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TRI ET FILTRES
Tri et filtres :
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PIANO & CLAVIERS
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Instruments en Do
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Piano Trio: piano, violon, violoncelle
19
Piano Facile
14
1 Piano, 4 mains
9
Accompagnement Piano
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Piano Quatuor: piano, violon, alto, violoncelle
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Orgue, Trompette (duo)
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2 Pianos, 4 mains
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1
Piano (partie séparée)
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GUITARES
Guitare
82
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
11
Ukulele
11
Piano, Guitare (duo)
10
Basse electrique
9
2 Guitares (duo)
8
4 Guitares (Quatuor)
5
Mandoline
4
2 Mandolines (duo)
2
Banjo
2
Ensemble de guitares
2
3 Guitares (trio)
1
Dulcimer
1
Paroles et Accords
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
261
Chorale 3 parties
75
Chorale TTBB
45
Chorale SSAA
32
Chorale 2 parties
18
Chorale Unison
14
Voix duo, Piano
14
Voix Alto, Piano
14
Voix haute
5
Chorale
3
Voix moyenne, Piano
3
Voix duo
3
Voix seule
2
Voix Soprano, Piano
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
188
Flûte traversière et Piano
183
2 Saxophones (duo)
170
Clarinette et Piano
167
Saxophone Alto et Piano
105
Quatuor de Clarinettes: 4 clarinettes
103
Hautbois, Piano (duo)
101
Quatuor de Saxophones: 4 saxophones
98
Quintette de Saxophone: 5 saxophones
95
Flûte, Hautbois, Clarinette, Basson
95
Saxophone, Clarinette (duo)
79
2 Clarinettes (duo)
76
Saxophone Soprano et Piano
74
2 Flûtes traversières (duo)
63
Saxophone Tenor et Piano
56
Ensemble de saxophones
56
Ensemble de Clarinettes
55
Clarinette, Violon (duo)
54
Clarinette, Trompette (duo)
46
Cor anglais, Piano
41
Saxophone Baryton, Piano
36
Quatuor de Flûtes : 4 flûtes
35
2 Hautbois (duo)
35
Ensemble de Flûtes
34
Flûte, Clarinette (duo)
33
Clarinette
31
Hautbois, Clarinette (duo)
29
Hautbois, Basson (duo)
28
Flûte, Violon
27
Clarinette et Alto
27
Hautbois, Flûte
26
Quintette de Clarinettes: 5 clarinettes
26
Clarinette Basse, Piano
26
Flûte, Saxophone (duo)
22
Flûte, Trompette (duo)
22
Saxophone Alto
21
Flûte traversière
20
Ensemble De Flûte à bec
20
Flûte, Alto (duo)
17
3 Saxophones (trio)
15
Quintette de Flûte : 5 flûtes
14
Saxophone (partie séparée)
14
Hautbois (partie séparée)
14
3 Clarinettes (trio)
11
Flûte et Guitare
11
Saxophone Tenor
11
2 Flûte à bec (duo)
9
Cor Anglais
9
Flûte à bec Soprano
9
Quatuor de Flûtes à bec
7
Saxophone
6
Clarinette, Basson (duo)
6
Flûte, Clarinette et Basson
5
Clarinette, Guitare (duo)
5
Clarinette, Violoncelle (duo)
5
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4
Flûte, Violon et Violoncelle
3
Flûte à bec Soprano, Piano
3
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3
Trio de Flûtes: 3 flûtes
3
Piccolo, Piano
3
Flûte, Violoncelle
3
Saxophone et Guitare
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Piano
3
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
2
Saxophone et Harpe
2
5 Flûtes à bec
1
Clarinette Basse
1
Flûte, Trombone (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Alto et Piano
1
Flûte à bec Alto
1
Flûte, Basson et Piano
1
