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--INSTRUMENTS--
ACCORDEON
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CHORALE - CHAN…
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Non classifié
183
Piano & claviers
Piano seul
70
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62
Piano, Voix et Guitare
32
Orgue
7
Instruments en Do
5
2 Pianos, 4 mains
3
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 3 instrumentations
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Guitares
Piano, Guitare (duo)
4
Guitare notes et tablatures
3
Guitare
3
Basse electrique
2
Mandoline, Guitare (duo)
1
Voix
Chorale SATB
19
Chorale 3 parties
6
Chorale 2 parties
4
Chorale TTBB
2
Chorale SSAA
2
Voix haute
1
+ 1 instrumentations
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Vents
Ensemble de saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Saxophone Alto et Piano
10
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
8
Quintette de Saxophone: 5 saxophones
7
Ensemble de Clarinettes
6
Flûte traversière et Piano
6
Hautbois, Piano (duo)
4
Clarinette et Piano
3
Flûte, Clarinette (duo)
3
Ensemble de Flûtes
3
3 Clarinettes (trio)
2
2 Flûtes traversières (duo)
2
Quintette de Flûte : 5 flûtes
2
2 Flûte à bec (duo)
1
2 Saxophones (duo)
1
Flûte, Clarinette et Basson
1
Quatuor de Saxophones: 4 saxophones
1
Piccolo, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte à bec Tenor
1
2 Clarinettes (duo)
1
Clarinette
1
Hautbois, Clarinette (duo)
1
Saxophone Alto
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano
1
+ 24 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de cuivres: 4 trombones
13
Quatuor de Cuivres
12
Ensemble de Trombones
8
Trombone et Piano
7
Trompette
7
2 Trombones (duo)
6
Trombone
5
Ensemble de Trompettes
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Ensemble de Cors
3
Tuba et Piano
3
Quatuor de cuivres: 4 cors
1
Cor et Piano
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
Tuba
1
Trombone, Tuba (duo)
1
Trompette, Piano
1
2 Trompettes (duo)
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Trio à Cordes: violon, alto, violoncelle
8
Violon et Piano
6
Violoncelle, Piano
4
2 Harpes (duo)
3
Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Piano
2
Ensemble de Violons
2
Ensemble d'Altos
2
Violon, Alto (duo)
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon
1
Violoncelle
1
Ensemble de Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
+ 14 instrumentations
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Orchestre & Percussions
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10
Orchestre d'harmonie
8
Ensemble de cuivres
6
Ensemble Jazz
5
Orchestre de chambre
4
Orchestre à Cordes
3
Fanfare
3
Ensemble de Percussions
1
Batterie
1
Cloches
1
Jazz combo
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Orchestre de chambre
Partitions à imprimer
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The Bremen Town Musicians for String Quartet and Narrator (score & narration)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Douglas Meyer
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The Bremen Town Musicians for
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Douglas Meyer
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.873786 Composed by Douglas Meyer. Romantic Period. Score and parts. 33 pages. Douglas Meyer #5952753. Published by...
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Chamber Orchestra - Level 4 - SKU: A0.873786 Composed by Douglas Meyer. Romantic Period. Score and parts. 33 pages. Douglas Meyer #5952753. Published by Douglas Meyer (A0.873786). The full score that goes with The Bremen Town Musicians for String Quartet and Narrator (narration included) The story of a donkey, a dog, a cat, and a rooster, all past their prime years in life and usefulness on their respective farms, soon to be discarded or mistreated by their masters. One by one they leave their homes and set out together. They decide to go to Bremen, known for its freedom, to live without owners and become Bremen Town Musician. Story by the Brothers Grimm and music a parody on music of Saint-Saens, Liszt, Elgar and many others. Narration included.
$10.95
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
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