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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Note4Piano
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difficulté (tous)
débutant
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avec vidéo
avec play-along
Non classifié
3068
PIANO & CLAVIERS
Piano seul
2695
Piano, Voix
601
Piano, Voix et Guitare
491
Instruments en Do
302
Orgue
134
1 Piano, 4 mains
61
Piano Trio: piano, violon, violoncelle
41
2 Pianos, 4 mains
31
Piano Facile
27
Orgue, Piano (duo)
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Accompagnement Piano
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Accordéon
9
Orgue, Trompette (duo)
7
Clavecin
4
2 Pianos, 8 mains
2
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
257
Guitare notes et tablatures
192
Ligne De Mélodie, (Paroles) et Accords
55
Basse electrique
41
Dulcimer
33
2 Guitares (duo)
22
4 Guitares (Quatuor)
20
Ukulele
14
Piano, Guitare (duo)
7
Ensemble de guitares
6
Paroles et Accords
4
Mandoline
4
Banjo
3
Basse électrique (partie séparée)
2
2 Dulcimers (duo)
2
Guitare, Orchestre
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
1056
Chorale TTBB
221
Chorale 3 parties
173
Chorale SSAA
130
Voix Soprano, Piano
59
Chorale Unison
39
Voix duo, Piano
28
Chorale 2 parties
24
Voix duo
23
Voix seule
19
Voix moyenne, Piano
11
Voix Alto, Piano
11
Voix haute
9
Chorale
7
Voix Tenor
6
Voix basse
4
Voix basse, Piano
3
Voix Tenor, Piano
3
Voix Soprano
3
Chorale SSATTB
1
Chorale SATBB
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
382
Quatuor de Saxophones: 4 saxophones
288
Quatuor de Clarinettes: 4 clarinettes
195
Flûte traversière et Piano
165
Flûte, Hautbois, Clarinette, Basson
154
Ensemble de Clarinettes
125
Clarinette et Piano
120
Quintette de Saxophone: 5 saxophones
118
Flûte traversière
116
Ensemble de saxophones
114
Saxophone Alto et Piano
103
Quatuor de Flûtes : 4 flûtes
89
Hautbois, Piano (duo)
88
Saxophone Alto
83
Clarinette
81
Quintette de Clarinettes: 5 clarinettes
73
Saxophone Tenor et Piano
69
2 Saxophones (duo)
66
Ensemble de Flûtes
62
2 Flûtes traversières (duo)
61
Saxophone Tenor
54
2 Clarinettes (duo)
49
Saxophone Soprano et Piano
40
Trio de Flûtes: 3 flûtes
35
3 Clarinettes (trio)
30
Hautbois (partie séparée)
28
Saxophone (partie séparée)
28
2 Flûtes traversières, Piano
27
Flûte, Clarinette (duo)
27
Saxophone, Clarinette (duo)
25
Quintette de Flûte : 5 flûtes
24
3 Saxophones (trio)
23
Clarinette, Guitare (duo)
20
Flûte et Guitare
18
Clarinette, Violon (duo)
15
Saxophone Baryton, Piano
14
Hautbois, Basson (duo)
13
Flûte, Clarinette et Basson
13
Saxophone
12
Clarinette, Trompette (duo)
12
2 Hautbois (duo)
12
Flûte, Violon
11
Clarinette Basse, Piano
11
Clarinette, Basson (duo)
10
Quatuor de Flûtes à bec
9
Clarinette et Alto
8
Hautbois, Flûte
8
Flûte, Alto (duo)
8
Cor anglais, Piano
8
Hautbois, Clarinette (duo)
7
Flûte, Saxophone (duo)
7
Flûte à Bec
6
Flûte, Violoncelle
6
Flûte, Trompette (duo)
6
Flûte, Hautbois, Basson
6
Flûte à bec Soprano
6
Flûte, Clarinette, Piano (trio)
5
Flûte, Hautbois, Clarinette (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
5 Flûtes à bec
5
Flûte, Violoncelle, Piano (trio)
5
Hautbois
4
Flûte, Violon et Violoncelle
3
Ensemble De Flûte à bec
3
Flûte, Basson et Piano
3
4 Hautbois
3
Clarinette, Violoncelle (duo)
3
Flûte irlandaise
2
2 Clarinettes, Piano
2
Hautbois, Guitare (duo)
2
Cornemuse
2
2 Saxophones, Piano
2
Flûte à bec Alto
2
Flûte à bec Tenor
2
Saxophone Baryton
2
Saxophone Soprano
2
Piccolo, Piano
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Orgue
1
Flûte à bec Alto, Basse continue
1
Flûte, Trombone (duo)
1
Saxophone et Orgue
1
2 Clarinettes, Basson
1
Saxophone, Tuba (duo)
1
Cor Anglais
1
Clarinette, Harpe (duo)
1
2 Flûte à bec (duo)
1
3 Hautbois
1
Flûte, alto et harpe
1
Hautbois, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Piccolo
1
Clarinette (partie séparée)
1
Flute (partie séparée)
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et Harpe
1
Flûte, Clarinette, Violon (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
397
Quatuor de Cuivres : 2 trompettes, trombone, tuba
238
Trompette
95
Trompette, Piano
88
Trombone et Piano
84
Quatuor de Cuivres: 2 trompettes, Cor, trombone
77
Quatuor de cuivres: 4 trombones
63
Trombone
62
Cor et Piano
52
Ensemble de Trombones
48
2 Euphoniums et 2 Tubas
46
Tuba et Piano
41
Quatuor de Cuivres
33
Ensemble de Trompettes
