Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Com
Non classifié
8 099
Piano & claviers
Piano seul
11 848
Piano, Voix
757
Orgue
437
Accordéon
368
Piano, Voix et Guitare
199
1 Piano, 4 mains
197
2 Pianos, 4 mains
144
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
116
Piano Facile
46
Clavecin
41
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Orgue, Trompette (duo)
17
Accompagnement Piano
13
2 Pianos, 8 mains
12
Orgue, Piano (duo)
10
Piano Quatuor: piano, 2 violons, violoncelle
10
Clavier
6
Ensemble d'Accordéons
5
1 Piano, 6 mains
5
Accordéon et Orchestre
3
Accordéon, Corde(s)
2
2 Accordéons
2
Ensemble de Pianos
1
Accordéon, Voix
1
2 Orgues (duo)
1
Concertina
1
Orgue et Orchestre
1
+ 24 instrumentations
Retracter
Guitares
Guitare
1 710
Guitare notes et tablatures
698
Basse electrique
333
2 Guitares (duo)
168
Ukulele
114
4 Guitares (Quatuor)
74
3 Guitares (trio)
35
Ligne De Mélodie, (Paroles) et Accords
24
Ensemble de guitares
23
Piano, Guitare (duo)
17
Mandoline
15
Dulcimer
15
Mandoline, Piano (duo)
14
Mandoline, Guitare (duo)
9
Banjo
7
Orchestre à Plectres
5
Guitare, Orchestre
4
Luth
3
2 Guitares et Orchestre
3
Paroles et Accords
3
Guitare, Quatuor à cordes
2
Guitare, Flûte, Clarinette
2
Bouzouki
1
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
1 562
Chorale TTBB
727
Chorale SSAA
260
Chorale 3 parties
120
Voix Soprano, Piano
88
Voix seule
60
Chorale SSAATTBB
55
Voix haute
55
Chorale
52
Chorale SSATTB
37
Voix Tenor, Piano
35
Voix Baryton, Piano
29
Voix basse, Piano
27
Voix moyenne, Piano
26
Chorale 2 parties
22
Chorale SSATB
22
Voix Mezzo-Soprano, Piano
19
Voix Alto, Piano
18
Voix duo, Piano
14
Voix duo
13
Voix Soprano
6
Chorale Unison
6
Voix, Guitare
5
Chorale SSAATB
3
Soli, choeur mixte et accompagnement
3
Voix basse
3
Chorale SATBB
2
Voix Tenor
2
Voix Soprano, Orchestre
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Voix duo, Orgue
1
+ 27 instrumentations
Retracter
Vents
Saxophone
3 398
Flûte traversière
1 639
Clarinette
1 511
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
436
Flûte traversière et Piano
404
Saxophone (partie séparée)
361
Quatuor de Saxophones: 4 saxophones
339
Saxophone Alto
323
Clarinette et Piano
241
Saxophone Tenor
225
Quatuor de Clarinettes: 4 clarinettes
186
Ensemble de Clarinettes
181
Saxophone Alto et Piano
178
Flûte, Hautbois, Clarinette, Basson
170
Ensemble de saxophones
163
Clarinette (partie séparée)
162
Hautbois (partie séparée)
150
Hautbois, Piano (duo)
143
Saxophone Soprano
139
Flute (partie séparée)
114
Saxophone Soprano et Piano
109
2 Saxophones (duo)
91
Quintette de Saxophone: 5 saxophones
90
2 Flûtes traversières (duo)
88
Saxophone Tenor et Piano
86
2 Clarinettes (duo)
78
Quintette de Clarinettes: 5 clarinettes
74
Hautbois
72
Quatuor de Flûtes : 4 flûtes
71
Flûte et Guitare
70
Flûte à Bec
61
3 Clarinettes (trio)
58
3 Saxophones (trio)
50
Ensemble de Flûtes
50
Saxophone Baryton, Piano
49
Clarinette Basse, Piano
30
Trio de Flûtes: 3 flûtes
24
2 Flûte à bec (duo)
21
Hautbois, Clarinette, Basson (trio d'anches)
19
Cor anglais, Piano
18
Flûte, Clarinette (duo)
17
Flûte, Clarinette et Basson
17
Flûte, Violon, Piano
16
Quatuor de Flûtes à bec
15
Quintette de Flûte : 5 flûtes
15
Flûte, Violoncelle, Piano (trio)
14
Clarinette, Guitare (duo)
14
Flûte à Bec, Piano
13
Harmonica
12
2 Hautbois (duo)
11
Flûte à bec Alto, Piano
10
Flûte, Violon
10
Flûte, Clarinette, Piano (trio)
10
Flûte, Hautbois, Basson
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
Cor Anglais
8
Clarinette, Violoncelle (duo)
8
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Basson (duo)
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte traversière, Orchestre
7
Flûte, Violoncelle
7
5 Flûtes à bec
6
2 Flûtes traversières, Piano
6
Hautbois, Basson (duo)
6
Flûte à bec Alto
6
Hautbois, Flûte
6
Clarinette, Violon (duo)
6
Flûte à bec Alto, Basse continue
5
2 Clarinettes, Piano
5
3 Hautbois
5
2 Saxophones, Piano
5
Ocarina
5
Flûte à bec Tenor
4
