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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
New age - Ambient Intermediate
Non classifié
1 488
Piano & claviers
Piano seul
2 506
Piano Facile
315
Piano, Voix
146
1 Piano, 4 mains
48
Accompagnement Piano
40
Piano, Voix et Guitare
37
Orgue
34
Piano Trio: piano, violon, violoncelle
16
Instruments en Do
14
2 Pianos, 4 mains
12
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 8 mains
3
Clavecin
2
Accordéon
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
157
Guitare
93
Dulcimer
16
Ukulele
12
2 Guitares (duo)
10
Basse electrique
6
Banjo
5
Piano, Guitare (duo)
5
Mandoline
4
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline, Guitare (duo)
2
Ensemble de guitares
2
4 Guitares (Quatuor)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
171
Chorale 3 parties
76
Chorale TTBB
53
Chorale 2 parties
36
Chorale SSAA
34
Voix Alto, Piano
20
Voix Soprano, Piano
17
Voix Tenor, Piano
16
Chorale Unison
16
Voix Baryton, Piano
15
Voix Soprano
3
Chorale SSAATTBB
2
Voix Tenor
2
Voix duo, Piano
2
Chorale
1
Voix haute
1
Voix duo
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix seule
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
312
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
176
Quintette de Saxophone: 5 saxophones
171
Flûte traversière et Piano
165
2 Clarinettes (duo)
160
Clarinette et Piano
156
2 Flûtes traversières (duo)
151
Saxophone, Clarinette (duo)
132
Hautbois, Piano (duo)
119
Quatuor de Saxophones: 4 saxophones
106
Ensemble de saxophones
100
Saxophone Alto et Piano
97
Clarinette, Violon (duo)
95
Flûte, Hautbois, Clarinette, Basson
94
Clarinette, Trompette (duo)
83
2 Hautbois (duo)
77
Saxophone Tenor et Piano
65
Flûte, Clarinette (duo)
65
Clarinette
62
Flûte traversière
61
Hautbois, Clarinette (duo)
55
Hautbois, Basson (duo)
54
Quatuor de Clarinettes: 4 clarinettes
48
Flûte, Violon
48
2 Flûte à bec (duo)
47
Flûte, Saxophone (duo)
47
Saxophone Soprano et Piano
46
Hautbois, Flûte
43
Flûte, Alto (duo)
42
Clarinette et Alto
42
Saxophone Baryton, Piano
39
Ensemble de Clarinettes
37
Flûte, Trompette (duo)
36
Saxophone Alto
35
Saxophone Tenor
32
Quintette de Flûte : 5 flûtes
31
Hautbois (partie séparée)
29
Quatuor de Flûtes : 4 flûtes
28
Ensemble de Flûtes
27
Hautbois
25
Saxophone (partie séparée)
20
3 Clarinettes (trio)
20
Saxophone Soprano
19
Saxophone Baryton
19
Quintette de Clarinettes: 5 clarinettes
17
Cor anglais, Piano
17
Clarinette, Basson (duo)
11
Flûte à bec Soprano
11
Flûte, Hautbois (duo)
11
Clarinette, Trombone (duo)
9
Trio de Flûtes: 3 flûtes
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Clarinette et Basson
7
Flûte, Violoncelle
7
Flûte à bec Tenor
6
Flûte à Bec
6
Flûte à bec Alto
6
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Violoncelle (duo)
5
Clarinette (partie séparée)
5
Flûte à bec Soprano, Piano
5
Hautbois, Violoncelle
5
Hautbois, violon (duo)
5
Flûte, Clarinette, Piano (trio)
5
Clarinette Basse, Piano
5
Flûte et Guitare
4
3 Saxophones (trio)
4
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Violon, Piano
3
Flûte, Alto et Piano
3
Hautbois, Basson et Piano
2
Flûte, Hautbois, Basson
2
Clarinette, Violoncelle, Piano (trio)
2
Ocarina
2
2 Clarinettes, Piano
2
Flûte irlandaise
2
Hautbois et alto (duo)
2
Clarinette, Saxophone, Piano
1
3 Flûtes à bec (trio)
1
2 Hautbois, Piano
1
Cor Anglais
1
Flûte, alto et harpe
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûtes traversières, Piano
1
Ensemble à vent
1
Flûte, trombone et piano
1
Hautbois, Violon, Piano
1
Harmonica
1
2 Hautbois, 2 Cors et 2 Bassons
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Alto, Piano
1
3 Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cornemuse
1
+ 91 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
172
Quatuor de Cuivres : 2 trompettes, trombone, tuba
125
Trompette, Saxophone (duo)
97
Trombone et Piano
89
2 Trompettes (duo)
83
Trompette
81
Quatuor de Cuivres: 2 trompettes, Cor, trombone
81
Trompette, Piano
81
2 Trombones (duo)
78
Trompette, Trombone (duo)
68
Cor et Piano
60
Ensemble de Trompettes
56
Tuba et Piano
55
Trombone
54
Cor
48
Tuba
43
Ensemble de Trombones
37
2 Cors (duo)
19
Quatuor de Cuivres
17
Cor anglais, Piano
17
2 Euphoniums (duo)
12
Trompette (partie séparée)
10
Quatuor de cuivres: 4 trombones
7
2 Tubas (duo)
6
Ensemble de Cors
6
Euphonium, Piano (duo)
6
Trompette, Tuba (duo)
5
Trompette, Cor (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trombone basse et Piano
3
Trio de Cuivres
3
Cor, Violoncelle (duo)
3
Trombone, Tuba (duo)
3
3 Trompettes (trio)
2
Trombone (partie séparée)
2
Cor (partie séparée)
2
