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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Air Tune
Non classifié
475
Piano & claviers
Piano seul
210
Orgue
61
Piano Facile
47
Piano, Voix et Guitare
35
Piano, Voix
33
Instruments en Do
14
Accordéon
11
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
4
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Orgue, Trompette (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
58
Guitare
22
Ukulele
14
Mandoline
12
Guitare (partie séparée)
8
Banjo
7
2 Guitares (duo)
7
Basse electrique
6
Dulcimer
4
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
1
4 Guitares (Quatuor)
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
170
Chorale 3 parties
59
Chorale TTBB
24
Chorale 2 parties
24
Chorale Unison
21
Chorale SSAA
11
Voix duo, Piano
3
Voix Baryton, Piano
2
Voix seule
2
Voix Mezzo-Soprano, Piano
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Saxophone (partie séparée)
26
Quatuor de Clarinettes: 4 clarinettes
25
Hautbois, Piano (duo)
25
Quatuor de Saxophones: 4 saxophones
23
Flûte traversière et Piano
22
2 Saxophones (duo)
19
Clarinette et Piano
18
2 Flûtes traversières (duo)
18
Flûte, Hautbois, Clarinette, Basson
17
Flûte traversière
16
2 Clarinettes (duo)
14
Quatuor de Flûtes : 4 flûtes
13
Flûte, Trombone (duo)
12
Clarinette
11
Flûte, Clarinette (duo)
11
Saxophone Alto et Piano
11
Saxophone Alto
9
Saxophone Tenor et Piano
9
Ensemble de Clarinettes
8
3 Clarinettes (trio)
8
Saxophone Tenor
7
Quintette de Saxophone: 5 saxophones
6
Saxophone
6
Flute (partie séparée)
6
3 Saxophones (trio)
6
Saxophone et Harpe
6
Trio de Flûtes: 3 flûtes
6
Ensemble de saxophones
5
Flûte, Clarinette et Basson
5
Clarinette (partie séparée)
5
Flûte à Bec
5
Saxophone Soprano et Piano
5
Hautbois (partie séparée)
4
Clarinette, Harpe (duo)
4
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
2 Hautbois (duo)
3
Ensemble de Flûtes
3
Saxophone, Clarinette (duo)
3
Flute, harpe et violon
3
Harmonica
3
Clarinette, Violon (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violon
3
2 Flûte à bec (duo)
2
Ensemble De Flûte à bec
2
Cor Anglais
2
Cor anglais, Piano
2
Saxophone, Violon (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Violon et Violoncelle
2
Flûte, Alto (duo)
2
Flûte irlandaise
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette (duo)
2
Hautbois, Basson (duo)
2
Flûte à bec Alto, Piano
2
Flute, Cor (duo)
2
Clarinette, Trompette (duo)
1
Hautbois, Flûte
1
Flûte, Tuba (duo)
1
Saxophone Baryton, Piano
1
Flûte, Trompette (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Clarinette Basse, Piano
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano
1
Flûte, Violoncelle, Piano (trio)
1
Ocarina
1
Hautbois, Harpe
1
Hautbois, Violoncelle
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone (partie séparée)
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Trompette
14
Trompette, Piano
11
Trompette (partie séparée)
11
Trombone et Piano
8
2 Trompettes (duo)
7
Cor
6
Trombone
6
2 Trombones (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Trompette, Trombone (duo)
5
Cor et Harpe
5
Cor (partie séparée)
4
Trompette, Saxophone (duo)
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
Trompette, Harpe
3
Trompette, Violoncelle (duo)
2
Trompette et Guitare
2
2 Cors (duo)
2
Cor Anglais
2
Cor anglais, Piano
2
2 Euphoniums et 2 Tubas
2
Trompette, violon (duo)
2
Trombone, Orgue
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trompettes
1
2 Tubas (duo)
1
Clarinette, Cor (duo)
1
Quatuor de Cuivres
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Ensemble de Tubas
1
Ensemble de Trombones
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 cors
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trompettes
1
+ 37 instrumentations
Retracter
Cordes
Harpe
76
Quatuor à cordes: 2 violons, alto, violoncelle
68
Violon et Piano
55
Violon
45
Trio à Cordes: violon, alto, violoncelle
21
2 Violons (duo)
17
2 Harpes (duo)
14
Alto, Piano
14
Violon, Violoncelle (duo)
13
Violoncelle, Piano
12
Violoncelle
10
Violon, Guitare (duo)
9
Alto seul
8
Violon (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Violoncelles (duo)
7
Harpe, Voix
6
Contrebasse (partie séparée)
5
Violon, Alto (duo)
5
Harpe, Flûte (duo)
5
Contre Basse
4
Alto et Harpe
4
Alto (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
Harpe, Violoncelle (duo)
3
Alto, Violoncelle (duo)
3
Harpe, Violon (duo)
3
2 Altos (duo)
3
4 Violoncelles
2
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Ensemble d'Altos
1
Violon, Basson (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Autoharp
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Flûte, Contrebasse (duo)
1
Alto, Guitare (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
291
Cloches
59
Orchestre à Cordes
49
Orchestre
36
Ensemble de cuivres
29
Fanfare
29
Ensemble Jazz
25
Jazz combo
16
Orchestre de chambre
8
Batterie
7
Batterie (partie séparée)
4
Ensemble de Percussions
2
Percussion
2
2 Xylophones
1
Xylophone, Piano
1
+ 10 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Air Tune
Orchestre de chambre
Partitions à imprimer
8 partitions trouvées
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1
Scarborough Affair
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Orchestre de chambre
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INTERMÉDIAIRE
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Phil Thrift
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Phil Thrift
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Scarborough Affair
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Phil Thrift
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. 80 pages. Phil T...
