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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Will There Be A Time
Non classifié
300
Piano & claviers
Piano seul
60
Piano, Voix et Guitare
7
Piano, Voix
7
Instruments en Do
3
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Piano Facile
1
1 Piano, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
8
Guitare
3
Ukulele
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
2
Ensemble de guitares
1
Mandoline
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
32
Chorale TTBB
7
Chorale 3 parties
6
Chorale 2 parties
3
Voix Alto, Piano
3
Chorale SSAA
2
Voix duo
1
Chorale Unison
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
67
Quintette de Saxophone: 5 saxophones
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Saxophone, Clarinette (duo)
35
2 Flûtes traversières (duo)
27
Clarinette, Violon (duo)
22
2 Clarinettes (duo)
21
Clarinette, Trompette (duo)
20
Flûte, Clarinette (duo)
14
2 Hautbois (duo)
14
Flûte, Violon
14
Hautbois, Clarinette (duo)
13
Ensemble de Clarinettes
12
Flûte, Hautbois, Clarinette, Basson
12
Flûte, Trompette (duo)
10
Hautbois, Flûte
10
Clarinette et Alto
9
Flûte traversière et Piano
9
Flûte, Saxophone (duo)
9
Hautbois, Basson (duo)
9
Clarinette et Piano
8
Saxophone Alto et Piano
7
Quintette de Flûte : 5 flûtes
7
Quatuor de Saxophones: 4 saxophones
7
Hautbois, Piano (duo)
7
Saxophone Tenor et Piano
6
Saxophone Soprano et Piano
6
Flûte, Alto (duo)
6
Ensemble de saxophones
5
Flûte traversière
4
Cor anglais, Piano
3
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violon, Piano
2
Ensemble de Flûtes
2
Flûte et Guitare
2
2 Clarinettes, Piano
1
Clarinette Basse, Piano
1
Flûte, Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Hautbois, Piano
1
+ 41 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Ensemble de Trompettes
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette, Saxophone (duo)
23
Trompette, Trombone (duo)
17
2 Trompettes (duo)
15
2 Trombones (duo)
15
Trompette, Piano
10
Ensemble de Trombones
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trombone et Piano
5
Cor anglais, Piano
3
3 Trompettes (trio)
2
2 Cors (duo)
2
Cor et Piano
2
Quatuor de cuivres: 4 trompettes
2
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trompette
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors, Piano
1
Trio de Cuivres
1
Trombone basse
1
Quatuor de Cuivres
1
Tuba et Piano
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
140
Violon, Violoncelle (duo)
134
Trio à Cordes: violon, alto, violoncelle
101
Violon
100
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
Violon, Alto (duo)
22
2 Altos (duo)
18
2 Violoncelles (duo)
17
2 Violons (duo)
14
Violon et Piano
13
Trio à Cordes: 2 violons, violoncelle
10
Alto, Piano
8
Ensemble d'Altos
8
Ensemble de Violons
8
Violoncelle, Piano
7
Harpe
4
4 Violoncelles
4
2 Altos, Piano
2
Alto seul
2
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Violoncelle
1
4 Contrebasses
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
83
Orchestre d'harmonie
16
Ensemble de cuivres
9
Orchestre de chambre
8
Orchestre
4
Ensemble Jazz
3
Cloches
2
Jazz combo
2
Ensemble de Percussions
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
SAXOPHONE
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Vous avez sélectionné:
Will There Be A Time
intermédiaire
Orchestre de chambre
Partitions à imprimer
8 partitions trouvées
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1
And There were Shepherds
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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William Taylor
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And There were Shepherds
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William Taylor
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.946452 Composed by Johann Sebastian Bach. Arranged by William Taylor. Baroque,Christmas,Concert,Sacred,Wedding. Sc...
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Chamber Orchestra - Level 3 - SKU: A0.946452 Composed by Johann Sebastian Bach. Arranged by William Taylor. Baroque,Christmas,Concert,Sacred,Wedding. Score and parts. 23 pages. William Taylor #6328931. Published by William Taylor (A0.946452). The soothing, pastoral movement from Bachs Christmas Oratorio is perfect for any time of year. This arrangement can be performed as a traditional string quartet or as a string trio with oboe. .
$15.00
Halloween Prelude for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Halloween
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Film/TV
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Mark Bisson
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Halloween Prelude for Small Or
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Mark Bisson
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by M...
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Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
#
Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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Nat Cole With N
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Kyle Pudenz
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The Christmas Song
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ViolinVagabond Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
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Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
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Compositeurs
Mentions légales
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Version intégrale
Will There Be A Time
