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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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A Star Is Born
Non classifié
249
Piano & claviers
Piano seul
245
Piano, Voix et Guitare
134
Piano, Voix
77
Piano Facile
58
Accordéon
23
Piano grosses notes
17
Instruments en Do
11
1 Piano, 4 mains
7
Orgue
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
48
Guitare
40
Ligne De Mélodie, (Paroles) et Accords
27
Ukulele
27
Basse electrique
16
Paroles et Accords
3
4 Guitares (Quatuor)
2
Ensemble de guitares
1
2 Guitares (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
97
Chorale 3 parties
34
Pack Instrumental pour Chorale
17
Chorale TTBB
11
Chorale 2 parties
11
Chorale SSAA
7
Voix seule
7
Voix duo, Piano
6
Voix duo
6
Chorale Unison
4
Voix moyenne, Piano
3
Chorale
1
+ 7 instrumentations
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Quintette de Saxophone: 5 saxophones
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Saxophone
29
Clarinette
21
Flûte traversière
20
Quatuor de Saxophones: 4 saxophones
19
Saxophone (partie séparée)
18
Saxophone Tenor
13
2 Saxophones (duo)
12
Saxophone Alto
11
Clarinette (partie séparée)
11
Flûte traversière et Piano
10
Saxophone Alto et Piano
7
2 Flûtes traversières (duo)
6
Hautbois, Piano (duo)
6
3 Saxophones (trio)
6
Ensemble de Clarinettes
6
Clarinette et Piano
6
Saxophone Soprano
4
Quintette de Flûte : 5 flûtes
4
2 Clarinettes (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Tenor et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
3
Saxophone Soprano et Piano
3
3 Clarinettes (trio)
2
Flûte à Bec
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Ensemble de saxophones
2
Trio de Flûtes: 3 flûtes
1
Quatuor de Flûtes à bec
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Guitare
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Hautbois
1
Flûte à bec Soprano
1
Instruments en Mib
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Flute (partie séparée)
1
2 Flûte à bec (duo)
1
+ 41 instrumentations
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Cuivres
Trompette
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trompette (partie séparée)
21
Trombone
20
Trombone (partie séparée)
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trombone et Piano
6
Cor
6
Trompette, Piano
6
Cor (partie séparée)
5
Ensemble de Trombones
4
Cor et Piano
3
2 Trombones (duo)
3
Ensemble de Trompettes
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
Quatuor de Cuivres
2
Trombone basse
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instruments en Sib
1
Instruments en Fa
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Bass Clef Instruments
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon
21
Violon et Piano
16
Violoncelle
13
2 Violons (duo)
11
Violon, Violoncelle (duo)
10
2 Violoncelles (duo)
9
Violon (partie séparée)
7
Violoncelle, Piano
7
Harpe
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto seul
5
Alto, Piano
5
Ensemble d'Altos
4
Ensemble de Violons
4
Alto (partie séparée)
4
Violon, Alto (duo)
2
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, alto
1
Contre Basse
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
95
Orchestre
17
Ensemble Jazz
15
Ensemble de cuivres
11
Orchestre à Cordes
9
Percussion (partie séparée)
6
Fanfare
4
Cloches
4
Orchestre de chambre
4
Marimba
3
Batterie (partie séparée)
1
Batterie
1
Jazz combo
1
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--INSTRUMENTS--
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A Star Is Born
Orchestre de chambre
Partitions à imprimer
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BH012REC - Recorder Quartet Songs, Book 12 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH012REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921173 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 121 pages. Carl Van Pev...
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Chamber Orchestra - Level 3 - SKU: A0.921173 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 121 pages. Carl Van Pevenage #3011789. Published by Carl Van Pevenage (A0.921173). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 111 Folk song: Town partyChansonnette 112 Christmas Chorale: A new star is bornChansonnette 113 Awakening from hibernationChansonnette 114 Folk song: chuckle danceChansonnette 115 Romantic song: HeartacheChansonnette 116 Drinking song: Sparkling aleChansonnette 117 Romantic song: NightfallChansonnette 118 The happy swinging ratterChansonnette 119 The movie trailerChansonnette 120 Blessing in disguise
$9.95
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Concerto Grosso in F minor.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
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Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
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A Star Is Born
