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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
round
Non classifié
523
Piano & claviers
Piano seul
402
Piano, Voix
103
Orgue
39
Piano, Voix et Guitare
38
Instruments en Do
32
2 Pianos, 4 mains
7
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Accordéon
4
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Piano Facile
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
42
Guitare notes et tablatures
11
Basse electrique
9
Ligne De Mélodie, (Paroles) et Accords
6
Dulcimer
4
Ukulele
2
Banjo
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
2 Dulcimers (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
160
Chorale SSAA
24
Chorale TTBB
20
Chorale 3 parties
12
Voix Soprano, Piano
7
Chorale 2 parties
6
Voix Tenor, Piano
4
Voix seule
3
Voix Alto, Piano
3
Voix duo
2
Chorale SSATB
2
Voix haute
2
Chorale Unison
2
Voix duo, Piano
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
82
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Saxophone, Clarinette (duo)
46
Quatuor de Saxophones: 4 saxophones
42
2 Clarinettes (duo)
40
Ensemble de saxophones
38
Clarinette, Violon (duo)
31
2 Flûtes traversières (duo)
30
Saxophone Alto et Piano
29
Flûte traversière et Piano
26
Flûte, Clarinette (duo)
25
Clarinette, Trompette (duo)
25
Quatuor de Clarinettes: 4 clarinettes
25
Clarinette et Piano
24
Saxophone Tenor et Piano
21
Hautbois, Piano (duo)
21
Flûte, Violon
18
Clarinette et Alto
16
2 Hautbois (duo)
16
Flûte, Saxophone (duo)
16
Quintette de Saxophone: 5 saxophones
16
Flûte, Trompette (duo)
15
Flûte, Alto (duo)
15
Quatuor de Flûtes : 4 flûtes
15
Hautbois, Clarinette (duo)
15
Ensemble de Clarinettes
14
Hautbois, Basson (duo)
14
Ensemble de Flûtes
13
Flûte, Hautbois, Clarinette, Basson
13
Saxophone Soprano et Piano
13
Hautbois, Flûte
11
Flûte traversière
11
Clarinette
7
Quintette de Clarinettes: 5 clarinettes
5
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
4
Saxophone (partie séparée)
4
3 Saxophones (trio)
4
Clarinette Basse, Piano
3
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone Tenor
2
Saxophone
2
3 Flûtes à bec (trio)
2
Flûte à Bec
2
Quatuor de Flûtes à bec
2
Cor anglais, Piano
2
Flûte à bec Alto, Piano
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Basson (duo)
2
Flûte et Guitare
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois (partie séparée)
1
Hautbois, Trompette (duo)
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble à vent
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Hautbois, violon (duo)
1
Flûte à bec Alto
1
Flûte traversière, Orgue (duo)
1
Saxophone Alto
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Trompette, Saxophone (duo)
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette
18
Trompette, Trombone (duo)
16
2 Trombones (duo)
15
2 Trompettes (duo)
15
Trompette, Piano
14
Trombone et Piano
13
Quatuor de Cuivres
11
Quatuor de cuivres: 4 cors
11
Cor et Piano
9
Ensemble de Trombones
9
Quatuor de cuivres: 4 trombones
9
2 Euphoniums et 2 Tubas
7
Ensemble de Trompettes
6
Euphonium, Piano (duo)
6
2 Cors (duo)
6
Trombone
5
Trompette (partie séparée)
5
Ensemble de Cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone (partie séparée)
4
Tuba
3
Cor
2
Cor anglais, Piano
2
3 Trombones (trio)
2
3 Euphoniums
1
4 Tubas
1
Tuba et Piano
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violon et Piano
57
Violoncelle, Piano
29
Trio à Cordes: violon, alto, violoncelle
25
Alto, Piano
25
Violon, Violoncelle (duo)
22
2 Violons (duo)
19
Violon, Alto (duo)
18
2 Altos (duo)
14
2 Violoncelles (duo)
14
Harpe
13
Violoncelle
10
Violon
9
2 Harpes (duo)
6
Trio à cordes: 3 violins
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
4 Violoncelles
4
Harpe, Flûte (duo)
3
Harpe, Violoncelle (duo)
3
Harpe, Violon (duo)
3
Ensemble de Violons
3
Ensemble d'Altos
3
Alto et Harpe
3
Contre Basse
3
Alto (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Alto seul
1
4 Contrebasses
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Contrebasses (duo)
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
75
Orchestre à Cordes
67
Orchestre d'harmonie
62
Orchestre
51
Ensemble de cuivres
50
Orchestre de chambre
28
Jazz combo
14
Cloches
12
Ensemble de Percussions
7
Fanfare
4
Batterie
3
Marimba
3
Vibraphone
2
Batterie (partie séparée)
1
+ 9 instrumentations
Retracter
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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KLEZMER - JUIVE
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LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Orchestre de chambre
Partitions à imprimer
28 partitions trouvées
<
1
26
An amble round Mercury for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for cha
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David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
