Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here
Non classifié
2 203
Piano & claviers
Piano seul
1 514
Piano, Voix
431
Piano, Voix et Guitare
159
Orgue
91
Instruments en Do
72
1 Piano, 4 mains
37
Piano Trio: piano, violon, violoncelle
32
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
9
Accompagnement Piano
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
7
Accordéon
5
Piano Facile
5
2 Pianos, 8 mains
3
Clavecin
1
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare
171
Guitare notes et tablatures
132
Basse electrique
38
2 Guitares (duo)
24
4 Guitares (Quatuor)
15
Ligne De Mélodie, (Paroles) et Accords
13
Dulcimer
12
Ukulele
8
Piano, Guitare (duo)
6
Ensemble de guitares
5
2 Dulcimers (duo)
2
Mandoline
2
Banjo
1
Guitare (partie séparée)
1
Basse électrique (partie séparée)
1
Mandoline, Guitare (duo)
1
Paroles et Accords
1
Guitare, Orchestre
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
823
Chorale TTBB
151
Chorale 3 parties
90
Chorale SSAA
87
Voix Soprano, Piano
47
Voix seule
28
Voix duo, Piano
12
Chorale Unison
11
Voix duo
11
Chorale 2 parties
10
Voix haute
9
Voix Alto, Piano
9
Voix Tenor, Piano
8
Voix Baryton, Piano
8
Voix basse, Piano
7
Voix moyenne, Piano
5
Chorale
4
Voix Tenor
4
Voix Soprano
3
Voix Mezzo-Soprano, Piano
3
Chorale SSAATTBB
1
Voix, Guitare
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
263
Quatuor de Saxophones: 4 saxophones
215
2 Saxophones (duo)
159
Quatuor de Clarinettes: 4 clarinettes
154
Flûte, Hautbois, Clarinette, Basson
131
Flûte traversière et Piano
124
Quintette de Saxophone: 5 saxophones
99
Ensemble de Clarinettes
88
Ensemble de saxophones
86
Saxophone Alto et Piano
81
2 Clarinettes (duo)
77
Clarinette et Piano
76
Quatuor de Flûtes : 4 flûtes
69
2 Flûtes traversières (duo)
65
Saxophone, Clarinette (duo)
61
Flûte traversière
61
Clarinette
59
Quintette de Clarinettes: 5 clarinettes
56
Ensemble de Flûtes
54
Hautbois, Piano (duo)
52
Saxophone Tenor et Piano
48
Flûte, Clarinette (duo)
43
Clarinette, Violon (duo)
41
Saxophone Alto
37
Saxophone (partie séparée)
34
Saxophone Soprano et Piano
34
Clarinette, Trompette (duo)
33
Saxophone Tenor
32
3 Clarinettes (trio)
30
2 Flûtes traversières, Piano
27
Flûte, Violon
25
2 Hautbois (duo)
24
Flûte, Alto (duo)
23
Hautbois, Basson (duo)
23
Clarinette et Alto
22
Hautbois, Clarinette (duo)
21
Flûte, Saxophone (duo)
21
Clarinette, Guitare (duo)
21
Hautbois, Flûte
19
Flûte, Trompette (duo)
17
3 Saxophones (trio)
17
Trio de Flûtes: 3 flûtes
17
Flûte, Clarinette et Basson
15
Hautbois (partie séparée)
13
Flûte et Guitare
12
Saxophone Baryton, Piano
12
Quintette de Flûte : 5 flûtes
9
Clarinette Basse, Piano
9
Flûte, Hautbois, Basson
6
Quatuor de Flûtes à bec
6
Flûte, Clarinette, Piano (trio)
6
Clarinette, Basson (duo)
6
Flûte, Hautbois, Clarinette (trio)
5
Cor anglais, Piano
5
Saxophone et Orgue
5
Flûte, Violoncelle
5
Saxophone Soprano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Clarinettes, Piano
3
2 Saxophones, Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Cor Anglais
3
Flûte irlandaise
2
5 Flûtes à bec
2
Clarinette, Trombone (duo)
2
Flute, harpe et violon
2
Saxophone Baryton
2
Piccolo
2
Flûte, Alto et Piano
2
Flûte à bec Soprano
2
Flûte, Violon et Violoncelle
2
Saxophone
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
2
Flûte à Bec
2
Hautbois
2
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble De Flûte à bec