33
Quatuor de cuivres: 4 cors
29
Trompette (partie séparée)
24
2 Trompettes (duo)
24
Cor
22
Euphonium, Piano (duo)
19
Trompette, Saxophone (duo)
15
Trompette, Trombone (duo)
13
Trombone (partie séparée)
11
2 Trombones (duo)
11
Tuba
10
Trio de Cuivres
10
Euphonium
9
Ensemble de Cors
8
Cor anglais, Piano
8
4 Tubas
7
2 Cors (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
3
Trombone basse
3
Trombone basse et Piano
2
Cor et Orgue
2
Cor et Harpe
2
Trombone, Orgue
2
Euphonium, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Violon (duo)
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Trombone et orchestre
1
Cor Anglais
1
Trompette, Harpe
1
3 Cors (trio)
1
2 Euphoniums (duo)
1
Clarinette, Cor (duo)
1
Trompette, Orchestre
1
3 Euphoniums
1
Bass Clef Instruments
1
Tuba et Orgue
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
857
Violon et Piano
229
Violon, Violoncelle (duo)
197
Violoncelle, Piano
160
Violon
127
Trio à Cordes: violon, alto, violoncelle
115
Harpe
111
Alto, Piano
109
Violoncelle
100
2 Violons (duo)
55
Violon, Alto (duo)
44
Trio à Cordes: 2 violons, violoncelle
42
2 Violoncelles (duo)
41
2 Harpes (duo)
33
Alto seul
31
Contrebasse, Piano (duo)
20
4 Violoncelles
19
Contre Basse
17
Alto (partie séparée)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
2 Altos (duo)
14
Alto, Violoncelle (duo)
13
Ensemble de Violons
13
Ensemble d'Altos
13
Trio à Cordes: 2 violons, alto
12
Trio à Cordes: 3 violoncelles
11
Violon, Guitare (duo)
9
Piano Trio: Violon, Alto, Piano
8
Harpe, Flûte (duo)
7
Violoncelle , Guitare (duo)
7
Alto, Guitare (duo)
6
Violon (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Quatuor à cordes: 4 violons
5
Ensemble de Violoncelles
5
Harpe, Voix
4
Violoncelle, Orgue
4
Alto et Harpe
4
Harpe, Violon (duo)
3
Violoncelle, Contrebasse (duo)
3
4 Contrebasses
3
Harpe, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Harpe et mandoline
2
Violoncelle (partie séparée)
2
Trio à cordes: 3 altos
1
Harpe, Trombone (duo)
1
Trio à cordes
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Violon, Tuba (duo)
1
Alto et Basson
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
515
Orchestre
404
Ensemble Jazz
334
Orchestre à Cordes
310
Ensemble de cuivres
298
Orchestre de chambre
138
Jazz combo
103
Cloches
84
Fanfare
70
Batterie
45
Ensemble de Percussions
36
Marimba
11
Vibraphone
8
Batterie (partie séparée)
5
Percussion (partie séparée)
3
Orchestre, Violon
2
Xylophone, Piano
2
Xylophone
1
2 Xylophones
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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It's Raining Somewhere Else
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
44.89 €
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Orchestre de chambre
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Toby Fox
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Grant Harville
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It's Raining Somewhere Else
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Grant Harville
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SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1298466 By Jessica Simpson. …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1298466 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Broadway,Christmas,Contemporary,Film/TV,Musical/Show,Standards. Score and Parts. 71 pages. Www.studio-orchestrations.com #888438. Published by www.studio-orchestrations.com (A0.1298466). The classic Christmas ballad made famous by Dean Martin, arranged here for SATB chorus and smal orchestra will charm any christmas audience and is a version suitable for any good amateur or professional performance group. A perfect Christmas Concert Stocking filler.Instrumentation:SATB ChorusFlute dbl. PiccoloPiccolo2 ClarinetsGlockenspielHarpPiano/KeyboardGuitar (optional)Drum KitStringsA correpsonding SATB Chorus and Piano version is also available from this supplier arranged by John Langley.Other titles available from the same arranger:A Million Dreams (The Greatest Showman)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever  (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$150.00
134.71 €
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Orchestre de chambre
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Jessica Simpson
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Let It Snow! Let It Snow! Let It Snow!