Euphonium, Tuba (duo)
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
Cor, Tuba (duo)
2
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Basson (duo)
1
Euphonium
1
Ensemble de Tubas
1
Trompette, Violoncelle et Piano
1
4 Tubas
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
3 Trombones (trio)
1
+ 46 instrumentations
Retracter
Cordes
Harpe
808
Quatuor à cordes: 2 violons, alto, violoncelle
242
Violon et Piano
178
Violoncelle, Piano
126
Violon
105
Alto, Piano
101
2 Violons (duo)
101
Violon, Violoncelle (duo)
96
2 Violoncelles (duo)
88
Violoncelle
79
Violon, Alto (duo)
74
2 Altos (duo)
73
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
Alto seul
56
Contrebasse, Piano (duo)
49
Trio à Cordes: violon, alto, violoncelle
42
Contre Basse
41
Trio à Cordes: 2 violons, violoncelle
20
Ensemble de Violons
17
Ensemble d'Altos
15
2 Harpes (duo)
14
Alto, Violoncelle (duo)
14
Piano Trio: Violon, Alto, Piano
11
4 Violoncelles
10
2 Contrebasses (duo)
9
Alto (partie séparée)
7
Violon, Guitare (duo)
5
Violon, Basson (duo)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle, Contrebasse (duo)
5
Harpe, Voix
4
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon (partie séparée)
3
Trio à cordes: 3 altos
3
Quatuor à cordes: 4 violons
3
Alto et Basson
3
Ensemble de Violoncelles
2
Violon, Basse continue
2
Harpe, Violoncelle (duo)
2
3 Harpes
1
Harpe, Violon, Violoncelle
1
2 Violons, Piano
1
Contrebasse (partie séparée)
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Violon, Clarinette, Piano (trio)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
64
Orchestre à Cordes
61
Orchestre
54
Ensemble de cuivres
32
Ensemble Jazz
22
Orchestre de chambre
15
Marimba
11
Cloches
10
Batterie
6
Ensemble de Percussions
5
Jazz combo
5
Vibraphone
4
Percussion (partie séparée)
2
Xylophone, Piano
2
Xylophone
2
Fanfare
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
New age - Ambient Intermediate
Orchestre de chambre
Partitions à imprimer
15 partitions trouvées
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1
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Downward Spiral
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Orchestre de chambre
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INTERMÉDIAIRE
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Sabrina Pena Young
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Downward Spiral
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Publish...
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Chamber Orchestra - Level 3 - SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Sabrina Pena Young
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Song of the Forgotten Rose Tri
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432...
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Chamber Orchestra - Level 3 - SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Co...
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Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Amazing Grace
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Orchestre de chambre
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FACILE
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Musique Sacrée
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Christopher Smith, John Newton
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Sidnei Borgani
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Amazing Grace
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Sidnei Borgani
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1348855 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Sidnei Borgani. Jazz,Praise & Wor...
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Chamber Orchestra - Level 2 - SKU: A0.1348855 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Sidnei Borgani. Jazz,Praise & Worship,Religious,Spiritual,Traditional. 24 pages. Sidnei Borgani #933563. Published by Sidnei Borgani (A0.1348855). Amazing Grace (Small Orchestra + Voice with Lyrics) in F.Traditional Spiritual arrangement for Chamber Orchestra with optional voice(lyric verses 1,2 and 5).Score and parts are included. Voice, Flute, Clar., Oboe, Alto Sax., Basson, Horn in F, Tpt., Trb., Tuba, Timpani, Perc., String quintet (Viol. 1&2, Viola ,Violoncello, Bass)Easy and Intermediated level.
$49.99
Three Gnossiennes for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Erik Saite
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Andrew Middleton
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Three Gnossiennes for Orchestr
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Pu...
