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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
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PIANO & CLAVIERS
Piano seul
558
Piano, Voix
418
Piano, Voix et Guitare
303
Orgue
161
Piano Facile
76
Instruments en Do
39
Orgue, Trompette (duo)
16
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
4
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Clavecin
1
Clavier
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
100
Guitare notes et tablatures
99
Guitare
76
Paroles et Accords
66
Ukulele
24
Basse electrique
21
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
3
Ukulele Baryton
3
Dulcimer
2
Banjo
2
Mandoline
2
2 Guitares (duo)
1
3 Guitares (trio)
1
Partitions De Groupes
1
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VOIX
Chorale SATB
313
Chorale 3 parties
102
Chorale TTBB
75
Chorale SSAA
34
Chorale 2 parties
28
Chorale
23
Chorale Unison
9
Voix Soprano, Piano
5
Voix seule
3
Voix Tenor, Piano
3
Voix duo
3
Voix Alto, Piano
3
Voix duo, Piano
2
Voix haute
2
Voix basse, Piano
2
Voix moyenne, Piano
2
Voix Soprano
1
Voix Baryton, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
153
Flûte, Hautbois, Clarinette, Basson
137
Quatuor de Clarinettes: 4 clarinettes
135
2 Saxophones (duo)
85
Flûte irlandaise
77
Flûte traversière et Piano
72
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
71
Quintette de Saxophone: 5 saxophones
47
Flûte traversière
43
Clarinette et Piano
43
Clarinette
41
2 Flûtes traversières (duo)
37
2 Clarinettes (duo)
36
Saxophone Alto
35
Saxophone Alto et Piano
32
Hautbois, Piano (duo)
31
Saxophone Tenor
24
Quatuor de Flûtes : 4 flûtes
24
Ensemble de Flûtes
24
2 Hautbois (duo)
22
Saxophone
18
Saxophone Tenor et Piano
17
Quintette de Clarinettes: 5 clarinettes
16
3 Saxophones (trio)
16
Hautbois, Clarinette (duo)
16
Saxophone Soprano et Piano
15
3 Clarinettes (trio)
13
Flûte, Clarinette (duo)
13
Flûte, Hautbois, Clarinette (trio)
13
Saxophone, Clarinette (duo)
13
Ensemble de saxophones
12
Saxophone (partie séparée)
12
Clarinette, Violon (duo)
12
Flûte, Trompette (duo)
10
2 Flûte à bec (duo)
10
Clarinette, Trompette (duo)
10
Saxophone Baryton, Piano
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Hautbois, Basson (duo)
9
Cor anglais, Piano
8
Ensemble de Clarinettes
8
Hautbois
7
Hautbois (partie séparée)
7
Flûte, Hautbois (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte à bec Soprano
6
Saxophone Soprano
6
Quintette de Flûte : 5 flûtes
6
Cor Anglais
5
Hautbois, Flûte
5
Saxophone Baryton
4
Flûte, Violon
4
Flûte, Saxophone (duo)
4
Clarinette, Basson (duo)
4
Flûte et Guitare
4
Clarinette et Alto
4
Flûte, Alto (duo)
3
Flûte à Bec
3
Flûte, Hautbois, Violon
3
Flûte, Clarinette, Piano (trio)
3
Clarinette Basse, Piano
3
2 Clarinettes, Piano
3
Flûte, Clarinette et Basson
3
Clarinette, Harpe (duo)
3
Quatuor de Flûtes à bec
2
Saxophone et Piano
2
5 Flûtes à bec
2
Hautbois, Violoncelle
2
Clarinette, Guitare (duo)
2
Clarinette Basse
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Harpe
1
Clarinette (partie séparée)
1
Flûte, Violon, Piano
1
Ocarina
1
Cor anglais, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano, Piano
1
Flute, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes traversières, Harpe
1
Flûte à bec Alto, Piano
1
Flute (partie séparée)
1
Harmonica
1
Flûte, Violoncelle
1
Clarinette, trompette et piano
1
Hautbois, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte et Trio à cordes
1
Flûte, trombone et piano
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Trompette
36
Trombone
32
2 Trombones (duo)
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trompette, Piano
26
Cor
24
2 Cors (duo)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
2 Trompettes (duo)
21
Trombone et Piano
20
Tuba et Piano
19
Tuba
16
Cor et Piano
14
Trompette, Trombone (duo)
12
2 Tubas (duo)
11
Trompette, Saxophone (duo)
10
Cor anglais, Piano
8
Quatuor de cuivres: 4 cors
7
Quatuor de cuivres: 4 trombones
6
Quatuor de Cuivres
5
Euphonium, Piano (duo)
5
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Cor Anglais
5
Trompette, Cor (duo)
4
Trombone, Orgue
3
3 Trombones (trio)
3
Ensemble de Trompettes
3
Ensemble de Cors
3
3 Trompettes (trio)
3
4 Tubas
2
2 Euphoniums (duo)
2
3 Cors (trio)
1
Cor anglais, Guitare (duo)
1
Cor (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Ensemble de Trombones
1
Trompette, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
271
Violon et Piano
81
Violoncelle, Piano
50
Violon
49
Alto, Piano
42
Violon, Violoncelle (duo)
34
Violoncelle
31
Violon, Alto (duo)
28
Trio à Cordes: violon, alto, violoncelle
28
2 Violons (duo)
28
Harpe
26
2 Violoncelles (duo)
26
Alto seul
24
2 Altos (duo)
19
Trio à Cordes: 2 violons, violoncelle
18
Contrebasse, Piano (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
12
2 Contrebasses (duo)
9
4 Violoncelles
7
Trio à Cordes: 2 violons, alto
5
Harpe, Flûte (duo)
5
2 Harpes (duo)
4
Trio à cordes: 3 violins
4
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon (duo)
3
Contrebasse (partie séparée)
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Alto (partie séparée)
2
Violon, Orgue
2
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
2
Violon (partie séparée)
2
Violoncelle (partie séparée)
1
Violon, Trompette et Piano
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Ensemble de Violons
1
Flûte, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
110
Orchestre
80
Orchestre à Cordes
52
Ensemble Jazz
49
Ensemble de cuivres
38
Cloches
26
Batterie
22
Fanfare
22
Jazz combo
20
Orchestre de chambre
13
Marimba
6
Ensemble de Percussions
5
Xylophone
4
Percussion (partie séparée)
1
Vibraphone