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Chamber Orchestra - Level 3 - SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. 80 pages. Phil Thrift #6674855. Published by Phil Thrift (A0.955747). If you’re looking for a respectable, for the listener undemanding, arrangement of the well-known English folk song Scarborough Fair, then this version may not be for you. Scarborough Affair is a refreshing new take on the original: The familiar melody is never heard in its entirety, there are jazzy harmonies and jazzy syncopations, 5/8 and 7/8 measures, and the arrangement isn’t even in the 3/4 time of the original song. When a 3/4 section does finally appear, featuring a solo for your cor anglais player, the listener gets to hear a variation on the well-known tune.This arrangement is the chamber orchestra edition of the original arrangement I wrote for a wind ensemble and has parts for the following instruments:3 flutes (3rd flute doubling piccolo)2 oboesCor anglais2 Bb clarinets2 bassoonsTrumpet (C and Bb parts included)TromboneHarpsichord doubling pianoStringsYour horn and percussion players can take a break and you may wish to reduce the number of strings.
$26.99
Fairytale Of New York
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Orchestre de chambre
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INTERMÉDIAIRE
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The Pogues featuring Kirsty Ma
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PJM
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Fairytale Of New York
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Pamela Moutoussi
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1265035 By The Pogues featuring Kirsty MacColl. By Jeremy Finer and Shane MacGowan. Arranged by PJM. 20th Century,...
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Chamber Orchestra - Level 3 - SKU: A0.1265035 By The Pogues featuring Kirsty MacColl. By Jeremy Finer and Shane MacGowan. Arranged by PJM. 20th Century,Celtic,Christmas,Contest,Festival,Holiday,Irish. Score and Parts. 45 pages. Pamela Moutoussi #857864. Published by Pamela Moutoussi (A0.1265035). A popular Christmas pop tune arranged for Chamber orchestra.
$50.00
Scarborough Fair - String Group or String Orchestra
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Orchestre de chambre
#
INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional English Tune
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Brendan Elliget MAGA 537
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Scarborough Fair - String Grou
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750953 Composed by Traditional English Tune. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 15 pages...
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Chamber Orchestra - Level 3 - SKU: A0.750953 Composed by Traditional English Tune. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 15 pages. BJE Music #5204207. Published by BJE Music (A0.750953). Scarborough Fair is a traditional English folk song from the Middle Ages, referring to an old fair in Scarborough, Yorkshire. As a market fair, comprising of traders, merchants and other vendors, it started sometime in the 14th century and used to take place until the 18th century. The melody is in Dorian mode and is very typical of the Middle English period.This straightforward but useful arrangement is for a String Group or Orchestra with an optional part for Piano or Harp. Violin 1 is split into two parts - Melody and a Descant line. Harmony parts for Violins 2 and 3. Viola Part is doubled on Violin 4. Cello and Double Bass on the bassline.The MP3 was recorded with NotePerformer 3Grade = 3 Duration = 2:55 mins
$7.50
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
#
AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Happy Summer Days
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Orchestre de chambre
#
INTERMÉDIAIRE
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Mark Jolyon Sinclair
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Happy Summer Days
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Mark Jolyon Sinclair
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1000236 Composed by Mark Jolyon Sinclair. Contemporary,Film/TV. Score and parts. 20 pages. Mark Jolyon Sinclair #6...
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Chamber Orchestra - Level 3 - SKU: A0.1000236 Composed by Mark Jolyon Sinclair. Contemporary,Film/TV. Score and parts. 20 pages. Mark Jolyon Sinclair #6329403. Published by Mark Jolyon Sinclair (A0.1000236). This is a very happy tune! It lifts the spirits and makes you smile. A great combination of a String Quartet and French Horn. .
$6.99
Be Thou My Vision
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Orchestre de chambre
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FACILE
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Celtique/Irlandais
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
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