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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Over
Non classifié
5 951
Piano & claviers
Piano grosses notes
3 303
Piano seul
3 122
Orgue
1 700
Piano, Voix
1 272
Piano Facile
1 005
Piano, Voix et Guitare
960
Instruments en Do
266
1 Piano, 4 mains
72
Clavier
62
Accordéon
52
Piano Trio: piano, violon, violoncelle
45
2 Pianos, 4 mains
36
Accompagnement Piano
25
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano (partie séparée)
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Piano (duo)
2
Clavecin
2
2 Pianos, 8 mains
2
Ensemble de Pianos
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
Tous Les Instruments
1
+ 20 instrumentations
Retracter
Guitares
Basse electrique
350
Ukulele
331
Guitare
318
Guitare notes et tablatures
269
Ligne De Mélodie, (Paroles) et Accords
102
Mandoline
88
Paroles et Accords
48
2 Guitares (duo)
37
Banjo
22
4 Guitares (Quatuor)
20
Dulcimer
18
Piano, Guitare (duo)
14
Guitare (partie séparée)
12
3 Guitares (trio)
8
Ensemble de guitares
3
2 Ukuleles
2
Guitare, Violon, Violoncelle (trio)
2
Cithare
1
2 Mandolines (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 155
Chorale Unison
482
Chorale 3 parties
359
Chorale 2 parties
177
Chorale TTBB
159
Chorale SSAA
145
Voix Alto, Piano
58
Voix seule
48
Voix Baryton, Piano
47
Voix Soprano, Piano
41
Pack Instrumental pour Chorale
39
Voix duo, Piano
28
Voix Tenor
27
Voix haute
25
Voix Soprano
23
Voix Tenor, Piano
23
Voix duo
16
Chorale
15
Voix basse, Piano
6
Chorale SSATB
4
Voix moyenne, Piano
4
Chorale SSAATTBB
4
Voix, Guitare
3
Voix Mezzo-Soprano, Piano
3
Soli, choeur mixte et accompagnement
3
Chorale SATTBB A Cappella
1
+ 21 instrumentations
Retracter
Vents
2 Saxophones (duo)
516
Quatuor de Saxophones: 4 saxophones
338
Clarinette et Piano
325
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
323
Flûte traversière et Piano
314
Hautbois, Piano (duo)
278
Clarinette
259
Flûte, Hautbois, Clarinette, Basson
238
Flûte traversière
233
2 Clarinettes (duo)
213
Saxophone Alto et Piano
211
2 Flûtes traversières (duo)
209
Saxophone Alto
183
Saxophone Tenor et Piano
179
Quintette de Saxophone: 5 saxophones
162
Quatuor de Clarinettes: 4 clarinettes
162
Saxophone, Clarinette (duo)
145
Saxophone Soprano et Piano
132
Saxophone Tenor
126
Saxophone (partie séparée)
124
2 Hautbois (duo)
117
Hautbois (partie séparée)
115
Ocarina
113
3 Saxophones (trio)
112
Flûte, Clarinette (duo)
108
Saxophone Baryton, Piano
108
Hautbois
99
Clarinette, Violon (duo)
99
Ensemble de saxophones
89
Hautbois, Clarinette (duo)
79
3 Clarinettes (trio)
73
Quatuor de Flûtes : 4 flûtes
73
Hautbois, Basson (duo)
73
Flûte à bec Soprano
68
Clarinette, Trompette (duo)
63
Ensemble de Clarinettes
58
Ensemble de Flûtes
57
Flûte, Violon
54
2 Flûte à bec (duo)
51
Cor anglais, Piano
50
Hautbois, Flûte
50
Clarinette et Alto
50
Saxophone Soprano
46
Trio de Flûtes: 3 flûtes
44
Quintette de Clarinettes: 5 clarinettes
43
Flûte, Saxophone (duo)
42
Saxophone Baryton
38
Clarinette Basse, Piano
38
Flûte, Trompette (duo)
36
Flûte, Alto (duo)
33
Ensemble De Flûte à bec
31
2 Flûtes traversières, Piano
31
Quatuor de Flûtes à bec
27
Flûte à Bec
25
Flûte, Violon, Piano
23
Flûte à bec Alto
22
Hautbois, Violoncelle
22
Flûte et Guitare
20
Clarinette, Basson (duo)
19
Flûte, Violon et Violoncelle
19
Flute (partie séparée)
17
Harmonica
17
Flûte, Hautbois, Basson
16
Clarinette (partie séparée)
16
Flûte, Clarinette et Basson
15
Quintette de Flûte : 5 flûtes
14
Flûte, Violoncelle
13
Flûte, Hautbois (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette, Guitare (duo)
12