One Second to the Future - Guitar Orchestra
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Brent C Robitaille
#
One Second to the Future - Gui
#
Brent C Robitaille
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Little Laser Lady for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Little Laser Lady for chamber
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for c
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Stanley M Hoffman
#
Homage to Sibelius
#
stanleymhoffman.com
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Playing Love
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Ennio Morricone
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Flavio Regis Cunha
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Playing Love
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instruc...
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Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. 13 pages. Flavio Regis Cunha #1011659. Published by Flavio Regis Cunha (A0.1431197). Ennio Morricone: Playing Love English Horn Solo Version, Piano, and String Orchestra - Full Score and Parts Sheet MusicEnnio Morricone's Playing Love for English Horn Solo Version, Piano, and Orchestra, from the Giuseppe Tornatore Suite: Playing Love featured in The Legend of 1900, as performed by Yo-Yo Ma and Roma Sinfonietta Orchestra.For orchestras seeking to enrich their repertoire with a distinctive touch, Playing Love from the Giuseppe Tornatore Suite is a prime choice. Crafted by the virtuoso composer Ennio Morricone, this masterpiece is certain to captivate audiences. With its arrangement for English Horn Solo, Piano, and Orchestra, this exceptional composition provides everything necessary for an outstanding performance. Experience its enchanting beauty through Yo-Yo Ma's rendition or the majestic interpretation by the Roma Sinfonietta Orchestra. Stand out from the crowd and acquire this essential piece today!Level: Advanced IntermediateFormat: Concert, 9 x 12 inchesSize: 13 PagesScore and Orchestral PartsDuration: 2:00Instrumentation: English Horn Solo Version, Piano, and String OrchestraProgram NotesWelcome to the rendition of Ennio Morricone's exquisite suite, Playing Love, from The Legend of 1900. This composition is a fusion of classical and cinematic music, touching hearts and soothing souls. Its multiple layers evoke a range of emotions through intimate and powerful instrumentation. Soloists command attention as Violoncello and Piano entwine in a duet of love and tragedy, while the Orchestra carries the melody, grounding it in symphonic richness. Experience the emotive power of Playing Love as Morricone's captivating melodies breathe life into the tale of The Legend of 1900. Don't miss this unforgettable performance.
$49.99
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
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Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Pachelbel's Canon - String Quartet and Trumpet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Pachelbel's Canon - String Qua
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Music-Scores.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.721661 Composed by Johann Pachelbel. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Sc...
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Chamber Orchestra - Level 4 - SKU: A0.721661 Composed by Johann Pachelbel. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and parts. 19 pages. Music-Scores.com #4884919. Published by Music-Scores.com (A0.721661). Pachelbel's Canon in D, arranged for Strings and Trumpet. The ground bass is shared by the Viola and Cello.Duration: Approx 5 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
Windmill Song (for baritone and orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Gary Friedman
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Windmill Song
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary...
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Chamber Orchestra - Level 4 - SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary Friedman (A0.889888). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. This one is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The third is for piano reduction of the orchestra plus baritone solo at $5.00 Duration: 7 minutes Year: 2004.
$40.00
Still, Still, Still
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Evelyn R
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Evelyn Larter Music
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Still, Still, Still
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Evelyn R Larter
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.749832 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score an...
