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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
1 Renaissance
Non classifié
501
Piano & claviers
Piano Facile
176
Piano, Voix
91
Piano seul
62
Instruments en Do
24
Orgue
12
1 Piano, 4 mains
6
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
5
Piano, Voix et Guitare
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
Orgue, Piano (duo)
1
Accordéon
1
1 Piano, 6 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
93
Guitare notes et tablatures
68
Ukulele
18
Ensemble de guitares
15
2 Guitares (duo)
12
Ligne De Mélodie, (Paroles) et Accords
9
Mandoline
9
Paroles et Accords
7
4 Guitares (Quatuor)
3
Ukulele Baryton
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
119
Chorale SSATBB
65
Chorale SATTB
48
Chorale 3 parties
37
Chorale
22
Chorale SAATB A Cappella
19
Chorale 2 parties
15
Chorale TTBB
13
Chorale SSAATTBB
11
Chorale Unison
9
Chorale SATTBB, Clavier
8
Chorale SSAA
6
Voix haute
4
Voix seule
4
Pack Instrumental pour Chorale
4
Voix duo, Piano
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
40
Flûte, Hautbois, Clarinette, Basson
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Quatuor de Flûtes : 4 flûtes
23
Quatuor de Saxophones: 4 saxophones
23
2 Saxophones (duo)
23
2 Flûtes traversières (duo)
22
Ensemble de Clarinettes
19
Flûte traversière
18
Ensemble De Flûte à bec
18
Flûte traversière et Piano
17
Quatuor de Flûtes à bec
16
Clarinette et Piano
16
2 Clarinettes (duo)
15
Saxophone (partie séparée)
15
Clarinette (partie séparée)
15
Quintette de Clarinettes: 5 clarinettes
14
3 Saxophones (trio)
14
Quintette de Saxophone: 5 saxophones
13
Hautbois, Piano (duo)
13
Ensemble de Flûtes
10
Saxophone Alto et Piano
9
Flute (partie séparée)
8
2 Flûte à bec (duo)
8
Hautbois (partie séparée)
8
2 Hautbois (duo)
8
3 Clarinettes (trio)
8
Saxophone Tenor et Piano
7
Flûte, Hautbois (duo)
7
Trio de Flûtes: 3 flûtes
7
Quintette de Flûte : 5 flûtes
7
Saxophone Alto
7
Flûte, Clarinette (duo)
6
Clarinette, Basson (duo)
5
Clarinette
5
Hautbois
4
Flûte et Guitare
4
Flûte à bec Soprano, Piano
4
Hautbois, Basson (duo)
4
Ensemble de saxophones
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte à bec Alto
3
Flûte à bec Soprano
3
Saxophone Baryton, Piano
3
Flûte à bec Alto, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Basson et Piano
2
Flûte, Violon et Violoncelle
2
3 Flûtes à bec (trio)
2
Flûte, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Ensemble de Hautbois
2
Cor Anglais
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Saxophone Soprano et Piano
1
2 Hautbois, Piano
1
Flûte, Violon
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Flute, harpe et violon
1
Clarinette, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Cornemuse
1
Flûte, Trompette (duo)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte à Bec
1
Clarinette, Tuba
1
5 Flûtes à bec
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette
12
Quatuor de cuivres: 4 trombones
12
Trompette, Trombone (duo)
11
Trompette, Piano
11
Trio de Cuivres
10
Ensemble de Trombones
10
Trombone et Piano
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trompette (partie séparée)
8
Tuba et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone (partie séparée)
8
Cor
8
Cor et Piano
8
2 Cors (duo)
7
Quatuor de Cuivres
7
Trombone
7
Tuba
6
Cor (partie séparée)
5
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Piano
3
Tuba (partie séparée)
3
3 Trombones (trio)
3
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
Trombone, Cor (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Tuba (duo)
2
Cor Anglais
1
Cor, Violoncelle (duo)
1
Tuba et Orgue
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon
31
Violon et Piano
31
Violoncelle, Piano
23
2 Violons (duo)
21
2 Violoncelles (duo)
19
Alto, Piano
17
Violoncelle
17
Harpe
17
Trio à Cordes: violon, alto, violoncelle
15
Violon, Violoncelle (duo)
15
2 Altos (duo)
13
Violon, Alto (duo)
12
Violon (partie séparée)
11
Trio à cordes
11
Alto seul
10
Alto, Violoncelle (duo)
9
Contre Basse
6
Contrebasse, Piano (duo)
6
Alto (partie séparée)
5
2 Contrebasses (duo)
5
Contrebasse (partie séparée)
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle (partie séparée)
3
4 Violoncelles
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
2 Violons et Basse continue
1
Alto, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
123
Orchestre d'harmonie
65
Orchestre à Cordes
42
Orchestre
11
Percussion (partie séparée)
10
Orchestre de chambre
5
Timbales (partie séparée)
4
Percussion
2
Marimba
2
Ensemble de Percussions
2
Cloches
1
Ensemble Jazz
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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Vous avez sélectionné:
1 Renaissance
Orchestre de chambre
Partitions à imprimer
5 partitions trouvées
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1
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Dosia McKay
#
Three Laments of Heloise for C
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Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Intrada. Easy ensamble
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Orchestre de chambre
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DÉBUTANT
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Anonimo
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Ester Alessandrini
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Intrada. Easy ensamble
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ester
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1142203 Composed by Anonimo. Arranged by Ester Alessandrini. Celtic,Children,Instructional,Irish,Renaissance,Tradi...
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Chamber Orchestra - Level 1 - SKU: A0.1142203 Composed by Anonimo. Arranged by Ester Alessandrini. Celtic,Children,Instructional,Irish,Renaissance,Traditional. Score and parts. 8 pages. Ester #742583. Published by ester (A0.1142203). Very easy transcription for school ensemble (flute, violin, guitar, piano and Orff instruments) of Scottish Renaissance dance.
$12.00
In Dulci Jubilo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Michael Praetorius
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James Bicigo
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In Dulci Jubilo
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Polar Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1163972 Composed by Michael Praetorius. Arranged by James Bicigo. Chamber,Christmas,Contest,Festival,Renaissance,S...
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Chamber Orchestra - Level 4 - SKU: A0.1163972 Composed by Michael Praetorius. Arranged by James Bicigo. Chamber,Christmas,Contest,Festival,Renaissance,Sacred. Score and Parts. 42 pages. Polar Publications #764326. Published by Polar Publications (A0.1163972). This is a terrific setting of In Dulci Jubilo for chamber orchestra (1,1,1,1 1,2,1,0 hand drum, piano(organ), strings). Perfect for any concert or contest and a nice addition at Christmas time. Grade 4.
$45.00
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
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