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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
for
Non classifié
6 099
Piano & claviers
Piano seul
8 752
Piano, Voix
508
Accordéon
312
Orgue
299
1 Piano, 4 mains
113
2 Pianos, 4 mains
104
Piano, Voix et Guitare
93
Piano Trio: piano, violon, violoncelle
80
Instruments en Do
68
Clavecin
37
Piano Quatuor: piano, violon, alto, violoncelle
27
Piano Facile
24
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Orgue, Trompette (duo)
13
2 Pianos, 8 mains
10
Accompagnement Piano
10
Piano Quatuor: piano, 2 violons, violoncelle
7
Clavier
6
Ensemble d'Accordéons
4
Orgue, Piano (duo)
4
1 Piano, 6 mains
4
Accordéon et Orchestre
3
2 Accordéons
2
Accordéon, Corde(s)
2
Orgue et Orchestre
1
Accordéon, Voix
1
Concertina
1
2 Orgues (duo)
1
Ensemble de Pianos
1
+ 24 instrumentations
Retracter
Guitares
Guitare
887
Guitare notes et tablatures
449
Basse electrique
260
2 Guitares (duo)
53
Ukulele
28
4 Guitares (Quatuor)
17
Ligne De Mélodie, (Paroles) et Accords
13
Mandoline
8
Ensemble de guitares
7
Dulcimer
5
Piano, Guitare (duo)
4
Banjo
3
Paroles et Accords
2
Luth
2
Mandoline, Piano (duo)
2
Guitare, Quatuor à cordes
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
Orchestre à Plectres
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
910
Chorale TTBB
286
Chorale SSAA
165
Voix Soprano, Piano
62
Chorale 3 parties
58
Voix haute
42
Voix seule
41
Chorale
24
Chorale SSAATTBB
24
Voix Tenor, Piano
24
Voix basse, Piano
20
Voix Baryton, Piano
17
Voix Alto, Piano
15
Chorale 2 parties
13
Voix duo, Piano
11
Voix duo
10
Voix moyenne, Piano
9
Voix Mezzo-Soprano, Piano
5
Chorale Unison
4
Voix basse
3
Chorale SSATB
3
Chorale SSATTB
3
Voix Soprano
3
Voix Tenor
2
Voix, Guitare
2
Chorale SSAATB
2
Chorale SAATB A Cappella
1
Voix Baryton
1
Voix duo, Orgue
1
Soli, choeur mixte et accompagnement
1
Voix Soprano, Orchestre
1
+ 26 instrumentations
Retracter
Vents
Saxophone
3 224
Flûte traversière
1 505
Clarinette
1 425
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
353
Flûte traversière et Piano
314
Saxophone Alto
275
Quatuor de Saxophones: 4 saxophones
266
Saxophone Tenor
200
Clarinette et Piano
184
Quatuor de Clarinettes: 4 clarinettes
167
Ensemble de Clarinettes
158
Flûte, Hautbois, Clarinette, Basson
147
Ensemble de saxophones
137
Saxophone Alto et Piano
136
Saxophone Soprano
130
Hautbois, Piano (duo)
104
Quintette de Saxophone: 5 saxophones
78
Saxophone Soprano et Piano
73
2 Clarinettes (duo)
71
Hautbois (partie séparée)
67
2 Saxophones (duo)
67
Saxophone (partie séparée)
67
2 Flûtes traversières (duo)
66
Hautbois
60
Flûte à Bec
57
Saxophone Tenor et Piano
57
Quatuor de Flûtes : 4 flûtes
54
Quintette de Clarinettes: 5 clarinettes
53
3 Clarinettes (trio)
51
3 Saxophones (trio)
46
Flûte et Guitare
43
Ensemble de Flûtes
42
Saxophone Baryton, Piano
28
Clarinette Basse, Piano
27
Clarinette (partie séparée)
24
Flute (partie séparée)
23
2 Flûte à bec (duo)
21
Trio de Flûtes: 3 flûtes
19
Hautbois, Clarinette, Basson (trio d'anches)
17
Cor anglais, Piano
16
Quintette de Flûte : 5 flûtes
15
Flûte à Bec, Piano
13
Flûte, Clarinette (duo)
13
Flûte, Clarinette et Basson
13
Harmonica
12
Flûte, Violon, Piano
12
Quatuor de Flûtes à bec
12
Flûte, Violoncelle, Piano (trio)
11
Flûte, Hautbois, Basson
9
2 Hautbois (duo)
9
Flûte, Clarinette, Piano (trio)
9
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Violon
8
Flûte à bec Alto, Piano
8
Clarinette, Guitare (duo)
8
Clarinette, Violoncelle (duo)
7
Clarinette, Violoncelle, Piano (trio)
7
Clarinette, Basson (duo)
7
Hautbois, Flûte
6
Hautbois, Basson (duo)
6
5 Flûtes à bec
6
3 Flûtes à bec (trio)
6
Cor Anglais
6
3 Hautbois
5
Clarinette, Violon (duo)
5
2 Saxophones, Piano
5
Flûte, Violoncelle
5
Flûte à bec Alto
5
Flûte à bec Alto, Basse continue
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Hautbois, Basson et Piano
4
Flûte, Basson et Piano
4
Flûte, Saxophone (duo)
4
Flûte traversière, Orchestre
4
Ocarina
4
