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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There Was a Life
Non classifié
267
Piano & claviers
Piano seul
112
Piano, Voix
78
Piano, Voix et Guitare
18
Piano Facile
10
Instruments en Do
7
Orgue
6
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
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Guitares
Guitare
6
Basse electrique
3
Mandoline
2
Guitare notes et tablatures
2
2 Guitares (duo)
2
Ensemble de guitares
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
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Voix
Chorale SATB
68
Chorale TTBB
11
Voix Alto, Piano
11
Chorale SSAA
9
Chorale 3 parties
9
Voix duo, Piano
4
Voix Baryton, Piano
4
Voix seule
4
Chorale 2 parties
4
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix Tenor
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix basse
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Quintette de Saxophone: 5 saxophones
52
2 Saxophones (duo)
28
Flûte traversière et Piano
26
Hautbois, Piano (duo)
19
Saxophone Tenor et Piano
18
Clarinette et Piano
17
Saxophone Alto et Piano
17
Saxophone, Clarinette (duo)
16
Saxophone Soprano et Piano
15
2 Clarinettes (duo)
14
Cor anglais, Piano
12
Clarinette, Violon (duo)
12
Saxophone Baryton, Piano
11
2 Flûtes traversières (duo)
11
Flûte, Clarinette (duo)
9
Clarinette Basse, Piano
9
Clarinette, Trompette (duo)
8
Clarinette
8
Ensemble de Clarinettes
7
Hautbois, Flûte
6
Flûte, Saxophone (duo)
6
Clarinette et Alto
6
Flûte, Violon
6
Quintette de Flûte : 5 flûtes
5
Hautbois, Clarinette (duo)
5
Flûte, Trompette (duo)
5
2 Hautbois (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Hautbois, Basson (duo)
5
Ensemble de Flûtes
4
Flûte, Alto (duo)
4
Quatuor de Saxophones: 4 saxophones
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte traversière
2
Piccolo, Piano
2
Saxophone Alto
2
Flûte à bec Soprano
2
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violoncelle
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone (partie séparée)
1
Saxophone Tenor
1
Ensemble de saxophones
1
Flûte, Violon, Piano
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois (partie séparée)
1
Flûte et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 49 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone et Piano
15
Euphonium, Piano (duo)
13
Cor anglais, Piano
12
Trompette, Saxophone (duo)
10
Cor et Piano
10
Trompette
10
Trompette, Piano
6
Trompette, Trombone (duo)
6
2 Trombones (duo)
5
2 Trompettes (duo)
5
Ensemble de Trombones
5
Quatuor de Cuivres
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba
3
Ensemble de Trompettes
3
Trio de Cuivres
2
Tuba et Piano
2
Trombone
2
2 Cors (duo)
1
Ensemble de Cors
1
2 Tubas (duo)
1
+ 18 instrumentations
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Cordes
Violon et Piano
33
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violoncelle, Piano
20
Alto, Piano
19
Violon
7
Violon, Alto (duo)
7
2 Violons (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble d'Altos
5
2 Violoncelles (duo)
5
2 Altos (duo)
5
Ensemble de Violons
5
Violoncelle
4
Violon, Violoncelle (duo)
4
Harpe
4
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe, Voix
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
37
Orchestre
20
Orchestre à Cordes
15
Orchestre de chambre
13
Ensemble de cuivres
10
Ensemble Jazz
5
Cloches
4
Vibraphone et Marimba
1
Jazz combo
1
+ 4 instrumentations
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Autres
Instruments
ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
There Was a Life
Piano Trio: piano, violon, violoncelle
Partitions à imprimer
4 partitions trouvées
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Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
Constantly Abiding (for violins, cello and piano)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Anne S
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Sylvia Hung
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Constantly Abiding
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Notes of Delight
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1012276 Composed by Anne S. Murphy. Arranged by Sylvia Hung. Christian,...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1012276 Composed by Anne S. Murphy. Arranged by Sylvia Hung. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 15 pages. Notes of Delight #6382903. Published by Notes of Delight (A0.1012276). This all time Christian hymn was arranged for piano, violins and cello. Perfect for all church occasions, hymnal presentation or regular worship. The performance duration is around 3:10Constantly Abiding (Anne E.Murphy)There’s a peace in my heart that the world never gave,A peace it cannot take away; Though the trials of lifemay surround like a cloud, I’ve a peace that has come here to stay !All the world seemed to sing of a Saviour and King,When peace sweetly came to my heart; Troubles all fled away and my night turned to day,Blessed Jesus, how glorious Thou art!This treasure I have in a temple of clay, While here on His footstool I roam; But He’s coming to take me some glorious day, Over there to my heavenly home!Refrain:Constantly abiding, Jesus is mine; Constantly abiding, rapture divine; He never leaves me lonely, whispers, oh, so kind:I will never leave thee Jesus is mine.About Sylvia Hung / Notes of Delight MusicSylvia Hung is a Toronto-based Christian Church composer/arranger/pianist, she has been arranging and composing numerous pieces for various choir group and ensembles over the past 20 years, including weddings, hymnal services presentation and performances on special occasion. She has also served in church as a pianist /choir conductor/ ensemble director. Please visit her music at https://sylviahungmusic.ca
$6.99
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
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There Was a Life
