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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
THIRD
Non classifié
413
Piano & claviers
Piano seul
297
Piano, Voix et Guitare
106
Piano, Voix
29
Orgue
26
Instruments en Do
13
1 Piano, 4 mains
5
Piano Facile
3
Accordéon
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
119
Guitare
35
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
6
Paroles et Accords
3
Ukulele
2
Dulcimer
1
Basse electrique
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
Mandoline
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
155
Chorale 3 parties
46
Chorale TTBB
32
Chorale 2 parties
14
Chorale Unison
10
Chorale SSAA
9
Voix duo, Piano
5
Chorale
2
Voix basse
2
Voix moyenne, Piano
2
Voix haute
1
Voix duo
1
Voix, Guitare
1
Chorale SSATB
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix Soprano, Piano
1
Voix seule
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Quatuor de Saxophones: 4 saxophones
33
2 Saxophones (duo)
32
Flûte traversière et Piano
30
Quatuor de Flûtes : 4 flûtes
26
Quintette de Saxophone: 5 saxophones
23
3 Saxophones (trio)
20
2 Flûtes traversières (duo)
20
3 Clarinettes (trio)
19
Saxophone Alto et Piano
18
Hautbois, Piano (duo)
17
Clarinette et Piano
17
2 Clarinettes (duo)
17
Ensemble de Clarinettes
17
Trio de Flûtes: 3 flûtes
16
Saxophone Tenor et Piano
16
Flûte, Hautbois, Clarinette, Basson
16
Flûte traversière
15
Flûte, Hautbois, Clarinette (trio)
14
Flûte et Guitare
14
Ensemble de Flûtes
14
Flûte, Hautbois, Basson
13
Ensemble de saxophones
12
Flûte, Clarinette et Basson
12
Saxophone, Clarinette (duo)
12
Flûte, Clarinette (duo)
10
Clarinette, Violon (duo)
10
Clarinette, Trompette (duo)
9
Saxophone Baryton, Piano
9
2 Clarinettes, Basson
8
Clarinette Basse, Piano
7
Clarinette
6
Flûte, Saxophone (duo)
6
Clarinette, Guitare (duo)
6
Saxophone Soprano et Piano
5
Cor anglais, Piano
5
Hautbois, Clarinette (duo)
5
Saxophone Alto
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois, Basson (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette et Alto
5
Quintette de Flûte : 5 flûtes
5
Quatuor de Flûtes à bec
5
Flûte, Trompette (duo)
4
2 Hautbois (duo)
4
Saxophone Tenor
4
Flûte, Alto (duo)
3
Cor anglais, Guitare (duo)
3
Hautbois, Flûte
2
Hautbois (partie séparée)
2
Cor Anglais
2
Hautbois, Harpe
2
Flûte à bec Alto
2
Saxophone et Guitare
2
Flûte à Bec
1
Saxophone
1
Flute, harpe et violon
1
Flûte, Violoncelle
1
Flûte à bec Soprano
1
Flûte, Clarinette, Piano (trio)
1
5 Flûtes à bec
1
Clarinette, Harpe (duo)
1
Ensemble De Flûte à bec
1
Flûte traversière, Basse continue
1
Flûte, Violon et Violoncelle
1
+ 62 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Trompette
15
Trompette, Piano
12
Trombone et Piano
12
2 Trompettes (duo)
11
Tuba et Piano
10
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Saxophone (duo)
9
Trombone
8
2 Trombones (duo)
8
Cor et Piano
8
Trompette, Trombone (duo)
7
Ensemble de Trompettes
6
Quatuor de cuivres: 4 cors
6
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 trombones
5
Cor anglais, Piano
5
Ensemble de Trombones
5
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
4
Tuba
3
4 Tubas
3
Cor anglais, Guitare (duo)
3
Cor
2
Cor Anglais
2
Trombone basse et Piano
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
Trio de Cuivres
1
Trompette, Harpe
1
3 Tubas (trio)
1
2 Tubas (duo)
1
2 Cors (duo)
1
Cor et Harpe
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
113
Violon et Piano
37
Violon
26
Violoncelle, Piano
24
Alto, Piano
23
Trio à Cordes: violon, alto, violoncelle
20
Violon, Violoncelle (duo)
15
Trio à Cordes: 2 violons, violoncelle
13
2 Violons (duo)
13
Harpe
12
Violoncelle
12
Violon, Alto (duo)
11
2 Altos (duo)
9
2 Violoncelles (duo)
8
2 Harpes (duo)
8
Contrebasse, Piano (duo)
7
Alto (partie séparée)
6
4 Violoncelles
5
Alto seul
5
Trio à cordes: 3 violins
5
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, alto
3
Violon, Guitare (duo)
3
Contre Basse
2
Alto, Guitare (duo)
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violons
2
Ensemble d'Altos
2
Harpe, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Violoncelle, Clarinette
1
Flûte, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
95
Orchestre à Cordes
54
Orchestre
30
Ensemble de cuivres
23
Cloches
20
Orchestre de chambre
10
Ensemble Jazz
8
Ensemble de Percussions
5
Marimba
4
Batterie
2
Fanfare
2
Xylophone, Piano
1
Big band
1
Jazz combo
1
+ 9 instrumentations
Retracter
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1
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Orchestraining No. 4 [Orchestra]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Maria Solare
#
Juan Maria Solare
#
Orchestraining No. 4 [Orchestr
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contempo...
