Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Piano Rag
Non classifié
678
Piano & claviers
Piano seul
2 017
Piano, Voix
519
Piano, Voix et Guitare
483
Piano Facile
403
1 Piano, 4 mains
53
Orgue
45
Accompagnement Piano
27
2 Pianos, 4 mains
21
Piano Trio: piano, violon, violoncelle
20
Piano grosses notes
11
Piano (partie séparée)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Instruments en Do
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Accordéon
1
+ 13 instrumentations
Retracter
Guitares
Guitare
12
Guitare notes et tablatures
11
Piano, Guitare (duo)
9
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
6
Dulcimer
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
167
Chorale 2 parties
70
Chorale 3 parties
64
Voix duo, Piano
32
Chorale TTBB
28
Chorale Unison
22
Voix Soprano, Piano
18
Chorale SSAA
14
Voix duo
12
Voix haute
12
Voix Mezzo-Soprano, Piano
6
Voix Baryton, Piano
6
Voix basse, Piano
5
Voix Tenor, Piano
5
Voix Alto, Piano
4
Voix Soprano
3
Soli, choeur mixte et accompagnement
2
Voix moyenne, Piano
1
Voix basse
1
Chorale SSAB, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
144
Clarinette et Piano
100
Saxophone Alto et Piano
94
Hautbois, Piano (duo)
70
Saxophone Tenor et Piano
65
Saxophone Soprano et Piano
54
2 Saxophones (duo)
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Quatuor de Saxophones: 4 saxophones
31
Saxophone Baryton, Piano
30
2 Flûtes traversières (duo)
23
Saxophone, Clarinette (duo)
18
2 Clarinettes (duo)
18
Clarinette
17
Flûte, Hautbois, Clarinette, Basson
16
3 Saxophones (trio)
16
Cor anglais, Piano
15
Clarinette, Violon (duo)
15
Flûte, Violon, Piano
14
Clarinette Basse, Piano
14
Quintette de Saxophone: 5 saxophones
13
2 Flûtes traversières, Piano
12
2 Hautbois (duo)
11
Clarinette, Trompette (duo)
10
Quatuor de Flûtes à bec
10
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Clarinette, Piano (trio)
8
2 Clarinettes, Piano
7
Flûte, Violon
7
Flûte, Trompette (duo)
7
Clarinette et Alto
7
Flûte, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Flûte, trombone et piano
6
5 Flûtes à bec
6
Flûte traversière
6
Flûte, Alto (duo)
6
Flûte, Saxophone (duo)
6
Hautbois, Clarinette (duo)
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte à Bec
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Soprano
6
Trio de Flûtes: 3 flûtes
5
Hautbois, Flûte
5
Saxophone (partie séparée)
4
Clarinette, trompette et piano
4
Quatuor de Flûtes : 4 flûtes
4
3 Clarinettes (trio)
4
Flûte, Hautbois, Piano (trio)
4
Saxophone Alto
4
2 Saxophones, Piano
4
Saxophone Tenor
3
Flûte, Alto et Piano
3
Hautbois, Violoncelle et Piano
2
Piccolo, Piano
2
Flûte à bec Soprano, Piano
2
Hautbois (partie séparée)
2
Flûte et Guitare
2
Piccolo
1
Ensemble de saxophones
1
Flûte à bec Tenor
1
Flûte, Basson et Piano
1
Saxophone et Orgue
1
Hautbois
1
Flûte à bec Alto, Piano
1
Flûte à bec Alto
1
Ensemble de Flûtes
1
Clarinette Basse
1
Flûte à Bec, Piano
1
Hautbois, Basson et Piano
1
3 Flûtes à bec (trio)
1
Clarinette, Basson, Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Saxophone et Piano
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
2 Flûte à bec (duo)
1
Flûte irlandaise
1
+ 76 instrumentations
Retracter
Cuivres
Trombone et Piano
84
Trompette, Piano
77
Cor et Piano
46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Euphonium, Piano (duo)
20
Trompette
20
Tuba et Piano
16
Cor anglais, Piano
15
Trompette, Saxophone (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trombone (partie séparée)
6
Trombone
6
2 Trombones (duo)
6
Trompette (partie séparée)
5
Trompette, Violoncelle et Piano
5
Trompette, Trombone (duo)
5
Cor
3
2 Cors (duo)
3
Tuba et Orgue
3
2 Tubas (duo)
2
Trombone basse et Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Tuba
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 cors
1
+ 25 instrumentations
Retracter
Cordes
Violon et Piano
171
Alto, Piano
89
Violoncelle, Piano
87
Quatuor à cordes: 2 violons, alto, violoncelle
45
Contrebasse, Piano (duo)
24
2 Violons (duo)
