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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Gin
Non classifié
1 622
Piano & claviers
Piano seul
1 353
Piano, Voix
143
Orgue
77
1 Piano, 4 mains
37
Instruments en Do
35
Piano, Voix et Guitare
33
2 Pianos, 4 mains
25
Piano Trio: piano, violon, violoncelle
12
Piano Facile
10
Clavecin
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Accordéon
7
Accompagnement Piano
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
2 Pianos, 8 mains
3
Orgue, Piano (duo)
2
1 Piano, 6 mains
2
Orgue, Trompette (duo)
2
2 Accordéons
1
Ensemble de Pianos
1
Orgue et Orchestre
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 18 instrumentations
Retracter
Guitares
Guitare
176
Guitare notes et tablatures
98
Basse electrique
57
2 Guitares (duo)
10
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
4
Piano, Guitare (duo)
2
Mandoline
2
Ukulele
2
Mandoline, Piano (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
245
Chorale TTBB
72
Chorale SSAA
38
Voix Soprano, Piano
33
Chorale 3 parties
19
Chorale SSAATTBB
10
Voix seule
8
Voix Alto, Piano
7
Voix Baryton, Piano
7
Voix duo, Piano
5
Voix haute
4
Voix basse, Piano
4
Chorale Unison
3
Voix Tenor, Piano
3
Voix duo
3
Chorale 2 parties
2
Chorale SSATTB
2
Voix moyenne, Piano
2
Voix Baryton
1
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
Chorale
1
Voix duo, Orgue
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Saxophone
64
Quatuor de Saxophones: 4 saxophones
54
Flûte traversière et Piano
50
Clarinette
46
Clarinette et Piano
42
Quatuor de Clarinettes: 4 clarinettes
38
Ensemble de Clarinettes
34
Flûte traversière
32
Flûte, Hautbois, Clarinette, Basson
26
Quintette de Saxophone: 5 saxophones
24
Ensemble de saxophones
22
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
21
Saxophone (partie séparée)
18
Saxophone Alto
16
Saxophone Soprano et Piano
14
Quintette de Clarinettes: 5 clarinettes
14
3 Clarinettes (trio)
12
2 Flûtes traversières (duo)
12
Hautbois (partie séparée)
11
Flûte et Guitare
11
2 Saxophones (duo)
11
Flute (partie séparée)
9
Ensemble de Flûtes
9
Saxophone Tenor et Piano
9
Saxophone Baryton, Piano
8
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
8
Flûte à bec Alto, Piano
7
Trio de Flûtes: 3 flûtes
7
Clarinette (partie séparée)
6
Quatuor de Flûtes à bec
6
2 Clarinettes (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Saxophones (trio)
5
Flûte à bec Alto
5
3 Flûtes à bec (trio)
5
Flûte à bec Alto, Basse continue
5
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
Hautbois
4
Flûte, Clarinette, Piano (trio)
4
Clarinette Basse, Piano
4
Flûte, Violon, Piano
3
2 Flûte à bec (duo)
3
Flûte, Violon
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes, Piano
2
Hautbois, Basson et Piano
2
5 Flûtes à bec
2
Cor Anglais
2
Flûte à bec Soprano
2
Saxophone, Clarinette (duo)
2
Saxophone et Orgue
2
Flûte traversière, Orchestre
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Ensemble De Flûte à bec
1
Hautbois, Flûte
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte, Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Guitare (duo)
1
2 Flûtes à bec, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes, Basse continue
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
132
Trombone et Piano
77
Trompette
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Euphonium, Piano (duo)
40
Cor
39
Tuba et Piano
37
Ensemble de Trombones
33
Quatuor de cuivres: 4 trombones
31
Trombone
31
Cor et Piano
27
Trompette, Piano
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Trompette (partie séparée)
17
Tuba
15
Quatuor de Cuivres
14
Quatuor de cuivres: 4 cors
14
Cor (partie séparée)
8
Trompette, Cor (duo)
7
Ensemble de Trompettes
7
Trombone (partie séparée)
7
2 Euphoniums et 2 Tubas
7
Trombone basse et Piano
6
Quatuor de cuivres: 4 trompettes
6
2 Cors (duo)
6
Euphonium
6
Trombone basse
5
2 Trombones (duo)
5
Cor anglais, Piano
4
Ensemble de Cors
4
4 Tubas
3
Trombone, Orgue
3
2 Tubas (duo)
3
Euphonium, Tuba (duo)
3
Trompette, violon (duo)
3
3 Trombones (trio)
3
Trompette, Trombone (duo)
2
Trombone et orchestre
2
Cor Anglais
2
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Sib
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
261
Violon et Piano
99
Violon
65
Violoncelle, Piano
46
Alto, Piano
39
Violoncelle
34
Trio à Cordes: violon, alto, violoncelle
32
Violon, Violoncelle (duo)
31
Harpe
31
Violon, Alto (duo)
19
Alto seul
17
2 Violons (duo)
16
Violon, Guitare (duo)
13
2 Violoncelles (duo)
11
Harpe, Violon (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle , Guitare (duo)
8
Contrebasse, Piano (duo)
7
Contre Basse
7
Violoncelle, Contrebasse (duo)
5
4 Violoncelles
4
2 Altos (duo)
4
Trio à cordes
3
Harpe, Quatuor à cordes
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
3
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violoncelles
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Violon (partie séparée)
2
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
4 Harpes
1
Alto et Harpe
1
Ensemble de Violons
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Batterie
595
Orchestre
307
Orchestre d'harmonie
219
Ensemble Jazz
145
Jazz combo
113
Orchestre à Cordes
108
Orchestre de chambre
95
Ensemble de cuivres
82
Cloches
27
Ensemble de Percussions
12
Fanfare
11
Big band
8
Marimba
5
Vibraphone
3
Percussion (partie séparée)
2
Piano et Orchestre
2
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Timbales (partie séparée)
1
+ 15 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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95 partitions trouvées
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51
76
II. Chanson a la Reine Catherine ("Agincourt Symphony")
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Orchestre de chambre
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AVANCÉ
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G
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II. Chanson a la Reine Catheri
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George Skipworth
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1375067 Composed by G.F. Skipworth. 20th Century,Chamber,Classical. 2 pages. George Skipworth #937680. Published b...
