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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
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SAXOPHONE
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173
PIANO & CLAVIERS
Piano seul
87
Piano, Voix
24
Orgue
4
Accompagnement Piano
3
Clavecin
2
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
Piano (partie séparée)
1
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
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GUITARES
Guitare notes et tablatures
14
Guitare
13
Ukulele
3
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2
Piano, Guitare (duo)
2
Dulcimer
1
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VOIX
Chorale SATB
22
Chorale 3 parties
7
Voix seule
6
Chorale SSAA
6
Voix haute
3
Voix moyenne, Piano
2
Voix Soprano, Piano
2
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix duo, Piano
1
Chorale TTBB
1
Voix Tenor, Piano
1
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VENTS
Clarinette
36
Saxophone Tenor
36
Flûte traversière
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Saxophone Alto
16
Hautbois (partie séparée)
13
Flûte traversière et Piano
12
Clarinette et Piano
9
Saxophone Alto et Piano
9
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone (partie séparée)
7
Hautbois, Piano (duo)
6
Saxophone Tenor et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Ensemble de Clarinettes
5
Clarinette Basse, Piano
3
2 Flûtes traversières (duo)
3
2 Clarinettes (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Soprano et Piano
2
2 Saxophones (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
3 Saxophones (trio)
2
2 Flûte à bec (duo)
1
Quintette de Saxophone: 5 saxophones
1
Saxophone Baryton, Piano
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de saxophones
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Cor anglais, Piano
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Clarinette (partie séparée)
1
5 Flûtes à bec
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Flute (partie séparée)
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Flûte et Guitare
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CUIVRES
Cor (partie séparée)
330
Trombone
29
Trompette
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette (partie séparée)
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trombone et Piano
9
Cor et Piano
8
Cor
7
Trombone (partie séparée)
5
Trompette, Piano
5
Quatuor de Cuivres
3
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium
1
2 Cors (duo)
1
Ensemble de Cors
1
Ensemble de Trombones
1
Cor, Orchestre
1
2 Trombones (duo)
1
Tuba
1
Cor anglais, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
20
Alto, Piano
15
Violon et Piano
11
Harpe
11
Violoncelle, Piano
10
Alto (partie séparée)
6
Violoncelle
5
Violon
4
Harpe, Violoncelle (duo)
3
Violon (partie séparée)
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes
1
Violon, Violoncelle (duo)
1
Alto seul
1
Violoncelle, Orgue
1
Violon, Basse continue
1
4 Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
34
Orchestre
30
Ensemble de cuivres
23
Ensemble Jazz
15
Orchestre à Cordes
8
Orchestre de chambre
7
Ensemble de Percussions
3
Marimba
2
Fanfare
1
Cloches
1
Batterie (partie séparée)
1
Vibraphone
1
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AUTRES
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Orchestre de chambre
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< Piano Octet＞ Overture to Orpheus in the Underworld (Orphée aux Enfers)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.711626 Composed by Jacques O…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.711626 Composed by Jacques Offenbach. Arranged by Tsuyoshi Yoroiguma. Contemporary,Opera,Romantic Period,Standards,World. Score and parts. 39 pages. Tsuyoshi Yoroiguma #6534799. Published by Tsuyoshi Yoroiguma (A0.711626). Let's play a famous French cancan music in style Piano Octet.This is good for salon concert, show time event, etc.Instrumentation:Flute/ Oboe/ Bb Clarinet/ F Horn/ Bassoon/ 2 Violins/ Piano.
$30.00
27.2 €
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Orchestre de chambre
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Jacques Offenbach
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Tsuyoshi Yoroiguma
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< Piano Octet＞ Overture to Orpheus in the Underworld
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Contrabass Concerto Kr. 172
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1089456 Composed by Carl Dit…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1089456 Composed by Carl Ditters von Dittersdorf. Arranged by José F. Anello. Baroque,Classical,Romantic Period. Score and Parts. 104 pages. José F. Anello #693658. Published by José F. Anello (A0.1089456). This is one of the greates concerts of the Double Bass repertoire. In this edition you can found 2 options to perform this masterpiece. According to the original Double Bass soloist tuning, you will need a Double Bass D Major part, with the orchestra in E Major. The other option is to play the soloist without an specially tuned Double Bass with an E Major part, the same with the orchestra. Buying this edition you will have the two options. Included: + D Major Solo Double Bass part + E Major Solo Double Bass part + Orchestral E Major parts + French Horn in F transposition Part.
$20.00
18.13 €
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Orchestre de chambre
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Carl Ditters von Dittersdorf
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José F
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Contrabass Concerto Kr. 172
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José F. Anello
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
9.07 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.37 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
"The Flying Hat" for chamber orchestra (excerpts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagioti…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 60 pages. Panagiotis Theodossiou #6019921. Published by Panagiotis Theodossiou (A0.886736). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
$20.00
18.13 €
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Orchestre de chambre
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Panagiotis Theodossiou
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"The Flying Hat" for chamber orchestra
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Panagiotis Theodossiou
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SheetMusicPlus
Canções com poemas de Vanne
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.937912 Composed by Hanspeter…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.937912 Composed by Hanspeter Reimann. 20th Century,Concert,World. Score and parts. 38 pages. Hanspeter Reimann #3099679. Published by Hanspeter Reimann (A0.937912). 5 Canções com poemas de Vanne para Soprano e Orquestra de Cordas.5 Lieder mit Gedichten von Vanne für Sopran und Streichorchester
$10.99
9.96 €
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Orchestre de chambre
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Hanspeter Reimann
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Canções com poemas de Vanne
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Hanspeter Reimann
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SheetMusicPlus
La Fee Verte Bagpipe Concerto
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christin…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
27.2 €
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Orchestre de chambre
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
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