Hautbois, Guitare (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Saxophone, Clarinette (duo)
4
Clarinette, Basson, Piano (trio)
3
Clarinette, Orchestre
3
Clarinette, Orgue
3
4 Hautbois
3
Flûte, Hautbois, Piano (trio)
3
Saxophone et Guitare
3
2 Flûtes traversières, Piano
3
Clarinette Basse
3
Piccolo
3
2 Clarinettes, Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte à bec Soprano
3
Ensemble De Flûte à bec
2
Clarinette, Contrebasse (duo)
2
Saxophone Baryton
2
Flûte à bec Tenor
2
Flûte, Trombone (duo)
2
Flûte, alto et harpe
2
Saxophone et Orgue
2
Flûte, Alto et Piano
2
Flûte traversière, Orgue (duo)
2
Clarinette et Alto
2
Hautbois, Violoncelle
2
Saxophone et violoncelle
2
Flûte, Violoncelle, Guitare
1
Hautbois et Orchestre
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
Flûte et Trio à cordes
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violon, Guitare
1
Flûte, Hautbois (duo)
1
Cornemuse
1
2 Flûtes à bec, Piano
1
Flute, harpe et violon
1
Flûte, Alto et Violoncelle
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Trompette (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Basson
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Harmonica, Piano
1
Flûte, Alto (duo)
1
Flûte, Tuba (duo)
1
Saxophone, Basson (duo)
1
+ 122 instrumentations
Retracter
Cuivres
Trompette
1 326
Trombone
1 221
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
561
Quatuor de Cuivres : 2 trompettes, trombone, tuba
230
Trombone et Piano
202
Ensemble de Trombones
140
Cor
125
Trompette, Piano
111
Tuba et Piano
109
Euphonium, Piano (duo)
107
Cor et Piano
104
Quatuor de cuivres: 4 trombones
101
Quatuor de cuivres: 4 cors
63
Trompette (partie séparée)
59
Quatuor de Cuivres
57
Tuba
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
2 Trombones (duo)
37
Cor (partie séparée)
35
Trombone (partie séparée)
31
Euphonium
29
2 Cors (duo)
26
2 Trompettes (duo)
25
Ensemble de Cors
24
Trombone basse
21
2 Euphoniums et 2 Tubas
17
Ensemble de Trompettes
17
Cor anglais, Piano
16
4 Tubas
16
Trompette, Trombone (duo)
14
3 Trombones (trio)
14
Quatuor de cuivres: 4 trompettes
11
Trombone basse et Piano
11
Trompette, Cor (duo)
8
Trombone, Tuba (duo)
8
2 Trompettes, Clavier (piano ou orgue)
7
Euphonium, Tuba (duo)
6
2 Tubas (duo)
6
Cor Anglais
6
3 Cors (trio)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone, Orgue
4
Trompette, violon (duo)
3
Trompette, Orchestre
3
Trombone et orchestre
3
3 Euphoniums
3
Tuba (partie séparée)
2
Instruments en Sib
2
Cor et Orgue
2
Trompette, Tuba (duo)
2
3 Tubas (trio)
2
3 Trompettes (trio)
2
Cor, Violoncelle (duo)
2
2 Euphoniums (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Basson (duo)
1
Trombone, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
Tuba et Orgue
1
Cor et Basson (duo)
1
Clarinette, Cor (duo)
1
Trombone, Alto (duo)
1
Cor et Harpe
1
Trio de Cuivres
1
Trombone, Violon (duo)
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 020
Violon
961
Violon et Piano
544
Violoncelle
519
Alto seul
349
Violoncelle, Piano
271
Violon, Violoncelle (duo)
157
Alto, Piano
147
Trio à Cordes: violon, alto, violoncelle
143
Harpe
130
2 Violons (duo)
85
Violon, Alto (duo)
83
Contre Basse
70
Alto (partie séparée)
50
Trio à Cordes: 2 violons, violoncelle
47
Violon, Guitare (duo)
44
Contrebasse, Piano (duo)
44
2 Violoncelles (duo)
41
2 Altos (duo)
37
4 Violoncelles
33
Alto, Violoncelle (duo)
26
Violoncelle , Guitare (duo)
21
Harpe, Violon (duo)
20
Violoncelle, Contrebasse (duo)
19
Trio à cordes: 3 violins
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon (partie séparée)
18
Harpe, Flûte (duo)
15
4 Contrebasses
15
Trio à Cordes: 3 violoncelles
14
Trio à Cordes: 2 violons, alto
12
Trio à cordes
11
Quatuor à cordes: 4 violons
9
2 Contrebasses (duo)
8
Ensemble de Violoncelles
7
Quatuor à cordes : 4 altos
6
Violoncelle (partie séparée)
5
Violoncelle, Orgue
5
Trio à cordes: 3 altos
5
Alto et Harpe
5
Violon, Orgue
5
Violoncelle, Orchestre
5
Piano Trio: Violon, Alto, Piano
5
