Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
5 German
Non classifié
399
Piano & claviers
Piano seul
204
Piano, Voix
116
Piano, Voix et Guitare
59
Piano Facile
44
Orgue
37
1 Piano, 4 mains
11
Piano Trio: piano, violon, violoncelle
8
Accordéon
4
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Guitare
18
2 Guitares (duo)
12
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
4
Mandoline
2
Piano, Guitare (duo)
2
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
124
Chorale 3 parties
63
Chorale TTBB
56
Voix Soprano, Piano
21
Voix haute
17
Chorale 2 parties
14
Voix seule
12
Chorale Unison
11
Pack Instrumental pour Chorale
11
Chorale SSAA
9
Voix moyenne, Piano
6
Voix basse, Piano
6
Voix Baryton, Piano
4
Chorale SSATTB
4
Voix Alto, Piano
3
Voix Moyenne
2
Voix Tenor
2
Voix basse
2
Voix duo, Piano
2
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Chorale SSATB
1
Voix duo
1
Voix, Guitare
1
+ 19 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
81
Quintette de Clarinettes: 5 clarinettes
60
Flûte traversière et Piano
40
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Clarinette et Piano
32
2 Flûtes traversières (duo)
26
Hautbois, Piano (duo)
22
Saxophone Alto et Piano
22
2 Clarinettes (duo)
21
Quatuor de Saxophones: 4 saxophones
18
3 Saxophones (trio)
17
2 Saxophones (duo)
16
Flûte, Hautbois, Clarinette, Basson
15
Ensemble de Clarinettes
15
Quintette de Flûte : 5 flûtes
11
Flûte, Hautbois, Clarinette (trio)
10
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
10
Clarinette
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière
8
Quatuor de Flûtes : 4 flûtes
8
Saxophone Alto
6
Ensemble de Flûtes
6
Saxophone Baryton, Piano
5
2 Hautbois (duo)
5
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
5
Flûte, Violon
5
Flûte et Guitare
4
Flûte, Clarinette (duo)
4
Flûte à bec Soprano, Piano
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
Clarinette, Violon (duo)
3
Cor anglais, Piano
3
Saxophone (partie séparée)
3
Flûte, Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
3 Flûtes à bec (trio)
2
5 Flûtes à bec
2
2 Flûte à bec (duo)
2
Flûte à bec Alto, Piano
2
Clarinette Basse, Piano
2
Flûte à bec Soprano
2
Saxophone Tenor
2
Clarinette, Guitare (duo)
2
Flûte, Violon, Piano
2
Hautbois, Basson (duo)
2
Ensemble de saxophones
2
Flûte à bec Alto
2
Ensemble De Flûte à bec
1
Hautbois, Flûte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle
1
Flûte, Saxophone (duo)
1
Ensemble de Hautbois
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Quatuor de Flûtes à bec
1
Flûte à Bec
1
Clarinette et Alto
1
3 Hautbois
1
Flûte, Trompette (duo)
1
Hautbois (partie séparée)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
Flûte, Alto (duo)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette, Piano
17
Trombone et Piano
13
2 Trompettes (duo)
9
Euphonium, Piano (duo)
8
Cor et Piano
8
Trompette
6
Quatuor de cuivres: 4 trombones
5
2 Trombones (duo)
5
2 Cors (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 cors
3
Cor anglais, Piano
3
Ensemble de Trombones
3
3 Trombones (trio)
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Saxophone (duo)
2
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Cor (partie séparée)
1
Tuba et Piano
1
Tuba
1
Quatuor de Cuivres
1
Ensemble de Tubas
1
Trompette, Trombone (duo)
1
Euphonium, Tuba (duo)
1
3 Tubas (trio)
1
Cornet et Piano
1
3 Cors (trio)
1
3 Euphoniums
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon et Piano
49
Violoncelle, Piano
34
Alto, Piano
33
2 Violons (duo)
18
Trio à Cordes: violon, alto, violoncelle
17
2 Violoncelles (duo)
11
Violon
11
Trio à cordes: 3 violins
9
Violon, Violoncelle (duo)
8
2 Altos (duo)
7
Violon, Alto (duo)
7
Violon (partie séparée)
7
Violoncelle
6
Trio à Cordes: 2 violons, alto
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
4
Harpe
3
Violoncelle , Guitare (duo)
3
Violoncelle (partie séparée)
3
Trio à cordes
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Alto seul
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
55
Orchestre d'harmonie
40
Orchestre
21
Cloches
19
Orchestre de chambre
16
Ensemble de cuivres
14
Ensemble Jazz
7
Jazz combo
2
Fanfare
1
Orchestre, Violon
1
Percussion (partie séparée)
1
Piano et Orchestre
1
Ensemble de Percussions
1
+ 8 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
757
Partitions Numériques
16
Librairie Musicale
0
Matériel de Musique
3 117
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
5 German
Orchestre de chambre
Partitions à imprimer
16 partitions trouvées
<
1
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Thomas Graf
#
Instrumentation: 
#
German Spring Song Collection
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com...
(+)
Chamber Orchestra - Level 3 - SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
Heinzelmannchens Wachtparade
#
Orchestre de chambre
#
Classique
#
Kurt Noack
#
Heinzelmannchens Wachtparade
#
Schott Music - Digital
#
SheetMusicPlus
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5....