13
Violon
12
Violon, Guitare (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
2 Altos (duo)
11
2 Violoncelles (duo)
10
Violon, Violoncelle (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon, Alto (duo)
6
Alto seul
5
Violoncelle
5
Violon, Clarinette, Piano (trio)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 violins
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Voix
2
Violon, Trompette et Piano
1
Harpe et Piano
1
Violoncelle, Orchestre
1
2 Violons, Piano
1
Contrebasse (partie séparée)
1
Contre Basse
1
Violoncelle, Orgue
1
Harpe
1
Harpe, Flûte (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre
45
Ensemble Jazz
42
Orchestre d'harmonie
36
Orchestre à Cordes
20
Orchestre de chambre
15
Ensemble de cuivres
14
Jazz combo
11
Cloches
6
Xylophone, Piano
4
Batterie
2
Marimba
1
Xylophone
1
Piano et Orchestre
1
Ensemble de Percussions
1
+ 9 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 333
Partitions Numériques
15
Librairie Musicale
2
Matériel de Musique
291
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
A Piano Rag
Orchestre de chambre
Partitions à imprimer
15 partitions trouvées
<
1
Piano Concerto No. 1 - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score O
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Serenade for flute, horn and orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Anton Emil Titl
#
James Strauss
#
Serenade for flute, horn and o
#
James Strauss
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 3...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
$30.00
Playing Love
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Ennio Morricone
#
Flavio Regis Cunha
#
Playing Love
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instruc...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. 13 pages. Flavio Regis Cunha #1011659. Published by Flavio Regis Cunha (A0.1431197). Ennio Morricone: Playing Love English Horn Solo Version, Piano, and String Orchestra - Full Score and Parts Sheet MusicEnnio Morricone's Playing Love for English Horn Solo Version, Piano, and Orchestra, from the Giuseppe Tornatore Suite: Playing Love featured in The Legend of 1900, as performed by Yo-Yo Ma and Roma Sinfonietta Orchestra.For orchestras seeking to enrich their repertoire with a distinctive touch, Playing Love from the Giuseppe Tornatore Suite is a prime choice. Crafted by the virtuoso composer Ennio Morricone, this masterpiece is certain to captivate audiences. With its arrangement for English Horn Solo, Piano, and Orchestra, this exceptional composition provides everything necessary for an outstanding performance. Experience its enchanting beauty through Yo-Yo Ma's rendition or the majestic interpretation by the Roma Sinfonietta Orchestra. Stand out from the crowd and acquire this essential piece today!Level: Advanced IntermediateFormat: Concert, 9 x 12 inchesSize: 13 PagesScore and Orchestral PartsDuration: 2:00Instrumentation: English Horn Solo Version, Piano, and String OrchestraProgram NotesWelcome to the rendition of Ennio Morricone's exquisite suite, Playing Love, from The Legend of 1900. This composition is a fusion of classical and cinematic music, touching hearts and soothing souls. Its multiple layers evoke a range of emotions through intimate and powerful instrumentation. Soloists command attention as Violoncello and Piano entwine in a duet of love and tragedy, while the Orchestra carries the melody, grounding it in symphonic richness. Experience the emotive power of Playing Love as Morricone's captivating melodies breathe life into the tale of The Legend of 1900. Don't miss this unforgettable performance.
$49.99
I Wonder As I Wander
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
John Jacob Niles
#
Marilyn Thompson
#
I Wonder As I Wander
#
Marilyn Thompson
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.809548 Composed by John Jacob Niles. Arranged by Marilyn Thompson. Contemporary. Score and parts. 15 pages. Marily...