Alto et orchestre
4
Violon, Clarinette, Piano (trio)
4
Harpe, Violoncelle (duo)
3
2 Violons, Piano
3
Harpe, Quatuor à cordes
3
Alto, Guitare (duo)
3
Ensemble d'Altos
2
Ensemble de Violons
2
Flûte, Contrebasse (duo)
2
Harpe, Violon, Violoncelle
2
Harpe, Orchestre
2
2 Altos, Piano
1
Violon, Basson (duo)
1
Contrebasse (partie séparée)
1
Harpe, Trombone (duo)
1
4 Harpes
1
2 Harpes (duo)
1
Alto et Basson
1
3 Contrebasses
1
3 Harpes
1
Violon, Violoncelle, Clarinette
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Batterie
1 107
Orchestre
988
Orchestre d'harmonie
775
Ensemble Jazz
465
Jazz combo
418
Orchestre à Cordes
390
Ensemble de cuivres
344
Orchestre de chambre
328
Cloches
66
Ensemble de Percussions
59
Fanfare
54
Percussion
22
Percussion (partie séparée)
17
Marimba
17
Piano et Orchestre
11
Big band
9
Orchestre, Violon
5
Quintette à Vent
4
Vibraphone
4
Timbales (partie séparée)
2
Xylophone
2
2 Marimbas
1
Marimba et Orgue
1
Caisse Claire
1
Quatuor à Vent : 4 instruments à vents
1
Orchestre Symphonique
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
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FLAMENCO
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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326
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Piano Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Piano Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Carson Cooman
#
Carson Cooman: Symphony No. 3,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Rondo in A minor for Cello and Orchestra
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Cello and
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Joel Jacklich
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pa...
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Chamber Orchestra - Level 5 - SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
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Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Vivaldi Concerto in D Major for violin and orchestra RV 205
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Orchestre de chambre
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AVANCÉ
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Antonio Lucio Vivaldi
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Sneakwood Editions
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Vivaldi Concerto in D Major fo
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890759 Composed by Antonio Lucio Vivaldi. Arranged by Sneakwood Editions. Baroque,Standards. Score and parts. 42 p...
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Chamber Orchestra - Level 5 - SKU: A0.890759 Composed by Antonio Lucio Vivaldi. Arranged by Sneakwood Editions. Baroque,Standards. Score and parts. 42 pages. Sneakwood Editions #2967689. Published by Sneakwood Editions (A0.890759). Concerto for Pisendel RV 205. Score and PartsThe Concerto facto per Mr.P[isendel] RV 205 is the one of the violin concerto by Vivaldi, Antonio (4 March 1678 – 28 July 1741 ), composed between 1716 and 1717. The original manuscript is in the Dresden library: Manuscript: Mus.2389-O- 123 (RISM-A/II-212000134). When Johann Georg Pisendel stayed in Venice, he studied with Vivaldi and be friended as well. Vivaldi dedicated a number of his violin concertos, sonatas and a sinfonia to him. Surely during the period between 1716 and 1717 Pisendel was in tour in Venice, we can asumme that he brought this concerto with him to Dresden to be performed there. For the present edition all the marks and notations has been respected from the original without adding any change, leaving the decision of the final performance to the performer.www.snakewoodeditions.com
$15.00
Concerto For Clarinet - Score Only
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Orchestre de chambre
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet - Score
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #98667...