Hautbois, Basson et Piano
4
Flûte, Saxophone (duo)
4
Flûte, Violoncelle, Guitare
4
Flûte, Violon, Violoncelle et Piano
4
Saxophone, Clarinette (duo)
4
Clarinette, Orchestre
4
Ensemble à vent
4
Flûte traversière, Orgue (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Basson et Piano
4
Hautbois, Guitare (duo)
4
Clarinette et Alto
3
Clarinette, Basson, Piano (trio)
3
Flûte à bec Soprano
3
Saxophone Baryton
3
4 Hautbois
3
Piccolo
3
Clarinette Basse
3
Flûte, Alto et Piano
3
Clarinette, Orgue
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Saxophone et Guitare
3
Hautbois, Orgue
2
Flûte traversière, Basse continue
2
Flûte, Violon et Violoncelle
2
Flûte, Trombone (duo)
2
Clarinette, Contrebasse (duo)
2
Hautbois et Orchestre
2
Hautbois, Clarinette (duo)
2
Ensemble De Flûte à bec
2
Hautbois, Violoncelle
2
Saxophone et violoncelle
2
Flûte, Alto (duo)
2
Saxophone et Orgue
2
Flûte, alto et harpe
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flute, harpe et violon
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Trio à cordes
1
2 Flûtes à bec, Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Alto et Violoncelle
1
Flûte, Trompette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
Harmonica, Piano
1
Flûte à bec Soprano, Piano
1
Hautbois, trombone (duo)
1
Flûte, Violon, Guitare
1
Saxophone, Basson (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Trombone (duo)
1
2 Flûtes, Basse continue
1
Cornemuse
1
Instruments en Mib
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
+ 131 instrumentations
Retracter
Cuivres
Trompette
1 410
Trombone
1 288
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
689
Trompette (partie séparée)
367
Trombone (partie séparée)
317
Quatuor de Cuivres : 2 trompettes, trombone, tuba
265
Trombone et Piano
218
Cor (partie séparée)
186
Cor
158
Ensemble de Trombones
152
Quatuor de cuivres: 4 trombones
138
Cor et Piano
136
Trompette, Piano
130
Tuba et Piano
119
Euphonium, Piano (duo)
113
Quatuor de cuivres: 4 cors
77
Quatuor de Cuivres
65
Tuba
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
2 Trombones (duo)
39
Euphonium
33
2 Euphoniums et 2 Tubas
32
2 Trompettes (duo)
32
Ensemble de Cors
29
2 Cors (duo)
29
Trombone basse
21
4 Tubas
18
Ensemble de Trompettes
18
Cor anglais, Piano
18
Tuba (partie séparée)
17
Trompette, Trombone (duo)
16
Quatuor de cuivres: 4 trompettes
15
3 Trombones (trio)
14
Trombone basse et Piano
12
2 Trompettes, Clavier (piano ou orgue)
10
Trompette, Cor (duo)
9
Trombone, Tuba (duo)
8
Cor Anglais
8
Euphonium, Tuba (duo)
7
Trombone, Orgue
7
Trompette, Orchestre
6
2 Tubas (duo)
6
Trombone et orchestre
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Cors (trio)
4
3 Euphoniums
3
Trompette, violon (duo)
3
Trompette, Tuba (duo)
3
Trompette, Saxophone (duo)
3
Euphonium (partie séparée)
3
3 Trompettes (trio)
3
Tuba et Orgue
2
Cor et Orgue
2
Instruments en Sib
2
Cor et Harpe
2
Cor, Violoncelle (duo)
2
3 Tubas (trio)
2
Trombone, Cor (duo)
2
2 Euphoniums (duo)
2
Trompette, Trombone, Piano
2
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Cor, Orchestre
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Trombone, Violon (duo)
1
Trio de Cuivres
1
Cor et Basson (duo)
1
Trombone, Alto (duo)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 652
Violon
1 092
Violon et Piano
767
Violoncelle
623
Alto seul
376
Violoncelle, Piano
363
Violon, Violoncelle (duo)
211
Harpe
188
Alto, Piano
184
Trio à Cordes: violon, alto, violoncelle
173
2 Violons (duo)
107
Violon, Alto (duo)
90
Contre Basse
86
Violon, Guitare (duo)
74
Trio à Cordes: 2 violons, violoncelle
69
Alto (partie séparée)
61
2 Violoncelles (duo)
59
4 Violoncelles
50
2 Altos (duo)
50
Contrebasse, Piano (duo)
47
Violon (partie séparée)
44
Alto, Violoncelle (duo)
38
Violoncelle , Guitare (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Harpe, Violon (duo)
23
Violoncelle, Contrebasse (duo)
22
Trio à cordes: 3 violins
20
Harpe, Flûte (duo)
19
Trio à Cordes: 3 violoncelles
18