Hautbois, Guitare (duo)
1
Flûte traversière, Orgue (duo)
1
Flute (partie séparée)
1
Hautbois, Harpe
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Basson
1
Cor anglais, Guitare (duo)
1
Flûte à Bec, Piano
1
3 Hautbois
1
Flûte traversière, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Ensemble à vent
1
Flûte, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
189
Quatuor de Cuivres : 2 trompettes, trombone, tuba
159
Trombone et Piano
73
Cor et Piano
63
Trompette, Piano
62
Trompette, Saxophone (duo)
58
Trompette
48
Cor anglais, Piano
41
Euphonium, Piano (duo)
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
2 Trompettes (duo)
36
2 Trombones (duo)
35
Trompette, Trombone (duo)
29
Ensemble de Trombones
20
Ensemble de Trompettes
19
Tuba et Piano
18
Trombone
17
Quatuor de Cuivres
14
Cor
13
Quatuor de cuivres: 4 trombones
11
Trompette (partie séparée)
9
Cor Anglais
9
Tuba
8
Quatuor de cuivres: 4 cors
8
2 Cors (duo)
6
Ensemble de Cors
6
4 Tubas
6
Quatuor de cuivres: 4 trompettes
4
Trompette, Harpe
2
3 Tubas (trio)
2
Trombone, Tuba (duo)
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
3 Trompettes (trio)
2
Euphonium
2
Trombone, Cor (duo)
2
2 Tubas (duo)
2
2 Euphoniums et 2 Tubas
2
Cor et Harpe
2
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
3 Cors (trio)
1
Trio de Cuivres
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
Cor et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
273
Violon et Piano
201
Violoncelle, Piano
153
Alto, Piano
149
Violon, Violoncelle (duo)
89
Trio à Cordes: 2 violons, violoncelle
62
Trio à Cordes: violon, alto, violoncelle
51
2 Violons (duo)
46
Violon
45
2 Violoncelles (duo)
43
2 Altos (duo)
38
Violon, Alto (duo)
35
Violoncelle
27
Harpe
25
2 Harpes (duo)
23
Contrebasse, Piano (duo)
20
Alto seul
18
4 Violoncelles
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Ensemble de Violons
12
Contre Basse
12
Ensemble d'Altos
10
Violon, Guitare (duo)
8
Alto (partie séparée)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 3 violoncelles
4
Harpe, Voix
3
Alto, Violoncelle (duo)
3
Violon (partie séparée)
2
Alto et Harpe
2
Alto, Guitare (duo)
2
Harpe, Violon, Violoncelle
2
Violoncelle, Contrebasse (duo)
2
4 Contrebasses
2
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Orgue
2
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
241
Orchestre
118
Orchestre à Cordes
115
Ensemble de cuivres
80
Ensemble Jazz
46
Orchestre de chambre
37
Cloches
23
Jazz combo
14
Ensemble de Percussions
12
Fanfare
11
Batterie
6
Vibraphone
3
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Marimba
1
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AUTRES
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Le Villi Scena e Romanza, "Se come voi piccina io fossi" (Anna)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262243 Composed by Giacomo …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262243 Composed by Giacomo Puccini. Arranged by George Dousis. 19th Century,Chamber,Classical,Opera,Romantic Period. Score and Parts. 31 pages. George Dousis #855092. Published by George Dousis (A0.1262243). The aria has been reduced in orchestration and adapted to 7 instruments, transcribed directly from the original. This version is written in D major. It is also available in the original tone on my site. You can listen to the demo as it was performed in a different language.