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www.studio-orchestrations.com
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SheetMusicPlus
It Came Upon a Midnight Clear for String Quartet (or Mixed Quartet or Piano Quintet)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530715 Composed by Richard S…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.530715 Composed by Richard Storrs Willis. Arranged by Daniel Kelley. 20th Century,Christmas,Standards. Score and parts. 13 pages. Last Resort Music Publishing #4887763. Published by Last Resort Music Publishing (A0.530715). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
8.94 €
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Orchestre de chambre
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Richard Storrs Willis
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Daniel Kelley
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Cello, Piano Quartet &
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It Came Upon a Midnight Clear for String Quartet
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Last Resort Music Publishing
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SheetMusicPlus
It's Beginning To Look Like Christmas
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.736433 Composed by Meredith …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.736433 Composed by Meredith Willson. Arranged by Jon Woodend. Film/TV. Score and parts. 32 pages. Jon Woodend #3372823. Published by Jon Woodend (A0.736433). Pro combo - advanced HS or College ensembles.
$50.00
44.9 €
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Orchestre de chambre
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Meredith Willson
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Jon Woodend
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It's Beginning To Look Like Christmas
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Jon Woodend
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SheetMusicPlus
"On the beaches of Tijuana"
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Car…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
19.76 €
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Orchestre de chambre
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Luis Carlos Diaz
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Luis Carlos Diaz
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}p { margin-bottom: 0.1in
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"On the beaches of Tijuana"
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azdi
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SheetMusicPlus
Perfect
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.764295 By Ed Sheeran. By Ed …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pages. Kovats Istvan #3684133. Published by Kovats Istvan (A0.764295). First I've made an arrangement for my String Quartet, this is a version with solo Tenor-Saxophone and String Quartet accompaniment. The string parts have bowings, legatos, dynamics and rehearsal marks A, B, C, etc. to help and to speed up the learning process. Just count, respect the bow directions and You're done. It's a beautiful song and it sounds great with solo Saxophone. (mp3 sample is coming hopefully in the next days)Enjoy it!Tip: In the cello part the double notes can be ignored, if you want you can play only the lower notes (with doubles sounds much better, it worths studying a little more)For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$17.99
16.16 €
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Orchestre de chambre
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Ed Sheeran
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Kováts István
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Perfect
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Kovats Istvan
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
92.95 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
89.81 €
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Orchestre de chambre
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
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Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
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Ondine Press
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SheetMusicPlus
Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow.…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Romantic Period,Standards,Traditional. Score and parts. 104 pages. Rainer's Rainbow #642078. Published by Rainer's Rainbow (A0.1037108). Bach wrote this concerto originally in the key of C minor and intended it for two harpsichords. It is arranged here for the more common instrumentation of Oboe and Violin. However it is offered in the key of D minor with a complete set of string parts and harpsichord accompaniment. It could be played with strings and just the Harpsichord part on piano as an accompaniment. Orchestra parts in D minor are hard to find.
$19.99
17.95 €
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Orchestre de chambre
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Rainer's Rainbow
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R G Roth
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Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
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Rainer's Rainbow
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SheetMusicPlus
In the Memory Of
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.888267 Composed by Edward Da…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.888267 Composed by Edward David Zeliff. Contemporary,Holiday. Score and parts. 72 pages. Edward David Zeliff #4767647. Published by Edward David Zeliff (A0.888267). This piece is for Solo Cello and Chamber Orchestra. It is designed to be a remembrance––anyone's remembrance––of the life shared with someone who is gone. It is very delicate in nature, with moments of joy and exuberance. A chamber-like quality characterizes the orchestration. It is strikingly melodic, richly harmonic, probingly dissonant, and poignantly peaceful. It was premiered at the Royal College of Music in London.
$35.00
31.43 €
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Orchestre de chambre
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Edward David Zeliff
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In the Memory Of
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Edward David Zeliff
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SheetMusicPlus
Pathos Chorodia
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976709 Composed by Hans Leo …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976709 Composed by Hans Leo Hassler (1601). Arranged by Robert Myers. 20th Century,Contemporary,Easter,Sacred. Score and parts. 25 pages. WheatMyer Music #4766879. Published by WheatMyer Music (A0.976709). PASSION CHORALE is the name given to a 1656 German tune which accompanies the words of the ancient hymn, O Sacred Head Now Wounded. This tune is clearly heard throughout this instrumental arrangement called Pathos Chorodia, which is a transliteration of the Greek for 'passion chorale.' I chose the Greek due to it being the common language of the First Century Near East with which the early Church was fluent. Although the familiar melody is heard clearly throughout, the setting will sound very foreign to most ears. In acknowledgment of the atonal origins of the pierrot ensemble, this arrangement embraces dissonance and chromaticism, and avoids clear statements of conventional harmony without, however, being altogether atonal. Thus, it is a most unusual setting of the tune, but one that poignantly paints the deep anguish expressed in the hymn text, the anguish of the crucifixion's witnesses. The music is simultaneously shocking and familiar, which seems a fitting way to present this familiar story in all its shocking horror.The music may be successfully performed with advanced high school or later musicians. It is not excessively technically demanding but will require artistic taste and expressiveness. It is good selection for chamber ensemble concerts and suited for either secular or sacred venues.
