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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ker
Non classifié
283
Piano & claviers
Piano seul
215
Piano, Voix
20
Orgue
12
Accordéon
7
Clavecin
7
2 Pianos, 4 mains
6
Piano, Voix et Guitare
5
Instruments en Do
5
1 Piano, 4 mains
3
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
17
Basse electrique
9
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Voix
Chorale SATB
45
Chorale TTBB
17
Chorale SSAA
10
Voix Soprano, Piano
2
Voix duo, Piano
2
Chorale Unison
1
Voix haute
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
+ 6 instrumentations
Retracter
Vents
Saxophone
37
Flûte traversière
19
Clarinette
18
Quatuor de Saxophones: 4 saxophones
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Alto
11
Flûte traversière et Piano
9
Saxophone (partie séparée)
8
Clarinette et Piano
6
Saxophone Tenor
6
Ensemble de saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois (partie séparée)
4
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Flûtes : 4 flûtes
2
Saxophone Soprano
2
Saxophone Soprano et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
Flûte, Saxophone (duo)
1
Flûte, Trompette (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte et Guitare
1
Flûte, Clarinette et Basson
1
Saxophone Alto et Piano
1
Clarinette Basse, Piano
1
Trio de Flûtes: 3 flûtes
1
2 Saxophones (duo)
1
Flute (partie séparée)
1
Clarinette, Violon (duo)
1
Hautbois, Piano (duo)
1
Flûte, Violon
1
Flûte, Violon, Piano
1
Clarinette et Alto
1
Saxophone et Guitare
1
Ensemble de Clarinettes
1
3 Saxophones (trio)
1
+ 32 instrumentations
Retracter
Cuivres
Trompette
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone
17
Trompette (partie séparée)
10
Trombone (partie séparée)
8
Cor
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quatuor de cuivres: 4 trombones
5
Cor et Piano
5
Tuba et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Piano
3
Trombone et Piano
3
2 Cors (duo)
2
2 Trompettes (duo)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Euphonium, Piano (duo)
1
Trombone, Cor (duo)
1
2 Trombones (duo)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon
15
Violon et Piano
12
Violoncelle
10
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: violon, alto, violoncelle
5
Violon (partie séparée)
4
Harpe
4
Alto seul
4
2 Violons (duo)
3
Violoncelle, Piano
3
Alto (partie séparée)
3
Contre Basse
2
Violon, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
2
Alto, Piano
2
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
2 Altos (duo)
1
2 Contrebasses (duo)
1
4 Harpes
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre
49
Ensemble Jazz
31
Orchestre d'harmonie
23
Batterie
23
Orchestre à Cordes
23
Ensemble de cuivres
19
Orchestre de chambre
17
Jazz combo
11
Fanfare
8
Cloches
7
Ensemble de Percussions
5
Quintette de Cuivres: autres combinaisons
1
Big band
1
+ 8 instrumentations
Retracter
Autres
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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style (tous)
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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RAGTIME
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Vous avez sélectionné:
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expert
Orchestre de chambre
Partitions à imprimer
17 partitions trouvées
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1
Scherzo
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Orchestre de chambre
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AVANCÉ
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Bertold Hummel
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Scherzo
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck...
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1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) (2 Spieler) - Hfe. · Cel. - Str. (4 · 4 · 3 · 2 · 1) bassoon and chamber orchestra - difficult - SKU: S9.Q18577 Composed by Bertold Hummel. This edition: piano reduction with solo part. Bassoon Library. Ein Stück für Fagott und Kammerorchester. Downloadable, piano reduction with solo part. Op. 13e. Duration 4 minutes. Schott Music - Digital #Q18577. Published by Schott Music - Digital (S9.Q18577). Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker. In addition to the hire material, a piano score with solo part is now available on sale.
$12.99
Dyker Heights
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Orchestre de chambre
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AVANCÉ
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Gert Th
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Gert Th
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Dyker Heights
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Gert Th. Walter
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1492209 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Advent,Christmas,Holiday. 62 pages. Gert Th. Wal...
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Chamber Orchestra - Level 5 - SKU: A0.1492209 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Advent,Christmas,Holiday. 62 pages. Gert Th. Walter #1068881. Published by Gert Th. Walter (A0.1492209). Are you looking for modern and spirited Christmas music including score & parts for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 / Hr1.2 - Trp1.2 / Timpani / Strings. © 2024 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de And now have fun making music!
$69.90
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Serenata for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Richard E Brown
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2
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Serenata for Chamber Orchestra
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Dacker Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.814732 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 121 pages. Dacker Music #2993111. Pub...
