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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Sua
Non classifié
1 514
Piano & claviers
Piano seul
4 344
Piano, Voix
2 384
Piano Facile
163
Piano, Voix et Guitare
100
Orgue
73
1 Piano, 4 mains
55
Instruments en Do
52
Piano (partie séparée)
15
Accompagnement Piano
15
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Piano grosses notes
3
2 Pianos, 4 mains
3
2 Accordéons
1
Accordéon
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
98
Guitare
84
Guitare (partie séparée)
30
Ligne De Mélodie, (Paroles) et Accords
13
2 Guitares (duo)
9
Ukulele
7
4 Guitares (Quatuor)
6
Dulcimer
4
Banjo
4
Ensemble de guitares
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Basse electrique
2
Mandoline
2
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
1 021
Chorale 2 parties
69
Chorale Unison
54
Chorale 3 parties
54
Chorale TTBB
31
Chorale SSAA
27
Voix duo, Piano
22
Voix Soprano, Piano
13
Voix duo
11
Voix haute
8
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Chorale SSATB
1
Chorale
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix seule
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Saxophone (partie séparée)
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Quatuor de Saxophones: 4 saxophones
73
Flûte, Hautbois, Clarinette, Basson
58
2 Flûtes traversières (duo)
51
Quatuor de Flûtes : 4 flûtes
48
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette
36
Hautbois, Piano (duo)
35
Quatuor de Clarinettes: 4 clarinettes
34
Clarinette et Piano
25
Saxophone Alto et Piano
23
Flûte traversière
23
Quintette de Saxophone: 5 saxophones
21
Saxophone Alto
19
Saxophone, Clarinette (duo)
16
Flûte, Clarinette (duo)
16
2 Clarinettes (duo)
15
Flute (partie séparée)
15
Saxophone Tenor
15
Ensemble de saxophones
15
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Clarinette, Trompette (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Trombone (duo)
11
Clarinette, Violon (duo)
11
Saxophone Soprano et Piano
11
Hautbois, Basson (duo)
10
Quatuor de Flûtes à bec
9
3 Saxophones (trio)
9
Flûte, Alto (duo)
8
2 Hautbois (duo)
8
Saxophone Baryton, Piano
8
Flûte à bec Soprano
8
Flûte, Violon
8
Flûte et Guitare
8
Cor anglais, Piano
7
Ensemble de Flûtes
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
6
3 Clarinettes (trio)
6
Clarinette (partie séparée)
6
Clarinette, Guitare (duo)
5
5 Flûtes à bec
5
Cor Anglais
5
Flûte, Trompette (duo)
5
Flûte, Violoncelle
4
Hautbois (partie séparée)
4
Clarinette, Basson (duo)
4
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
Flûte, Hautbois, Clarinette (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Trombone (duo)
3
Flûte à bec Alto
3
Clarinette Basse, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Violoncelle (duo)
3
Saxophone Soprano
2
Hautbois, Violoncelle
2
2 Flûte à bec (duo)
2
Flûte, Clarinette et Basson
2
Saxophone Baryton
2
Hautbois
2
Flûte, Violon, Piano
2
Saxophone et Harpe
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violon et Violoncelle
1
Flute, Cor (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Orchestre
1
Hautbois, Basson et Piano
1
Hautbois, Harpe
1
Saxophone et Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
3 Hautbois
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trombone (partie séparée)
70
Trompette (partie séparée)
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
24
Trombone et Piano
22
Trompette, Piano
21
Cor (partie séparée)
17
Cor et Piano
16
Tuba (partie séparée)
16
Trombone
14
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
12
2 Trompettes (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
8
Cor anglais, Piano
7
Ensemble de Trombones
6
2 Euphoniums et 2 Tubas
5
Cor Anglais
5
Tuba
5
Quatuor de Cuivres
5
Cor
4
Trombone, Orgue
4
Trio de Cuivres
4
Euphonium
3
Quatuor de cuivres: 4 trombones
3
Trompette, Cor (duo)
3
Ensemble de Cors
2
3 Trombones (trio)
2
Ensemble de Trompettes
2
2 Cors (duo)
2
4 Tubas
2
Clarinette, Cor (duo)
2
Trombone basse
2
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
Tuba et Orgue
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Trompette, Harpe
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
443
Violon, Violoncelle (duo)
178
Trio à Cordes: violon, alto, violoncelle
152
Violon
148
Violon et Piano
62
Harpe
57
Violoncelle
39
Violoncelle, Piano
39
Violon, Alto (duo)
26
Alto, Piano
26
2 Violons (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse (partie séparée)
16
2 Altos (duo)
14
Alto seul
12
Violon (partie séparée)
6
Violon, Guitare (duo)
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
Contre Basse
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
1
Alto et Basson
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violon, Basse continue
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
223
Orchestre à Cordes
191
Ensemble Jazz
99
Orchestre
73
Ensemble de cuivres
57
Orchestre de chambre
47
Fanfare
33
Cloches
26
Jazz combo
26
Batterie (partie séparée)
17
Ensemble de Percussions
16
Batterie
10
Marimba
4
Orchestre, Violon
2
Xylophone
2
Vibraphone
2
Ensemble d'École
1
Piano et Orchestre
1
Percussion
1
Xylophone, Piano
1
2 Caisses Claires (duo)
1
Percussion (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Orchestre de chambre
Partitions à imprimer
47 partitions trouvées
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1
26
THEATRICASUALTIES
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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THEATRICASUALTIES
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314415 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 59 pages. Lee Johnson Music #903163. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314415 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 59 pages. Lee Johnson Music #903163. Published by Lee Johnson Music (A0.1314415). THEATRICASUALTIESfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
O suavitas et dulcedo for Trombone or Low Brass Octet
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Orchestre de chambre
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FACILE
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Classique
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Eric Burger Music
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O suavitas et dulcedo for Trom
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Eric Burger Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.508217 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3562025. Published by...
