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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mati
Non classifié
214
Piano & claviers
Piano seul
252
Piano, Voix
36
Orgue
16
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Piano, Voix et Guitare
3
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
Orgue, Trompette (duo)
1
+ 7 instrumentations
Retracter
Guitares
Guitare
23
Guitare notes et tablatures
4
Ensemble de guitares
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
Dulcimer
1
Basse electrique
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale SSAA
8
Voix Soprano, Piano
7
Voix haute
4
Chorale 3 parties
3
Chorale TTBB
3
Voix Alto, Piano
2
Chorale Unison
1
Voix basse, Piano
1
Voix Baryton
1
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix Tenor
1
Voix Tenor, Piano
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
24
Flûte traversière
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte, Hautbois, Clarinette, Basson
8
Hautbois, Piano (duo)
7
Clarinette et Piano
7
Clarinette
7
Quatuor de Saxophones: 4 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Alto et Piano
6
Ensemble de Clarinettes
3
2 Saxophones (duo)
3
Saxophone Tenor
3
Saxophone Soprano et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
1
Saxophone Soprano
1
Hautbois, Basson et Piano
1
Saxophone Alto
1
Saxophone Tenor et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
Ensemble de saxophones
1
Hautbois (partie séparée)
1
Quintette de Saxophone: 5 saxophones
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
Harmonica
1
+ 27 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trombone et Piano
18
Ensemble de Trombones
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette
8
Tuba et Piano
4
Trombone
4
Euphonium, Piano (duo)
4
Cor et Piano
3
Trombone et orchestre
3
Tuba
2
Trombone basse
2
Cor
2
Trompette, Piano
2
Ensemble de Trompettes
1
Trombone basse et Piano
1
Trio de Cuivres
1
Trompette (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
23
Harpe
20
Violon
19
Violoncelle, Piano
10
Violoncelle
8
Alto, Piano
6
Trio à Cordes: violon, alto, violoncelle
5
Alto seul
5
Violon, Violoncelle (duo)
4
Harpe, Violon (duo)
2
2 Violoncelles (duo)
2
Contre Basse
1
Violon, Clarinette, Piano (trio)
1
2 Violons (duo)
1
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
2 Altos (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
4 Harpes
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre
55
Orchestre d'harmonie
34
Orchestre à Cordes
15
Ensemble de cuivres
14
Orchestre de chambre
12
Ensemble Jazz
10
Ensemble de Percussions
8
Piano et Orchestre
3
Cloches
3
Jazz combo
3
Batterie
2
Xylophone
1
Marimba
1
Orchestre, Violon
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
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Instruments
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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12 partitions trouvées
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1
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Piano Concerto No. 1 - 1st Mov. (excerpt)
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Orchestre de chambre
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AVANCÉ
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Pyotr Tchaikovsky
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Dico
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Piano Concerto No. 1 - 1st Mov
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.842946 Composed by Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dico #...
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Chamber Orchestra - Level 5 - SKU: A0.842946 Composed by Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dico #6421467. Published by Dico (A0.842946). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PIANO CONCERTO No. 1 in Bb Major - this unusual formation, as explained above, is due to the fact that these works were commissioned for the purpose of wedding ceremonies and a limited number of musicians and performance time.Score | Fl | Ob | Hrn | Tpt | Tbn 1, 2 | Timp | Pno | Str (-Vla)
$20.00
Piano Concerto No. 1 - 1st Mov. (excerpt)
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Orchestre de chambre
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AVANCÉ
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Various
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Dico
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Piano Concerto No. 1 - 1st Mov
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.511132 By Various. By Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dic...