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Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
Orchestraining No. 2 [Orchestra]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Maria Solare
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Orchestraining No. 2 [Orchestr
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18...
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Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages....
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Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Eddie Lewis
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Hopewell Farmscapes from Hopew
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Tiger Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A...
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Chamber Orchestra - Level 3 - SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A0.750316). Hopewell Farmscapes Third Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. While Hopewell Farm was not the first farm Eddie ever visited, it is more common for him to see the farms from outside the fences. As a guest at Hopewell, Eddie had many opportunities to explore the land, accompanying his brother-in-law as he took care of the cattle. Some of this was on foot and sometimes they drove (off road) across the property in a bakkie. The scenes, the smells, the sounds, all of it calls out gladly to welcome you. If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link)
$17.79
Requiem-CV19 (10-minute musical presentation) (Vocal Quartet - (SATB)
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Orchestre de chambre
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INTERMÉDIAIRE
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Stephen DeCesare
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Second movement:
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Requiem-CV19
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.628795 Composed by Stephen DeCesare. 20th Century,Contemporary,Film/TV,Opera. Score and parts. 43 pages. Exultet M...
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Chamber Orchestra - Level 3 - SKU: A0.628795 Composed by Stephen DeCesare. 20th Century,Contemporary,Film/TV,Opera. Score and parts. 43 pages. Exultet Music #6230563. Published by Exultet Music (A0.628795). A ten-minute musical presentation about the pandemic that has swept the world over. First movement: Covid 19: starts off on New Year's Eve of 2019 and progresses into a more dramatic turn when the Covid 19 pandemic hit the world. Second movement: Mask/Anti-Mask: One of the hottest topics in today's headlines: To Mask or Not to Mask. This piece comes out as a canon on four viewpoints on the subject. Third Movement: The Lord Is My Shepherd: for all those lives that were lost due to the pandemic. Can be performed live or virtually. Scored for a Vocal Quartet (SATB), Timpani, Violin, Cymbals and Piano accompaniment. .
$25.00
Touch The Sky
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Orchestre de chambre
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INTERMÉDIAIRE
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Julie Fowlis
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Davide Bizzarri
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Touch The Sky
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Davide Bizzarri
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1105901 By Julie Fowlis. By Alexander L. Mandel and Mark Andrews. Arranged by Davide Bizzarri. Celtic,Children,Fil...
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Chamber Orchestra - Level 3 - SKU: A0.1105901 By Julie Fowlis. By Alexander L. Mandel and Mark Andrews. Arranged by Davide Bizzarri. Celtic,Children,Film/TV,Irish,Medieval. Score and Parts. 39 pages. Davide Bizzarri #709098. Published by Davide Bizzarri (A0.1105901). Here you have Score and all parts of this piece. This arrangement comes with three part of violin, the third very easy. The key after the introduction has been changed to G major, so it's more suitable for children vocal range, and I think it works very well. it's very suitable for young orchestras and ensembles. Organic: vocals, flute, violins, cello, tenor sax, bagpipe (optional), piano, percussion, guitar and bass.
$49.99
John Field, sonata III (Movement II) orchestrated by Scott Fields Davis
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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John Field
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Scott Fields Davis
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John Field, sonata III
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Scott Fields Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1036002 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 113 pages. Scott...
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Chamber Orchestra - Level 3 - SKU: A0.1036002 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 113 pages. Scott Fields Davis #641104. Published by Scott Fields Davis (A0.1036002). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the second movement of the third of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. To download the other movement, click the following link: John Field, Sonata III (Movement I) arranged for orchestra by Scott Fields Davis. Â
$15.00
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