$19.99
17.95 €
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Orchestre de chambre
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Hans Leo Hassler
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Robert Myers
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Pathos Chorodia
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WheatMyer Music
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SheetMusicPlus
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
22.45 €
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Orchestre de chambre
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
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Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
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Ondine Press
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SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.22 €
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Orchestre de chambre
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Carson Cooman
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Symphony No. 2, "Litanies of Love and Rain"
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Musik Fabrik Music Publishing
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SheetMusicPlus
VIVALDI Antonio: Vedrò con mio diletto, aria from the opera Il Giustino, score and parts (D minor)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.868996 Composed by Antonio V…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.868996 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 17 pages. Really Good Music, LLC. #6067151. Published by Really Good Music, LLC. (A0.868996). Vedrò con mio diletto is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the key of D minor (E4 – A5) for high voice.
$25.00
22.45 €
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Orchestre de chambre
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Vedrò con mio diletto, aria from the opera Il Giustino, score and parts
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Really Good Music, LLC.
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.5 €
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Orchestre de chambre
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
89.81 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Concerto Grosso (2017) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
8.97 €
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Orchestre de chambre
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
VIVALDI Antonio: Tu m'offendi mà non rendi, aria from the opera La verità in cimento, score and pa
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.868994 Composed by Antonio V…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.868994 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 18 pages. Really Good Music, LLC. #6065509. Published by Really Good Music, LLC. (A0.868994). Tu m’offendi mà non rendi is an aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei PICHUGIN. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the original key of G minor (F4 – G5) for high voice.
$29.00
26.04 €
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Orchestre de chambre
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Tu m'offendi mà non rendi, aria from the opera La verità in cimento, score and pa
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Really Good Music, LLC.
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
8.97 €
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Orchestre de chambre
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
8.97 €
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Orchestre de chambre
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Kyrie, Gott heiliger Geist BWV 671 - AWV 9
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1305511 Composed by Johann S…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1305511 Composed by Johann Sebastian Bach. Arranged by Charles E. Askew. Baroque,Christian,Religious,Sacred. 48 pages. Askew Music Productions #894959. Published by Askew Music Productions (A0.1305511). BWV 671 is one of my favorite chorale preludes. I think that it is an excellent teaching piece for understanding species counterpoint. I had always wondered how it would sound if orchestrated, but I could not find any examples. So, I decided to create my own.It is scored for Flute, 2 Clarinets, Bassoon, Contrabassoon, 2 Horns, Piano, and Strings (Orchestra or Quintet). Parts are included.
$40.00
35.92 €
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Orchestre de chambre
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Johann Sebastian Bach
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Charles E
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Kyrie, Gott heiliger Geist BWV 671 - AWV 9
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Askew Music Productions
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SheetMusicPlus
Fitch Overture for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Di…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
8.98 €
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Orchestre de chambre
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Joseph Dillon Ford
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Fitch Overture for chamber orchestra
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David Warin Solomons2
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.22 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Finale for Beethoven's Violin Concerto in C major WoO 5
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. Score and parts. 48 pages. Adrian Gagiu #6204599. Published by Adrian Gagiu (A0.1004721). Beethoven's Romance No. 1 in G major for violin and orchestra op. 40 (c. 1801) was transposed in C major, arranged in the new key and appropriate tempo, and expanded to form a rondo Finale fit for his unfinished Concerto in C major, of which only about a half of a clean copy of the first movement survived as WoO 5 (1791-1792). Also, a newly composed solo cadenza was now inserted. Almost surely, the Romance No. 2 in F major op. 50 (c. 1791?) was intended as the slow movement of the Concerto (it has virtually the same scoring as WoO 5, the manuscript bears no title, and there is a thematic relation to WoO 5). The Romance No. 1 in G major was probably intended as a replacement or alternate slow movement, but it is his only composition relatable to the Concerto fragment, so I adapted it as conjecture Finale for a complete performing version of the Concerto.
$15.00
13.47 €
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Orchestre de chambre
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Ludwig van Beethoven
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Adrian Gagiu
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Finale for Beethoven's Violin Concerto in C major WoO 5
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Adrian Gagiu
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.58 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
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