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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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CHORALE - CHAN…
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
SAXOPHONE
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536
PIANO & CLAVIERS
Piano seul
270
2 Pianos, 4 mains
48
Piano, Voix
21
1 Piano, 4 mains
16
Orgue
12
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
4
Piano, Voix et Guitare
3
Orgue, Trompette (duo)
3
Clavecin
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano Facile
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
27
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13
Guitare notes et tablatures
10
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
1
VOIX
Chorale SATB
50
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12
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8
Chorale SSAA
5
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4
Voix Tenor, Piano
3
Chorale 3 parties
3
Voix Soprano
2
Chorale 2 parties
2
Voix duo, Piano
2
Voix basse
1
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1
Voix duo
1
Voix Alto, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
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VENTS
Clarinette
39
2 Clarinettes (duo)
29
2 Flûtes traversières (duo)
28
Quatuor de Saxophones: 4 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Hautbois (partie séparée)
17
2 Saxophones (duo)
17
Flûte traversière et Piano
17
2 Flûte à bec (duo)
15
Saxophone Alto et Piano
11
Flûte traversière
9
Saxophone
9
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Clarinettes
8
Saxophone Soprano et Piano
8
3 Clarinettes (trio)
8
Quatuor de Flûtes : 4 flûtes
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette et Piano
7
Hautbois, Piano (duo)
7
Ensemble de saxophones
6
Flûte et Guitare
4
Flute (partie séparée)
4
Saxophone Tenor et Piano
4
Clarinette, Violon (duo)
3
Saxophone Alto
3
Flûte, Violon
3
2 Hautbois (duo)
3
Quintette de Saxophone: 5 saxophones
3
Flûte, Clarinette (duo)
2
Saxophone et Orgue
2
Clarinette, Violoncelle (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Cor Anglais
2
Flûte, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de Flûtes
2
Trio de Flûtes: 3 flûtes
1
Flûte et Trio à cordes
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto, Piano
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Ocarina
1
2 Flûtes traversières, Piano
1
3 Saxophones (trio)
1
Saxophone (partie séparée)
1
Saxophone et Guitare
1
Quintette de Flûte : 5 flûtes
1
Saxophone Tenor
1
Flûte, Hautbois, Piano (trio)
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette et Alto
1
Flûte, Hautbois (duo)
1
Saxophone Baryton, Piano
1
2 Clarinettes, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson (duo)
1
Hautbois, Flûte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
Flûte à bec Tenor
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
37
Ensemble de Trombones
21
Euphonium, Piano (duo)
17
Tuba et Piano
16
Cor
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette
12
2 Trompettes (duo)
11
Trombone
10
Tuba
9
2 Trombones (duo)
8
Trompette, Piano
7
2 Cors (duo)
7
Cor et Piano
6
Trombone, Tuba (duo)
4
Trompette, Trombone (duo)
4
2 Euphoniums et 2 Tubas
3
3 Trombones (trio)
3
Trombone basse
3
Euphonium
3
Trompette (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor Anglais
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Cors
1
4 Tubas
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 cors
1
3 Tubas (trio)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
Trombone (partie séparée)
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
2 Violons (duo)
48
Violon et Piano
30
Violon
25
Violon, Violoncelle (duo)
18
Violon, Alto (duo)
14
2 Violoncelles (duo)
13
Violoncelle, Piano
13
Alto, Piano
12
Violoncelle
10
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
2 Altos (duo)
8
Alto seul
7
Harpe
6
Violoncelle, Contrebasse (duo)
6
Contre Basse
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, alto
4
Alto, Violoncelle (duo)
4
Trio à cordes
3
Violon, Guitare (duo)
2
Alto (partie séparée)
2
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
4 Violoncelles
1
Harpe, Violon (duo)
1
2 Harpes (duo)
1
Violoncelle, Orgue
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
59
Orchestre d'harmonie
39
Ensemble de cuivres
31
Orchestre à Cordes
29
Orchestre de chambre
28
Ensemble Jazz
21
Ensemble de Percussions
11
Cloches
7
Batterie
6
Marimba
4
Jazz combo
3
Fanfare
1
Piano et Orchestre
1
2 Marimbas
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
LEVEL TWO
expert
Orchestre de chambre
Partitions à imprimer
28 partitions trouvées
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Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
20.11 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.45 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concertino for Two Horns & Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1136701 By Trevor Denyer. By…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1136701 By Trevor Denyer. By Frederic Kuhlau. Arranged by Trevor Denyer. 19th Century,Classical. Score and Parts. 209 pages. Trevor Denyer #736703. Published by Trevor Denyer (A0.1136701). This excellent piece for two horns and orchestra has not been available (as far as I know) as a modern, computer typeset score and parts. It is a marvellous addition to the repertoire.
