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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Father
Non classifié
591
Piano & claviers
Piano seul
358
Piano, Voix et Guitare
109
Orgue
73
Piano, Voix
69
Instruments en Do
13
Accordéon
10
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
5
Accompagnement Piano
4
2 Pianos, 4 mains
3
Piano Facile
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
34
Ligne De Mélodie, (Paroles) et Accords
34
Guitare
19
Ukulele
14
Paroles et Accords
12
Ukulele Baryton
4
Basse electrique
4
Mandoline
3
2 Guitares (duo)
2
Dulcimer
2
Ensemble de guitares
2
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
Banjo
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale 3 parties
51
Chorale TTBB
16
Voix Alto, Piano
14
Chorale
12
Chorale 2 parties
12
Chorale Unison
10
Voix Soprano, Piano
7
Voix haute
5
Voix seule
3
Chorale SSAA
3
Voix duo, Piano
3
Voix moyenne, Piano
2
Voix Soprano
2
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Voix duo
1
Voix Tenor, Piano
1
Voix basse
1
Voix basse, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
64
Clarinette et Piano
39
Saxophone Alto et Piano
33
Hautbois, Piano (duo)
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
2 Saxophones (duo)
25
2 Clarinettes (duo)
20
Clarinette
18
Flûte traversière
18
2 Flûtes traversières (duo)
17
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Tenor et Piano
14
3 Clarinettes (trio)
13
Saxophone Alto
12
Flûte, Hautbois, Clarinette, Basson
11
Clarinette, Basson (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Saxophone
9
Ensemble de Clarinettes
9
Hautbois, Basson (duo)
9
Trio de Flûtes: 3 flûtes
8
3 Saxophones (trio)
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone Tenor
7
Flûte, Clarinette (duo)
6
Ensemble de saxophones
6
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Soprano et Piano
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone (partie séparée)
5
Flûte, Violon, Piano
5
Flûte, Hautbois (duo)
4
Harmonica
4
Ensemble de Flûtes
4
Flute (partie séparée)
4
Clarinette, Violon (duo)
4
Clarinette Basse, Piano
4
2 Clarinettes, Piano
4
Flûte, Trompette (duo)
4
Flûte, Alto et Piano
3
Hautbois, Guitare (duo)
3
Flûte à Bec
3
Hautbois (partie séparée)
3
Clarinette, Guitare (duo)
3
2 Flûte à bec (duo)
3
Flûte et Guitare
3
Flûte, Violon
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Flûte
2
Saxophone et Guitare
2
2 Hautbois (duo)
2
Flûte, Hautbois, Violon
2
Hautbois
2
Cor anglais, Piano
2
Clarinette (partie séparée)
2
Clarinette, Harpe (duo)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Violoncelle
2
Cor Anglais
1
2 Flûtes traversières, Harpe
1
Ocarina
1
Clarinette Basse
1
Quintette de Clarinettes: 5 clarinettes
1
3 Hautbois
1
Flûte à bec Tenor
1
2 Clarinettes, Basson
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Clarinette et Basson
1
Clarinette et Alto
1
Flûte irlandaise
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Basson
1
+ 74 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trombone et Piano
22
Trompette, Piano
22
Trompette
20
2 Cors (duo)
12
Trombone
10
Cor et Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 cors
7
Tuba et Piano
7
Trompette (partie séparée)
6
2 Trombones (duo)
6
Trombone (partie séparée)
6
2 Trompettes (duo)
5
Cor
4
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
3 Trombones (trio)
4
Tuba
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
2
Cor Anglais
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Ensemble de Cors
1
2 Trompettes, Clavier (piano ou orgue)
1
Euphonium
1
Cor (partie séparée)
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 26 instrumentations
Retracter
Cordes
Violon et Piano
52
Quatuor à cordes: 2 violons, alto, violoncelle
37
Alto, Piano
29
Violoncelle, Piano
28
Violon
21
Trio à Cordes: violon, alto, violoncelle
20
Harpe
19
Violon, Violoncelle (duo)
18
Violon, Alto (duo)
17
Violoncelle
9
2 Violons (duo)
9
2 Violoncelles (duo)
8
Alto, Violoncelle (duo)
8
2 Harpes (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Altos (duo)
6
Violoncelle , Guitare (duo)
5
Piano Trio: Violon, Alto, Piano
5
Alto, Guitare (duo)
4
Trio à Cordes: 3 violoncelles
4
Harpe, Voix
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, alto
4
4 Violoncelles
4
Violon (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Guitare (duo)
4
Alto seul
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
3 Harpes
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
Ensemble de Violons
1
Violon, Orgue
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre
37
Orchestre d'harmonie
28
Cloches
23
Ensemble de cuivres
23
Orchestre à Cordes
22
Ensemble Jazz
19
Batterie
12
Orchestre de chambre
10
Jazz combo
4
Marimba
2
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Fanfare
1
+ 8 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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VIOLON
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Vous avez sélectionné:
The Father
intermédiaire
Orchestre de chambre
Partitions à imprimer
10 partitions trouvées
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1
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Gloria Patri (Glory Be to the Father)
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Meineke
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D
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Gloria Patri
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Tully Road Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1135140 Composed by Charles Meineke (1844). Arranged by D. Jason Bishop. 19th Century,Christian,Praise & Worship,S...
