
8
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7
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
3
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4
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VOIX
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212
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70
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47
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32
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18
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17
Pack Instrumental pour Chorale
9
Voix duo
7
Voix duo, Piano
7
Chorale
4
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3
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2
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2
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2
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2
Soli, choeur mixte et accompagnement
2
Chorale SSATTB
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
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1
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1
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
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37
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32
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32
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31
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29
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26
Clarinette
22
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20
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19
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16
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15
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9
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1
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1
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1
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1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trombone et Piano
43
Trompette (partie séparée)
33
Trombone (partie séparée)
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
24
Trompette, Piano
17
Cor (partie séparée)
13
Cor et Piano
13
Trompette, Saxophone (duo)
11
Euphonium, Piano (duo)
11
Cor anglais, Piano
10
2 Trombones (duo)
9
Trompette, Trombone (duo)
8
Trombone
7
Cor
7
2 Trompettes (duo)
6
Tuba (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
6
Ensemble de Trombones
5
Tuba
4
Quatuor de cuivres: 4 cors
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Tuba et Piano
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2 Euphoniums et 2 Tubas
3
2 Cors (duo)
2
4 Tubas
2
Cor Anglais
2
Euphonium
2
2 Tubas (duo)
2
Trombone, Tuba (duo)
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Cor et Orgue
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Trompette, Euphonium (duo)
1
3 Trombones (trio)
1
Cor anglais et Harpe (duo)
1
3 Cors (trio)
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Quatuor de cuivres: 4 trompettes
1
Trombone, Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon et Piano
47
Violon
39
Harpe
35
Violoncelle, Piano
34
Alto, Piano
28
Violoncelle
25
Trio à Cordes: violon, alto, violoncelle
23
Violon, Violoncelle (duo)
18
2 Violons (duo)
17
Violon (partie séparée)
13
Alto (partie séparée)
9
2 Violoncelles (duo)
9
Violon, Alto (duo)
8
Contrebasse (partie séparée)
8
Alto seul
6
2 Altos (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Harpe, Flûte (duo)
3
Violoncelle (partie séparée)
3
Harpe, Violon, Violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contre Basse
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Contrebasse, Piano (duo)
2
Alto, Guitare (duo)
2
4 Violoncelles
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Violoncelle, Contrebasse (duo)
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Piano Trio: Violon, Alto, Piano
1
Alto, Orgue
1
Trio à cordes: 3 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
281
Orchestre
90
Ensemble Jazz
82
Orchestre à Cordes
57
Fanfare
46
Orchestre de chambre
34
Ensemble de cuivres
31
Batterie (partie séparée)
13
Cloches
12
Batterie
8
Ensemble d'École
5
Percussion (partie séparée)
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Quintette à Vent
2
Xylophone
2
Marimba
2
Jazz combo
2
Ensemble de Percussions
2
Xylophone, Piano
1
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AUTRES
Formation musicale - Solfège
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Piano Trio: piano, violon, violoncelle
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Jacques Leguerney: Trio for violin, violoncello and piano
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.5333…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.â€The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition.
$25.95
23.53 €
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Piano Trio: piano, violon, violoncelle
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Jacques Leguerney
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Jacques Leguerney: Trio for violin, violoncello and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Trio in C minor, Op. 143
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.55 €
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Piano Trio: piano, violon, violoncelle
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio in E flat major, Op. 2
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.55 €
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Piano Trio: piano, violon, violoncelle
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op. 2
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Artaria Editions
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SheetMusicPlus
Dance Suite for piano trio - Score Only
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 4 - Digital Download SKU: A0.1363996 By Myrto A.Kostaropoulou. B…
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Piano Trio - Level 4 - Digital Download SKU: A0.1363996 By Myrto A.Kostaropoulou. By Myrto A.Kostaropoulou. 20th Century. 18 pages. Myrto A.Kostaropoulou #948318. Published by Myrto A.Kostaropoulou (A0.1363996). Three dances for piano trio. A Violin, a cello and a piano rigorously combine their voices, to produce a modern sound and challenge dancers to follow with their moves.
$25.00
22.67 €
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Piano Trio: piano, violon, violoncelle
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Myrto A
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Dance Suite for piano trio - Score Only
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Myrto A.Kostaropoulou
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SheetMusicPlus
The Little Shepherd for piano trio
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.5324…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.532495 Composed by Claude Debussy. Arranged by Klas Krantz. 20th Century,Classical. Score and parts. 6 pages. Amadeus Music #6334383. Published by Amadeus Music (A0.532495). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. This edtition is carefully edited and some errors in the original edition has been corrected in the music.
$6.95
6.3 €
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Piano Trio: piano, violon, violoncelle
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Claude Debussy
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Klas Krantz
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The Little Shepherd for piano trio
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Amadeus Music
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SheetMusicPlus
An Elegy for Hopes and Dreams
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed…
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
25.38 €
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Piano Trio: piano, violon, violoncelle
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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