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Chamber Orchestra - Level 4 - SKU: A0.749832 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and parts. 15 pages. Evelyn R Larter #3630123. Published by Evelyn R Larter (A0.749832). This is the beautiful Austrian carol arranged for clarinet solo, string quartet and piano in slow Jazz ballad style. It is from a set of international carols commissioned by clarinetist Lydia Calhoun for her CD, Carols for the King from Around the World, released in 2015. For more advanced performers, this perennial favorite is suitable for Christmas concerts and church preludes or offertories; it can be taken at either a moderate or a slower tempo, and is around 5 minutes in length. The clarinet solo version may be found in volume two of my two volume collection of carols for clarinet and piano, also titled Carols For The King From Around The World. The string parts are of moderate difficulty and may be purchased separately. See also the full score for cello, string quartet and piano, and for cello solo and piano. All these versions are available at Sheet Music Press, and more carols from the set will be made available in due course. For more information on my music, please visit www.evelynlartermusic.com or my Facebook page for Evelyn Larter Music.
$10.99
Waters of the Lea
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Audio Artisan
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Patricia Saunders
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Waters of the Lea
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The Voices of Audio Artisan
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1460820 By Audio Artisan. By Patricia Saunders. Arranged by Patricia Saunders. Chamber,Classical,Contemporary. 17 ...
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Chamber Orchestra - Level 4 - SKU: A0.1460820 By Audio Artisan. By Patricia Saunders. Arranged by Patricia Saunders. Chamber,Classical,Contemporary. 17 pages. The Voices of Audio Artisan #1039720. Published by The Voices of Audio Artisan (A0.1460820). This is a new work based around a piano and string ensemble.
$1.99
Jesus loves me, this I know (For Violin and Chamber)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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W
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Han-Ki Kim
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Jesus loves me, this I know
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Han-Ki Kim
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1432401 By W.B.Bradbury. By W.B.Bradbury. Arranged by Han-Ki Kim. Chamber,Christian,Classical,Religious,Sacred. 20...
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Chamber Orchestra - Level 4 - SKU: A0.1432401 By W.B.Bradbury. By W.B.Bradbury. Arranged by Han-Ki Kim. Chamber,Christian,Classical,Religious,Sacred. 20 pages. Han-Ki Kim #1012892. Published by Han-Ki Kim (A0.1432401). One of the best-known hymns, “Jesus Loves Me,” was written by Anna Bartlett Warner (1827–1915). And , the tune was added in 1862 by William Batchelder Bradbury (1816–1868). After publication as a Hymn it became one of the most popular Christian hymns in churches around the world. Although it is a melody with a simple structure, it is especially loved by children due to its interesting progression. I quoted this beautiful melody and arranged it into a small violin concerto format.
$15.90
If I come to Jesus (For Violin and Chamber)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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W
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Han-Ki Kim
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If I come to Jesus
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Han-Ki Kim
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1432912 By W.H.Doane. By W.H.Doane. Arranged by Han-Ki Kim. Chamber,Children,Christian,Classical,Religious. 24 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1432912 By W.H.Doane. By W.H.Doane. Arranged by Han-Ki Kim. Chamber,Children,Christian,Classical,Religious. 24 pages. Han-Ki Kim #1013334. Published by Han-Ki Kim (A0.1432912). One of the best-known hymns, “If I come to Jesus” , was written in 1867 by Frances Jane Crosby(1820-1915). And, the tune was added Willam Howard Doane(1832–1915). After publication as a Hymn it became one of the most popular Christian hymns in churches around the world. Although it is a melody with a simple structure, it is especially loved by children due to its interesting progression. I quoted this beautiful melody and arranged it into a small violin concerto format.
$15.90
Mozart: Overture to the Marriage of Figaro (Viola Ensmble)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Roman Benedict
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Mozart: Overture to the Marria
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Roman Benedict
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.931071 Composed by Wolfgang Amadeus Mozart. Arranged by Roman Benedict. Classical. Score and parts. 36 pages. Roma...
