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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Theme From
Non classifié
143
Piano & claviers
Piano seul
220
Piano, Voix
14
Orgue
12
Clavecin
5
Piano, Voix et Guitare
4
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 4 mains
2
Accompagnement Piano
1
Instruments en Do
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
12
Guitare notes et tablatures
10
Dulcimer
4
Ukulele
3
4 Guitares (Quatuor)
1
Voix
Chorale SATB
13
Chorale TTBB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière et Piano
12
Quatuor de Clarinettes: 4 clarinettes
6
Ensemble de saxophones
4
Quatuor de Saxophones: 4 saxophones
4
Clarinette (partie séparée)
3
Clarinette
3
Clarinette et Piano
3
Saxophone (partie séparée)
2
Hautbois (partie séparée)
2
Flûte traversière
2
Flûte, Hautbois, Clarinette, Basson
2
Flute (partie séparée)
2
Saxophone Alto et Piano
2
Ensemble de Clarinettes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes (duo)
1
Ensemble de Flûtes
1
Clarinette, Violon (duo)
1
Piccolo, Piano
1
Saxophone
1
Quatuor de Flûtes à bec
1
Quintette de Saxophone: 5 saxophones
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Flûte
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor
1
2 Saxophones (duo)
1
Saxophone Soprano et Piano
1
Clarinette Basse, Piano
1
Saxophone Alto
1
+ 26 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trombone et Piano
9
Ensemble de Trombones
9
Trompette (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor et Piano
5
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
3
Cor (partie séparée)
2
Tuba
2
Ensemble de Cors
2
Tuba et Piano
2
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
2
4 Tubas
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse et Piano
1
Cor
1
2 Cors (duo)
1
Trompette, Piano
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon et Piano
14
Violon
10
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle, Piano
8
Violon, Violoncelle (duo)
7
Violoncelle
7
Alto (partie séparée)
2
Alto, Piano
2
Contre Basse
2
Alto seul
2
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre
64
Orchestre d'harmonie
38
Orchestre de chambre
19
Orchestre à Cordes
17
Ensemble de cuivres
13
Ensemble Jazz
8
Ensemble de Percussions
6
Cloches
4
Jazz combo
3
Percussion (partie séparée)
2
Fanfare
1
Marimba
1
Batterie
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Theme From
expert
Orchestre de chambre
Partitions à imprimer
19 partitions trouvées
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1
Love Theme (tema D'amore)
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Orchestre de chambre
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AVANCÉ
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Film/TV
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Andrea Morricone and Ennio Mor
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Dico
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Love Theme
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.843176 Composed by Andrea Morricone and Ennio Morricone. Arranged by Dico. Film/TV. Score and parts. 55 pages. Dic...
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Chamber Orchestra - Level 5 - SKU: A0.843176 Composed by Andrea Morricone and Ennio Morricone. Arranged by Dico. Film/TV. Score and parts. 55 pages. Dico #6758993. Published by Dico (A0.843176). WEDDING SERIESÂ - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.LOVE THEMEÂ (from Cinema Paradiso):Voices | Fl | Ob | Hr 1, 2 (opt. Tb sub. Hr 2) | Bb Tpt 1, 2 | Pno | Perc | Strs
$62.50
Love Theme (tema D'amore)
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Orchestre de chambre
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AVANCÉ
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Andrea Morricone and Ennio Mor
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Dico
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Love Theme
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.688079 Composed by Andrea Morricone and Ennio Morricone. Arranged by Dico. Film/TV,Wedding. Score and parts. 55 pa...
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Chamber Orchestra - Level 5 - SKU: A0.688079 Composed by Andrea Morricone and Ennio Morricone. Arranged by Dico. Film/TV,Wedding. Score and parts. 55 pages. Dico Ferreira #296803. Published by Dico Ferreira (A0.688079). WEDDING SERIESÂ - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.LOVE THEMEÂ (from Cinema Paradiso):Voices | Fl | Ob | Hr 1, 2 (opt. Tb sub. Hr 2) | Bb Tpt 1, 2 | Pno | Perc | Strs
$62.50
Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE
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Orchestre de chambre
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AVANCÉ
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Film/TV
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Adam Clayton And Larry Mullen
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Simon Scheiwiller
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Mission: Impossible Theme from
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Simon Scheiwiller
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.950696 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Simon Scheiwiller. Film/TV. Score and parts...
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Chamber Orchestra - Level 5 - SKU: A0.950696 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Simon Scheiwiller. Film/TV. Score and parts. 22 pages. Simon Scheiwiller #5541553. Published by Simon Scheiwiller (A0.950696).
$30.00
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and orchestra, score and solo part
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Orchestre de chambre
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AVANCÉ
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Francois Borne
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Paul Wehage
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Fantaisie Brillante sur des Th
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534428 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 65 p...
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Chamber Orchestra - Level 5 - SKU: A0.534428 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3492217. Published by Musik Fabrik Music Publishing (A0.534428). The virutoso showstopper, also known as the Carmen Fantasy, orchestrated by Paul Wehage for chamber orchestra (2222/2200/timp/hp/strings). This well-known crowd-pleaser will be the hit of your concert! This item is the full score and the solo part only. The parts are on rental from the publisher. Versions for solo saxophone with piano, for solo saxophone with SATB saxophone quartet and for concert band are also available.
$29.95
Trumpet Concerto
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Orchestre de chambre
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AVANCÉ
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Julian Harvey
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Trumpet Concerto
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1456078 Composed by Julian Harvey. 21st Century,Classical,Contemporary. 127 pages. Julian Harvey #1034125. Publish...