1
Hautbois, Violon, Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Piano (trio)
1
Ensemble à vent
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Basse continue
1
Flute (partie séparée)
1
Flûte, trombone et piano
1
Flûte traversière, Orgue (duo)
1
2 Flûte à bec (duo)
1
Flûte à bec Tenor
1
Hautbois, violon (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
233
Quatuor de Cuivres : 2 trompettes, trombone, tuba
218
Quatuor de cuivres: 4 trombones
68
Trombone et Piano
52
Trompette, Piano
50
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Trompette, Saxophone (duo)
42
Trompette
39
Quatuor de Cuivres
37
Cor et Piano
36
Trombone
35
Trompette (partie séparée)
30
2 Trompettes (duo)
28
Ensemble de Trombones
27
Quatuor de cuivres: 4 cors
26
Trompette, Trombone (duo)
25
2 Trombones (duo)
22
Trombone (partie séparée)
17
Tuba et Piano
17
Ensemble de Trompettes
14
Cor
11
Euphonium, Piano (duo)
9
Tuba
8
Ensemble de Cors
7
2 Euphoniums et 2 Tubas
7
3 Euphoniums
6
3 Trombones (trio)
6
Trio de Cuivres
6
Cor anglais, Piano
5
2 Cors (duo)
5
Trompette, Violoncelle et Piano
4
3 Cors (trio)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
4 Tubas
3
Cor Anglais
3
Clarinette, Cor (duo)
2
Cor et Harpe
2
Euphonium
2
Euphonium, Tuba (duo)
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Bass Clef Instruments
1
Trompette, Cor (duo)
1
Trombone basse
1
Trompette, Tuba (duo)
1
3 Tubas (trio)
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
Tuba et Orgue
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
646
Violon et Piano
222
Harpe
132
Violon, Violoncelle (duo)
131
Trio à Cordes: violon, alto, violoncelle
115
Violoncelle, Piano
91
Violon
89
2 Violons (duo)
61
Violoncelle
55
Alto, Piano
55
Violon, Alto (duo)
43
2 Violoncelles (duo)
42
Trio à Cordes: 2 violons, violoncelle
30
Alto seul
28
2 Altos (duo)
27
4 Violoncelles
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Guitare (duo)
14
Alto (partie séparée)
12
Alto, Violoncelle (duo)
10
Contrebasse, Piano (duo)
9
Contre Basse
8
Violoncelle , Guitare (duo)
8
2 Harpes (duo)
7
Trio à cordes: 3 violins
7
Ensemble de Violons
7
Ensemble d'Altos
7
Trio à Cordes: 2 violons, alto
6
Harpe, Flûte (duo)
6
Trio à Cordes: 3 violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe, Violoncelle (duo)
5
Piano Trio: Violon, Alto, Piano
5
2 Contrebasses (duo)
4
Harpe, Violon (duo)
4
Harpe, Voix
4
Alto et Harpe
4
Violoncelle, Contrebasse (duo)
4
Violon (partie séparée)
3
Harpe et Piano
2
Ensemble de Violoncelles
2
4 Contrebasses
2
Quatuor à cordes: 4 violons
2
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Violoncelle (partie séparée)
1
Violoncelle, Orgue
1
Violon, Orgue
1
Alto, Guitare (duo)
1
Violoncelle, Orchestre
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre
416
Ensemble Jazz
341
Orchestre d'harmonie
339
Orchestre à Cordes
240
Ensemble de cuivres
167
Orchestre de chambre
137
Jazz combo
79
Cloches
45
Fanfare
40
Batterie
21
Ensemble de Percussions
17
Marimba
9
Batterie (partie séparée)
6
Vibraphone
3
Percussion
1
Orchestre, Violon
1
Percussion (partie séparée)
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
457
Partitions Numériques
137
Librairie Musicale
0
Matériel de Musique
2 567
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Here
avancé
Orchestre de chambre
Partitions à imprimer
137 partitions trouvées
<
1
26
51
....
