Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata a minor
Non classifié
186
Piano & claviers
Piano seul
311
Piano Facile
25
Orgue
11
Piano, Voix
6
1 Piano, 4 mains
5
Clavecin
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Instruments en Do
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
35
2 Guitares (duo)
20
Guitare notes et tablatures
20
3 Guitares (trio)
3
Banjo
2
Piano, Guitare (duo)
2
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
3
Chorale Unison
1
Vents
Flûte et Guitare
41
Flûte traversière
34
Flûte traversière et Piano
31
Clarinette et Piano
23
2 Flûtes traversières (duo)
19
Saxophone Alto et Piano
18
Hautbois, Piano (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Saxophones: 4 saxophones
13
Saxophone Tenor et Piano
11
2 Saxophones (duo)
11
Flûte à Bec
10
2 Clarinettes (duo)
10
Flûte, Hautbois, Clarinette (trio)
9
Quintette de Saxophone: 5 saxophones
8
Saxophone Baryton, Piano
8
2 Flûte à bec (duo)
7
Trio de Flûtes: 3 flûtes
7
Clarinette
6
3 Saxophones (trio)
6
Saxophone Soprano et Piano
6
Ensemble de Clarinettes
6
Clarinette Basse, Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Quintette de Clarinettes: 5 clarinettes
5
Cor anglais, Piano
5
3 Clarinettes (trio)
4
Saxophone Alto
3
Saxophone
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Flûte : 5 flûtes
2
Flûte à bec Alto, Basse continue
2
5 Flûtes à bec
1
Clarinette, Basson (duo)
1
Flûte traversière, Basse continue
1
Ensemble à vent
1
Ensemble de Flûtes
1
Flûte à bec Alto, Piano
1
Flûte, Basson et Piano
1
Flûte, Clarinette et Basson
1
3 Flûtes à bec (trio)
1
Flûte irlandaise
1
2 Flûtes, Basse continue
1
Hautbois (partie séparée)
1
Flûte à bec Soprano, Piano
1
Saxophone (partie séparée)
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
+ 48 instrumentations
Retracter
Cuivres
Trombone et Piano
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trompette, Piano
10
Euphonium, Piano (duo)
9
Tuba et Piano
7
2 Trompettes (duo)
6
Cor et Piano
6
Trompette
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor anglais, Piano
5
2 Trombones (duo)
3
Ensemble de Cors
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres
3
3 Euphoniums
2
2 Cors (duo)
2
Trombone
2
Trio de Cuivres
1
Trompette, Cor (duo)
1
4 Tubas
1
Tuba
1
Cor
1
Ensemble de Trompettes
1
Euphonium
1
3 Tubas (trio)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 trombones
1
3 Trompettes (trio)
1
Trombone, Cor (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
+ 28 instrumentations
Retracter
Cordes
Violon et Piano
55
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violoncelle, Piano
45
Violon
36
Alto, Piano
28
Violoncelle
19
2 Violons (duo)
16
Trio à Cordes: 2 violons, violoncelle
10
Trio à Cordes: violon, alto, violoncelle
8
Violon (partie séparée)
7
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle, Basse continue
6
Contrebasse, Piano (duo)
6
Harpe
5
Alto seul
5
2 Altos (duo)
5
Contre Basse
5
Violon, Alto (duo)
5
Violon, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle (partie séparée)
3
4 Violoncelles
3
Violoncelle , Guitare (duo)
3
Alto (partie séparée)
2
Violon, Basse continue
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
2 Contrebasses (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
11
Orchestre à Cordes
10
Orchestre
9
Orchestre d'harmonie
4
Ensemble Jazz
3
Ensemble de Percussions
2
Ensemble de cuivres
2
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
3
Librairie Musicale
13
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Sonata a minor
Piano Trio: piano, violon, violoncelle
Partitions à imprimer
3 partitions trouvées
<
1
Piano Trio in C minor, Op. 143
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in C minor, Op. 143
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...
(+)
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Pathetique Sonata
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Derek STUART-CLARK
#
Derek STUART-CLARK
#
Pathetique Sonata
#
DEREK STUART-CLARK
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1375970 By Derek STUART-CLARK. By Ludwig van Beethoven. Arranged by Derek STUART-CLARK. Chamber,Classi...
(+)
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1375970 By Derek STUART-CLARK. By Ludwig van Beethoven. Arranged by Derek STUART-CLARK. Chamber,Classical. 16 pages. DEREK STUART-CLARK #960522. Published by DEREK STUART-CLARK (A0.1375970). The slow movement from Beethoven's C minor piano sonata Pathetique arranged as a piano trio.
$12.00
Piano Trio in E flat major, Op. 2
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in E flat major, Op
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
(+)
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Sonata a minor
