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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All My Life
Non classifié
702
Piano & claviers
Piano seul
333
Piano, Voix
181
Piano, Voix et Guitare
162
Piano Facile
136
Instruments en Do
39
Orgue
22
Piano grosses notes
17
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
7
2 Pianos, 4 mains
6
Accompagnement Piano
4
Accordéon
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
18
Basse electrique
17
Ligne De Mélodie, (Paroles) et Accords
15
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Mandoline
3
Dulcimer
2
Paroles et Accords
2
Piano, Guitare (duo)
1
Banjo
1
3 Guitares (trio)
1
+ 7 instrumentations
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Voix
Chorale SATB
224
Chorale 3 parties
47
Chorale TTBB
29
Chorale 2 parties
23
Chorale Unison
15
Chorale SSAA
15
Voix duo, Piano
12
Voix seule
10
Voix Soprano, Piano
9
Voix duo
6
Voix haute
6
Voix Alto, Piano
4
Voix Tenor, Piano
2
Chorale
2
Voix Baryton, Piano
2
Voix Tenor
2
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix basse
1
+ 14 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
147
Quintette de Saxophone: 5 saxophones
120
Flûte, Hautbois, Clarinette, Basson
88
Quatuor de Saxophones: 4 saxophones
82
Flûte traversière et Piano
52
Hautbois, Piano (duo)
48
Flûte traversière
47
Clarinette
31
Clarinette et Piano
29
Hautbois
28
2 Saxophones (duo)
24
Saxophone (partie séparée)
22
2 Flûtes traversières (duo)
20
Saxophone Alto
18
Saxophone Alto et Piano
18
Saxophone Tenor et Piano
17
Saxophone Tenor
16
2 Clarinettes (duo)
15
Quatuor de Clarinettes: 4 clarinettes
14
Hautbois (partie séparée)
11
Flûte et Guitare
10
2 Hautbois (duo)
9
Flûte, Clarinette (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
2 Flûte à bec (duo)
8
Ensemble de Clarinettes
7
Flûte à bec Soprano
6
Saxophone Baryton, Piano
6
Flute (partie séparée)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette, Guitare (duo)
5
Hautbois, Clarinette (duo)
5
Flûte, Hautbois (duo)
4
Ensemble de saxophones
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Basson (duo)
4
Saxophone Soprano et Piano
3
Flûte, Trompette (duo)
3
Clarinette, Basson (duo)
2
Saxophone, Clarinette (duo)
2
Flûte, Violon, Piano
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
3 Clarinettes (trio)
2
Clarinette Basse, Piano
2
Hautbois, Flûte
2
Flûte, Violon et Violoncelle
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Cor anglais, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone et Orgue
1
Flûte, Alto et Piano
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Ensemble de Flûtes
1
Flûte, Basson et Piano
1
Flûte, Clarinette et Basson
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres
71
Tuba
52
Cor et Piano
43
Cor
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Trompette
38
Trombone
37
Trombone et Piano
27
Trompette, Piano
27
Tuba et Piano
25
2 Trombones (duo)
10
2 Trompettes (duo)
9
2 Cors (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Trombone (duo)
5
2 Tubas (duo)
5
Ensemble de Trombones
4
Trompette, Cor (duo)
4
Ensemble de Trompettes
3
Euphonium
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
3 Trombones (trio)
1
Trompette, Basson (duo)
1
Cor anglais, Guitare (duo)
1
4 Tubas
1
Cor anglais, Piano
1
Ensemble de Cors
1
Trompette (partie séparée)
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
173
Quintette à cordes: 2 violons, alto, violoncelle, basse
86
Violon
44
Violon et Piano
42
Violoncelle
36
Contrebasse, Piano (duo)
34
Contre Basse
32
Violoncelle, Piano
30
Alto, Piano
29
Alto seul
23
Violon, Violoncelle (duo)
22
2 Violoncelles (duo)
14
2 Violons (duo)
13
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
2 Altos (duo)
10
Harpe
9
Harpe, Voix
5
Alto (partie séparée)
4
2 Contrebasses (duo)
4
Ensemble d'Altos
4
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
2 Altos, Piano
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
118
Orchestre
29
Orchestre à Cordes
26
Ensemble Jazz
20
Fanfare
18
Orchestre de chambre
14
Ensemble de cuivres
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Jazz combo
8
Cloches
7
Batterie
5
Marimba
2
Ensemble de Percussions
2
Vibraphone
1
Xylophone
1
+ 10 instrumentations
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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HAUTBOIS
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
All My Life
Orchestre de chambre
Partitions à imprimer
14 partitions trouvées
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1
Love Of My Life
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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Queen
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Marek Czekala
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Love Of My Life
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.915202 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Marek Czekala. Rock. Score and parts. 30 pa...
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Chamber Orchestra - Level 3 - SKU: A0.915202 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Marek Czekala. Rock. Score and parts. 30 pages. Marek Czekala #6745209. Published by Marek Czekala (A0.915202). „Love of my Life, a sentimental ballad was written by Freddie Mercury. This arrangement is intended for students and school orchestras who would like to expand their repertoire.
$50.00
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
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Orchestre de chambre
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AVANCÉ
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Classique
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoff...
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Chamber Orchestra - Level 5 - SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
Ever Forward
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Orchestre de chambre
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INTERMÉDIAIRE
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Trinity Chamber Orchestra of B
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contempora...
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Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH015REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Va...
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Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Van Pevenage #4324591. Published by Carl Van Pevenage (A0.921196). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken Wings Chansonnette 143 Folk dance: His castle on the hill Chansonnette 144 Daughter's reflection Chansonnette 145 Maybe old, probably not wise, happy for sure Chansonnette 146 Romantic song: Turn your face to the sun Chansonnette 147 Hello Mr. Fun Chansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality.
$9.95
Concerto for solo cello and sinfonietta op.3
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Orchestre de chambre
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AVANCÉ
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Angus Ludfranz
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/
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Concerto for solo cello and si
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Angus Ludfranz
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 page...
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Chamber Orchestra - Level 5 - SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why don’t I write a cello concerto by myself? That’s why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
$11.90
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
The Hunt
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Orchestre de chambre
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AVANCÉ
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Publis...
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Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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Orchestre de chambre
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INTERMÉDIAIRE
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David Warin Solomons
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Bunny Rabbits for Chamber Orch
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons...
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Chamber Orchestra - Level 3 - SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
Fitch Overture for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...
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Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
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