Flûte, Hautbois, Piano (trio)
11
Clarinette, Violoncelle (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Trombone (duo)
11
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Clarinette, Piano (trio)
9
Cor Anglais
9
Piccolo, Piano
9
5 Flûtes à bec
7
Flûte, Basson et Piano
7
Flûte, Violoncelle, Piano (trio)
7
3 Flûtes à bec (trio)
7
Flûte, Alto et Piano
6
Flûte, trombone et piano
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte, Violon, Violoncelle et Piano
6
Flûte à bec Tenor
6
2 Clarinettes, Piano
5
2 Saxophones, Piano
4
Saxophone et Orgue
4
Flûte à bec Alto, Piano
4
Flute, harpe et violon
4
Hautbois, violon (duo)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Harpe (duo)
3
2 Hautbois, Piano
3
Instruments en Mib
3
Hautbois, Guitare (duo)
3
Piccolo
3
Clarinette, Alto et Piano (trio)
3
Flûte et Trio à cordes
2
Cor anglais, Guitare (duo)
2
Flûte, Violoncelle, Guitare
2
Hautbois, Violoncelle et Piano
2
4 Hautbois
2
Clarinette, trompette et piano
2
Hautbois et alto (duo)
2
Flûte à bec Soprano, Piano
2
Saxophone
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble à vent
1
Clarinette Basse
1
Saxophone et Guitare
1
Cornemuse
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Tuba
1
Flûte traversière, Orchestre
1
Cor anglais et Harpe (duo)
1
Flûte traversière, Basse continue
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
Clarinette, Contrebasse (duo)
1
+ 121 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
353
Trompette
247
Trombone et Piano
234
Trompette, Piano
224
Cor et Piano
184
Trombone
172
Quatuor de Cuivres : 2 trompettes, trombone, tuba
149
Cor
147
2 Trombones (duo)
144
Tuba
140
Tuba et Piano
125
2 Trompettes (duo)
124
Quatuor de Cuivres: 2 trompettes, Cor, trombone
111
Trompette, Saxophone (duo)
94
Trompette, Trombone (duo)
88
2 Cors (duo)
82
Quatuor de Cuivres
63
Euphonium, Piano (duo)
62
Quatuor de cuivres: 4 trombones
61
Cor anglais, Piano
50
Trompette (partie séparée)
50
Trombone (partie séparée)
49
2 Tubas (duo)
36
Ensemble de Trombones
31
Quatuor de cuivres: 4 cors
20
Trompette, Cor (duo)
18
Cor (partie séparée)
14
Ensemble de Trompettes
14
Quatuor de cuivres: 4 trompettes
13
3 Trombones (trio)
12
Tuba (partie séparée)
9
Cor Anglais
9
Trombone, Cor (duo)
9
Trio de Cuivres
9
2 Euphoniums (duo)
8
4 Tubas
7
Trombone, Tuba (duo)
7
3 Tubas (trio)
6
Trombone basse et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Ensemble de Cors
6
Trompette, Tuba (duo)
6
Trombone basse
5
Instruments en Sib
5
Cor, Tuba (duo)
4
Euphonium, Tuba (duo)
4
2 Euphoniums et 2 Tubas
4
Bass Clef Instruments
4
2 Trompettes, Clavier (piano ou orgue)
3
2 Cors, Piano
3
Cor, Violoncelle (duo)
3
Cor anglais, Guitare (duo)
2
Euphonium
2
3 Trompettes (trio)
2
Cor et Orgue
2
Trompette, Basson (duo)
2
3 Euphoniums
2
Tuba et Orgue
2
Trompette, Trombone, Piano
1
3 Cors (trio)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
Instruments en Fa
1
Trompette, Euphonium (duo)
1
Cor et Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Trombone, Orgue
1
Cor et Harpe
1
Trompette, Harpe
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
832
Violon et Piano
354
Violon
324
Violoncelle
311
Violoncelle, Piano
283
Alto, Piano
283
Violon, Violoncelle (duo)
258
2 Violons (duo)
193
Alto seul
158
2 Violoncelles (duo)
149
Violon, Alto (duo)
148
Quintette à cordes: 2 violons, alto, violoncelle, basse
144
Trio à Cordes: violon, alto, violoncelle
136
2 Altos (duo)
132
Harpe
131
Contre Basse
122
Trio à Cordes: 2 violons, violoncelle
114
Contrebasse, Piano (duo)
107
Violon (partie séparée)
39
Alto, Violoncelle (duo)
30
Alto (partie séparée)
29
2 Contrebasses (duo)
