Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
 3:17 minutes.
Non classifié
69
Piano & claviers
Piano seul
13
Piano, Voix
4
Orgue
4
1 Piano, 4 mains
1
Orgue, Trompette (duo)
1
Clavecin
1
Piano Facile
1
Instruments en Do
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
3
2 Guitares (duo)
2
Voix
Chorale SATB
32
Chorale 3 parties
5
Chorale TTBB
4
Chorale SSAA
2
Voix Soprano
1
Chorale 2 parties
1
Chorale Unison
1
+ 2 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
2 Saxophones (duo)
8
2 Flûtes traversières (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Ensemble de Flûtes
5
Quatuor de Saxophones: 4 saxophones
5
Flûte traversière et Piano
5
3 Saxophones (trio)
4
2 Clarinettes (duo)
4
Hautbois, Piano (duo)
4
Saxophone, Clarinette (duo)
3
2 Hautbois (duo)
3
3 Clarinettes (trio)
3
Clarinette, Trompette (duo)
2
Flûte, Clarinette (duo)
2
Clarinette et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette et Alto
2
Hautbois, Basson (duo)
1
Clarinette
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Clarinette Basse, Piano
1
Flûte, Saxophone (duo)
1
Saxophone Alto et Piano
1
Cornemuse
1
Flûte, Alto (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Violon
1
Clarinette, Violon (duo)
1
Flûte, Trompette (duo)
1
Ensemble de saxophones
1
+ 29 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
2 Cors (duo)
1
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
Ensemble de Trompettes
1
Tuba et Piano
1
Quatuor de cuivres: 4 cors
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Violon et Piano
5
Trio à Cordes: violon, alto, violoncelle
4
2 Violons (duo)
3
2 Violoncelles (duo)
2
Violoncelle, Piano
2
Alto seul
2
Trio à cordes
1
Violon, Violoncelle (duo)
1
Violoncelle
1
Harpe et Piano
1
Violon, Alto (duo)
1
Alto, Piano
1
2 Altos (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
16
Orchestre
13
Orchestre à Cordes
7
Cloches
6
Ensemble de cuivres
5
Orchestre d'harmonie
3
Ensemble Jazz
2
Jazz combo
1
+ 3 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
83
Partitions Numériques
16
Librairie Musicale
0
Matériel de Musique
99
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
 3:17 minutes.
Orchestre de chambre
Partitions à imprimer
16 partitions trouvées
<
1
Chamber music No. 3
#
Orchestre de chambre
#
Contemporain
#
1 ·
#
Chamber music No. 3
#
Schott Music - Digital
#
SheetMusicPlus
1 (gr. auch kl.) · 1 · 1 (auch Es-Klar.) · 1 – 1 · 1 · 1 · 0 – Str. (1 · 0 · 0 · 1 &middo...
(+)
1 (gr. auch kl.) · 1 · 1 (auch Es-Klar.) · 1 – 1 · 1 · 1 · 0 – Str. (1 · 0 · 0 · 1 · 1) solo-cello, flute (Piccolo), oboe, clarinet (Bb and Eb), bassoon, horn (F), trumpet (C), trombone, violin, cello and double bass - Digital Download Für obligates Violoncello und 10 Solo-Instrumente. Composed by Paul Hindemith (1895-1963). This edition: study score. Ernst Eulenburg - Kammermusik - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Op. 36/2. Duration 17 minutes. Schott Music - Digital #Q21077. Published by Schott Music - Digital
$18.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sér&eac
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
VALSE MOLLE , OP. 17 (Flabby waltz)
#
Orchestre de chambre
#
AVANCÉ
#
Serge OLLIVE
#
VALSE MOLLE , OP. 17
#
Serge Ollive
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.892072 Composed by Serge OLLIVE. 20th Century,Concert,Contemporary. Score and parts. 15 pages. Serge Ollive #34881...
(+)
Chamber Orchestra - Level 5 - SKU: A0.892072 Composed by Serge OLLIVE. 20th Century,Concert,Contemporary. Score and parts. 15 pages. Serge Ollive #3488139. Published by Serge Ollive (A0.892072). Serge Ollive : Valse molle (Flabby Waltz) Op.17, for clarinet & String quartet- Composed in 2009- Duration : 3 minutes - Performing Rights Organization : Sacem (France)
$6.99
Sinfonia #17
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Steven Kudlo
#
2.1.0.0
#
Sinfonia #17
#
Steven Mark Kudlo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1255482 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. Score and Parts. 98 pages. Ste...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1255482 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. Score and Parts. 98 pages. Steven Mark Kudlo #848985. Published by Steven Mark Kudlo (A0.1255482). A little symphony for chamber orchestra: 1,1,1,1; 2.1.0.0; strings. Fairly light and romantic. About 15 minutes long.
$12.99
Hanging Tree
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Jim Bosse
#
Hanging Tree
#
Jim Bosse
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.955017 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 34 pages. Jim Bosse #4595313. Published by Jim B...
