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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : TECHNIQUES
NOËL
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POLKA
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188
PIANO & CLAVIERS
Piano seul
395
Orgue
9
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8
1 Piano, 4 mains
4
Instruments en Do
4
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4
Piano Trio: piano, violon, violoncelle
3
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2
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1
Clavecin
1
Piano grosses notes
1
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GUITARES
Guitare
51
Guitare notes et tablatures
18
2 Guitares (duo)
6
Banjo
2
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
Orchestre à Plectres
1
2 Mandolines (duo)
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
3
VENTS
Flûte traversière
59
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39
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27
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20
Saxophone Alto et Piano
16
Flûte à Bec
14
2 Flûtes traversières (duo)
14
Flûte et Guitare
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
2 Saxophones (duo)
8
Saxophone Soprano et Piano
8
2 Clarinettes (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone
6
Saxophone Tenor et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Ensemble de Clarinettes
5
Clarinette
5
3 Saxophones (trio)
4
Flûte traversière, Basse continue
4
Clarinette Basse, Piano
4
Clarinette (partie séparée)
4
Saxophone Baryton, Piano
4
Ensemble de Flûtes
3
Hautbois (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Cor anglais, Piano
2
3 Clarinettes (trio)
2
Flute (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
2 Hautbois (duo)
2
Saxophone (partie séparée)
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Alto
1
Flûte, Violon
1
Clarinette, Violon (duo)
1
Ensemble à vent
1
Flûte à bec Alto, Piano
1
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1
Flûte à bec Alto, Basse continue
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1
2 Flûtes traversières, Piano
1
2 Cors Anglais Et Pianoforte
1
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1
Quintette de Flûte : 5 flûtes
1
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CUIVRES
Trombone et Piano
11
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7
Euphonium, Piano (duo)
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Trompette
6
Tuba et Piano
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
2 Trompettes (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor
4
Trompette, Piano
3
Cor anglais, Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trombones (duo)
2
Tuba
2
Trompette, Trombone (duo)
2
Trombone (partie séparée)
1
2 Cors (duo)
1
2 Euphoniums (duo)
1
Cor (partie séparée)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Tuba (partie séparée)
1
Ensemble de Cors
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
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CORDES
Violon
76
Violon et Piano
59
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violoncelle, Piano
35
Alto, Piano
28
Violoncelle
22
Violon (partie séparée)
15
Alto seul
9
2 Violons (duo)
8
Alto (partie séparée)
7
Harpe
7
Violon, Alto (duo)
6
Violoncelle (partie séparée)
6
2 Violoncelles (duo)
5
Contrebasse (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
4
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
3
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Violoncelle, Basse continue
2
Alto, Violoncelle (duo)
1
Violon, Basse continue
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
2 Contrebasses (duo)
1
Violoncelle, Orchestre
1
Violon, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre de chambre
30
Orchestre à Cordes
24
Orchestre
11
Orchestre d'harmonie
10
Ensemble de cuivres
1
Marimba
1
Percussion (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Sonata in E
Piano Trio: piano, violon, violoncelle
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Piano Trio in E flat major, Op. 2
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.34 €
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Piano Trio: piano, violon, violoncelle
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Ferdinand Ries
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Dianne James
#
Piano Trio in E flat major, Op. 2
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Artaria Editions
#
SheetMusicPlus
Piano Trio in C minor, Op. 143
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.34 €
#
Piano Trio: piano, violon, violoncelle
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in C minor, Op. 143
#
Artaria Editions
#
SheetMusicPlus
Présence
Piano Trio: piano, violon, violoncelle
Piano trio - Digital Download SKU: S9.Q2798 Ballet blanc in five scenes for viol…
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Piano trio - Digital Download SKU: S9.Q2798 Ballet blanc in five scenes for violin, cello and piano. Composed by Bernd Alois Zimmermann. This edition: performance score. Downloadable, Performance score. Duration 30 minutes. Schott Music - Digital #Q2798. Published by Schott Music - Digital (S9.Q2798). In addition to his extensive musical expertise, Bernd Alois Zimmermann was also extremely knowledgeable in other fields, above all in philosophy and literature. The composer had devoted himself intensely to the concept of time within the area of philosophy: he became famous for his concept of the “sphericality of timeâ€. In his work Présence, apparently disparate elements are pulled together in an all-embracing simultaneity. The three instrumentalists are assigned literary figures who can all be considered as constants in Zimmermann’s Å“uvre: Ubu Roi (piano), a voracious grotesquely caricatured tyrant from Alfred Jarry’s absurd play, Miguel de Cervantes’ Don Quijote (violin) and Molly Bloom (cello) from James Joyce’s ground-breaking novel Ulysses. The instrumentalists are accompanied by a silent (!) “speaker†who hisses so-called “word emblems†from Paul Poertner’s volume of poems Wurzelwerk between the movements. The word emblem for Scene 3 incorporating musical quotations from Prokofiev’s Piano Sonata Op. 83 and Stockhausen’s Zeitmaße is: “Alle Wahrvögel nisten in einem einzigen Baum†[All true birds nest in a single tree].
$57.99
52.26 €
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Piano Trio: piano, violon, violoncelle
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Bernd Alois Zimmermann
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Présence
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Schott Music - Digital
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SheetMusicPlus
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