(+)
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5. Duration 8 minutes. Schott Music - Digital #Q49252. Published by Schott Music - Digital
The parade of the 'Heinzelmaennchen' (brownies) is reminiscent of old times. Catchy naive motifs prompt the listener to sing along, move to the rhythm and wallow in memories. Extremely popular in post-war Germany and frequently played even today, this music carries you off into the coffee houses of the 1920s. It is part of the standard repertoire of each spa and salon orchestra still today.
$42.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia
#
Guido Menestrina
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Concerto Grosso in F minor.
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Arte Nova Music Lab
#
Concerto Grosso in F minor.
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
(+)
Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
Mariä Wiegenlied A flat majeur
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Max Reger
#
Mariä Wiegenlied A flat m
#
Schott Music - Digital
#
SheetMusicPlus
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken - Streicher (5.5.4.3.2) soprano and chamber orchestra - intermediate - SKU: S9.Q6456 Aus S...
(+)
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken - Streicher (5.5.4.3.2) soprano and chamber orchestra - intermediate - SKU: S9.Q6456 Aus Schlichte Weisen. Composed by Max Reger. This edition: score. Downloadable, Score. Op. 76/52. Duration 6 minutes. Schott Music - Digital #Q6456. Published by Schott Music - Digital (S9.Q6456). Key: A flat major. German.The vocal oeuvre of Max Reger is quite comprehensive but only few of his more than 300 works have become firmly established in the concert repertoire. One song, however, was to become a real big seller: Mariä Wiegenlied in which the composer had woven the old Christmas carol Joseph, lieber Joseph mein. Because of its huge success, Max Reger recommended to his publisher an instrumentation which he actually realized later: This gem for piano was turned into an atmospheric piece of pastoral music for voice and chamber orchestra.
$15.99
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Vasilis Tsiatsianis
#
W.A.Mozart - O Isis und Osiris
#
Arcadia Verlag
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
(+)
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Orchestral Suite No 3 in D Major BWV 1068
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Arte Nova Music Lab
#
Orchestral Suite No 3 in D Maj
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
Dyker Heights
#
Orchestre de chambre
#
AVANCÉ
#
Gert Th
#
Gert Th
#
Dyker Heights
#
Gert Th. Walter
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1492209 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Advent,Christmas,Holiday. 62 pages. Gert Th. Wal...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1492209 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Advent,Christmas,Holiday. 62 pages. Gert Th. Walter #1068881. Published by Gert Th. Walter (A0.1492209). Are you looking for modern and spirited Christmas music including score & parts for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 / Hr1.2 - Trp1.2 / Timpani / Strings. © 2024 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de And now have fun making music!
$69.90
Turkey's Wishbone
#
Orchestre de chambre
#
AVANCÉ
#
Noël
#
Gert Th
#
Gert Th
#
Turkey's Wishbone
#
Gert Th. Walter
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1262826 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 56 pages. Ge...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1262826 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 56 pages. Gert Th. Walter #855834. Published by Gert Th. Walter (A0.1262826). Chamber Orchestra. Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 / Hr1.2 - Trp1.2 / Timpani / Strings. © 2023 MusikVerlag Gert Walter, Germany. All rights reserved. https://www.musikverlaggertwalter.de.
$29.90
How Firm A Foundation
#
Orchestre de chambre
#
FACILE
#
Musique Sacrée
#
Genuine Church Music, Winchest
#
Gert Th
#
How Firm A Foundation
#
Gert Th. Walter
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.683563 Composed by Genuine Church Music, Winchester 1832. Arranged by Gert Th. Walter. Christian,Christmas,Praise ...
(+)
Chamber Orchestra - Level 2 - SKU: A0.683563 Composed by Genuine Church Music, Winchester 1832. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 5 pages. Gert Th. Walter #6036149. Published by Gert Th. Walter (A0.683563). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$7.99
The President's Turkey-Pardon
#
Orchestre de chambre
#
AVANCÉ
#
Noël
#
Gert Th
#
Gert Th
#
The President's Turkey-Pardon
#
Gert Th. Walter
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1191818 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 54 pages. Ge...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1191818 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 54 pages. Gert Th. Walter #791325. Published by Gert Th. Walter (A0.1191818). Are you looking for modern and spirited Christmas music for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 - Hr1.2 - Trp1.2 - Timpani - Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!
$29.90
Candy 'n Cake
#
Orchestre de chambre
#
AVANCÉ
#
Halloween
#
Gert Th
#
Gert Th
#
Candy 'n Cake
#
Gert Th. Walter
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1115267 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Holiday. Score and Parts. 59...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1115267 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Holiday. Score and Parts. 59 pages. Gert Th. Walter #717077. Published by Gert Th. Walter (A0.1115267). Are you looking for modern and spirited Christmas music for your Chamber Orchestra? Here you go! Fl1.2 - ob1.2 - cl1.2 - bsn1.2 - hr1.2 - trp1.2 - timpani - strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!
$29.90
Trick Or Treat!
#
Orchestre de chambre
#
AVANCÉ
#
Halloween
#
Gert Th
#
Gert Th
#
Trick Or Treat!
#
Gert Th. Walter
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1144556 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Holiday. Score and Parts. 63...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1144556 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Halloween,Holiday. Score and Parts. 63 pages. Gert Th. Walter #744891. Published by Gert Th. Walter (A0.1144556). Are you looking for modern and spirited Christmas music for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 - Hr1.2 - Trp1.2 - Timpani - Children's Choir ad libitum - Strings. © 2022 MusikVerlag Gert Walter, Germany. All rights reserved. https://www.musikverlaggertwalter.de.
$29.90
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sér&eac
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCER
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale