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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
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DEEJAY
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TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
duration approx. 4'.
Non classifié
63
Piano & claviers
Piano seul
34
1 Piano, 4 mains
3
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2
Instruments en Do
2
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1
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1
+ 1 instrumentations
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2
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1
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7
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7
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6
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6
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5
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4
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4
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3
2 Clarinettes, Piano
3
Quintette de Flûte : 5 flûtes
2
Flûte traversière et Piano
2
Saxophone Baryton, Piano
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2 Hautbois (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
3 Clarinettes (trio)
2
Ensemble de Flûtes
2
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2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Alto
1
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1
Quatuor de Flûtes : 4 flûtes
1
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1
Clarinette, Trompette (duo)
1
Clarinette
1
2 Flûtes traversières (duo)
1
Flûte traversière
1
Quintette de Saxophone: 5 saxophones
1
3 Flûtes à bec (trio)
1
Ensemble de saxophones
1
Saxophone, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 27 instrumentations
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2
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Trompette
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2 Cors (duo)
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Euphonium, Piano (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba et Piano
1
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12
Violon et Piano
11
Violoncelle, Piano
9
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
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Alto, Piano
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Harpe
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2 Altos (duo)
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Violon
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle
1
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▽ INSTRUMENTS
ACCORDEON
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AUTRES INSTRU…
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BUGLE
CHANT - CHORA…
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CONTREBASSE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Orchestre de chambre
Partitions à imprimer
7 partitions trouvées
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1
Truly Thankful (Organ, 2 Oboes, Side Drum & Strings)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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James Bersey
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James Bersey
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Truly Thankful
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James Bersey
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1486744 By James Bersey. By James Bersey. Arranged by James Bersey. 21st Century,Chamber,Classical,Contest,Easter,...
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Chamber Orchestra - Level 4 - SKU: A0.1486744 By James Bersey. By James Bersey. Arranged by James Bersey. 21st Century,Chamber,Classical,Contest,Easter,Festival. 47 pages. James Bersey #1063810. Published by James Bersey (A0.1486744). Truly ThankfulforOrgan, 2 Oboes, Side Drum & StringsThis is an expanded version by the composer of his orginal work for organ Truly Thankfulcomposed in memory of his grandfather in 2012. Duration: approx. 3.5 minutes. Includes conductor's score and orchestral parts. Suitable for any occasion. About the composer
$17.00
Air Lointain: Poème Symphonique
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Alexandre Béon
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Air Lointain: Poème Sym
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RÄ“sFacta Editions
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1431586 Composed by Alexandre Béon. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 84 pages. RÄ...
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Chamber Orchestra - Level 4 - SKU: A0.1431586 Composed by Alexandre Béon. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 84 pages. RēsFacta Editions #1012061. Published by RēsFacta Editions (A0.1431586). The symphonic poem, Air Lointain (Distant Song) by Alexandre Béon, prominently features the English horn as a solo instrument within the orchestral setting.  Inspired by the poem of the same name by Pierre Reyniel (pen name of Louise Perny) which explores themes of distance, longing, and nostalgia, Béon creates an immersive musical experience that transports listeners to a distant, otherworldly, realm. The prominence of the English horn as a solo instrument, with its rich, melancholic, warm timbre often associated with expressions of longing or yearning, is a fitting choice for conveying the emotional depth of the piece. Score and parts. Duration: Approx. 6'20.
$45.00
Three Australian Folk Songs
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Traditonal
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Roman Benedict
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Waltzing Matilda
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Three Australian Folk Songs
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Roman Benedict
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and parts. 70 pages. Roman Benedict #5178667. Published by Roman Benedict (A0.766729). This medley of three popular traditional Australian songs is her presented in a lively and colourful arrangement for chamber orchestra. This arrangement works well as an encore or as part of a concert programme (duration: approx. 5'), and is a collection of three popular Australian folk songs: Botany Bay, Click Go The Shears & Waltzing Matilda. These were selected to cover three eras of Australian colonial history: a song from Australia's convict past, one from the development of the pastoral nation, and finishing with the stories of the bush-ranger history. Drawing on musical styles as diverse as folk song, Aaron Copland, and European ballroom dance music it is a fun and entertaining addition to any concert programme.
$70.00
Pachelbel's Canon - String Quartet and Trumpet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Pachelbel's Canon - String Qua
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Music-Scores.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.721661 Composed by Johann Pachelbel. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Sc...
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Chamber Orchestra - Level 4 - SKU: A0.721661 Composed by Johann Pachelbel. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and parts. 19 pages. Music-Scores.com #4884919. Published by Music-Scores.com (A0.721661). Pachelbel's Canon in D, arranged for Strings and Trumpet. The ground bass is shared by the Viola and Cello.Duration: Approx 5 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
Vanhal Symphony No.22 in D minor
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Baptist Vanhal
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Ian Butterworth
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Vanhal Symphony No.22 in D min
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1499141 Composed by Johann Baptist Vanhal. Arranged by Ian Butterworth. Classical. 59 pages. Ian Butterworth #1075...
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Chamber Orchestra - Level 4 - SKU: A0.1499141 Composed by Johann Baptist Vanhal. Arranged by Ian Butterworth. Classical. 59 pages. Ian Butterworth #1075190. Published by Ian Butterworth (A0.1499141). Johann Baptist Vanhal (1739-1813) was born in Bohemia but spent most of his life in Vienna where he was a friend of Haydn and Mozart. He wrote 73 symphonies and Symphony No.22, scored for two oboes, bassoon, two horns and strings, is in three movements. The wind players are tacet in the central movement. The score (24 pages) has been edited for phrasing and bowing and string parts may be copies provided they are for sole use by the purchaser. Duration 14 minutes approx.www.ianbutterworthmusic.co.uk
$17.00
RIGEL Symphony No.10 in D minor Op.21 No.2
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henri-Joseph Rigel
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Ian Butterworth
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RIGEL Symphony No.10 in D mino
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butterworth #1073129...
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Chamber Orchestra - Level 4 - SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butterworth #1073129. Published by Ian Butterworth (A0.1496608). Rigel (1741-1799) was born in Germany but spent most of his life in France. This symphony is in three movements and is scored for two oboes, bassoon, two horns and strings. The wind players are tacet in the central movement. The score (18 pages) has been edited for bowing and phrasing and string parts may be copied for sole use by the purchaser. Duration 16 minutes approx.www.ianbutterworthmusic.co.uk
$18.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
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