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Chamber Orchestra - Level 5 - SKU: A0.1375067 Composed by G.F. Skipworth. 20th Century,Chamber,Classical. 2 pages. George Skipworth #937680. Published by George Skipworth (A0.1375067). Second movement, Symphony no. 4, Agincourt - full orchestra.
$25.00
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
MOZART Clarinet Concerto K 622 - I. ALLEGRO // for Bb clarinet or A clarinet // Original or Modern F
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Marc GARETTO
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MOZART Clarinet Concerto K 622
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.722926 Composed by Wolfgang Amadeus Mozart. Arranged by Marc GARETTO. Classical,Concert,Holiday,Instructional,Stan...
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Chamber Orchestra - Level 5 - SKU: A0.722926 Composed by Wolfgang Amadeus Mozart. Arranged by Marc GARETTO. Classical,Concert,Holiday,Instructional,Standards. Score and parts. 212 pages. Marc GARETTO - Harmonie Editions #4410793. Published by Marc GARETTO - Harmonie Editions (A0.722926). Mozart's Clarinet Concerto in A major, K. 622, was written in October 1791 for the clarinetist Anton Stadler. It consists of three movements, in a fast–slow–fast succession: Allegro (in A major and in sonata form)Adagio (in D major and in ternary form)Rondo: Allegro (in A major and in rondo form)
$110.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
H.M.S. Surprise
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Orchestre de chambre
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AVANCÉ
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Julian Harvey
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H.M.S. Surprise
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. ...
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Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Legend of the Sea, Guitar Quartet
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Juan Gaspar
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Legend of the Sea, Guitar Quar
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Juan Gaspar
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1015739 Composed by Juan Gaspar. 20th Century,Concert,Contemporary. Score and parts. 54 pages. Juan Gaspar #577081...
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Chamber Orchestra - Level 5 - SKU: A0.1015739 Composed by Juan Gaspar. 20th Century,Concert,Contemporary. Score and parts. 54 pages. Juan Gaspar #5770813. Published by Juan Gaspar (A0.1015739). This 9 minute contemporary classical guitar quartet is a professional concert piece that advanced level students will also enjoy playing. Altough it is not program music, it is inspired by an event in my life. As a boy of 11, I went to the ocean with my family. I almost drowned and my Dad lost his life. It was a lesson which taught me that life and death are illusions. Above the raging, sparkling sea, the sun shines brightly: Life Eternal is not lost.
$14.99
Metamorphosis
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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Metamorphosis
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Head and Stem
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. P...
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Chamber Orchestra - Level 5 - SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composer’s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin “mystic†chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00
Gladiator Main Theme
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Orchestre de chambre
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AVANCÉ
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Hans Zimmer
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Gladiator Main Theme
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Charles Effiong Otok
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1441785 Composed by Hans Zimmer. Arranged by Charles Effiong Otok (C violin). Chamber,Classical,Film/TV,Multicultu...
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Chamber Orchestra - Level 5 - SKU: A0.1441785 Composed by Hans Zimmer. Arranged by Charles Effiong Otok (C violin). Chamber,Classical,Film/TV,Multicultural,Spiritual,World. 61 pages. Charles Effiong Otok (C violin). #1021770. Published by Charles Effiong Otok (C violin). (A0.1441785). A beautiful Solo Voice, Choir and Orchestral Sheet Music Score for Now we are free, Gladiator Movie Theme Song by Hans Zimmer . This Sheet Music Score features the Solo vocalist with Choir S A T B Backups with the individual parts lyrics to the song, Plus the Strings Orchestral instruments Music Parts all separately embeded. Mastered for the singing and playing pleasure of Professional/ Beginner Musicians or Music Students. See Youtube Video below or above here in this Site page or click the Watch Button for the Sheet Music Content Preview.