28
Trio à cordes: 3 violins
19
Trio à Cordes: 3 violoncelles
18
4 Violoncelles
18
Quatuor à cordes: 4 violons
16
Contrebasse (partie séparée)
16
Piano Trio: Violon, Alto, Piano
13
2 Harpes (duo)
12
Violoncelle, Contrebasse (duo)
12
Quatuor à cordes : 4 altos
10
Violoncelle (partie séparée)
10
Harpe, Flûte (duo)
9
Trio à Cordes: 2 violons, alto
8
Violoncelle , Guitare (duo)
8
Flûte, Contrebasse (duo)
7
Trio à cordes: 3 altos
7
Ensemble de Violons
5
Harpe, Violon (duo)
5
Violon, Basson (duo)
5
Violon, Guitare (duo)
5
Harpe, Voix
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Clarinette, Piano (trio)
4
Trio à cordes
4
2 Violoncelles, Piano
3
4 Contrebasses
3
2 Altos, Piano
3
Ensemble d'Altos
3
Alto et Harpe
2
3 Contrebasses
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Orgue
2
2 Violons, Piano
2
Alto et Basson
1
Violoncelle, Orchestre
1
Violon, Tuba (duo)
1
3 Harpes
1
Harpe et Piano
1
4 Harpes
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 771
Orchestre à Cordes
436
Orchestre
353
Ensemble Jazz
186
Ensemble de cuivres
183
Orchestre de chambre
114
Cloches
86
Jazz combo
84
Fanfare
63
Batterie
52
Percussion
30
Ensemble de Percussions
30
Percussion (partie séparée)
15
Marimba
8
Batterie (partie séparée)
5
Ensemble d'École
5
Piano et Orchestre
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
3
Xylophone, Piano
2
2 Xylophones
2
Caisse Claire
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
2
Vibraphone et Marimba
1
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
Bongos
1
+ 23 instrumentations
Retracter
Autres
Théorie de la musique
4
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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All Over
Orchestre de chambre
Partitions à imprimer
114 partitions trouvées
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101
Les Indes Galantes - Prologue (Overture)
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Orchestre de chambre
#
AVANCÉ
#
Jean Phillipe Rameau
#
Arte Nova Music Lab
#
Les Indes Galantes - Prologue
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Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 5 - SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
The Basis Of It All
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Orchestre de chambre
#
AVANCÉ
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Don Hodell Chilcote
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Don Hodell Chilcote
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The Basis Of It All
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Don Hodell Chilcote
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.779077 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Jazz,Rock,World. Score and parts....
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Chamber Orchestra - Level 5 - SKU: A0.779077 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Jazz,Rock,World. Score and parts. 3 pages. Don Hodell Chilcote #6231299. Published by Don Hodell Chilcote (A0.779077). The Basis Of It All is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is a sketch chart and improvised over, and is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. .
$1.99
MOZART-Debbaut: Overture to "Il re pastore" (The Shepherd king) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Wolfgang Amadeus Mozart
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Robert Debbaut
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MOZART-Debbaut: Overture to &q
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.939402 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Opera....