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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Partitions à imprimer
13 partitions trouvées
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1
Ciaccona di Due in C for baroque sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.965230 Composed by Robin Tho…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.965230 Composed by Robin Thomson. Baroque,Contemporary. Score and Parts. 32 pages. Robin Thomson #6430029. Published by Robin Thomson (A0.965230). This is in the Italian style and featuring a typical memorable singable melody that hopefully sticks in everybody’s mind.
$4.95
4.53 €
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Orchestre de chambre
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Robin Thomson
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Ciaccona di Due in C for baroque sextet
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Robin Thomson
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SheetMusicPlus
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00
91.42 €
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Orchestre de chambre
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Arkady Leytush
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Arkady Leytush
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Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
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Arkady Leytush
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SheetMusicPlus
Queen: Heaven For Everyone - chamber ensemble (Transcribed Score)
Orchestre de chambre
Instantly printable sheet music by Queen for chamber ensemble (Transcribed Score) of MEDIU…
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Instantly printable sheet music by Queen for chamber ensemble (Transcribed Score) of MEDIUM skill level. / pop,rock
$9.97
9.12 €
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Orchestre de chambre
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Queen
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Virtualsheetmusic
Quiet Morning
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.758044 Composed by James Bic…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.758044 Composed by James Bicigo. 20th Century,Christmas,Concert,Contemporary. Score and parts. 22 pages. Polar Publications #6503235. Published by Polar Publications (A0.758044). This piece for strings and piano is perfect for a winter or Christmas concert. The music contemplates a quiet winter morning, perhaps a Christmas morning, before everyone is awake and all the day's activities begin.
$35.00
32 €
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Orchestre de chambre
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James Bicigo
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Quiet Morning
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Polar Publications
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.17 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.17 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.17 €
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Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
#
SheetMusicPlus
Musica Proibita - Orchestral parts set
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3868799. Published by Pubblicato da Nicola Marasco (A0.931476). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$14.99
13.7 €
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Orchestre de chambre
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Orchestral parts set
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Musica Proibita - Full Score
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931475 Composed by Stanislao…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931475 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 7 pages. Pubblicato da Nicola Marasco #3868791. Published by Pubblicato da Nicola Marasco (A0.931475). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$8.99
8.22 €
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Orchestre de chambre
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.86 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
146.27 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
O Love (Soprano solo plus chamber orchestra ALL PARTS)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835427 Composed by Stuart Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835427 Composed by Stuart Brown. Contemporary. 49 pages. Stuart Brown Music #18177. Published by Stuart Brown Music (A0.835427). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$25.00
22.86 €
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Orchestre de chambre
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Stuart Brown
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O Love
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Stuart Brown Music
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SheetMusicPlus
O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Brown. Contemporary. 14 pages. Stuart Brown Music #18175. Published by Stuart Brown Music (A0.835426). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$10.00
9.14 €
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Orchestre de chambre
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Stuart Brown
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O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
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Stuart Brown Music
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SheetMusicPlus
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