Contrebasse (partie séparée)
17
4 Contrebasses
15
Ensemble de Violoncelles
14
Trio à cordes
14
Trio à Cordes: 2 violons, alto
13
Quatuor à cordes: 4 violons
12
Violoncelle (partie séparée)
10
Violoncelle, Orchestre
9
2 Contrebasses (duo)
8
Quatuor à cordes : 4 altos
8
Violoncelle, Orgue
7
Violon, Orgue
6
Trio à cordes: 3 altos
6
Piano Trio: Violon, Alto, Piano
5
Alto, Guitare (duo)
5
Alto et Harpe
5
Harpe, Violoncelle (duo)
4
Alto et orchestre
4
Violon, Clarinette, Piano (trio)
4
Harpe, Quatuor à cordes
3
2 Violons, Piano
3
Violon, Violoncelle, Clarinette
2
Ensemble de Violons
2
Harpe, Orchestre
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
2
4 Harpes
1
3 Harpes
1
Violoncelle, Basse continue
1
Alto, Orgue
1
Violon, Basse continue
1
2 Altos, Piano
1
2 Harpes (duo)
1
Harpe (partie séparée)
1
Alto et Basson
1
Harpe et Piano
1
Violon, Basson (duo)
1
Harpe, Trombone (duo)
1
3 Contrebasses
1
Violon, Clarinette et Guitare
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 555
Orchestre
1 532
Batterie
1 203
Ensemble Jazz
919
Orchestre à Cordes
525
Jazz combo
467
Ensemble de cuivres
421
Orchestre de chambre
415
Fanfare
105
Percussion (partie séparée)
99
Cloches
90
Ensemble de Percussions
87
Marimba
34
Percussion
22
Timbales (partie séparée)
16
Piano et Orchestre
14
Vibraphone
10
Big band
9
Orchestre, Violon
8
Batterie (partie séparée)
8
Quintette à Vent
4
Xylophone
3
Caisse Claire
2
Marimba et Orgue
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Orchestre Symphonique
1
Xylophone (partie séparée)
1
2 Marimbas
1
Conga
1
Voix Mezzo-Soprano, Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Théorie de la musique
4
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
382
Partitions Numériques
415
Librairie Musicale
2
Matériel de Musique
50 528
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Com
expert
Orchestre de chambre
Partitions à imprimer
415 partitions trouvées
<
1
26
51
....
401
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Carson Cooman
#
Carson Cooman: Symphony No. 3,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Comfort Ye from The Messiah for Solo Tenor Voice and Chamber Orchestra
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
George Frideric Handel
#
Doug Clyde
#
Parts
#
Comfort Ye from The Messiah fo
#
ALBEDO MUSIC
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.713002 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Easter,Sacred. Scor...
(+)
Chamber Orchestra - Level 5 - SKU: A0.713002 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 13 pages. ALBEDO MUSIC #4824607. Published by ALBEDO MUSIC (A0.713002). Comfort Ye from The Messiah for Solo Tenor Voice and Chamber Orchestra. Composed by George Frideric Handel. No. 2. HWV 56. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Tenor, Harpsichord, Violin I, Violin II, Viola, Cello. Performance Duration 2:25. AMDS8. © 2009 by ALBEDO MUSIC.
$10.00
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Thierry Pélicant
#
Thierry Pélicant: Conce
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
(+)
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
H.M.S. Surprise
#
Orchestre de chambre
#
AVANCÉ
#
Julian Harvey
#
H.M.S. Surprise
#
Julian Harvey
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
Christmas Is Coming
#
Orchestre de chambre
#
AVANCÉ
#
Vince Guaraldi
#
Jim Bicigo
#
Christmas Is Coming
#
Polar Publications
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1361006 Composed by Vince Guaraldi. Arranged by Jim Bicigo. Chamber,Christmas,Holiday,Jazz. 40 pages. Polar Public...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1361006 Composed by Vince Guaraldi. Arranged by Jim Bicigo. Chamber,Christmas,Holiday,Jazz. 40 pages. Polar Publications #945502. Published by Polar Publications (A0.1361006). Here's another classic from a Charlie Brown Christmas. The Central Alberta Chamber orchestra played this in December 2023. Perfect for a small orchestra's  holiday concert.