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Chamber Orchestra - Level 5 - SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$35.00
Concerto For Clarinet
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Orchestre de chambre
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1403422 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert C. Olivia #9866...
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Chamber Orchestra - Level 5 - SKU: A0.1403422 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert C. Olivia #986632. Published by Robert C. Olivia (A0.1403422). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw’s band with strings played on the record version and in the motion picture. In addition to the big band & string parts here, also available is the companion conductor score and solo clarinet part. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, solo harp part
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Marie
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Wolfgang Amadeus Mozart: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534110 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 46 pages. Mu...
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Chamber Orchestra - Level 5 - SKU: A0.534110 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #3113293. Published by Musik Fabrik Music Publishing (A0.534110). This edition of the Mozart flute and harp concert was directed by harpist Marie-Claire Jamet and flutist Chistien Lardé, both former teachers at the Paris Conservatory. The cadenzas were written by Madame Jamet, who also fingered, pedaled and provided ossias for a number of passages in the harp part. The flute part was completely annotated by Mr. Lardé.The orchestral score contains a number of ossias passages for the harp. The score and complete parts, a piano reduction and the solo parts, and the individual parts are all available for sale Orchestration: 2 oboes, 2 horns in C, stringsThe solo part for harp also contains a reduced version of the solo flute part, for ease of performance.
$12.95
Comfort Ye from The Messiah for Solo Tenor Voice and Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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George Frideric Handel
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Doug Clyde
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Parts
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Comfort Ye from The Messiah fo
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ALBEDO MUSIC
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.713002 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Easter,Sacred. Scor...
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Chamber Orchestra - Level 5 - SKU: A0.713002 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 13 pages. ALBEDO MUSIC #4824607. Published by ALBEDO MUSIC (A0.713002). Comfort Ye from The Messiah for Solo Tenor Voice and Chamber Orchestra. Composed by George Frideric Handel. No. 2. HWV 56. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Tenor, Harpsichord, Violin I, Violin II, Viola, Cello. Performance Duration 2:25. AMDS8. © 2009 by ALBEDO MUSIC.
$10.00
Fascinating Rhythm for String Quartet or Wind Quartet (Mixed Quartet, Double Reed Quartet, or Clarin
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Orchestre de chambre
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AVANCÉ
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Comédie Musicale
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George Gershwin
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Daniel Kelley
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Cello, Piano Quartet &
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Fascinating Rhythm for String
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Last Resort Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.530766 Composed by George Gershwin. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and ...
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Chamber Orchestra - Level 5 - SKU: A0.530766 Composed by George Gershwin. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 29 pages. Last Resort Music Publishing #6065363. Published by Last Resort Music Publishing (A0.530766). This Gershwin favorite was first introduced in Lady Be Good, starring Fred and Adele Astaire. It has been recorded and performed by greats such as Ella Fitzgerald, Tony Bennett, Tommy Dorsey, Michael Feinstein and more!An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Set of 11 Parts plus ScorePart 1 Flute or Oboe or ViolinPart 1 Clarinet in BbPart 2 Flute or Oboe or ViolinPart 2 Clarinet in BbPart 3 ViolaPart 3 ViolinPart 3 Clarinet in BbPart 3 English Horn or French Horn in FPart 4 Cello or BassoonPart 4 Bass Clarinet in BbKeyboard or GuitarScore (Parts 1-4 in C)
$9.95
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
To fly and to fall (Concerto for Tenor Saxophone & Chamber Orchestra)
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Orchestre de chambre
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AVANCÉ
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Josh Trentadue
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To fly and to fall
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T.U.X. People's Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1287298 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 253 pages. T.U.X....
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Chamber Orchestra - Level 5 - SKU: A0.1287298 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 253 pages. T.U.X. People's Music #878315. Published by T.U.X. People's Music (A0.1287298). A magnificently poetic work on humanity's relationship with nature and technology, this profound concerto for tenor saxophone brings both realism and optimism to the forefront throughout its exploration of our very way of life.
$140.00
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
Concerto for solo cello and sinfonietta op.3
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Orchestre de chambre
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AVANCÉ
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Angus Ludfranz
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Concerto for solo cello and si
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Angus Ludfranz
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 page...