(+)
Chamber Orchestra - Level 4 - SKU: A0.809548 Composed by John Jacob Niles. Arranged by Marilyn Thompson. Contemporary. Score and parts. 15 pages. Marilyn Thompson #6191125. Published by Marilyn Thompson (A0.809548). This creative and unusual setting of a Christian folk hymn by John Jacob Niles is typically heard as a Christmas carol. The origins of this haunting Appalachian melody were fragments collected by the composer. The score is for either Solo Piano or Organ/Piano duet found on separate posts. Parts are also available on separate posts. (Included in the parts are a Keyboard accompaniment, Solo Piano, Piano/Organ duet and orchestral Parts.) For further information, please contact marilyn@www.mtmusicministries.com. ASCAP
$5.99
Brand New World
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Charles Strouse and Stephen Sc
#
Stephen W
#
Brand New World
#
BurchMusic
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1422148 Composed by Charles Strouse and Stephen Schwartz. Arranged by Stephen W. Burch (ASCAP). 20th Century,Broad...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1422148 Composed by Charles Strouse and Stephen Schwartz. Arranged by Stephen W. Burch (ASCAP). 20th Century,Broadway,Chamber,Musical/Show. 73 pages. BurchMusic #1003494. Published by BurchMusic (A0.1422148). This is an arrangement for a small orchestra of the song Brand New World from the musical Rags. The song tells of the strange new sights and sounds of the lower east side of Manhatten as seen by a mother (Rebecca) and her young son (David), recent immigrants to America. It is scored for flute, clarinet, trumpets 1 & 2, trombone, tuba, drumset, aux. percussion, piano, and string quartet, plus female singer and young boy singer.
$49.99
Ecossaise by Beethoven
#
Orchestre de chambre
#
FACILE
#
L
#
Dan Severino
#
Ecossaise by Beethoven
#
Piano Teacher Press
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 ...
(+)
Chamber Orchestra - Level 2 - SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 pages. Piano Teacher Press #48773. Published by Piano Teacher Press (A0.864728). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. An ecossaise is a lively energetic dance Scottish in origin mostly in 2/4 time often known for its quick dynamic contrasts. If both performers project the musical features of an ecossaise, a good performance will result.
$3.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
#
Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Carson Cooman
#
Carson Cooman: Symphony No. 3,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Dona Nobis Pacem
#
Orchestre de chambre
#
DÉBUTANT
#
Anonymous
#
Dan Severio
#
Dona Nobis Pacem
#
Piano Teacher Press
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.864727 Composed by Anonymous. Arranged by Dan Severio. Children,Instructional,Standards. Score and parts. 5 pages....
(+)
Chamber Orchestra - Level 1 - SKU: A0.864727 Composed by Anonymous. Arranged by Dan Severio. Children,Instructional,Standards. Score and parts. 5 pages. Piano Teacher Press #48771. Published by Piano Teacher Press (A0.864727). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s a very easy elementary arrangement. It gives the beginning student the chance to listen to his musical partner and learn what ensemble playing is all about.
$3.99
Good night Ladies
#
Orchestre de chambre
#
DÉBUTANT
#
Folk Song
#
Dan Severino
#
Good night Ladies
#
Piano Teacher Press
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.864726 Composed by Folk Song (attributed to Edwin Pearce Christy). Arranged by Dan Severino. Children,Instructiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.864726 Composed by Folk Song (attributed to Edwin Pearce Christy). Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6 pages. Piano Teacher Press #48775. Published by Piano Teacher Press (A0.864726). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s an elementary arrangement of a song associated with the minstrel shows of mid 19th century America, Goodnight Ladies.
$3.99
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
#
Orchestre de chambre
#
AVANCÉ
#
Igor Korneitchouk
#
The Disqualification of Harry
#
Studio at the Post
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
The Egret's Wishes《白鷺鷥的願望》
#
Orchestre de chambre
#
Ma Shui Long 馬水é¾
#
#
The Egret's Wishes《ç™
#
SpringAutumnmusic
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic ...
(+)
Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ 　本曲應白鷺鷥文教基金會之委託，特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ；全曲略分為四段，動機之發展亦為單純，但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian，第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ，大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002） The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
A Piano Rag