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Chamber Orchestra - Level 4 - SKU: A0.931071 Composed by Wolfgang Amadeus Mozart. Arranged by Roman Benedict. Classical. Score and parts. 36 pages. Roman Benedict #6759569. Published by Roman Benedict (A0.931071). Mozart’s overture to the Marriage of Figaro, arranged for viola ensemble (or, optionally, cello ensemble). Performed around the world by viola players at all levels, this arrangement is for viola ensemble in six parts, and can be performed by any number of musicians from 6 solo parts to a large ensemble of violists.
$14.99
Scaramouche
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Darius Milhaud
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Clara Obsidian
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Scaramouche
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Clara Obsidian
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.871387 Composed by Darius Milhaud. Arranged by Clara Obsidian. Contemporary. Score and parts. 21 pages. Clara Obsi...
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Chamber Orchestra - Level 4 - SKU: A0.871387 Composed by Darius Milhaud. Arranged by Clara Obsidian. Contemporary. Score and parts. 21 pages. Clara Obsidian #5997045. Published by Clara Obsidian (A0.871387). Scaramouche, op.165 is a suite in three movements written by the French composer Darius Milhaud . Under the same opus number exists in two different versions written around the same time: for two pianos (op.165b) and for saxophone and orchestra (op.165c, 1939 ), although the best known is the one for two pianos.This is the second movement, Modéré, a gentle and tranquil piece that has been rearranged for Alto Saxophone Solo and String Quartet Accompaniment.Full Score and Parts---------------
$12.99
Druantia's Dance
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Andrew Smith
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Druantia's Dance
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Andrew M. Smith
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith #31125. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith #31125. Published by Andrew M. Smith (A0.938726). Druantia is an eternal Mother Goddess and Queen of the Druids in ancient Celtic folklore. She was known as the protector of forests, and a patron of knowledge, creativity, passion, sex, and fertility of both plants and animals. She is often portrayed as a beautiful, red-headed, slender woman with elven features, draped in forest-green robes. As the protector of forests, she was also guardian of forest spirits and sprites. These spirits are said to inhabit trees, a belief that spans across many cultures, like the Kodoma in Japanese folklore. Druantia’s Dance, a pizzicato string orchestra piece, depicts a joyous ritual of Druantia and her forest spirits; they scurry through the forest, dancing together, while creating new life and blessing the plants and animals around them, aiding in their growth.
$9.99
Telemann Concerto a 4 TWV 43:d2
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann Concerto a 4 TWV 43:d
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.890777 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque. Score and parts. 20 pages. Sne...
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Chamber Orchestra - Level 4 - SKU: A0.890777 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque. Score and parts. 20 pages. Sneakwood Editions #5321931. Published by Sneakwood Editions (A0.890777). Another jewel of this four-part writing appears in the Concerto a 4 in D minor TWV 43:d2, dated around 1720 and found in Dresden and Darmstadt. The contrast between the lavishness of the slow movements and the rhythmic richness of the fast movements is masterful. While the slow movements offer a melodic and harmonic discourse of overwhelming beauty, the rhythmic resources of the fast movements are astonishingly forceful. To mention just a couple of examples, the fugal beginning with three parts in unison at a distance of one quaver in the second movement, or the impetuous syncopated rhythms of the final Allegro. From the booklet of the CD TELEMANN.Chamber music treasures from Dresden and Darmstadt Les Esprits Animaux. Musica Ficta MF8029 , 2018. Texts by Javier Lupiáñez.
$16.00
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
The Holy City, Vocal or Instrumental Solo, With String Ensemble Accompaniment
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stephen Adams, MichaelMaybrick
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Casper Lai
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The Holy City, Vocal or Instru
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Casper Lai
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.893878 Composed by Stephen Adams, MichaelMaybrick. Arranged by Casper Lai. Christian,Christmas,Gospel,Sacred. Scor...
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Chamber Orchestra - Level 4 - SKU: A0.893878 Composed by Stephen Adams, MichaelMaybrick. Arranged by Casper Lai. Christian,Christmas,Gospel,Sacred. Score and parts. 29 pages. Casper Lai #5287661. Published by Casper Lai (A0.893878). This famous piece is commonly found arranged as choral, instrumental solo or even orchestral. But it is rarely arranged into solo voice / instrumental with string ensemble / orchestral accompaniment.The piece is around 5 minutes.The file includes the full score, the solo part with lyrics, the part score for violin I, violin II, viola, cello and bass.You are welcome to share your thought with me via email: casperlkk@gmail.com.Thank you.
