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TRI ET FILTRES
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VOIX
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103
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8
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3
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2
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1
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VENTS
Quatuor de Saxophones: 4 saxophones
234
Quatuor de Clarinettes: 4 clarinettes
167
2 Saxophones (duo)
95
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
2 Flûtes traversières (duo)
63
Clarinette et Piano
61
Hautbois, Piano (duo)
55
Flûte traversière et Piano
51
2 Clarinettes (duo)
49
Quatuor de Flûtes : 4 flûtes
40
Flûte, Clarinette (duo)
37
Clarinette
34
2 Hautbois (duo)
32
Saxophone Tenor et Piano
32
Saxophone Alto et Piano
31
2 Flûte à bec (duo)
28
Hautbois, Clarinette (duo)
25
2 Flûtes traversières, Piano
24
Hautbois, Basson (duo)
22
Flûte, Hautbois, Clarinette, Basson
19
Clarinette, Violon (duo)
18
Flûte traversière
18
Clarinette, Basson (duo)
17
Saxophone (partie séparée)
17
Saxophone Baryton, Piano
17
Hautbois (partie séparée)
16
Quintette de Saxophone: 5 saxophones
16
Saxophone Soprano et Piano
15
Quintette de Clarinettes: 5 clarinettes
15
Saxophone, Clarinette (duo)
14
Flûte, Hautbois (duo)
14
Flûte, Violoncelle
13
3 Saxophones (trio)
13
Hautbois, Violoncelle
13
Clarinette, Violoncelle (duo)
11
Flûte, Alto (duo)
11
Clarinette et Alto
11
Cor anglais, Piano
11
Flûte, Violon
11
Ensemble de saxophones
10
3 Clarinettes (trio)
10
Saxophone Alto
9
Clarinette (partie séparée)
8
Hautbois et alto (duo)
7
Hautbois, violon (duo)
7
Clarinette, Guitare (duo)
7
Ensemble de Flûtes
7
Hautbois, Flûte
7
Clarinette, Trompette (duo)
7
Trio de Flûtes: 3 flûtes
6
Ensemble de Clarinettes
6
Quatuor de Flûtes à bec
6
Flûte et Guitare
6
Clarinette Basse, Piano
6
Flûte, Trompette (duo)
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Violoncelle, Piano (trio)
5
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5
Clarinette, Basson, Piano (trio)
4
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4
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4
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4
Flûte à Bec
4
Flûte, Trombone (duo)
4
Flûte, Clarinette et Basson
4
Saxophone Tenor
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Violoncelle et Piano
3
Flûte, Violon, Piano
3
Hautbois, Violon, Piano
3
Saxophone Baryton
3
Hautbois, Basson et Piano
3
Flûte, Alto et Piano
3
Flûte, Saxophone (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flute, harpe et violon
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Flûte, alto et harpe
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Flûte, Hautbois, Piano (trio)
2
Clarinette, Contrebasse (duo)
2
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2
Flûte à bec Soprano
2
Flûte, Tuba (duo)
2
Saxophone Soprano
2
Saxophone
2
Hautbois, Clarinette et Piano (Trio)
2
Ensemble de Hautbois
1
Flûte à bec Soprano, Piano
1
Flute (partie séparée)
1
3 Flûtes à bec (trio)
1
Cor anglais, Guitare (duo)
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Hautbois, trombone (duo)
1
Flûte à bec, Guitare (duo)
1
Cor Anglais
1
Clarinette, Tuba
1
Flûte à bec Tenor
1
Piccolo, Piano
1
5 Flûtes à bec
1
3 Hautbois
1
Flûte à bec Alto
1
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CUIVRES
Trombone et Piano
52
Cor et Piano
41
Trompette, Piano
41
2 Trombones (duo)
39
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
2 Trompettes (duo)
27
Trompette, Trombone (duo)
26
2 Cors (duo)
26
Tuba et Piano
21
Euphonium, Piano (duo)
18
2 Tubas (duo)
18
Trompette
13
Trombone
12
Quatuor de cuivres: 4 trombones
12
2 Euphoniums (duo)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor anglais, Piano
11
Quatuor de cuivres: 4 cors
11
Trompette, Saxophone (duo)
8
Trombone (partie séparée)
8
Tuba
8
Cor
7
Trompette (partie séparée)
6
Trompette, Cor (duo)
5
Euphonium, Tuba (duo)
4
Cor, Tuba (duo)
4
Trombone, Cor (duo)
4
Trompette, Trombone, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba et Orgue
3
Ensemble de Cors
3
Trompette, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Basson (duo)
3
Cor et Harpe
2
Cor, Violoncelle (duo)
2
Trombone, Violon (duo)
2
3 Cors (trio)
2
Trombone, Tuba (duo)
2
Cor (partie séparée)
2
Trompette, Violoncelle (duo)
2
Ensemble de Trompettes
2
Ensemble de Trombones
2
4 Tubas
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
Tuba (partie séparée)
1
Trompette, violon (duo)
1
Cor Anglais
1
Quatuor de Cuivres
1
2 Euphoniums et 2 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
140
Violon et Piano
129
Violon, Violoncelle (duo)
88
Violoncelle, Piano
59
2 Violons (duo)
50
Alto, Piano
49
Violon, Alto (duo)
44
Trio à Cordes: violon, alto, violoncelle
42
2 Violoncelles (duo)
42
2 Altos (duo)
37
Harpe
28
4 Violoncelles
25
Contrebasse, Piano (duo)
24
Violon
24
Violon (partie séparée)
21
Alto, Violoncelle (duo)
20
2 Contrebasses (duo)
17
Trio à Cordes: 2 violons, violoncelle
17
Violoncelle (partie séparée)
16
Alto seul
11
Violon, Basson (duo)
10
Alto (partie séparée)
10
Violoncelle
9
Quatuor à cordes: 4 violons
7
Violon, Clarinette, Piano (trio)
6
Piano Trio: Violon, Alto, Piano
6
Contre Basse
6
Violoncelle, Contrebasse (duo)
6
Contrebasse (partie séparée)
6
Alto et Basson
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Quatuor à cordes : 4 altos
4
Alto et Harpe
3
Trio à cordes: 3 violins
3
Harpe, Voix
2
Harpe, Violon (duo)
2
Violon, Tuba (duo)
2
Trio à cordes: 3 altos
2
4 Contrebasses
2
Harpe, Flûte (duo)
2
Flûte, Contrebasse (duo)
2
2 Harpes (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violoncelle (duo)
1
4 Harpes
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
311
Orchestre à Cordes
104
Orchestre
60
Cloches
44
Ensemble de cuivres
32
Jazz combo
23
Marimba
14
Orchestre de chambre
9
Ensemble Jazz
8
Fanfare
6
Percussion (partie séparée)
6
Ensemble de Percussions
5
Xylophone, Piano
4
Vibraphone
4
Xylophone
3
Piano et Orchestre
1
Vibraphone et Marimba
1
Batterie (partie séparée)
1
2 Marimbas
1
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AUTRES