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Chamber Orchestra - Level 5 - SKU: A0.1456078 Composed by Julian Harvey. 21st Century,Classical,Contemporary. 127 pages. Julian Harvey #1034125. Published by Julian Harvey (A0.1456078). This work is written for solo trumpet in C and small orchestra. It consists of three movements: Introduction and Fugue, Romanza and Rondo. There is a maestoso return of the opening trumpet theme from the first movement in the Rondo. The Concerto was premiered by the Chicago Chamber Orchestra under the direction of Dieter Kober with Ross Beacraft as the soloist.
$20.00
Rhapsody In Blue - wind octet / wind ensemble
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Orchestre de chambre
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AVANCÉ
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George Gershwin
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Austin Ralphson
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Rhapsody In Blue - wind octet
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Austin Ralphson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.564088 Composed by George Gershwin. Arranged by Austin Ralphson. 20th Century,Concert,Film/TV,Jazz. Score and part...
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Chamber Orchestra - Level 5 - SKU: A0.564088 Composed by George Gershwin. Arranged by Austin Ralphson. 20th Century,Concert,Film/TV,Jazz. Score and parts. 48 pages. Austin Ralphson #6083935. Published by Austin Ralphson (A0.564088). This arrangement of Gershwin’s famous Rhapsody in Blue includes all of the main musical themes from the original piano composition, but carefully arranged to suit this group. It features most of the instruments at various points and is exciting and challenging to play across the whole ensemble. This arrangement has been performed many times and is an impressive concert item. Parts are provided for flute, oboe, 2 clarinets, 2 horns, 2 bassoons, and optional drums, glockenspiel and timpani.
$19.99
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Beyond Forgiveness
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Orchestre de chambre
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AVANCÉ
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Ilan CHOURAKI
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Beyond Forgiveness
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ic-music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.850050 Composed by Ilan CHOURAKI. Classical,Contemporary,Jewish. Score and parts. 68 pages. Ic-music #4640339. Pub...
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Chamber Orchestra - Level 5 - SKU: A0.850050 Composed by Ilan CHOURAKI. Classical,Contemporary,Jewish. Score and parts. 68 pages. Ic-music #4640339. Published by ic-music (A0.850050). Inspired by the tradition of symphonic poems, the theme of this work begins from an artistic reflection on the question of... forgiveness. https://www.icmusic.club/beyond-forgiveness
$39.90
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Concerto for Flute & String Orchestra
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Concerto for Flute & Strin
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Mr Malcolm D Robertson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.927989 Composed by Malcolm D Robertson. Contemporary. Score and parts. 55 pages. Mr Malcolm D Robertson #5741515. ...
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Chamber Orchestra - Level 5 - SKU: A0.927989 Composed by Malcolm D Robertson. Contemporary. Score and parts. 55 pages. Mr Malcolm D Robertson #5741515. Published by Mr Malcolm D Robertson (A0.927989). Composed during April & May 2020, and completed on the 6th May 2020. In three movements, it is among my most lyrical and relaxed works. I hope it provides a sense of optimism in these strange times. The writing for Flute & Strings is very straightforward. The main theme of the central Intermezzo is taken from a piano piece I composed back in February 1987. I've always like the tune and didn't want it to end up among my forgotten manuscripts. Parts are available upon request.
$15.59
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Clarinet Concerto - Score Only
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Orchestre de chambre
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AVANCÉ
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Robert Dusek
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Clarinet Concerto - Score Only
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DaCapo, LLC
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1492016 Composed by Robert Dusek. Chamber,Classical,Contemporary. 80 pages. DaCapo, LLC #1068688. Published by DaC...
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Chamber Orchestra - Level 5 - SKU: A0.1492016 Composed by Robert Dusek. Chamber,Classical,Contemporary. 80 pages. DaCapo, LLC #1068688. Published by DaCapo, LLC (A0.1492016). PLEASE NOTE: this download does not contain parts for performance. To either rent or buy parts, please contact Robert Dusek directly: bob@robertdusek.com. This downloadable PDF is formatted to 11x17.A virtuosic (and fun) romp for the clarinet and orchestra. A first movement elegy gives way to a virtuosic dance over the range of the clarinet. The second movement is an homage to Prokofief as it is constructed as a variation on themes by Prokofief. IN the Boulder. CO premiere the reviewer stated that the orchestra and clarinetist burst forth with more energy than would seem possible from this ensemble - and that is a fair description of the work. It has proven to be a crowd-pleaser whenever performed.
$20.00
Concerto No.1 for Violin and Orchestra
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Orchestre de chambre
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AVANCÉ
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Contemporain
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David Chesky
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Concerto No.1 for Violin and O
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Pamaluc Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pama...
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Chamber Orchestra - Level 5 - SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pamaluc Music (A0.882392). From the composers Urban Series. The highly engaging Violin Concerto features colorful, though light-scoring, memorable themes, essentially tonal harmonies, and rhythmic vigor, and a bracing rhythmic figure that involves some of the orchestral musicians clapping in a vaguely flamenco style The second movement is a disguised Cuban Danzon. The Third movement finale takes up very strong rhythms in what is a commentary on Bach's ,Brandenburg Concerto No.3. Duration 26:13 min 2fl./ 2ob./ 2cl./ 2bs/ 4 perc./ harp/ strings.
$34.98
Concerto Grosso Opus 6 No 1 HWV 319
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Orchestre de chambre
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AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso Opus 6 No 1 HW
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
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Chamber Orchestra - Level 5 - SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
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