126
It's Raining Somewhere Else
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Jeux Videos
#
Toby Fox
#
Grant Harville
#
It's Raining Somewhere Else
#
Grant Harville
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #8...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Therese Brenet
#
Thérèse Brenet :
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
Christmas Time Is Here
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Lee Mendelson and Vince Guaral
#
Jim Bicigo
#
Christmas Time Is Here
#
Polar Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1360773 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Jim Bicigo. Chamber,Christmas,Film/TV,Holiday,Ja...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1360773 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Jim Bicigo. Chamber,Christmas,Film/TV,Holiday,Jazz. 32 pages. Polar Publications #945267. Published by Polar Publications (A0.1360773). This Charlie Brown Christmas classis is set for solo soprano voice or unison children's chorus and chamber orchestra. perfect for a small orchestra's holiday programming. it was performed by the Central Alberta Chamber Orchestra on their holiday concert in December 2023.
$80.00
Oceans (where Feet May Fail)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Hillsong United
#
Ana Paula Pires
#
Oceans
#
Bystonais
#
SheetMusicPlus
By Hillsong United. By Matt Crocker, Salomon Lighthelm, and Joel Houston. Arranged by Ana Paula Pires. Christmas, Praise & Worship, Spiritual, Tra...
(+)
By Hillsong United. By Matt Crocker, Salomon Lighthelm, and Joel Houston. Arranged by Ana Paula Pires. Christmas, Praise & Worship, Spiritual, Traditional, Wedding. Score and parts. 25 pages. Bystonais #6641815. Published by Bystonais
$49.99
Were You There?
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Ellie Yoon
#
Were You There?
#
Ellie Yoon
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1000438 Arranged by Ellie Yoon. Christian,Easter. Score and parts. 8 pages. Ellie Yoon #6236121. Published by Elli...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1000438 Arranged by Ellie Yoon. Christian,Easter. Score and parts. 8 pages. Ellie Yoon #6236121. Published by Ellie Yoon (A0.1000438).
$1.99
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Georg Friedrich Händel, Ali
#
Flavio Regis Cunha
#
Händel: Atalanta, HWV 35:
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Cappuccino Concertino
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
David Rubinstein
#
Cappuccino Concertino
#
David Rubinstein
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubinstein #971294. Pu...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubinstein #971294. Published by David Rubinstein (A0.1387444). This baroque operetta (composed 2000) was inspired by the “Coffee Cantata†by J.S. Bach, wherein the father tells his daughter to stop drinking coffee. In this work the roles are reversed: the daughter tells her father to quit cappuccino. Text in English. Premiered October, 2001 at Church of the Lighted Window, La Canada, California. The entire score and parts are available here on one pdf. To obtain them as separate files contact me here: rubinsteinway@gmail.com.
$39.00
Laudate Dominum From "Vesperae solenne de confessore" K. 339 for Solo Soprano, Violin, Viola (or Vio
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Walfgang Amadeus Mozart
#
Joel Jacklich (ASCAP)
#
Laudate Dominum From "Ves
#
Joel Jacklich
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.723137 Composed by Walfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.723137 Composed by Walfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,Wedding. Score and parts. 22 pages. Joel Jacklich #3632647. Published by Joel Jacklich (A0.723137). Laudate Dominum from Vesperae solenne de confessore, K. 339. (originally Soprano, SATB Chorus, String Orchestra, and Basso Continuo is here arranged for Solo Soprano and String Trio (Violin. Viola, and Cello -or- Two Violins and Cello; the 2nd violin and viola parts are identical). The soprano covers the original solo soprano part plus the melody from the SATB where there is no soprano solo, thus the entire liturgical text is present.
$12.99
Laudate Dominum from "Vesperae solenne de confessore" K.399 for Solo Soprano and String Quartet
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Joel Jacklich (ASCAP)
#
Laudate Dominum from "Ves
#
Joel Jacklich
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.723140 Composed by Wolfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.723140 Composed by Wolfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,Wedding. Score and parts. 22 pages. Joel Jacklich #3636719. Published by Joel Jacklich (A0.723140). Laudate Dominum from Vesperae solenne de confessore, K. 339. (originally Soprano, SATB Chorus, String Orchestra, and Basso Continuo is here arranged for Solo Soprano and String Quartet. The soprano covers the original solo soprano part plus the melody from the SATB chorus where there is no soprano solo, thus the entire liturgical text is present.
