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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Les
Non classifié
1 178
Piano & claviers
Piano seul
1 199
Piano, Voix
90
Accordéon
49
Orgue
40
Piano, Voix et Guitare
28
2 Pianos, 4 mains
21
Instruments en Do
15
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
10
Clavecin
6
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Trompette (duo)
3
Clavier
3
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon et Orchestre
1
Ensemble de Pianos
1
Piano Facile
1
+ 15 instrumentations
Retracter
Guitares
Guitare
625
Guitare notes et tablatures
167
Basse electrique
112
2 Guitares (duo)
95
4 Guitares (Quatuor)
56
3 Guitares (trio)
30
Ligne De Mélodie, (Paroles) et Accords
24
Ensemble de guitares
19
Mandoline, Piano (duo)
12
Mandoline
11
Piano, Guitare (duo)
9
Mandoline, Guitare (duo)
9
Ukulele
7
Orchestre à Plectres
5
Paroles et Accords
3
2 Guitares et Orchestre
3
Luth
3
Guitare, Orchestre
2
Guitare, Flûte, Clarinette
2
Guitare, Quatuor à cordes
2
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
209
Chorale TTBB
71
Chorale SSAA
37
Chorale 3 parties
16
Voix Soprano, Piano
12
Chorale SSAATTBB
5
Voix Baryton, Piano
3
Voix seule
3
Voix Tenor, Piano
3
Voix, Guitare
3
Chorale 2 parties
3
Voix Alto, Piano
2
Chorale
2
Voix Mezzo-Soprano, Piano
2
Voix duo
2
Voix haute
1
Chorale SSATB
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Chorale Unison
1
+ 17 instrumentations
Retracter
Vents
Saxophone
488
Flûte traversière
229
Clarinette
224
Flûte traversière et Piano
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
53
Quatuor de Saxophones: 4 saxophones
39
Saxophone (partie séparée)
31
Quatuor de Clarinettes: 4 clarinettes
29
Saxophone Alto
28
Flûte, Hautbois, Clarinette, Basson
26
Flûte et Guitare
26
Clarinette et Piano
24
Saxophone Alto et Piano
23
Ensemble de Clarinettes
16
Quintette de Saxophone: 5 saxophones
15
Saxophone Tenor
14
Hautbois
13
Hautbois, Piano (duo)
11
Ensemble de saxophones
10
Quatuor de Flûtes : 4 flûtes
10
Hautbois (partie séparée)
8
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
7
Flûte à Bec
7
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Flûtes
7
Saxophone Soprano
6
Clarinette, Guitare (duo)
5
Flute (partie séparée)
5
Saxophone Baryton, Piano
5
2 Flûtes traversières (duo)
5
3 Clarinettes (trio)
4
2 Saxophones (duo)
4
2 Clarinettes (duo)
3
Clarinette (partie séparée)
3
Cor anglais, Piano
3
Quatuor de Flûtes à bec
3
Quintette de Flûte : 5 flûtes
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle, Guitare
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette (duo)
2
Clarinette Basse, Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Basson et Piano
1
Cor Anglais
1
Clarinette et Alto
1
Harmonica
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Violon, Piano
1
Clarinette Basse
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Flûte à bec Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Guitare
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Orgue
1
5 Flûtes à bec
1
2 Hautbois (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 62 instrumentations
Retracter
Cuivres
Trompette
199
Trombone
175
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trombone et Piano
35
Ensemble de Trombones
28
Trompette (partie séparée)
26
Trombone (partie séparée)
25
Tuba et Piano
17
Cor
16
Euphonium, Piano (duo)
16
Quatuor de cuivres: 4 trombones
14
Quatuor de Cuivres
13
Tuba
12
Trompette, Piano
11
Cor et Piano
11
Quatuor de cuivres: 4 cors
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trombones (duo)
8
2 Trompettes (duo)
6
3 Trombones (trio)
6
Euphonium
5
Ensemble de Trompettes
5
Ensemble de Cors
5
2 Euphoniums et 2 Tubas
4
Cor (partie séparée)
4
Cor anglais, Piano
3
4 Tubas
3
Trompette, violon (duo)
3
Trombone basse et Piano
2
3 Euphoniums
2
2 Cors (duo)
2
Trombone basse
2
Trompette, Trombone (duo)
1
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
2 Tubas (duo)
1
Cor et Harpe
1
Trombone, Orgue
1
Trio de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
183
Violon
108
Violoncelle
89
Violon et Piano
65
Alto seul
49
Violon, Guitare (duo)
33
Violoncelle, Piano
28
Trio à Cordes: violon, alto, violoncelle
22
Violon, Violoncelle (duo)
22
Alto, Piano
19
Harpe
17
Contre Basse
11
Violoncelle , Guitare (duo)
11
Trio à Cordes: 2 violons, violoncelle
11
Violon, Alto (duo)
11
Violoncelle, Contrebasse (duo)
9
2 Violons (duo)
9
2 Violoncelles (duo)
8
Alto (partie séparée)
6
2 Altos (duo)
6
Trio à cordes: 3 violins
6
4 Violoncelles
6
Contrebasse, Piano (duo)
5
Violon (partie séparée)
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 2 violons, alto
4
Harpe, Flûte (duo)
3
Quatuor à cordes: 4 violons
3
2 Contrebasses (duo)
3
Harpe, Quatuor à cordes
3
Harpe, Violon (duo)
3
Alto, Guitare (duo)
2
Ensemble d'Altos
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto et Harpe
1
Violon, Violoncelle, Clarinette
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
Violon, Basse continue
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette et Guitare
1
Ensemble de Violons
1
Violon, Orgue
1
Violoncelle, Orchestre
1
Violoncelle (partie séparée)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre
368
Ensemble Jazz
147
Orchestre d'harmonie
134
Batterie
115
Orchestre à Cordes
81
Jazz combo
74
Orchestre de chambre
61
Ensemble de cuivres
60
Timbales (partie séparée)
16
Cloches
13
Ensemble de Percussions
12
Fanfare
3
Marimba
3
Percussion
2
Batterie (partie séparée)
2
Big band
2
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 16 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
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HAUTBOIS
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LUTH, THEOR…
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PERCU. ORCH…
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SAXOPHONE
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TROMPETTE
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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51
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phil…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
18.44 €
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Orchestre de chambre
#
Jean Phillipe Rameau
#
Arte Nova Music Lab
#
Les Indes Galantes - Prologue
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Arte Nova Music Lab
