Partitions Numériques de The Real Love pour Orchestre de chambre

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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 34 Piano, Voix 11 Instruments en Do 3 Piano, Voix et Guitare 3 2 Pianos, 4 mains 2

Orgue 2 Piano Trio: piano, violon, violoncelle 2 1 Piano, 4 mains 1 Accompagnement Piano 1

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GUITARES

Guitare 4 Basse electrique 2 Guitare notes et tablatures 1

VOIX

Chorale SATB 30 Chorale 3 parties 3 Chorale TTBB 2 Voix haute 1 Chorale SSAA 1

Chorale 2 parties 1 Voix Soprano, Piano 1

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VENTS

Hautbois, Piano (duo) 10 2 Saxophones (duo) 4 Flûte traversière 3 Saxophone Tenor et Piano 2 Saxophone Tenor 2

Clarinette et Piano 2 Ensemble de saxophones 2 2 Clarinettes (duo) 2 Saxophone Alto et Piano 2 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2 Flûte traversière et Piano 1 Clarinette, Basson (duo) 1 Clarinette 1 Clarinette, Trombone (duo) 1 Hautbois (partie séparée) 1 Quatuor de Clarinettes: 4 clarinettes 1 Quintette de Clarinettes: 5 clarinettes 1 Clarinette Basse, Piano 1 Ensemble de Flûtes 1 Saxophone Alto 1 2 Flûtes traversières, Piano 1 Saxophone Soprano et Piano 1 Flûte, Alto (duo) 1 Clarinette, Violoncelle (duo) 1 Ensemble de Clarinettes 1 Flûte, Clarinette (duo) 1

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CUIVRES

Trompette, Piano 3 Trompette 2 Cor et Piano 2 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2 Trombone 2

Trombone et Piano 2 Trompette, Saxophone (duo) 1 Quatuor de cuivres: 4 trombones 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 2 Trompettes (duo) 1 Quatuor de Cuivres : 2 trompettes, trombone, tuba 1 Trompette (partie séparée) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 30 Violon, Violoncelle (duo) 11 Violon et Piano 5 Violon, Guitare (duo) 4 Trio à Cordes: 2 violons, violoncelle 4

Trio à Cordes: violon, alto, violoncelle 4 Violoncelle , Guitare (duo) 3 Violon 3 Violoncelle, Piano 2 2 Violoncelles (duo) 2 Violoncelle 2 2 Violons (duo) 2 Harpe 1 Alto seul 1 Harpe, Voix 1 Alto (partie séparée) 1 Alto, Violoncelle (duo) 1 Violon, Alto (duo) 1 Harpe, Flûte (duo) 1 Violoncelle (partie séparée) 1 Alto et Basson 1 Violon (partie séparée) 1 Alto, Piano 1

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PERCUSSIONS & ORCHESTRES

Ensemble de cuivres 13 Orchestre à Cordes 10 Orchestre d'harmonie 7 Orchestre 7 Orchestre de chambre 5

Ensemble Jazz 3 Ensemble de Percussions 1 Fanfare 1

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AUTRES

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The Real Love

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Orchestre de chambre

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5 partitions trouvées

All You Need Is Love

Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1400948 By The Beatles. By J…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1400948 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bernard Kane. Chamber,Film/TV,Pop. 66 pages. Bernard Kane Jr Music #984142. Published by Bernard Kane Jr Music (A0.1400948). Released in 1967, this glorious Beatles classic - which opens with the first phrase of the French National Anthem La Marseillaise - epitomised the Summer of Love - It topped both the UK and US charts in that year. In the realm of film, it was most memorably used in the 2003 Richard Curtis Christmas film, Love Actually.

$100.00 91.62 € #Orchestre de chambre #The Beatles #Bernard Kane #All You Need Is Love #Bernard Kane Jr Music #SheetMusicPlus

Three Laments of Heloise for Chamber Orchestra

Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloiseâ€™s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweetâ€¦ They are always there before my eyes, bringing with them awakened longingsâ€¦ The second movement If Not With You, My Heart Is Nowhere, expresses Heloiseâ€™s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloiseâ€™s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).

$100.00 91.62 € #Orchestre de chambre #Dosia McKay #Three Laments of Heloise for Chamber Orchestra #Gavia Music #SheetMusicPlus

Fitch Overture for chamber orchestra

Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Di…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.

$10.00 9.16 € #Orchestre de chambre #Joseph Dillon Ford #Fitch Overture for chamber orchestra #David Warin Solomons2 #SheetMusicPlus

Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren

Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flÃ»tes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 Ã©xecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durÃ©e/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi quâ€™une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est Ã©galement disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________PrmiÃ¨re: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011PremiÃ¨re of the version for violin and 17 instruments: FrÃ©dÃ©ric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist EugÃ¨ne YsaÃ¿e. After Debussyâ€™s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violinâ€™s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussyâ€™s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the SÃ©rÃ©nade begins and ends with Debussyâ€™s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel FaurÃ©, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussyâ€™s unfinished works, and especially his theatre projects. His completion of Debussyâ€™s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

$16.95 15.53 € #Orchestre de chambre #Claude Debussy/Robert Orledge #Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only #Musik Fabrik Music Publishing #SheetMusicPlus

Honrpipe (From 'Water Music Suite No. 1' in F, HWV 348)

Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.597305 Composed by Georg Fri…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.597305 Composed by Georg Friedrich HÃ„NDEL Â . Arranged by Flavio Regis Cunha. Baroque,Concert,Holiday,Wedding. Score and parts. 29 pages. Flavio Regis Cunha #5304533. Published by Flavio Regis Cunha (A0.597305). This beautiful edition of Handel's well-known worldwide 'Hornpipe' was based on the Halle Handel Edition. In this edition you will find optional parts for two flutes and timpani. The continuo was realized and can be replaced by the organ as optional. This 'Hornpipe' from Handel's Water Music (HWV 349) transcription is also a combination of the Halle Handel Edition and the recording performed by the FestspielOrchester GÃ¶ttingen with Laurence Cummings as director (https://www.youtube.com/watch?v=1h4mAceHmrI).This score is an excellent purchase for your group, or archive. You and your ensemble will love playing along with the eardrums. Your audience will be enchanted by the vibrant power of this piece.

$9.99 9.15 € #Orchestre de chambre #Georg Friedrich HÃ„NDEL Â #Flavio Regis Cunha #Honrpipe #Flavio Regis Cunha #SheetMusicPlus