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Chamber Orchestra - Level 3 - SKU: A0.1135140 Composed by Charles Meineke (1844). Arranged by D. Jason Bishop. 19th Century,Christian,Praise & Worship,Sacred,Traditional. Score and Parts. 25 pages. Tully Road Music #735183. Published by Tully Road Music (A0.1135140). This is an orchestration by D. Jason Bishop of the 1844 Gloria Patri (Glory Be to the Father) by Charles Meineke, as printed in The United Methodist Hymnal (page 70) and in 174 other hymnals. Instrumentation is 2.2.2.2 - 2.3.3.0 - timp/perc - org - strings - choir. PDF includes full score and all parts.
$10.00
Bi Baba Ati Omo - (Como pai e Filho) (As father and son)
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Orchestre de chambre
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INTERMÉDIAIRE
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GILSON SANTOS
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Bi Baba Ati Omo -
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Gilson Santos
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.836815 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Instructional,Standards. Score and parts. 17 pag...
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Chamber Orchestra - Level 3 - SKU: A0.836815 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Instructional,Standards. Score and parts. 17 pages. Gilson Santos #6360557. Published by Gilson Santos (A0.836815). Horn octet dedicated to Professor Philip Doyle, in honor of Professors Antonio Augusto and Daniel Havens. Antonio and Daniel were great musicians and teachers of tormpa in Brazil. They left an important legacy for the instrument.
$14.99
The Godfather Waltz - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Nino Rota
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The Godfather Waltz - Score On
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SheetMusicPlus
Composed by Nino Rota (1911- 1979). Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 5 pages. Chris Siddall Music Publishing ...
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Composed by Nino Rota (1911- 1979). Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 5 pages. Chris Siddall Music Publishing #6795023. Published by Chris Siddall Music Publishing
$4.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
In Memoriam - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A....
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Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Parla Piu Piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Giandomenico Boncompagni, Lawr
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Marek Czekala
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Parla Piu Piano
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1098364 Composed by Giandomenico Boncompagni, Lawrence Kusik, and Nino Rota. Arranged by Marek Czekala. Film/TV. S...
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Chamber Orchestra - Level 3 - SKU: A0.1098364 Composed by Giandomenico Boncompagni, Lawrence Kusik, and Nino Rota. Arranged by Marek Czekala. Film/TV. Score and parts. 29 pages. Marek Czekala #702226. Published by Marek Czekala (A0.1098364). Love Theme from The Godfather is an instrumental theme from the 1972 film The Godfather, composed by Nino Rota.
$49.99
MY DEAR PARENTS
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Orchestre de chambre
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INTERMÉDIAIRE
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Do Kien Cuong
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MY DEAR PARENTS
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Do Kien Cuong
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by ...
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Chamber Orchestra - Level 3 - SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by Do Kien Cuong (A0.1024504). I composed this composition MY DEAR PARENTS when I was far away from home for continuing my study at Brooklyn College - Conservatory of Music. The composition, is a letter to MY DEAR PARENTS, contains my emotions toward my parents.The duration is about 4 minutes.I think on the time of Mother's Day and Father's Day and Holidays can be a good reason to play this composition.The pdf file includes a full score and all parts.
$10.00
Where am I? for string quartet and flute
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Where am I? for string quartet
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomon...
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Chamber Orchestra - Level 3 - SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomons #27327. Published by David Warin Solomons (A0.576513). Inspired by the poem Care Home by my father SN Solomons,
$12.00
Ophelia for string quartet and guitar
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Ophelia for string quartet and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. David Warin Solomon...
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Chamber Orchestra - Level 3 - SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. David Warin Solomons #3479241. Published by David Warin Solomons (A0.577982). Based on my song setting of the scene in Shakespeare's play Hamlet in which Ophelia is losing her mind out of grief for her murdered father.
$14.00
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The Father