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Chamber Orchestra - Level 5 - SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why don’t I write a cello concerto by myself? That’s why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
$11.90
Concerto for Solo 2nd Horn in F - Horn & Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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Antonio Rosetti
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Concerto for Solo 2nd Horn in
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Trevor Denyer
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1355690 Composed by Antonio Rosetti. Arranged by Ediited & transcribed by Susan & Trevor Denyeer. Classical. 90 pa...
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Chamber Orchestra - Level 5 - SKU: A0.1355690 Composed by Antonio Rosetti. Arranged by Ediited & transcribed by Susan & Trevor Denyeer. Classical. 90 pages. Trevor Denyer #940283. Published by Trevor Denyer (A0.1355690). Antonio Rosetti wrote a number of delightful concertos for horn. This one for 2nd Horn does not imply any lack of technique, just that players of the day were divided into high and low. This work lies in a comfortable range for most performers of the modern instrument while being suitably challenging to be interesting. The orchestra parts are well written and sound really well.Print the parts double-sided including any title pages and the page turns will work.
$40.00
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, orchestral score and complete parts
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Marie
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Wolfgang Amadeus Mozart: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534107 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 219 pages. M...
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Chamber Orchestra - Level 5 - SKU: A0.534107 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 219 pages. Musik Fabrik Music Publishing #3113279. Published by Musik Fabrik Music Publishing (A0.534107). This edition of the Mozart flute and harp concert was directed by harpist Marie-Claire Jamet and flutist Chistien Lardé, both former teachers at the Paris Conservatory. The cadenzas were written by Madame Jamet, who also fingers, pedaled and provided ossias for a number of passages in the harp part. The flute part was completely annotated by Mr. Lardé. A piano reduction is available for sale as another item, as well as the individual parts. Orchestration: 2 oboes, 2 horns in C, strings
$64.95
Minuet and Trio for String Orchestra
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Orchestre de chambre
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AVANCÉ
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Janice Malan
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Minuet and Trio for String Orc
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Janice Malan
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.509265 Composed by Janice Malan. Classical,Instructional,Standards. Score and parts. 63 pages. Janice Malan #59988...
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Chamber Orchestra - Level 5 - SKU: A0.509265 Composed by Janice Malan. Classical,Instructional,Standards. Score and parts. 63 pages. Janice Malan #5998825. Published by Janice Malan (A0.509265). Minuet and Trio is composed to give your string orchestra a classical style piece of music. The piece is short but technically more difficult and contains pizzacato, slurs, 3/4 and 4/4 time signatures. The style of the piece will show off the orchestra as it performs this awesome piece for a concert or contest. The Minuet is 3/4 and the Trio part changes key and time signature. A nice piece played with a classical flair. Enjoy!
$35.00
Concerto for Flute & String Orchestra
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Concerto for Flute & Strin
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Mr Malcolm D Robertson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.927989 Composed by Malcolm D Robertson. Contemporary. Score and parts. 55 pages. Mr Malcolm D Robertson #5741515. ...
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Chamber Orchestra - Level 5 - SKU: A0.927989 Composed by Malcolm D Robertson. Contemporary. Score and parts. 55 pages. Mr Malcolm D Robertson #5741515. Published by Mr Malcolm D Robertson (A0.927989). Composed during April & May 2020, and completed on the 6th May 2020. In three movements, it is among my most lyrical and relaxed works. I hope it provides a sense of optimism in these strange times. The writing for Flute & Strings is very straightforward. The main theme of the central Intermezzo is taken from a piano piece I composed back in February 1987. I've always like the tune and didn't want it to end up among my forgotten manuscripts. Parts are available upon request.
$15.59
MOZART Clarinet Concerto K 622 - I. ALLEGRO // for Bb clarinet or A clarinet // Original or Modern F
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Marc GARETTO
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MOZART Clarinet Concerto K 622
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.722926 Composed by Wolfgang Amadeus Mozart. Arranged by Marc GARETTO. Classical,Concert,Holiday,Instructional,Stan...
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Chamber Orchestra - Level 5 - SKU: A0.722926 Composed by Wolfgang Amadeus Mozart. Arranged by Marc GARETTO. Classical,Concert,Holiday,Instructional,Standards. Score and parts. 212 pages. Marc GARETTO - Harmonie Editions #4410793. Published by Marc GARETTO - Harmonie Editions (A0.722926). Mozart's Clarinet Concerto in A major, K. 622, was written in October 1791 for the clarinetist Anton Stadler. It consists of three movements, in a fast–slow–fast succession: Allegro (in A major and in sonata form)Adagio (in D major and in ternary form)Rondo: Allegro (in A major and in rondo form)
$110.00
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