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Chamber Orchestra - Level 4 - SKU: A0.939402 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Opera. 57 pages. ROBERT DEBBAUT #6342173. Published by ROBERT DEBBAUT (A0.939402). This overture would make a lively concert opener for a group with smaller forces, or work just as well with a large string section. In the opera itself (Il re pastore, The Shepherd King; 1775), Mozart's overture  segues directly into the opening scene of Act One. Other Mozart overtures that segue thusly have been arranged with concert endings, such as The Abduction from the Seraglio (arr. Anton Andre) and Idomeneo, King of Crete (arr. Carl Reinecke). Most of the music contained in this arrangement is Mozart's, including the existing material from the original overture, developmental material of that music, and a segment extracted from the opera's final section. The work is about six minutes in length and is scored for one flute, two oboes, two bassoons, two horns in F, two trumpets in C, timpani, and string orchestra. A NotePerformer3 audio file is available from the arranger, as are parts in pdf format. If you purchase, please write to the arranger at debbaut@gmail.com, subject Mozart and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
A Short Overture for a Small Orchestra - score and parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Philip Orem
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A Short Overture for a Small O
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Philip Orem
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.872623 Composed by Philip Orem. Contemporary. Score and parts. 56 pages. Philip Orem #3544299. Published by Philip...
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Chamber Orchestra - Level 4 - SKU: A0.872623 Composed by Philip Orem. Contemporary. Score and parts. 56 pages. Philip Orem #3544299. Published by Philip Orem (A0.872623). This short piece is lots of fun and a perfect companion to my Requiem as it uses the same orchestra. Starting slow and lyrically and then becoming more rhythmic, there is lots of color in this little gem.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$45.00
Halloween Prelude for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Halloween
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Film/TV
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Mark Bisson
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Halloween Prelude for Small Or
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Mark Bisson
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by M...
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Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
Someone To Watch Over Me
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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George Gershwin and Ira Gershw
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Chris Walden
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Someone To Watch Over Me
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Chris Walden
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.708363 Composed by George Gershwin and Ira Gershwin. Arranged by Chris Walden. Contemporary. Score and parts. 44 p...
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Chamber Orchestra - Level 3 - SKU: A0.708363 Composed by George Gershwin and Ira Gershwin. Arranged by Chris Walden. Contemporary. Score and parts. 44 pages. Chris Walden #6520861. Published by Chris Walden (A0.708363). Slow Ballad for female vocal, small chamber orchestra, and rhythm section in the key of G, 74BPM.Instrumentation: flute, alto flute (sopr.sax), bass clar., 2 trumpets, 2 trombones, vibes, harp, guitar, piano, bass, drums, strings.
$55.00
Fitch Overture for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...
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Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
Nutcracker - Miniature Overture (Reduced orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Matthew Lax
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Nutcracker - Miniature Overtur
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Matthew Lax
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.818035 Composed by Peter Ilyich Tchaikovsky. Arranged by Matthew Lax. Christmas,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.818035 Composed by Peter Ilyich Tchaikovsky. Arranged by Matthew Lax. Christmas,Romantic Period. Score and parts. 82 pages. Matthew Lax #5221831. Published by Matthew Lax (A0.818035). Tchaikovsky's Miniature Overture from his Nutcracker Ballet - here with reduced wind/brass so that it is performed with just one flute, oboe, clarinet, bassoon, horn, trumpet, trombone, triangle and (small) string section. As with the original there are no cellos and double basses used in this arrangement.
$25.00
Lacrimosa (Requiem of Emmett Till Ballet Score)
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Orchestre de chambre
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Michael Dryver, Composer
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Lacrimosa
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Contemporary Choral Series
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SheetMusicPlus
Chamber Orchestra - SKU: A0.982668 Composed by Michael Dryver, Composer. Contemporary,Spiritual. Score and parts. 26 pages. Contemporary Choral Series #...
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Chamber Orchestra - SKU: A0.982668 Composed by Michael Dryver, Composer. Contemporary,Spiritual. Score and parts. 26 pages. Contemporary Choral Series #4841649. Published by Contemporary Choral Series (A0.982668). Requiem Ballet. Dance ballet piece of victory over death through God and salvation. Symbolic of resurrection on many levels; spiritual, memory of the tragic murder, the injustice of the trial procedures, the victimized innocence under Jim Crow law. Emmett (Bobo) Till, risen from the death is as a live as ever until justice is served. At the conclusion of the Lacrimosa Emmett's voice encourages us to weep no more for his cause but learn to love each other for our differences. .