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Chamber Orchestra - Level 3 - SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Published by Andrew Middleton (A0.1418391). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Three Gnossiennes for Orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$29.99
Gnossienne No. 1 for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Andrew Middleton
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Gnossienne No. 1 for Chamber O
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1203737 Composed by Erik Satie. Arranged by Andrew Middleton. 19th Century,20th Century,Classical,Romantic Period....
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Chamber Orchestra - Level 3 - SKU: A0.1203737 Composed by Erik Satie. Arranged by Andrew Middleton. 19th Century,20th Century,Classical,Romantic Period. Score and Parts. 30 pages. Andrew Middleton #802300. Published by Andrew Middleton (A0.1203737). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Gnossienne No. 1 for chamber orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$19.99
La Califfa
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Orchestre de chambre
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INTERMÉDIAIRE
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Ennio Morricone
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Flavio Regis Cunha
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La Califfa
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1261173 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instruc...
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Chamber Orchestra - Level 3 - SKU: A0.1261173 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional,Wedding. Score and Parts. 25 pages. Flavio Regis Cunha #854243. Published by Flavio Regis Cunha (A0.1261173). Let your music soar with 'La Califfa (Lady Caliph)', as composed by the legendary Ennio Morricone and arranged for chamber orchestra by Flavio Regis Cunha. From school orchestras to professional orchestras, this powerful and evocative piece of music is sure to inspire and captivate audiences. Let your music reach new heights with 'La Califfa (Lady Caliph)' and make your next performance truly memorable. Buy the sheet music today and take your orchestra to another level!Intermediate levelFormat: Concert, 9 x 12 inches25 pagesFull Score + Orchestral Parts.
$59.99
Overture from The Magic Flute, KV. 620
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Jack Chao Heng Zhang
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Overture from The Magic Flute,
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Jack Chao Heng Zhang
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,St...
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Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,Standards. 61 pages. Jack Chao Heng Zhang #966554. Published by Jack Chao Heng Zhang (A0.1381936). Mozart's famous opera The Magic Flute is a treasure of world music and art. In order to make this work more suitable for performance in the form of chamber music, this adapted version has rearranged the key and orchestration of the original work, making the work more suitable for presentation in the form of small-scale chamber music.Based on the string arrangement by Jamin Hoffman, this adapted version adds woodwind parts, including flute, oboe, bass clarinet, alto saxophone and bassoon, turning the work into a new combination of string orchestra and woodwind quintet, and The key of the original work was adjusted from E-flat major to D major, making the work more suitable for intermediate-level students to perform while retaining the essence of the original work.
$18.99
Concerto for Harp and Chamber Orchestra (Score and ALL PARTS)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Michael Lisle Dunn
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Michael Lisle Dunn
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Concerto for Harp and Chamber
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Michael Lisle Dunn
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.983347 Composed by Michael Lisle Dunn. Arranged by Michael Lisle Dunn. Contemporary,Standards. Score and parts. 14...
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Chamber Orchestra - Level 4 - SKU: A0.983347 Composed by Michael Lisle Dunn. Arranged by Michael Lisle Dunn. Contemporary,Standards. Score and parts. 144 pages. Michael Lisle Dunn #4303537. Published by Michael Lisle Dunn (A0.983347). This concerto for Harp is about 15 minutes long, in the style of the New Baroque (Baroque elements with more contemporary harmonies, fundamentally concordant with harmonic integrity). The orchestral parts are relatively easy and should be easily playable by intermediate level players. The Harp part is designed to be slightly more demanding so as to give, in places, a virtuosic performance effect. This pdf contains all parts. My PRO is the Performing Rights Society (PRS).
$13.99
Small Train for Piano Quartet or Junior Strings
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Orchestre de chambre
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DÉBUTANT
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Traditional children's song fr
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Lauri Hämäläinen
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Small Train for Piano Quartet
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Stand...
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Chamber Orchestra - Level 1 - SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99
Amazing Grace
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton
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Clark Cothern
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Amazing Grace
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Clark Cothern
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1200060 Composed by John Newton. Arranged by Clark Cothern. Christian,Praise & Worship,Religious. Score and Parts....
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Chamber Orchestra - Level 3 - SKU: A0.1200060 Composed by John Newton. Arranged by Clark Cothern. Christian,Praise & Worship,Religious. Score and Parts. 28 pages. Clark Cothern #798870. Published by Clark Cothern (A0.1200060). This timeless hymn as been scored for a versatile 5-Part Orchestra. Combine any instruments included to cover all five parts. Part 1: Flute and/or Violin Part 2: Clarinet and/or Trumpet Part 3: Alto Sax and/or French Horn Part 4: Trombone and/or Euphonium Part 5: Bass Trombone and/or Tuba. Intermediate level.
$25.00
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