$7.99
7.24 €
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Orchestre de chambre
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Giacomo Puccini
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George Dousis
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Le Villi Scena e Romanza, "Se come voi piccina io fossi"
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George Dousis
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.24 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.750316 Composed by Eddie Lew…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A0.750316). Hopewell Farmscapes Third Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. While Hopewell Farm was not the first farm Eddie ever visited, it is more common for him to see the farms from outside the fences. As a guest at Hopewell, Eddie had many opportunities to explore the land, accompanying his brother-in-law as he took care of the cattle. Some of this was on foot and sometimes they drove (off road) across the property in a bakkie. The scenes, the smells, the sounds, all of it calls out gladly to welcome you. If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link)
$17.79
16.13 €
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Orchestre de chambre
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Eddie Lewis
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Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
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Tiger Music
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
145.06 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Prelude in C - JS Bach-Gounod (Chamber Ensemble)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.887511 Composed by JS Bach-G…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.887511 Composed by JS Bach-Gounod. Arranged by Boni de Souza. Baroque,Concert,Praise & Worship,Standards,Wedding. Score and parts. 11 pages. De Souza et Music LLP #3681153. Published by De Souza et Music LLP (A0.887511). This arrangement of JS Bach-Gounod's Prelude in C also known as Ave Maria was customised to bring out the best tonal colour of an Octet It is written for a String Quartet (1st Violin, 2nd Violin, Viola, Cello) as well as a Piano Quintet but can be used in a combination comprising Violin 1, Violin 2, Viola, Cello, Flute, Double Bass, Piano and Drums. The level of difficulty is Intermediate. Useful as music for Weddings, Worship, Ceremonies as well as lunchtime or School,College Concerts. The piece would also be very useful as a teaching tool for a small ensemble in schools and colleges. It is appropriate for Public Events or Concerts requiring some easy listening Classical music as it is arranged to appeal to a wide audience.
$21.99
19.94 €
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Orchestre de chambre
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JS Bach-Gounod
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Boni de Souza
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Prelude in C - JS Bach-Gounod
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De Souza et Music LLP
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SheetMusicPlus
Händel: Lascia Ch’io Pianga (for Soprano, String Orchestra, Archlute, Lute and Continuo)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.586731 By George Frideric Ha…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.586731 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Opera. Score and parts. 32 pages. FRC Music #195979. Published by FRC Music (A0.586731). DESCRIPTION Lascia ch'io pianga (Let me with tears), from the opera Rinaldo, is one of the most famous and beautiful arias of the Baroque period. Its first performance was in 1711 in London. It was composed by the German composer Georg Friedrich Händel. Although he used this tune as early as 1705, in the oratorio Il Trionfo del Tempo e del Disinganno – Lascia la spina, cogli la rosa, with the libretto by Giacomo Rossi a masterpiece was created – Lascia ch'io pianga. The soprano part was based on the film Farinelli. INSTRUMENTS Harpsichord, Violin, Viola, Cello, Double Bass, Soprano Voice, String Orchestra, Chamber Orchestra, Soprano, Strings, Archlute, Lute and Continuo.
$18.99
17.22 €
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Orchestre de chambre
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George Frideric Handel
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Flavio Regis Cunha
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Händel: Lascia Ch’io Pianga
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FRC Music
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SheetMusicPlus
LASCIA CH’IO PIANGA (for Soprano, String Orchestra, Archlute, Lute and Continuo)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597301 Composed by George Fr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597301 Composed by George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Opera,Standards,Wedding. Score and parts. 32 pages. Flavio Regis Cunha #5297443. Published by Flavio Regis Cunha (A0.597301). Lascia ch'io pianga (Let me with tears), from the opera Rinaldo, is one of the most famous and beautiful arias of the Baroque period. Its first performance was in 1711 in London. It was composed by the German composer Georg Friedrich Händel. Although he used this tune as early as 1705, in the oratorio Il Trionfo del Tempo e del Disinganno – Lascia la spina, cogli la rosa, with the libretto by Giacomo Rossi a masterpiece was created – Lascia ch'io pianga. The soprano part was based on the film Farinelli.