$17.00
Christmas Overture for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Edward David Zeliff
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Edward David Zeliff
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Christmas Overture for Chamber
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Edward David Zeliff
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 ...
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Chamber Orchestra - Level 4 - SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 pages. Edward David Zeliff #4787129. Published by Edward David Zeliff (A0.888270). This setting of four familiar Christmas Carols, O Come, All Ye Faithful, It Came Upon the Midnight Clear, Angels We Have Heard on High, and The First Noel, is in a classic overture style that makes a perfect opener for a Holiday concert. The Chamber Orchestra instrumentation utilizes a single winds and small brass configuration that was the foundation of light music arrangers and conductors like Percy Faith and Mantovani. It is both economical and well balanced for a concert I did featuring this and other customized arrangements for a solo soprano.
$35.00
Celebration Overture (Chamber Orchestra)
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Orchestre de chambre
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Sy Brandon
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Celebration Overture
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - SKU: A0.755108 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 90 pages. Sy Brandon #3387911. Published by Sy Br...
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Chamber Orchestra - SKU: A0.755108 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 90 pages. Sy Brandon #3387911. Published by Sy Brandon (A0.755108). A reduced instrumentation version of the winning composition in WITF-FM’s Composition Competition.This six minute overture alternates sections of fanfare-like figures with sections of playful rhythms and counterpoint. The overall form consists of two main sections that contrast each other and a middle section that serves as a development of previously stated material. The composition is an economical one as its material is derived primarily from the opening brass fanfare and the woodwind counter melody. The modal melodic and harmonic material is interwoven with polyrhythm, imitation, counterpoint, and timbral changes to create a composition reflective of the excitement of this celebration.
$39.99
North Wind Overture for Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Sy Brandon
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North Wind Overture for Orches
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.755273 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 65 pages. Sy Brandon #4359235. Publishe...
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Chamber Orchestra - Level 3 - SKU: A0.755273 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 65 pages. Sy Brandon #4359235. Published by Sy Brandon (A0.755273). A brief slow introduction leads to an Allegro section followed by a stately dance with some easy meter changes and a return to the Allegro. The score prints on legal size paper and the parts on letter.
$29.99
Mozart: Overture to the Marriage of Figaro (Viola Ensmble)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Roman Benedict
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Mozart: Overture to the Marria
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Roman Benedict
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.931071 Composed by Wolfgang Amadeus Mozart. Arranged by Roman Benedict. Classical. Score and parts. 36 pages. Roma...
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Chamber Orchestra - Level 4 - SKU: A0.931071 Composed by Wolfgang Amadeus Mozart. Arranged by Roman Benedict. Classical. Score and parts. 36 pages. Roman Benedict #6759569. Published by Roman Benedict (A0.931071). Mozart’s overture to the Marriage of Figaro, arranged for viola ensemble (or, optionally, cello ensemble). Performed around the world by viola players at all levels, this arrangement is for viola ensemble in six parts, and can be performed by any number of musicians from 6 solo parts to a large ensemble of violists.
$14.99
Mendelssohn - Hebrides Overture (Reduced Orchestra)
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Orchestre de chambre
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Matt Lax
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Mendelssohn - Hebrides Overtur
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Matthew Lax
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.818028 Composed by Felix Bartholdy Mendelssohn. Arranged by Matt Lax. Romantic Period. Score and parts. 149 pages....
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Chamber Orchestra - Level 5 - SKU: A0.818028 Composed by Felix Bartholdy Mendelssohn. Arranged by Matt Lax. Romantic Period. Score and parts. 149 pages. Matthew Lax #4624121. Published by Matthew Lax (A0.818028). Mendelssohn's famous Hebrides Overture arranged for a reduced orchestra/chamber ensemble:FluteOboeClarinetBassoonHornTrumpetTimpaniStrings (Quintet or string section).If you like my arrangement please let me know by submitting a review. For all my arrangements please check out my Sheet Music Plus Page here: https://www.sheetmusicplus.com/publishers/matthew-lax/5267
$30.00
Colchester Concert Overture
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Orchestre de chambre
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Contemporain
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Nigel Hildreth
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Colchester Concert Overture
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Nigel Hildreth
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1015100 Composed by Nigel Hildreth. Contemporary. Score and parts. 29 pages. Nigel Hildreth #4613257. Published by Nigel Hil...