#
SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.92 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alberto Cara : Crop Circles (ES-20-054) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1449709 Composed by Alberto …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1449709 Composed by Alberto Cara. 21st Century,Classical,Contemporary. 34 pages. Sconfinarte #1029465. Published by Sconfinarte (A0.1449709). Alberto Cara: CROP CIRCLES (ES-20-054)Organico: Clarinetto in Sib, Marimba e Percussioniwww.edizionisconfinarte.com.
$20.00
18.44 €
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Orchestre de chambre
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Alberto Cara
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Alberto Cara : Crop Circles
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Sconfinarte
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
18.43 €
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Orchestre de chambre
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
20.24 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.55 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Day The Little Green Men Didn’t Attack Earth! - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094235 Composed by Maxime A…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094235 Composed by Maxime Aulio. Classical,Contemporary,Rock. 33 pages. Maxime Aulio #698338. Published by Maxime Aulio (A0.1094235). For solo Theremin and wind ensemble (with electric guitar, cello, contrabass, celeste, harp, 2 drums sets,…). Ask me for the audio files… (contact on my website) More info on my website: https://maximeaulio.net/en/music/concert-band/34-the-day-the-little-green-men-didnt-attack-earth/.
$15.99
14.74 €
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Orchestre de chambre
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Maxime Aulio
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The Day The Little Green Men Didn’t Attack Earth! - Score Only
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Maxime Aulio
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SheetMusicPlus
Orchestral Suite No 3 in D Major BWV 1068
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Se…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
24.89 €
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Orchestre de chambre
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Major BWV 1068
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Arte Nova Music Lab
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
23.04 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
Concerto for Clarinet and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1506193 Composed by David Wo…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1506193 Composed by David Woodcock. 21st Century,Classical,Contemporary. 340 pages. David Woodcock #1081544. Published by David Woodcock (A0.1506193). The concerto is in three movements. The first is lively, playful and folk-like, but is interspersed with suspenseful and thoughtful interludes.After a brief introduction, the main soulful theme of the second movement emerges, setting the mood for most of the movement. There is a another appearance of the introductory material, which is further developed, before the return of the main musical idea.The last movement has a sense of restlessness and anxiety, the music being fragmented and rhythmic, ending with a solo cadenza, and brief orchestral coda.
$199.00
183.46 €
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Orchestre de chambre
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David Woodcock
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Concerto for Clarinet and Chamber Orchestra
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David Woodcock
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SheetMusicPlus
Antillas
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008993 Composed by William …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. Published by William Ortiz (A0.1008993). Antillas for Chamber Orchestra is a work consisting of two movements: Alborada antillana and Nocturno antillano. The piece is a reflective soundscape on the diversity and magic of the archipelago of islands in the Caribbean known as the Antilles. The rich, colorful and mysterious musical energy is depicted through out these two movements. The first at daybreak and the second at night.The fusion of the distinct musical elements is recognized through the evolving musical discourse eventually connecting to its essential roots. The polyphony of timbres and rhythms, at the same time calm and restless, manifests the natural habitat that gives birth to this sound world. Â
$43.00
39.64 €
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Orchestre de chambre
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William Ortiz
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Antillas
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William Ortiz
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SheetMusicPlus
Concerto Grosso Opus 6 No 1 HWV 319
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Fr…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
46.1 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso Opus 6 No 1 HWV 319
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Arte Nova Music Lab
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SheetMusicPlus
Press Play
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till Mac…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
23.97 €
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Orchestre de chambre
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
Reprise: Pure Imagination (at The Gates Of The Factory)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter. Score and Parts. 79 pages. Richard DeRosa #853102. Published by Richard DeRosa (A0.1259824). This dazzling arrangement is a great showcase for a vocalist, orchestra, and a contemporary rhythm section. The orchestral and keyboard instruments provide a magical texture supported with a Brazilian partido alto rhythm that adds a modern groove. The virtuosic vocal part encompasses a 2-octave range, a dynamic vocalese with the orchestra, and an opportunity to improvise during the closing section. This is best suited for advanced performers. The demo recording will be a useful guide for quicker preparation. Performance time is approximately 4:50.