$80.00
To Come To A Place That Is Still - Score
#
Orchestre de chambre
#
AVANCÉ
#
James F
#
To Come To A Place That Is Sti
#
WayWordBound
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.729582 Composed by James F. Rickley. 20th Century,Contemporary. Score and parts. 35 pages. WayWordBound #6670541. ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.729582 Composed by James F. Rickley. 20th Century,Contemporary. Score and parts. 35 pages. WayWordBound #6670541. Published by WayWordBound (A0.729582). For Chamber Orchestra, Alternative Notation Used, Score in C, 1 Flute, 2 Oboes, 1 Clarinet, 2 Bassoons, 2 French Horns, 1 Trumpet, 1 Percussion (Tympani), Strings (66442).
$30.00
Metamorphosis
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Daniel Burwasser
#
Metamorphosis
#
Head and Stem
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. P...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composer’s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin “mystic†chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00
Wagner WESENDONCK LIEDER Chamber Orchestra COMPLETE PARTS
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Richard Wagner
#
Matthew Toogood
#
Wagner WESENDONCK LIEDER Chamb
#
Matthew Toogood
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011698 Composed by Richard Wagner. Arranged by Matthew Toogood. 20th Century,Multicultural,Opera,Romantic Period,...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1011698 Composed by Richard Wagner. Arranged by Matthew Toogood. 20th Century,Multicultural,Opera,Romantic Period,World. Score and parts. 100 pages. Matthew Toogood #6674891. Published by Matthew Toogood (A0.1011698). Richard Wagner'sWESENDONCK LIEDERFive Poems for Female VoiceWWV 91Arranged for chamber ensemble by Matthew Toogood after Felix Mottl & Richard Wagner(2021 for the Swiss Richard Wagner Society)SET OF COMPLETE INSTRUMENTAL PARTS1. Der Engel2. Stehe Still!3. Im Treibhaus4. Schmerzen5. TräumeEach Instrumental part is designed to be printed out double sided on an A3 sheet of paper (then folded to A4) as a booklet. Therefore there are intentional blank pages. Full score available separatelyArranged for:Solo Voice, Flute, Oboe, Clarinet in Bb, Basson, Horn in F, Violin I, Violin II, Viola, Cello, Double Bass .
$50.00
Vivaldi: The Four Seasons Complete for Flute & String Quartet
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Antonio Vivaldi
#
James Guthrie, ASCAP
#
Op
#
Vivaldi: The Four Seasons Comp
#
jmsgu3
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.551487 Composed by Antonio Vivaldi. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedd...
(+)
Chamber Orchestra - Level 5 - SKU: A0.551487 Composed by Antonio Vivaldi. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 282 pages. Jmsgu3 #5306251. Published by jmsgu3 (A0.551487). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$59.95
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Autumn Sun Cant
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593....
(+)
Chamber Orchestra - Level 5 - SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$64.95
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, orchestral score and complete parts
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart, Marie
#
Wolfgang Amadeus Mozart: Conce
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534107 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 219 pages. M...
(+)
Chamber Orchestra - Level 5 - SKU: A0.534107 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 219 pages. Musik Fabrik Music Publishing #3113279. Published by Musik Fabrik Music Publishing (A0.534107). This edition of the Mozart flute and harp concert was directed by harpist Marie-Claire Jamet and flutist Chistien Lardé, both former teachers at the Paris Conservatory. The cadenzas were written by Madame Jamet, who also fingers, pedaled and provided ossias for a number of passages in the harp part. The flute part was completely annotated by Mr. Lardé. A piano reduction is available for sale as another item, as well as the individual parts. Orchestration: 2 oboes, 2 horns in C, strings
$64.95
Canticum Canticorum for Krzysztof Penderecki
#
Orchestre de chambre
#
AVANCÉ
#
MohammadHadi Ayanbod
#
Canticum Canticorum for Krzysz
#
Rimorarte Edition
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Stefano Maria Torchio: En Arche en o Logos - Full score
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #314240...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Viola part
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Double bass part
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCER
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Stefano Maria Torchio: En Arche en o Logos - Vocal score
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arch
#
Stefano Torchio
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
<
1
26
51
....
401
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Com