$12.99
11.78 €
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Orchestre de chambre
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George Frideric Handel
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Flavio Regis Cunha
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LASCIA CH’IO PIANGA
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Flavio Regis Cunha
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SheetMusicPlus
Pas de Deux (Don Quixote)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.842956 Composed by Ludwig Mi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.842956 Composed by Ludwig Minkus. Arranged by Dico. Romantic Period,Wedding. Score and parts. 50 pages. Dico #6427429. Published by Dico (A0.842956). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PAS DE DEUX (DON QUIXOTE) - for small orchestra. As the arrangement was made for a wedding ceremony, it was designed for a small number of musicians. If necessary, the percussion part can be performed by 1 musician on a drum set, or play the timpani part only.Score | Fl (picc) | Ob | Hrn | Tpt 1, 2 | Tbn 1, 2 | Perc | Pno | Str
$28.00
25.39 €
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Orchestre de chambre
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Ludwig Minkus
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Dico
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Pas de Deux
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Dico
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SheetMusicPlus
Via Crucis (The Way of the Cross) (Calea Crucii) - miniature on religious theme for oboe and strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.912982 Composed by Andrei-Lu…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian Dragoi #3054507. Published by Andrei-Lucian Dragoi (A0.912982). 2017 Chamber Music Contest EntryThis piece is a miniature (on a religious theme) for oboe and strings orchestra. It is related to Easter, as it evokes Jesus Christ walking on the way to his crucifixion on the so-called Via Dolorosa.This work was first played at the Romanian Atheneum in April 2015:https://www.youtube.com/watch?v=TgjBJARkpRghttps://www.youtube.com/watch?v=pERhBUpIn9IFor other compositions in audio format see my website:http://muzm.dragoii.com/ Music by: Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) Video score on YouTube at URL: https://www.youtube.com/watch?v=UePIaKwhzoA.
$3.00
2.72 €
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Orchestre de chambre
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Andrei-Lucian Dragoi
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Via Crucis
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Andrei-Lucian Dragoi
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SheetMusicPlus
Salvation Is Created
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1360751 By Central Alberta C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1360751 By Central Alberta Chamber Orchestra. By Pavel Grigorievich Chesnokov. Arranged by James Bicigo. 19th Century,Chamber,Christmas,Romantic Period,Sacred. 26 pages. Polar Publications #945244. Published by Polar Publications (A0.1360751). This beautiful choral hymn in the Russian Orthodox style is set here for chamber orchestra. it was performed in December 2023 by the Central Alberta Chamber Orchestra. Long a staple of the band and choir repertoire, now it can be a staple for orchestras as well.
$50.00
45.34 €
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Orchestre de chambre
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Central Alberta Chamber Orchestra
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James Bicigo
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Salvation Is Created
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Polar Publications
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.67 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.92 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.92 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
29.92 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Syzygy | Ethereal Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
2.72 €
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Orchestre de chambre
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Fiona Cork
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N/A
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Syzygy | Ethereal Chamber Orchestra
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Fiona Cork
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SheetMusicPlus
Halloween Prelude for Small Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Biss…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
6.34 €
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Orchestre de chambre
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Mark Bisson
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Halloween Prelude for Small Orchestra
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Mark Bisson
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SheetMusicPlus
Triskel (Orff Instruments & Chamber Orchestra) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1230983 Composed by Rudesind…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1230983 Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score). 21st Century,Celtic,Chamber,Children,Classical,Irish. 47 pages. Publisher by Rudesindo Soutelo #826603. Published by Publisher by Rudesindo Soutelo (A0.1230983). Ao Grupo Instrumental da EB de V.P. de Âncora e à Orquestra ARTEAMRudesindo Soutelo:Triskel (2023) for Orff Instruments and Chamber Orchestra [ca. 7'42]O eixo do mundo / The axis of the worldPremière: 16-V-2023. Teatro dos Bombeiros de Vila Praia de Âncora (Portugal). Int.: Grupo Instrumental Orff da EB de V.P. de Âncora (Prof. Manuela Moura) e Orquestra ARTEAM de Viana do Castelo. Dir.: Diogo Costa.ISWC: T-315.743.482-3ISMN: 979-0-707704-10-3Páginas de amostra / Sample pages: https://www.researchgate.net/publication/370676001=oOo=The Triskel is present in many ancient cultures but it is in the Celtic culture where it has acquired a greater prominence. It represents the power of the Sun, the axis of the world, the original matrix. It is an allegory of the number 3; of the past, present and future; of the Christian Trinity. It evokes the differences in the unity of the great whole, the Universe.The work was originally composed to integrate an Instrumental Group Orff (Glockenspiel Soprano and Alto, Metallophones and Xylophones Soprano, Alto and Bass), from the General Elementary School, as soloists in a Chamber Orchestra. The organising complex of the work is [4 (2, 2), 3 (2, 1)].There is, also, an edition for Marimba and Chamber Orchestra.=oOo=O Triskel está presente em muitas culturas antigas, mas é na cultura celta onde adquiriu um maior relevo. Representa o poder do Sol, o eixo do mundo, a matriz original. É uma alegoria do número 3; do passado, presente e futuro; da Trindade cristã. Evoca as diferenças na unidade do grande todo, o Universo.A obra foi composta originalmente para integrar um Grupo Instrumental Orff (Glockenspiel Soprano e Alto, Metalofones e Xilofones Soprano, Alto e Baixo), do Ensino Básico geral, como solistas de uma Orquestra de Câmara. O complexo organizador da obra é [4 (2, 2), 3 (2, 1)].Existe, ainda, uma edição para Marimba e Orquestra de Câmara.