$100.00
92.19 €
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Orchestre de chambre
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Anthony Newley and Leslie Bricusse
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Rich DeRosa
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Reprise: Pure Imagination
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Richard DeRosa
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SheetMusicPlus
På väg ("On my way"), for violin and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano O…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
9.21 €
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Orchestre de chambre
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Stefano Olcese
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På väg
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Stefano Olcese
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SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
43.28 €
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Orchestre de chambre
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto for 3 Violins in F Major, RV 551
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00
27.66 €
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Orchestre de chambre
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 3 Violins in F Major, RV 551
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Arte Nova Music Lab
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SheetMusicPlus
Stabat Mater Dolorosa, Vocal Duet SA
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1329566 Composed by Giovanni…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1329566 Composed by Giovanni Battista Pergolesi. Arranged by Doug Clyde. Baroque,Chamber,Christian,Religious,Sacred. 16 pages. ALBEDO MUSIC #917549. Published by ALBEDO MUSIC (A0.1329566). Stabat Mater Dolorosa for Vocal Duet and Chamber Orchestra. Composed by Giovanni Battista Pergolesi. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Violin I, Violin II, Viola, Cello, Contrabass, Soprano Solo, Alto Solo. Lyrics in Latin: Stabat mater dolorosa juxta Crucem lacrimosa, dum pendebat Filius. Performance Duration 4:10. © 2023 by ALBEDO MUSIC.
$9.99
9.21 €
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Orchestre de chambre
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Giovanni Battista Pergolesi
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Doug Clyde
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Parts
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Stabat Mater Dolorosa, Vocal Duet SA
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ALBEDO MUSIC
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SheetMusicPlus
Concerto For Clarinet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Ar…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013630. Published by Robert C. Olivia (A0.1433339). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. These are the parts for the big band and strings. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie” Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
184.38 €
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Orchestre de chambre
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Concerto For Clarinet - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Ar…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$35.00
32.27 €
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Orchestre de chambre
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet - Score Only
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Robert C. Olivia
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SheetMusicPlus
Concerto For Clarinet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403422 By Artie Shaw. By Ar…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403422 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert C. Olivia #986632. Published by Robert C. Olivia (A0.1403422). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw’s band with strings played on the record version and in the motion picture. In addition to the big band & string parts here, also available is the companion conductor score and solo clarinet part. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
184.38 €
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Orchestre de chambre
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Metamorphosis
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composer’s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin “mystic†chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00
55.31 €
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Orchestre de chambre
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Daniel Burwasser
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Metamorphosis
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Head and Stem
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SheetMusicPlus
Rondo in A minor for Cello and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
59.92 €
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Orchestre de chambre
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Cello and Orchestra
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Joel Jacklich
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SheetMusicPlus
Divertimento in F Major K. 247
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.782487 Composed by Wolfgang …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.782487 Composed by Wolfgang Amadeus Mozart. Arranged by Tyler Merideth. Classical,Graduation,Holiday,Standards,Wedding. Score and parts. 57 pages. Tyler Merideth #1771377. Published by Tyler Merideth (A0.782487). Wolfgang Amadeus Mozart's Divertimento K. 247 set for Horn, Trumpet, Strings and Piano. I arranged this work to fit a group that featured a very talented cellist. Two cello parts are included, one doubles the viola. This exciting work always feels like a celebration and is a joy to play. The contrasts in rhythmic elements and dynamics really engages young people.tylermerideth.com
$29.99
27.65 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Tyler Merideth
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Divertimento in F Major K. 247
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Tyler Merideth
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SheetMusicPlus
Legend of the Sea, Guitar Quartet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1015739 Composed by Juan Gas…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1015739 Composed by Juan Gaspar. 20th Century,Concert,Contemporary. Score and parts. 54 pages. Juan Gaspar #5770813. Published by Juan Gaspar (A0.1015739). This 9 minute contemporary classical guitar quartet is a professional concert piece that advanced level students will also enjoy playing. Altough it is not program music, it is inspired by an event in my life. As a boy of 11, I went to the ocean with my family. I almost drowned and my Dad lost his life. It was a lesson which taught me that life and death are illusions. Above the raging, sparkling sea, the sun shines brightly: Life Eternal is not lost.
$14.99
13.82 €
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Orchestre de chambre
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Juan Gaspar
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Legend of the Sea, Guitar Quartet
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Juan Gaspar
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SheetMusicPlus
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