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Chamber Orchestra - SKU: A0.1015100 Composed by Nigel Hildreth. Contemporary. Score and parts. 29 pages. Nigel Hildreth #4613257. Published by Nigel Hildreth (A0.1015100). A classical overture for the opening of Charter Hall in Colchester Suitable for amateur or Youth Orchestras
$8.99
Minimally Fantastic Suite for Chamber Orchestra No. 1
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Orchestre de chambre
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INTERMÉDIAIRE
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Steven Kudlo
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1,0,0,0
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Minimally Fantastic Suite for
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Steven Mark Kudlo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1135286 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. Score and Parts. 113 pages. Steven ...
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Chamber Orchestra - Level 3 - SKU: A0.1135286 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. Score and Parts. 113 pages. Steven Mark Kudlo #733234. Published by Steven Mark Kudlo (A0.1135286). This suite is almost 16 minutes long, and while not technically challenging, it has multiple meters, and some stylistic varieties, mainly pandiatonic, expressionistic, and tonal within each of its six movements. Each movement ends on a passage of common practice harmony. Overall impression: neoclassical. There is one instrument per part, with a total of 10 instruments: 1,1,1,1; 1,0,0,0; 0; 1,1,1,1,1.
$7.99
Overture to a Small Town- Individual Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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Cooper Minnis
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Overture to a Small Town- Indi
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Cooper Minnis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.962787 Composed by Cooper Minnis. Contemporary,Folk,Patriotic. Score and parts. 15 pages. Cooper Minnis #4762071. ...
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Chamber Orchestra - Level 3 - SKU: A0.962787 Composed by Cooper Minnis. Contemporary,Folk,Patriotic. Score and parts. 15 pages. Cooper Minnis #4762071. Published by Cooper Minnis (A0.962787). This piece honors the many small towns and neighborhoods which make up the majority of our great country. Approximately 6.5 minutes. Suitable for intermediate and advanced ensembles. Full Score is sold separately.
$15.00
Overture from The Magic Flute, KV. 620
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Jack Chao Heng Zhang
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Overture from The Magic Flute,
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Jack Chao Heng Zhang
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,St...
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Chamber Orchestra - Level 3 - SKU: A0.1381936 Composed by Wolfgang Amadeus Mozart. Arranged by Jack Chao Heng Zhang. Chamber,Classical,Historic,Opera,Standards. 61 pages. Jack Chao Heng Zhang #966554. Published by Jack Chao Heng Zhang (A0.1381936). Mozart's famous opera The Magic Flute is a treasure of world music and art. In order to make this work more suitable for performance in the form of chamber music, this adapted version has rearranged the key and orchestration of the original work, making the work more suitable for presentation in the form of small-scale chamber music.Based on the string arrangement by Jamin Hoffman, this adapted version adds woodwind parts, including flute, oboe, bass clarinet, alto saxophone and bassoon, turning the work into a new combination of string orchestra and woodwind quintet, and The key of the original work was adjusted from E-flat major to D major, making the work more suitable for intermediate-level students to perform while retaining the essence of the original work.
$18.99
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
We Shall Overcome, for voice, string quartet, guitar, bass guitar and drums
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Orchestre de chambre
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Gospel Spirituel
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Traditional
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Gary S
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We Shall Overcome, for voice,
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Gary Fagin
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SheetMusicPlus
Chamber Orchestra - SKU: A0.917359 Composed by Traditional. Arranged by Gary S. Fagin. Gospel. Score and parts. 11 pages. Gary Fagin #4626877. Published...
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Chamber Orchestra - SKU: A0.917359 Composed by Traditional. Arranged by Gary S. Fagin. Gospel. Score and parts. 11 pages. Gary Fagin #4626877. Published by Gary Fagin (A0.917359). One of five gospel arrangements for voice, string quartet, guitar, bass guitar and drums.
$10.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Ever Forward
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Orchestre de chambre
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INTERMÉDIAIRE
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Trinity Chamber Orchestra of B
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contempora...
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Chamber Orchestra - Level 3 - SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
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