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401
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194
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153
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146
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111
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20
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11
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3
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3
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2
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1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
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1
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95
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63
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62
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37
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14
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3
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42
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34
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28
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25
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11
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22
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21
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20
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15
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14
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13
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11
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10
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8
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7
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6
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6
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1
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1
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1
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20
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10
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9
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7
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6
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5
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5
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4
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3
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3
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2
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2
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1
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1
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1
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19
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18
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14
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11
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6
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5
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3
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3
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3
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3
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Piano Trio: piano, violon, violoncelle
Partitions à imprimer
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Grieg - Wedding-day at Troldhaugen / Hochzeitstag auf Troldhaugen op.65 no. 6 for pianotrio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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HJ Bosma
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Grieg - Wedding-day at Troldha
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HJ Bosma
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SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - SKU: A0.799105 Composed by Edvard Grieg. Arranged by HJ Bosma. Concert,Romantic Period,Wedding. Score and parts. ...
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Piano Trio,String Ensemble - Level 4 - SKU: A0.799105 Composed by Edvard Grieg. Arranged by HJ Bosma. Concert,Romantic Period,Wedding. Score and parts. 19 pages. HJ Bosma #5320619. Published by HJ Bosma (A0.799105). Hochzeitstag at Troldhaugen / Wedding-day at troldhaugen. From Grieg's Lyrische Stucke opus 65 no.6. .
$7.99
Away In a Manger for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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the 1880's the cradle song was
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Mueller
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James M
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Away In a Manger for Piano Tri
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3...
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Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3 (A0.548637). Arranged for Piano Trio with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
First Love - 1st Movement
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99
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