$10.00
9.07 €
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Orchestre de chambre
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Rudesindo Soutelo
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Triskel
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Backwards Decade
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
7.25 €
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Orchestre de chambre
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Stanley M
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Backwards Decade
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stanleymhoffman.com
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SheetMusicPlus
Serenade in D Minor, 1st Movement (Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by AntoniÌ…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages. NiceChart #4764581. Published by NiceChart (A0.931991). This piece, also known as ‘Serenade for wind instruments, cello, and double bass’, has a strong old-world Slavonic styling. This serenade was written as a dedication to composer and music critic Louis Ehlert, whose positive reviews of Dvořák’s works, helped boost his career in Germany. This arrangement focuses on the first of the four movement work which was labeled as Moderato, quasi marcia. The orchestration alone makes this piece unique and requires many of the instruments found in an orchestra. It is a great choice for ensembles that have players that double on other instruments and as a way to showcase chamber work without excluding too many musicians.To add options to this arrangement, supplemental parts have been included for Piano, Guitar, Timpani, Marimba, Snare Drum, Drum Set, Cymbals and Triangle/Bass Drum.
$50.00
45.34 €
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Orchestre de chambre
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AntoniÌn Dvořák
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Steven Klaus
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Serenade in D Minor, 1st Movement
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NiceChart
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SheetMusicPlus
CHARPENTIER: PRELUDE (From 'Te Deum in D major', H. 146) for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.500957 By Marc-Antoine Charp…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.500957 By Marc-Antoine Charpentier. By Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Wedding. Score and parts. 32 pages. FRC Music #114031. Published by FRC Music (A0.500957). The “Te Deum†(H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704), especially since its “ Prélude en rondeau †was made the Eurovision signature tune. Although Charpentier set the “Te Deum†altogether four times, this is his only setting employing a “military bandâ€, i.e. trumpets and kettledrums. Charpentier considered the key D-major as bright and very warlike; indeed D-major was regarded as the key of glory in Baroque music. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.
$12.99
11.78 €
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Orchestre de chambre
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Marc-Antoine Charpentier
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Flavio Regis Cunha
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CHARPENTIER: PRELUDE
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FRC Music
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SheetMusicPlus
A Dream from the Past
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
22.67 €
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Orchestre de chambre
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
John Field, sonata III (Movement II) orchestrated by Scott Fields Davis
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1036002 Composed by John Fie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1036002 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 113 pages. Scott Fields Davis #641104. Published by Scott Fields Davis (A0.1036002). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the second movement of the third of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. To download the other movement, click the following link: John Field, Sonata III (Movement I) arranged for orchestra by Scott Fields Davis. Â
$15.00
13.6 €
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Orchestre de chambre
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John Field
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Scott Fields Davis
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John Field, sonata III
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Scott Fields Davis
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SheetMusicPlus
John Field, sonata IV movement II orchestrated by Scott Fields Davis
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1036051 Composed by John Fie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1036051 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 91 pages. Scott Fields Davis #641149. Published by Scott Fields Davis (A0.1036051). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. Â
$15.00
13.6 €
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Orchestre de chambre
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John Field
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Scott Fields Davis
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John Field, sonata IV movement II orchestrated by Scott Fields Davis
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Scott Fields Davis
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SheetMusicPlus
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