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Chamber Orchestra - Level 2 - SKU: A0.508217 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3562025. Published by Eric Burger Music (A0.508217). View the score with playback at: https://youtu.be/Kyw_daEpqVA Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$12.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Serenade Rondo (2013) for violin solo and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Serenade Rondo
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
The Can-Can
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Orchestre de chambre
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DÉBUTANT
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Classique
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Jacques Offenbach
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Snezana Ivkovic
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The Can-Can
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World Violin Academy
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1169774 Composed by Jacques Offenbach. Arranged by Snezana Ivkovic. 19th Century,Classical,Romantic Period. Score ...
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Chamber Orchestra - Level 1 - SKU: A0.1169774 Composed by Jacques Offenbach. Arranged by Snezana Ivkovic. 19th Century,Classical,Romantic Period. Score and Parts. 9 pages. World Violin Academy #770084. Published by World Violin Academy (A0.1169774). Violin Orchestra Arrangement for Three Violin Sections. Educational violin learning method for violin teachers, students, and self-learners. The orchestra arrangement can be performed as a violin trio, violin duo, or solo violin. The colored scores give visually attractive and easy-to-track musical parts.The violin sections are set by the level of difficulty. The third violin is for the very beginners performing the open strings. The second and first violin is for first-grade students, performing in the first position.
$10.99
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Orchestral Suite No 3 in D Major BWV 1068
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Orchestre de chambre
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Maj
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
Halloween Prelude for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Halloween
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Film/TV
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Mark Bisson
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Halloween Prelude for Small Or
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Mark Bisson
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by M...
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Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Flavio Regis Cunha
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MADAMINA
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Homage to Sibelius
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #89...
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Chamber Orchestra - Level 4 - SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
Mahler (arr. Lee): Symphony No. 4 in G Major 2nd movement, Full Score
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Orchestre de chambre
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AVANCÉ
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Classique
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Gustav Mahler
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Yoon Jae Lee
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Mahler
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.866073 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period. Score and parts. 39 pages. Ondine Pre...
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Chamber Orchestra - Level 5 - SKU: A0.866073 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period. Score and parts. 39 pages. Ondine Press #2011447. Published by Ondine Press (A0.866073). This arrangement of Mahler's most intimate orchestral work can be performed by a chamber orchestra of approximately 26 to 34 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Instrumentation: 1d1, 1d1, 2d Eflat & bass cl, 1 - 2, 0, 0, 0 - 2 (3) perc, 1 hrp - str. Illuminating.....with solos leaping out in unusually bold detail. - New York Times. NOTE: This is the full score of the 2nd movement only. Sold in individual movements due to technical limits of Digital Print Publishing regarding # of pages in a file.
$20.00
STATISTICAL ANOMALY
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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STATISTICAL ANOMALY
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314421 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 50 pages. Lee Johnson Music #903171. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314421 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 50 pages. Lee Johnson Music #903171. Published by Lee Johnson Music (A0.1314421). STATISTICAL ANOMALYfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
WAR GAMING
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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WAR GAMING
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314394 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 49 pages. Lee Johnson Music #903126. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314394 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 49 pages. Lee Johnson Music #903126. Published by Lee Johnson Music (A0.1314394). War Gamingfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
FIRST NINE MOVES
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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FIRST NINE MOVES
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314440 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 52 pages. Lee Johnson Music #903192. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314440 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 52 pages. Lee Johnson Music #903192. Published by Lee Johnson Music (A0.1314440). FIRST NINE MOVESfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
PROVING PHOENIX
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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PROVING PHOENIX
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314437 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 44 pages. Lee Johnson Music #903188. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314437 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 44 pages. Lee Johnson Music #903188. Published by Lee Johnson Music (A0.1314437). PROVING PHOENIXfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
RALLY
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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RALLY
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314436 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 61 pages. Lee Johnson Music #903184. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314436 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 61 pages. Lee Johnson Music #903184. Published by Lee Johnson Music (A0.1314436). RALLYfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
AWARD
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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AWARD
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314451 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 29 pages. Lee Johnson Music #903204. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314451 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 29 pages. Lee Johnson Music #903204. Published by Lee Johnson Music (A0.1314451). AWARDfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
SPUNALYSIS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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SPUNALYSIS
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314428 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 46 pages. Lee Johnson Music #903178. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314428 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 46 pages. Lee Johnson Music #903178. Published by Lee Johnson Music (A0.1314428). SPUNALYSISfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
BOARD
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Lee Johnson
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BOARD
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1314446 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 22 pages. Lee Johnson Music #903198. Published by Le...
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Chamber Orchestra - Level 4 - SKU: A0.1314446 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 22 pages. Lee Johnson Music #903198. Published by Lee Johnson Music (A0.1314446). BOARDfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
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