Partitions Numériques de A Boy\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ pour Orchestre de chambre

12 partitions trouvées

Londonderry Air (Danny Boy) - wind nonet / wind ensemble

Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.564089 Composed by Tradition…(+)

$9.99 9.17 € #Orchestre de chambre #Traditional #Austin Ralphson #Londonderry Air #Austin Ralphson #SheetMusicPlus

A Morte Do Vaqueiro

Orchestre de chambre

Chamber Orchestra - Level 1 - Digital Download SKU: A0.1048288 Composed by Luiz Gon…(+)

$49.99 45.9 € #Orchestre de chambre #Luiz Gonzaga Do Nascimento and Nelson Barbalho De Siqueira #Renato Brito #A Morte Do Vaqueiro #Renato Brito #SheetMusicPlus

Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (

Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Cat…(+)

$45.00 41.32 € #Orchestre de chambre #David Catherwood #$45

Flute, #Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis #Opus 3 Music #SheetMusicPlus

Cowboy Tales, for Chamber Orchestra
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.767001 Composed by Bob Delfa…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089. Published by Robert Delfausse (A0.767001). This is a three-movement piece of program music, each movement describing in a general way settings and actions typical of life in the American west. I adapted it from my Brass Quintet No. 3, and found that the music lent itself beautifully to being expanded for this chamber orchestra: strings, single winds (flute, oboe, clarinet, bassoon, trumpet, horn, & trombone), two percussionists, and piano. Please give a listen to the full-length MP3 on this website. Duration: 12 minutes, 4 seconds.
$30.00 27.55 € #Orchestre de chambre #Bob Delfausse #Cowboy Tales, for Chamber Orchestra #Robert Delfausse #SheetMusicPlus

(ghost) Riders In The Sky (a Cowboy Legend)
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.768171 By Johnny Cash. By St…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.768171 By Johnny Cash. By Stan Jones. Arranged by Craig Duncan. Contemporary. Score and parts. 12 pages. Craig Duncan Music #5952885. Published by Craig Duncan Music (A0.768171). Ghost Riders in the Sky arranged for String Quartet, String Trio or String Orchestra with optional Piano and leadsheet.
$12.99 11.93 € #Orchestre de chambre #Johnny Cash #Craig Duncan #(ghost) Riders In The Sky #Craig Duncan Music #SheetMusicPlus

Legend of the Sea, Guitar Quartet
Orchestre de chambre

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1015739 Composed by Juan Gas…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1015739 Composed by Juan Gaspar. 20th Century,Concert,Contemporary. Score and parts. 54 pages. Juan Gaspar #5770813. Published by Juan Gaspar (A0.1015739). This 9 minute contemporary classical guitar quartet is a professional concert piece that advanced level students will also enjoy playing. Altough it is not program music, it is inspired by an event in my life. As a boy of 11, I went to the ocean with my family. I almost drowned and my Dad lost his life. It was a lesson which taught me that life and death are illusions. Above the raging, sparkling sea, the sun shines brightly: Life Eternal is not lost.
$14.99 13.76 € #Orchestre de chambre #Juan Gaspar #Legend of the Sea, Guitar Quartet #Juan Gaspar #SheetMusicPlus

Requiem
Orchestre de chambre

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…(+)

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin â€¢ German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of â€œletting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: â€œI will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though â€œin an oceanâ€ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: â€œSo teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boyâ€™s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent â€œlux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: â€œEntreiÃŸ dich, Seele, nun der Zeit, entreiÃŸ dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ€ [â€œTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: â€œUnd die Seele unbewacht will in freien FlÃ¼gen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ€ [â€œAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: â€œUnd meine Seele spannte weit ihre FlÃ¼gel aus. Flog durch die stillen Lande, als flÃ¶ge sie nach Hausâ€ [â€œAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâ€™s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my â€œrenewedâ€ occupation with the â€œoldâ€ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a â€œhomecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 1 (auch Bassklar.) Â· 0 - 2 Â· Flhr. Â· 0 Â· 0 - P. S. (Glsp. Â· RÃ¶hrengl. Â· Gongs Â· Trgl. Â· Beck. Â· Tamt. Â· 2 Holzschlitztr. (oder Woodbl.) Â· Woodbl. Â· gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 Â· 4 Â· 4 Â· 4 Â· 2).
$55.99 51.41 € #Orchestre de chambre #Harald Weiss #Requiem #Schott Music - Digital #SheetMusicPlus

Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in KÃ¶then, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & HÃ¤rtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99 7.34 € #Orchestre de chambre #Karl Friedrich Abel #Guido Menestrina #Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante #Guido Menestrina #SheetMusicPlus

Gone Fishin' - score and parts
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.872644 Composed by Philip Or…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.872644 Composed by Philip Orem. Contemporary. Score and parts. 43 pages. Philip Orem #3591699. Published by Philip Orem (A0.872644). A bit of whimsy. Imagine a small barefoot boy in overalls with a cane pole and a can of worms headed down a dusty road. A evocative piece of light music perfect for a summer concert. Scored for a small orchestra including ocarina.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$45.00 41.32 € #Orchestre de chambre #Philip Orem #Gone Fishin' - score and parts #Philip Orem #SheetMusicPlus

Prayer of Saint Francis (SSAA, Chamber Strings and Bb Trumpet)
Orchestre de chambre

Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gar…(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #61775. Published by D. M. Gardner Music (A0.799648). ****SSAA, Piano, and Bb Trumpet version is INCLUDED with this chamber string version!****Lord, make me an instrument of Thy peacePrayer of Saint Francis features poetry attributed to 13th Century Monk, St Francis of Assisi, Italy.Though attributed to Saint Francis many centuries after his death, Saint Francis' great devotion to God is beautifully echoed in this poem, as much a work of art, as a humble prayer.This powerful setting of the Prayer of St Francis reflects a deeply intimate relationship between St Francis and the Lord, illustrating the internal conflict of God's Will versus man's. On his knees in prayer, hands folded, eyes closed, face turned away from the heavens... he asks so humbly to give what he cannot himself completely offer... The unconditional, perfect love of Christ.Prayer of Saint Francis was originally written for children's chorus, but could easily accommodate women's or boy's choir.Approx. 4 minutes in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.50 2.3 € #Orchestre de chambre #D #Prayer of Saint Francis #D. M. Gardner Music #SheetMusicPlus

Carol of the Drum
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1302129 By Eric Benjamin. By…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1302129 By Eric Benjamin. By Katherine K. Davis. Arranged by Eric Benjamin. 20th Century,Children,Christmas,Classical,Holiday. Score and Parts. 46 pages. Eric Benjamin #891730. Published by Eric Benjamin (A0.1302129). The Little Drummer Boy plays a duombeck and produces rhythms that are decidedly more Middle Eastern in this arrangement of the popular classic.Â Arranged for two part treble choir and chamber orchestra (2222.000 harp or kbd, perc and strings), the melody and harmony are the same, but the setting references Levantine scales and even quotes Arabian Dance from Nutcracker and Scheherazade.
$75.00 68.87 € #Orchestre de chambre #Eric Benjamin #Eric Benjamin #Carol of the Drum #Eric Benjamin #SheetMusicPlus

Tigers and Teapots, Vol. 4
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.878865 Composed by David Ban…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.878865 Composed by David Banney. Children,Contemporary,Folk,World. Score and parts. 33 pages. David Banney #6353865. Published by David Banney (A0.878865). Tigers and Teapots is a collection of children's songs, arranged for unison children's choir and string orchestra. The pieces can be performed in many ways - they can be performed as indicated, for choir and strings, or the vocal lines can be performed by one or more instruments. The CD is available on iTunes: https://music.apple.com/au/album/tigers-and-teapots/1356450586Listen on Spotify: https://open.spotify.com/album/72RmUT63TxOKPAr9tWN6PA?si=y6GRHMWHQD-WIuMac6LeKAVol. 4 contains: Maranoa Lullaby - Baa, baa, black sheep - I'm a great big tiger (The Dream of Cowboy Cat) - Agnus Dei - Three Little Ducks - The Birch Tree - Canoe Song.As most of the pieces are very short, no separate parts are provided for different sections of the orchestra (with the excpeption of a few longer pieces). This allows children to learn to read from a score, and allows for great flexibility in rehearsals.
$9.99 9.17 € #Orchestre de chambre #David Banney #Tigers and Teapots, Vol. 4 #David Banney #SheetMusicPlus

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