$12.99
Three Laments of Heloise for Chamber Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Dosia McKay
#
Three Laments of Heloise for C
#
Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
(+)
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Windmill Song (for baritone and orchestra)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Gary Friedman
#
Windmill Song
#
Gary Friedman
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary...
(+)
Chamber Orchestra - Level 4 - SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary Friedman (A0.889888). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. This one is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The third is for piano reduction of the orchestra plus baritone solo at $5.00 Duration: 7 minutes Year: 2004.
$40.00
Nutcracker - Miniature Overture (Reduced orchestra)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Matthew Lax
#
Nutcracker - Miniature Overtur
#
Matthew Lax
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.818035 Composed by Peter Ilyich Tchaikovsky. Arranged by Matthew Lax. Christmas,Romantic Period. Score and parts. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.818035 Composed by Peter Ilyich Tchaikovsky. Arranged by Matthew Lax. Christmas,Romantic Period. Score and parts. 82 pages. Matthew Lax #5221831. Published by Matthew Lax (A0.818035). Tchaikovsky's Miniature Overture from his Nutcracker Ballet - here with reduced wind/brass so that it is performed with just one flute, oboe, clarinet, bassoon, horn, trumpet, trombone, triangle and (small) string section. As with the original there are no cellos and double basses used in this arrangement.
$25.00
Alpenhorn Variety Pack
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Gary Friedman
#
Alpenhorn Variety Pack
#
Gary Friedman
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889884 Composed by Gary Friedman. Contemporary,World. Score and parts. 47 pages. Gary Friedman #13175. Published b...
(+)
Chamber Orchestra - Level 4 - SKU: A0.889884 Composed by Gary Friedman. Contemporary,World. Score and parts. 47 pages. Gary Friedman #13175. Published by Gary Friedman (A0.889884). This contains music in several styles, both slow and lively, for solo alpenhorn and orchestra. A piano is included in the orchestra, but if not available, other instruments are provided with cues for the piano passages. It was written to celebrate the 75th anniversary of the San Francisco Civic Symphony, the oldest community orchestra on the West Coast. There were three performances in 2006, the anniversary year - two indoor and one outdoor. A piano reduction of the orchestra accompaniment is provided here and is also sold separately with the solo part for $5.00. Duration: 6 or 8 minutes, depending on whether an optional repeat is taken. Year: 2005.
$40.00
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Gary Friedman
#
Concerto for Trumpet and Orche
#
Gary Friedman
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. P...
(+)
Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. Published by Gary Friedman (A0.889880). Concerto for Trumpet and Orchestra The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at a composers' workshop at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists and very little rehearsing was possible. The audio clip is of that performance, 3rd movement. Please listen to the other movements at my website, www.garyfriedmanmusic.net. Provided here are the complete orchestra score, a piano reduction of the orchestra, and the solo trumpet parts for both B flat and E flat trumpet. Each has been preferred by some soloists. A complete set of parts is available separately for $20. Also available separately for $20 is an arrangement for brass septet with the 2 trumpet players sharing the solo part. Included with the septet is an arrangement of the 3rd movement for brass dectet. Duration: about 15 minutes Year: 2003.
$20.00
Barbara Allen for piccolo and orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Reinhold Behringer
#
David Warin Solomons
#
Barbara Allen for piccolo and
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Homage to Sibelius
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Stanley M Hoffman
#
Homage to Sibelius
#
stanleymhoffman.com
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sér&eac
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Wonderful Words of Life
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
P
#
Wonderful Words of Life
#
Hyunsung Essie Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1427219 Composed by P. P. Bliss. Arranged by Hyunsung Lee, Hyunsung Essie Lee. Chamber,Christian,Classical,Praise ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1427219 Composed by P. P. Bliss. Arranged by Hyunsung Lee, Hyunsung Essie Lee. Chamber,Christian,Classical,Praise & Worship,Spiritual. 36 pages. Hyunsung Essie Lee #1007936. Published by Hyunsung Essie Lee (A0.1427219). Lowest Price on ESSIEMUSICDownload only for $12.90 Click HERE!한국분들은 이곳에서 구매하시면 더 저렴합니다. 네이버스토어바로가기This Sheet Music is for the Chamber OrchestraThis edition is basically similar to the original, but has especially arranged for the Chamber Orchestra : Flute, Oboe, Clarinet, Bassoon, Glockenspiel, Triangle, Piano, Violin1, Violin2, Viola, Cello, Double Bass / It can be performed without Glockenspiel, Triangle and Piano.You can listen to the original version of Piano Quintet here ▶️ Click to PlayAvailable on Apple Music (Quintet) ⓒ ESSIEMUSIC. Hyunsung (Essie) Lee. 이현성.
$15.90
Hallelujah (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
G
#
Charles A
#
Drum)
#
Hallelujah
#
CG Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #719721. Published by CG Publications (A0.1118209). Handel’s majestic chorus from “MESSIAH,†slightly abridged to ease performance, is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard & Drum). Requires an accomplished violinist, but only players of modest ability in the other instruments. Also, appropriate substitutions, such as clarinet, bassoon, or cello, etc., are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$14.99
Surely He Hath Borne Our Griefs (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
George Frideric Handel
#
Charles A
#
Surely He Hath Borne Our Grief
#
CG Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1227059 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Histor...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1227059 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 11 pages. CG Publications #823057. Published by CG Publications (A0.1227059). “Surely He Hath Borne Our Griefs,†from Handel’s “MESSIAH,†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Performance requires a moderately accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$9.99
For Unto Us A Child Is Born (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
George Frideric Handel
#
Charles A
#
For Unto Us A Child Is Born
#
CG Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1226069 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Histor...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1226069 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #821953. Published by CG Publications (A0.1226069). Handel’s inspiring chorus from “MESSIAH†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Difficult melismatic passages have been simplified, without diminishing their musical integrity, to allow for an effective and impressive, but easier, performance for groups of even modest resources. Performance requires an accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$14.99
And The Glory Of The Lord (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
George Frideric Handel
#
Charles A
#
And The Glory Of The Lord
#
CG Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1232907 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Histor...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1232907 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 21 pages. CG Publications #828536. Published by CG Publications (A0.1232907). The glorious opening chorus from, from Handel’s “MESSIAH,†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Performance requires a moderately accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.Â
$14.99
’Twas The Night Before Christmas - Complete Set of Parts
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Sy Brandon
#
 
#
’Twas The Night Before C
#
Sy Brandon
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.754918 Composed by Sy Brandon. 20th Century,Christmas,Contemporary. Score and parts. 93 pages. Sy Brandon #3218177...
(+)
Chamber Orchestra - Level 4 - SKU: A0.754918 Composed by Sy Brandon. 20th Century,Christmas,Contemporary. Score and parts. 93 pages. Sy Brandon #3218177. Published by Sy Brandon (A0.754918). This is a complete set of part that print on letter size paper for a setting of Moore's poem in a style similar to John Rutter. It contains very lyrical sections as well as humorous sections. It can be performed with voices and piano or for choir and orchestra. Piano/vocal score can be found here S0.257765 and the full score here S0.269395
$34.99
’Twas The Night Before Christmas - Full Score
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Sy Brandon
#
’Twas The Night Before C
#
Sy Brandon
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755046 Composed by Sy Brandon. 20th Century,Christmas,Contemporary. Score and parts. 42 pages. Sy Brandon #3249495...
(+)
Chamber Orchestra - Level 4 - SKU: A0.755046 Composed by Sy Brandon. 20th Century,Christmas,Contemporary. Score and parts. 42 pages. Sy Brandon #3249495. Published by Sy Brandon (A0.755046). This is the full score that prints on legal size paper for a setting of Moore's poem in a style similar to John Rutter. It contains very lyrical sections as well as humorous sections. It can be performed with voices and piano or for choir and orchestra. Piano/vocal score can be found here S0.257765 and a set of parts here S0.257769
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
(+)
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
<
1
26
51
....
126