(+)
Chamber Orchestra - Level 4 - SKU: A0.955017 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 34 pages. Jim Bosse #4595313. Published by Jim Bosse (A0.955017). This is the third movement from Shavano Suite, a set of four pieces inspired by folklore and campfire tales of the Maysville/Mount Shavano area in the Rocky Mountains of Colorado. The suite was originally scored for classical guitar duet, but this version is expanded for classical guitar, string quartet and percussion. The percussion requires drum (or timpani), glockenspiel, guiro and wind chimes. Performance time for the suite is 17 minutes. This movement, however, can stand alone as a concert piece, with a performance time of 3 minutes. Performance demand is advanced intermediate level. Videos of all four movements in the guitar duet form can be viewed on YouTube by searching jimbosseguitar. Jim's web site is www.facebook.com/jimbosse
$4.99
Grave of Charlie Reynolds
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Jim Bosse
#
Grave of Charlie Reynolds
#
Jim Bosse
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.955018 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 41 pages. Jim Bosse #4595307. Published by Jim B...
(+)
Chamber Orchestra - Level 4 - SKU: A0.955018 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 41 pages. Jim Bosse #4595307. Published by Jim Bosse (A0.955018). This is the final movement from Shavano Suite, a set of four pieces inspired by folklore and campfire tales of the Maysville/Mount Shavano area in the Rocky Mountains of Colorado. The suite was originally scored for classical guitar duet, but this version is expanded for guitar, string quartet and percussion. The percussion part requires a large drum (or timpani), glockenspiel, guiro and wind chimes. The suite has a total performance time if 17 minutes. This movement, however, can stand alone as a concert piece, with a performance time of 3 minutes and 30 seconds. Performance demand is advanced intermediate level. Videos of all four movements in the original guitar duet form can be viewed on YouTube by searching jimbosseguitar. Jim's web site is www.facebook.com/jimbosse
$4.99
Concerto Grosso (2017) for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Allegro
#
Concerto Grosso
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
Sinfonia #32
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Steven Kudlo
#
2,1,0,0
#
Sinfonia #32
#
Steven Mark Kudlo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1413767 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 92 pages. Steven Mark Kudlo #9...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1413767 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. 92 pages. Steven Mark Kudlo #995549. Published by Steven Mark Kudlo (A0.1413767). The small symphony contains four movements, with an instrumentation of 1,1,1,1; 2,1,0,0; strings. It's all rather romantic and contemporary at the same time. About 17 minutes long. Starts with an oboe solo.
$7.99
Sinfonia #18
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Steven Kudlo
#
2,1,0,0
#
Sinfonia #18
#
Steven Mark Kudlo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1259131 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. Score and Parts. 105 pages. St...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1259131 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. Score and Parts. 105 pages. Steven Mark Kudlo #852401. Published by Steven Mark Kudlo (A0.1259131). A small Symphony in five movements, about 17 minutes long, with very rich, velvety sound. Chamber orchestra: 1,1,1,1; 2,1,0,0; strings.
$12.99
Triple Concerto
#
Orchestre de chambre
#
AVANCÉ
#
Olli Mustonen
#
Triple Concerto
#
Schott Music - Digital
#
SheetMusicPlus
2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - SKU: S9.Q6420 Composed by Olli Mustonen. This edition: piano reduction wit...
(+)
2 Ob. - Pk. (auch Trgl.) - Str. 3 violins and chamber orchestra - difficult - SKU: S9.Q6420 Composed by Olli Mustonen. This edition: piano reduction with solo parts. Violin Library. Downloadable, Piano reduction with solo parts. Duration 17 minutes. Schott Music - Digital #Q6420. Published by Schott Music - Digital (S9.Q6420). Mustonen is one of the composing piano virtuosos of the young generation. What is remarkable in his works is that he does not give priority to 'his instrument'. He has composed pieces for strings, sonatas with piano accompaniment, orchestral works and even a piece for guitar which refers to the history of his home country Finland. In his 'Triple Concerto', the three highly virtuoso solo violins compete with a colourfully orchestrated string orchestra. As a special feature, timpani and triangle are used in an effective and sophisticated way. We now publish the piano score of this frequently performed work. Even this chamber music version reveals the spirited and simply beautiful music of Mustonen.
$40.99
In Memoriam - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Robert A
#
In Memoriam - Score Only
#
Robert A. Howard
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A....
(+)
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Piano Concerto No. 1 - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score O
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Aqua Op.6 Nro.1
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
David DÃaz Loyola
#
Aqua Op.6 Nro.1
#
David Diaz Loyola
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.979737 Composed by David DÃaz Loyola. Children,Concert,Standards,World. Score and parts. 17 pages. David Diaz L...
(+)
Chamber Orchestra - Level 3 - SKU: A0.979737 Composed by David DÃaz Loyola. Children,Concert,Standards,World. Score and parts. 17 pages. David Diaz Loyola #2162647. Published by David Diaz Loyola (A0.979737). It is a work for chamber orchestra, which portrays a colorful environment, describing the water depth; suitable for conservatories studio orchestras. Duration 4 minutes Registry QUI-048241
$9.99
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
 3:17 minutes.