$30.00
27.49 €
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Orchestre de chambre
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Trevor Denyer
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Trevor Denyer
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Concertino for Two Horns & Orchestra
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Trevor Denyer
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SheetMusicPlus
Vivaldi - Double Concerto in G major RV 516 for Two Violins, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.517131 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.517131 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 74 pages. Santino Cara #3494235. Published by Santino Cara (A0.517131). Complete score and parts of the Concerto in G major RV 516 for Two Violins concertanti, Strings and Cembalo, by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara.
$17.60
16.12 €
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Orchestre de chambre
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Double Concerto in G major RV 516 for Two Violins, Strings and Cembalo
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Santino Cara
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SheetMusicPlus
Vivaldi - Double Concerto in D minor RV 514 for Two Violins, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.517524 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.517524 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 98 pages. Santino Cara #6052375. Published by Santino Cara (A0.517524). Complete score and parts of the Double Concerto in D minor RV 514 for Two violins concertanti, Strings and Cembalo. Composed in 1728 by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara from the copy of the manuscript kept in the Manuscripts Room of the University Library of Turin.
$20.40
18.69 €
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Orchestre de chambre
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Double Concerto in D minor RV 514 for Two Violins, Strings and Cembalo
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Santino Cara
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SheetMusicPlus
Handel - Concerto Grosso No.5 in D minor Op.3 HWV 316 for Two oboes, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.516968 Composed by Handel Ge…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.516968 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts. 76 pages. Santino Cara #3072033. Published by Santino Cara (A0.516968). Complete score and parts of the Concerto Grosso No.5 in D minor HW 316 for two oboes, strings and cembalo from 6 Concerti Grossi Op.3 by George Frideric Handel.
$18.40
16.86 €
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Orchestre de chambre
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Handel George Frideric
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Santino Cara
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Handel - Concerto Grosso No.5 in D minor Op.3 HWV 316 for Two oboes, Strings and Cembalo
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Santino Cara
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SheetMusicPlus
Opus 122a, Three Arabesques for Two Clarinets & Strings (Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.976294 Composed by Henry Poo…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.976294 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 216 pages. Viola Editions #3056961. Published by Viola Editions (A0.976294). Wonderful music, embellished like painted arabesques.
$43.20
39.58 €
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Orchestre de chambre
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Henry Pool
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Opus 122a, Three Arabesques for Two Clarinets & Strings
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Viola Editions
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SheetMusicPlus
L`Abeille (The Bee) for Two Trumpets and String Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.785336 Composed by Schubert,…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.785336 Composed by Schubert, Francois. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 50 pages. Dorm40music.com #3560811. Published by dorm40music.com (A0.785336). Long before Rimsky teamed up with Korsakov and wrote Flight of the Bumblebee, Schubert wrote L`Abeille (The Bee) for violin which is stolen here for dueling trumpets and string orchestra. An excellent encore piece or concert starter!
$20.00
18.32 €
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Orchestre de chambre
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Schubert, Francois
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Dorm 40 Music
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L`Abeille
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dorm40music.com
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SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
43.01 €
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Orchestre de chambre
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Adventures in the Llano Estacado
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.699588 Composed by Kenneth D…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.699588 Composed by Kenneth D. Friedrich. Concert,Contemporary. Score and parts. 37 pages. KFS Publishing #3011113. Published by KFS Publishing (A0.699588). Original music for eight part brass ensemble. Live tuba ensemble version can be heard here: https://soundcloud.com/knuxie35/8-adventures-in-the-llano-estacado-south-central-regional-austin-txTwo trumpetsTwo euphoniumsTwo trombonesTwo tubas
$22.50
20.61 €
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Orchestre de chambre
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Kenneth D
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Adventures in the Llano Estacado
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KFS Publishing
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SheetMusicPlus
Antillas
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008993 Composed by William …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. Published by William Ortiz (A0.1008993). Antillas for Chamber Orchestra is a work consisting of two movements: Alborada antillana and Nocturno antillano. The piece is a reflective soundscape on the diversity and magic of the archipelago of islands in the Caribbean known as the Antilles. The rich, colorful and mysterious musical energy is depicted through out these two movements. The first at daybreak and the second at night.The fusion of the distinct musical elements is recognized through the evolving musical discourse eventually connecting to its essential roots. The polyphony of timbres and rhythms, at the same time calm and restless, manifests the natural habitat that gives birth to this sound world. Â
$43.00
39.4 €
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Orchestre de chambre
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William Ortiz
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Antillas
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William Ortiz