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Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.89 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
95.62 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Goltermann Adagio Op 83 for Cello & Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1377462 Composed by Georg Go…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1377462 Composed by Georg Goltermann. Arranged by Paul Wood. Romantic Period. 43 pages. MyMusicScores.com #962053. Published by MyMusicScores.com (A0.1377462). Goltermann's Adagio, Op. 83 for cello and orchestra is a poignant and expressive work that exemplifies the Romantic sensibilities of the 19th century. Composed in 1877, this single-movement piece showcases Goltermann's prowess in crafting emotive melodies and exploring the rich tonal palette of the cello within the context of orchestral accompaniment.The Adagio is dedicated to à Madame Henriette Fritsch-Estrangin à MarseilleThis edition also includes parts for Clarinet in B flat and Horns in F as well as the original Clarinets and Horns in CThe PDF file contains the scall and all parts.
$24.99
23.09 €
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Orchestre de chambre
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Georg Goltermann
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Paul Wood
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Goltermann Adagio Op 83 for Cello & Orchestra
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MyMusicScores.com
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SheetMusicPlus
Jalousie, by Jacob Gade, - Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.767007 Composed by Jacob Gad…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.767007 Composed by Jacob Gade. Arranged by Bob Delfausse. Concert,Latin,Romantic Period. Score and parts. 47 pages. Robert Delfausse #6474639. Published by Robert Delfausse (A0.767007). Jalousie is probably the most famous piece of classical music that is also a tango. Playing this piece, with all of its Latin melodies and rhythms, should be as much fun as actually dancing the tango. I've compressed the composer's very thick score into music for a chamber orchestras: strings plus seven single winds (flute, oboe, clarinet, bassoon, trumpet, horn, trombone), and percussion There is an optional piano part, which adds depth and can solidify intonation.Duration: 3 minutes, 45 seconds.
$20.00
18.48 €
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Orchestre de chambre
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Jacob Gade
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Bob Delfausse
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Jalousie, by Jacob Gade, - Chamber Orchestra
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Robert Delfausse
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.54 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Balloon Ride
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.923339 Composed by James Ale…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
17.54 €
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Orchestre de chambre
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
"On the beaches of Tijuana"
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Car…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
20.33 €
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Orchestre de chambre
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Luis Carlos Diaz
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Luis Carlos Diaz
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}p { margin-bottom: 0.1in
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"On the beaches of Tijuana"
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azdi
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SheetMusicPlus
ARIA for Violin Solo and String Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.882277 Composed by A. Dougla…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.882277 Composed by A. Douglas Biggs. Concert,Contemporary,Sacred,Standards. Score and parts. 35 pages. Adrian D Biggs #6423113. Published by Adrian D Biggs (A0.882277). Aria arises from the general idea of an aria. It is an expressive and melodic work, incorporating modal and jazz inflected harmonies for the solo violin and orchestra to sing together. It is appropriate for intermediate to advance players, offering beautiful, soaring melodies, interesting harmonies and ample opportunity for ensemble interplay.
$20.00
18.48 €
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Orchestre de chambre
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A
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ARIA for Violin Solo and String Orchestra
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Adrian D Biggs
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SheetMusicPlus
Svendsen Romance Op. 26 Cello and String Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1120645 Composed by Johan Sv…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1120645 Composed by Johan Svendsen. Arranged by Paul Wood. Romantic Period. Score and parts. 34 pages. MyMusicScores.com #721892. Published by MyMusicScores.com (A0.1120645). Svendsen composed his Romance for violin and Orchestra Op.26 in G major, in 1881. He had been working in Leipzip for a few years and had just returned back to Norway. Apart from being a composer Svendsen was a violinist and had studied under Ferdinand David at the Leipzig Conservatory. This work is a beautiful piece of music fully of lush melodies and fab to play. Here is a version for cello and string orchestra The PDF file contains the score and all parts for printing.
$19.99
18.47 €
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Orchestre de chambre
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Johan Svendsen
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Paul Wood
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Svendsen Romance Op. 26 Cello and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
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