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Chamber Orchestra - Level 5 - SKU: A0.814732 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 121 pages. Dacker Music #2993111. Published by Dacker Music (A0.814732). Serenata for Chamber Orchestra is a contemporary style work in five movements. Scored for flute, oboe, clarinet, bassoon, 2 horns, trumpet, trombone, 2 percussion, and strings.1. Prologue 2. Scherzo 3. Nocturne 4. Tarantella 5. Epilogue The price includes license to make as many string parts as necessary.Grade 5+ - Duration 10:00
$45.00
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Reprise: Pure Imagination (at The Gates Of The Factory)
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Orchestre de chambre
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AVANCÉ
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Anthony Newley and Leslie Bric
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Rich DeRosa
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Reprise: Pure Imagination
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Richard DeRosa
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/So...
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Chamber Orchestra - Level 5 - SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter. Score and Parts. 79 pages. Richard DeRosa #853102. Published by Richard DeRosa (A0.1259824). This dazzling arrangement is a great showcase for a vocalist, orchestra, and a contemporary rhythm section. The orchestral and keyboard instruments provide a magical texture supported with a Brazilian partido alto rhythm that adds a modern groove. The virtuosic vocal part encompasses a 2-octave range, a dynamic vocalese with the orchestra, and an opportunity to improvise during the closing section. This is best suited for advanced performers. The demo recording will be a useful guide for quicker preparation. Performance time is approximately 4:50.
$100.00
Sonetos del amor oscuro (Set of Parts)
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Josh Armenta, Federico Garcia-
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1028293 Composed by Josh Armenta, Federico Garcia-Lorca. Contemporary. Score and parts. 124 pages. NoteTaker Publi...
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Chamber Orchestra - Level 5 - SKU: A0.1028293 Composed by Josh Armenta, Federico Garcia-Lorca. Contemporary. Score and parts. 124 pages. NoteTaker Publications #3860241. Published by NoteTaker Publications (A0.1028293). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$80.00
Sonetos del amor oscuro (Full Score)
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Orchestre de chambre
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AVANCÉ
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Josh Armenta, Federico Garcia-
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1028292 Composed by Josh Armenta, Federico Garcia-Lorca. 20th Century,Contemporary. Score and parts. 94 pages. Not...
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Chamber Orchestra - Level 5 - SKU: A0.1028292 Composed by Josh Armenta, Federico Garcia-Lorca. 20th Century,Contemporary. Score and parts. 94 pages. NoteTaker Publications #3860215. Published by NoteTaker Publications (A0.1028292). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$25.00
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Liebst du um Schönheit?
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Orchestre de chambre
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AVANCÉ
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Classique
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Clara Wieck-Schumann
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David A
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Liebst du um Schönheit?
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1422690 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 10 ...
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Chamber Orchestra - Level 5 - SKU: A0.1422690 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 10 pages. David A. Rahbee #1004041. Published by David A. Rahbee (A0.1422690). FULL SCORECLARA SCHUMANN (1819-1896) Liebst du um Schönheit? [Rückert] (1840) (3’)Orchestrated by David A. Rahbee (2023)Solo soprano or mezzo sopranoFlute2 ClarinetsBassoon HornStrings.
$20.00
Warum willst du and're fragen?
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Orchestre de chambre
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AVANCÉ
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Classique
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Clara Wieck-Schumann
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David A
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Warum willst du and're fragen?
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1422692 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 8 p...
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Chamber Orchestra - Level 5 - SKU: A0.1422692 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 8 pages. David A. Rahbee #1004043. Published by David A. Rahbee (A0.1422692). FULL SCORECLARA SCHUMANN (1819-1896) Orchestrated by David A. Rahbee (2023)Warum willst du and’re fragen? [Rückert] (1840) (3’) Solo soprano or mezzo soprano2 Oboes2 Clarinets 2 Bassoons Horn Strings.
$20.00
Warum willst du and're fragen?
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Orchestre de chambre
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AVANCÉ
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Classique
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Clara Wieck-Schumann
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David A
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Warum willst du and're fragen?
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1422694 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 12 ...
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Chamber Orchestra - Level 5 - SKU: A0.1422694 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 12 pages. David A. Rahbee #1004045. Published by David A. Rahbee (A0.1422694). SET OF PARTSCLARA SCHUMANN (1819-1896) Orchestrated by David A. Rahbee (2023)Warum willst du and’re fragen? [Rückert] (1840) (3’) Solo soprano or mezzo soprano2 Oboes2 Clarinets2 BassoonsHornStrings.
$30.00
Liebst du um Schönheit?
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Orchestre de chambre
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AVANCÉ
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Classique
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Clara Wieck-Schumann
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David A
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Liebst du um Schönheit?
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1422691 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 11 ...
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Chamber Orchestra - Level 5 - SKU: A0.1422691 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 11 pages. David A. Rahbee #1004042. Published by David A. Rahbee (A0.1422691). SET OF PARTSCLARA SCHUMANN (1819-1896)Orchestrated by David A. Rahbee (2023)Liebst du um Schönheit? [Rückert] (1840) (3’)Solo soprano or mezzo sopranoFlute2 Clarinets2 BassoonsHornStrings.
$30.00
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