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SheetMusicPlus
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phil…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
18.32 €
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Orchestre de chambre
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
35.68 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
H.M.S. Surprise
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian H…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
18.32 €
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Orchestre de chambre
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Julian Harvey
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H.M.S. Surprise
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Julian Harvey
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.9 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
Divertimento in F Major K. 247
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.782487 Composed by Wolfgang …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.782487 Composed by Wolfgang Amadeus Mozart. Arranged by Tyler Merideth. Classical,Graduation,Holiday,Standards,Wedding. Score and parts. 57 pages. Tyler Merideth #1771377. Published by Tyler Merideth (A0.782487). Wolfgang Amadeus Mozart's Divertimento K. 247 set for Horn, Trumpet, Strings and Piano. I arranged this work to fit a group that featured a very talented cellist. Two cello parts are included, one doubles the viola. This exciting work always feels like a celebration and is a joy to play. The contrasts in rhythmic elements and dynamics really engages young people.tylermerideth.com
$29.99
27.48 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Tyler Merideth
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Divertimento in F Major K. 247
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Tyler Merideth
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SheetMusicPlus
Concerto Grosso Opus 6 No 1 HWV 319
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Fr…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
45.81 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso Opus 6 No 1 HWV 319
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Arte Nova Music Lab
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SheetMusicPlus
Sinfonia Concertante for 2 Horns & Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314538 By Trevor Denyer. By…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314538 By Trevor Denyer. By Heinrich Domnich. Arranged by Trevor Denyer. 19th Century,Classical. 203 pages. Trevor Denyer #903290. Published by Trevor Denyer (A0.1314538). Heinrich Domnich (1767 - 1844) was an accoomplished horn player, teacher, composer and author of an instruction book, his Méthode de Premier et de Second Cor.This piece demonstrates a complete understanding of the possibilities for the instruments and performers of the time. It is both lively in the two outside movements and dramatic in the middle one. The orchestral writing is delightful and varied and the piece deserves to be performed regularly in the future.A piano reduction is available via the excellent disertation by Evan Chancellor, which is well worth reading: https://shareok.org/handle/11244/10503.
$35.00
32.07 €
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Orchestre de chambre
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Trevor Denyer
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Trevor Denyer
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Sinfonia Concertante for 2 Horns & Chamber Orchestra
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Trevor Denyer
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SheetMusicPlus
Concerto for Kientzy (Parts)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.799389 Composed by Drake Mab…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.799389 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #2022223. Published by Drake Mabry (A0.799389). Concerto for Kientzy was written for the french saxophone virtuoso, Daniel Kientzy. The solo part for bass saxophone highlights the tonal variations of this instrument in it's various registers. The slow first movement is followed by a rapid and invigorating second movement. This is the first part of a trilogy of works based on this concerto. The other works are Silent Durations XXII (with the composer's usual application of silence as an architectural device) and Silent Concerto Durations which brings together the previous two compositions as one work. It would be conceivable to play Concerto for Kientzy on other Bb saxophones. The soundclip is of the second movement.
$9.99
9.15 €
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Orchestre de chambre
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Drake Mabry
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Concerto for Kientzy
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Drake Mabry
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SheetMusicPlus
Orchestral Suite No 3 in D Major BWV 1068
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Se…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
24.74 €
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Orchestre de chambre
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Major BWV 1068
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Arte Nova Music Lab
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SheetMusicPlus
The Fallen – Flute Concerto (score – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.49 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Handel - Concerto Grosso in D major No.6 Op.3 HWV 317 for Winds, Strings and Cembalo - Score and Par
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.516969 Composed by Handel Ge…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.516969 Composed by Handel George Frederic. Arranged by Santino Cara. Baroque. Score and parts. 42 pages. Santino Cara #3072525. Published by Santino Cara (A0.516969). Complete score and parts of the Concerto Grosso No.6 in D major HWV 317 for two oboes, bassoons, strings and cembalo from 6 Concerti Grossi Op.3 by George Frederic Handel. Reconstructed and elaborated by Santino Cara.
$16.40
15.03 €
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Orchestre de chambre
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Handel George Frederic
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Santino Cara
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Handel - Concerto Grosso in D major No.6 Op.3 HWV 317 for Winds, Strings and Cembalo - Score and Par
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Santino Cara
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.77 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rondo in A minor for Cello and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
59.55 €
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Orchestre de chambre
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Cello and Orchestra
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Joel Jacklich
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
23.77 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
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