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Chamber Orchestra - Level 5 - SKU: A0.511132 By Various. By Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dico Ferreira #122058. Published by Dico Ferreira (A0.511132). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PIANO CONCERTO No. 1 in Bb Major - this unusual formation, as explained above, is due to the fact that these works were commissioned for the purpose of wedding ceremonies and a limited number of musicians and performance time.Score | Fl | Ob | Hrn | Tpt | Tbn 1, 2 | Timp | Pno | Str (-Vla)
$24.00
We Three Kings - Solo Violin, Piano and String Orchestra
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Orchestre de chambre
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AVANCÉ
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Noël
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John Henry Hopkins Jr
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Matt Riley
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We Three Kings - Solo Violin,
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www.mattrileymusic.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.529928 Composed by John Henry Hopkins Jr. Arranged by Matt Riley. Christmas,Contemporary,Multicultural,Sacred,Worl...
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Chamber Orchestra - Level 5 - SKU: A0.529928 Composed by John Henry Hopkins Jr. Arranged by Matt Riley. Christmas,Contemporary,Multicultural,Sacred,World. Score and Parts. 55 pages. Www.mattrileymusic.com #3429485. Published by www.mattrileymusic.com (A0.529928). This stunning cinematic style arrangement of this Christmas classic is a great opportunity to feature your virtuoso violinist and give your audience an unforgettable performance.Questions or have a request? Email matt@mattrileymusic.com
$125.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Septet for Persian Instruments (Mvt. II)
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Orchestre de chambre
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AVANCÉ
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Mehdi D
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Septet for Persian Instruments
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Mehdi D. Ardebili
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1013020 Composed by Mehdi D. Ardebili. Contemporary,Folk,Romantic Period,World. Score and parts. 19 pages. Mehdi D...
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Chamber Orchestra - Level 5 - SKU: A0.1013020 Composed by Mehdi D. Ardebili. Contemporary,Folk,Romantic Period,World. Score and parts. 19 pages. Mehdi D. Ardebili #5777761. Published by Mehdi D. Ardebili (A0.1013020). A novel contemporary composition that explores and reinvents Persian music and its modalities in a western classical romantic style. Rapidly shifting tonal centres, chromaticism, polyphony and highly contrasting textures are characteristic of this piece.
$28.00
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
Chamber Symphony
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Orchestre de chambre
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AVANCÉ
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Robert Dusek
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Chamber Symphony
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DaCapo, LLC
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1492009 Composed by Robert Dusek. Chamber,Classical,Contemporary. 120 pages. DaCapo, LLC #1068682. Published by Da...
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Chamber Orchestra - Level 5 - SKU: A0.1492009 Composed by Robert Dusek. Chamber,Classical,Contemporary. 120 pages. DaCapo, LLC #1068682. Published by DaCapo, LLC (A0.1492009). A twelve minute work for winds, stings and piano which is quite dramatic in parts and quite intimate in other places. Cast in one movements, it is in four sections: recitative - dances - elegy - declaration. In many ways a show piece for the ensemble which gets to sparkle with elan. A great cotrasting piece for a chamber orchestra concert.
$25.00
Sinfonia Concertante for 2 Horns & Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Trevor Denyer
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Trevor Denyer
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Sinfonia Concertante for 2 Hor
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Trevor Denyer
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1314538 By Trevor Denyer. By Heinrich Domnich. Arranged by Trevor Denyer. 19th Century,Classical. 203 pages. Trevo...
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Chamber Orchestra - Level 5 - SKU: A0.1314538 By Trevor Denyer. By Heinrich Domnich. Arranged by Trevor Denyer. 19th Century,Classical. 203 pages. Trevor Denyer #903290. Published by Trevor Denyer (A0.1314538). Heinrich Domnich (1767 - 1844) was an accoomplished horn player, teacher, composer and author of an instruction book, his Méthode de Premier et de Second Cor.This piece demonstrates a complete understanding of the possibilities for the instruments and performers of the time. It is both lively in the two outside movements and dramatic in the middle one. The orchestral writing is delightful and varied and the piece deserves to be performed regularly in the future.A piano reduction is available via the excellent disertation by Evan Chancellor, which is well worth reading: https://shareok.org/handle/11244/10503.
$35.00
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Vasilis Tsiatsianis
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W.A.Mozart - O Isis und Osiris
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Arcadia Verlag
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,...
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Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
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