$12.99
Vivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Six Violin Concertos
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.517720 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 538 pages. Santino Cara #6...
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Chamber Orchestra - Level 4 - SKU: A0.517720 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 538 pages. Santino Cara #6520803. Published by Santino Cara (A0.517720). Complete scores and parts of Six Violin Concertos Op.11 for Violin Concertante, Strings and Cembalo. Composed in Venice around 1729 by Antonio Vivaldi for the Pio Ospedale della Pietà . Reconstructed and elaborated in Rome in 2002 by Santino Cara.
$70.40
Vivaldi - Violin Concerto No.5 in C minor RV 202 Op.11 for Violin, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.5
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.517708 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 100 pages. Santino Cara #6...
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Chamber Orchestra - Level 4 - SKU: A0.517708 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 100 pages. Santino Cara #6495825. Published by Santino Cara (A0.517708). Complete score and parts of the Violin Concerto No.5 in C minor RV 202 for Violin concertante, Strings and Cembalo. Composed in Venice around 1729 by Antonio Vivaldi for the Pio Ospedale della Pietà . Reconstructed and elaborated in Rome in 2002 by Santino Cara from Six Concertos Op.11.
$18.80
Vivaldi - Violin Concerto No.4 in G major RV 308 Op.11 for Violin, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.4
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.517716 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 96 pages. Santino Cara #65...
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Chamber Orchestra - Level 4 - SKU: A0.517716 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 96 pages. Santino Cara #6518971. Published by Santino Cara (A0.517716). Complete score and parts of the Violin concerto No.4 in G major RV 308 for Violin concertante, Strings and Cembalo. Composed in Venice around 1729 by Antonio Vivaldi for the Pio Ospedale della Pietà . Reconstructed and elaborated in Rome in 2002 by Santino Cara from Six Concertos Op.11.
$18.60
Vivaldi - Violin Concerto No.2 in E minor 'Il Favorito' RV 277 Op.11 for Violin, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.2
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.517712 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 106 pages. Santino Cara #6...
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Chamber Orchestra - Level 4 - SKU: A0.517712 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 106 pages. Santino Cara #6506485. Published by Santino Cara (A0.517712). Complete score and Parts of the Violin Concerto No.2 in E minor Il Favorito RV 277 for Violin concertante, Strings and Cembalo. Composed in Venice around 1729 by Antonio Vivaldi for the Pio Ospedale della Pietà . Reconstructed and elaborated in Rome in 2002 by Santino Cara from Six Concertos Op.11.
$18.80
Vivaldi - Violin Concerto No.6 in G minor RV 460 Op.11 for Violin, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.6
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.517718 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 60 pages. Santino Cara #65...
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Chamber Orchestra - Level 4 - SKU: A0.517718 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 60 pages. Santino Cara #6519725. Published by Santino Cara (A0.517718). Complete score and parts of the Violin Concerto No.6 in G minor RV 460 for Violin Concertante, Strings and Cembalo. Composed in Venice around 1729 by Antonio Vivaldi for the Pio Ospedale della Pietà . Reconstructed and elaborated in Rome in 2002 by Santino Cara from Six Concertos Op.11.
$18.60
Vivaldi - Violin Concerto No.1 in D major RV 207 Op.11 for Violin, Strings and Cembalo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Violin Concerto No.1
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Santino Cara
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.517714 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 89 pages. Santino Cara #65...
(+)
Chamber Orchestra - Level 4 - SKU: A0.517714 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 89 pages. Santino Cara #6512235. Published by Santino Cara (A0.517714). Complete score and parts of the Violin Concerto No.1 in D major RV 207 for Violin concertante, Strings and Cembalo. Composed in Venice around 1729 by Antonio Vivaldi for the Pio Ospedale della Pietà . Reconstructed and elaborated in Rome in 2002 by Santino Cara from Six Concertos Op.11.
$18.40
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