$49.99
San Marco Suite for Flute, Oboe and String Quartet
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Piotr Szewczyk
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San Marco Suite for Flute, Obo
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Piotr Szewczyk
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.949220 Composed by Piotr Szewczyk. 20th Century,Contemporary. Score and parts. 137 pages. Piotr Szewczyk (www.Very...
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Chamber Orchestra - Level 5 - SKU: A0.949220 Composed by Piotr Szewczyk. 20th Century,Contemporary. Score and parts. 137 pages. Piotr Szewczyk (www.VeryNewMusic.com) #5897247. Published by Piotr Szewczyk (www.VeryNewMusic.com) (A0.949220). San Marco Suite for Flute, Oboe and String Quartet (2018) by Piotr SzewczykI - Imaginary DancesII - Midnight WaltzIII - Hendricks Avenue.
$24.99
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
Boccherini Minuet and Trio - arr. for Instrumental Soloist (in Bb) and Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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Luigi Boccherini
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Chappell Kingsland
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Boccherini Minuet and Trio - a
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1316163 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages....
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Chamber Orchestra - Level 5 - SKU: A0.1316163 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904900. Published by Chappell Kingsland (A0.1316163). Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Instrumental Soloist in Bb (clarinet, soprano sax, tenor sax, trumpet, etc.) and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements with Violin or C Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Boccherini Minuet and Trio - arr. for Instrumental Soloist (in C) and Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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Luigi Boccherini
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Chappell Kingsland
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Boccherini Minuet and Trio - a
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1316161 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages....
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Chamber Orchestra - Level 5 - SKU: A0.1316161 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904898. Published by Chappell Kingsland (A0.1316161). Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Instrumental Soloist in C (flute, oboe, etc.) and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements with Violin or Bb Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Boccherini Minuet and Trio - arr. for Violin Soloist and Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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Luigi Boccherini
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Chappell Kingsland
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Boccherini Minuet and Trio - a
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1316158 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages....
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Chamber Orchestra - Level 5 - SKU: A0.1316158 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904895. Published by Chappell Kingsland (A0.1316158). Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Violin Soloist and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements for C Instrument or Bb Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
TRANSFORMATION SYMPHONY Movement I- DREAM
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Orchestre de chambre
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AVANCÉ
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Sara Bongo
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TRANSFORMATION SYMPHONY Moveme
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Sara Bongo
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1014365 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 122 pages. Sara Bon...
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Chamber Orchestra - Level 5 - SKU: A0.1014365 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 122 pages. Sara Bongo #5372521. Published by Sara Bongo (A0.1014365). P { margin-bottom: 0.08in } Developed from a study of Sergei Prokofiev’s Classical Symphony in D Major, Opus 25, the Transformation Symphony was written as a tribute to Prokofiev’s style much as Prokofiev paid homage to the works of Joseph Haydn. The Transformation Symphony consists of four contrasting movements which include Dream (Allegro), Sacrifice (Larghetto), Perseverance (Minuet and Trio) and Metamorphosis (Rondo.) Each movement can be defined as a progression from a dream to the sacrifice that is needed to reach the dream to the perseverance needed to maintain the sacrifice to the metamorphosis that comes from having achieved the dream. The composer includes a linear progression in the four movements yet manages to also intertwine these elements in the last movement to indicate that the creative process can be both linear and interspersed. P { margin-bottom: 0.08in }
$90.00
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6...
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Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
Concerto for 3 Violins in F Major, RV 551
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Orchestre de chambre
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AVANCÉ
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Classique
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 3 Violins in F Ma
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and pa...
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Chamber Orchestra - Level 5 - SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
Beyond Forgiveness
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Orchestre de chambre
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AVANCÉ
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Ilan CHOURAKI
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Beyond Forgiveness
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ic-music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.850050 Composed by Ilan CHOURAKI. Classical,Contemporary,Jewish. Score and parts. 68 pages. Ic-music #4640339. Pub...
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Chamber Orchestra - Level 5 - SKU: A0.850050 Composed by Ilan CHOURAKI. Classical,Contemporary,Jewish. Score and parts. 68 pages. Ic-music #4640339. Published by ic-music (A0.850050). Inspired by the tradition of symphonic poems, the theme of this work begins from an artistic reflection on the question of... forgiveness. https://www.icmusic.club/beyond-forgiveness
$39.90
Concerto No.1 for Violin and Orchestra
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Orchestre de chambre
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AVANCÉ
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Contemporain
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David Chesky
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Concerto No.1 for Violin and O
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Pamaluc Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pama...
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Chamber Orchestra - Level 5 - SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pamaluc Music (A0.882392). From the composers Urban Series. The highly engaging Violin Concerto features colorful, though light-scoring, memorable themes, essentially tonal harmonies, and rhythmic vigor, and a bracing rhythmic figure that involves some of the orchestral musicians clapping in a vaguely flamenco style The second movement is a disguised Cuban Danzon. The Third movement finale takes up very strong rhythms in what is a commentary on Bach's ,Brandenburg Concerto No.3. Duration 26:13 min 2fl./ 2ob./ 2cl./ 2bs/ 4 perc./ harp/ strings.
$34.98
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