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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To Sit And Dream
Non classifié
104
Piano & claviers
Piano seul
102
Piano Facile
52
Piano, Voix
35
Piano, Voix et Guitare
27
Orgue
8
Instruments en Do
8
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
16
Guitare
6
Basse electrique
2
2 Guitares (duo)
2
Voix
Pack Instrumental pour Chorale
57
Chorale SATB
29
Chorale 3 parties
21
Chorale 2 parties
14
Chorale TTBB
10
Chorale Unison
6
Chorale SSAA
4
Chorale
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
+ 5 instrumentations
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Vents
Flûte traversière et Piano
28
Clarinette et Piano
26
Saxophone Alto et Piano
16
Hautbois, Piano (duo)
12
Saxophone Soprano et Piano
11
Flute (partie séparée)
8
Quatuor de Saxophones: 4 saxophones
7
Hautbois (partie séparée)
6
Clarinette (partie séparée)
6
2 Flûtes traversières (duo)
5
Cor anglais, Piano
5
2 Clarinettes (duo)
5
Clarinette
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte, Hautbois, Clarinette, Basson
4
Flûte traversière
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Tenor et Piano
3
Hautbois, Basson (duo)
2
Flûte, Violoncelle
2
Saxophone Alto
2
Clarinette, Harpe (duo)
2
Clarinette, Guitare (duo)
2
Clarinette, Violon (duo)
2
Hautbois, violon (duo)
2
Hautbois, Violoncelle
2
Clarinette, Basson (duo)
2
Saxophone Baryton, Piano
2
Quintette de Saxophone: 5 saxophones
2
Saxophone
1
Flûte et Guitare
1
Flûte, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Trompette (duo)
1
Hautbois et alto (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Flute, harpe et violon
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Contrebasse (duo)
1
Saxophone (partie séparée)
1
2 Hautbois (duo)
1
Flûte, Alto (duo)
1
Clarinette, Tuba
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois, Basson
1
Clarinette Basse, Piano
1
Flûte, Tuba (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Trombone (duo)
1
+ 52 instrumentations
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Cuivres
Cor et Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Piano
8
Trombone et Piano
7
Trombone (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette (partie séparée)
5
Cor anglais, Piano
5
Cor (partie séparée)
4
Tuba et Piano
4
2 Trompettes (duo)
4
Trompette
4
Quatuor de cuivres: 4 trompettes
3
Tuba
3
Cor
2
Trombone
2
Trompette, Basson (duo)
2
Tuba (partie séparée)
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres
1
Trompette, Tuba (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle (duo)
1
2 Trombones (duo)
1
Trompette, Cor (duo)
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone, Violon (duo)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
24
Violoncelle, Piano
24
Alto, Piano
17
Trio à Cordes: violon, alto, violoncelle
12
Violon
11
Violon (partie séparée)
10
Violon, Violoncelle (duo)
9
Alto (partie séparée)
7
2 Violons (duo)
6
Harpe
6
Contrebasse, Piano (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle
4
Contre Basse
3
Alto, Violoncelle (duo)
3
Alto seul
3
Contrebasse (partie séparée)
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
1
Alto et Basson
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes: 4 violons
1
2 Violoncelles (duo)
1
Violon, Basson (duo)
1
Harpe, Flûte (duo)
1
+ 31 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
46
Ensemble Jazz
22
Orchestre
20
Orchestre à Cordes
13
Ensemble de cuivres
3
Ensemble de Percussions
3
Cloches
2
Orchestre de chambre
2
Percussion (partie séparée)
2
Vibraphone (partie séparée)
1
Marimba
1
Jazz combo
1
+ 7 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
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To Sit And Dream
Piano Trio: piano, violon, violoncelle
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Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
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Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
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