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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Always
Non classifié
1 143
Piano & claviers
Piano seul
1 240
Piano, Voix et Guitare
573
Piano, Voix
512
Piano Facile
369
Instruments en Do
92
Orgue
51
1 Piano, 4 mains
43
Piano grosses notes
28
2 Pianos, 4 mains
14
Accordéon
13
Accompagnement Piano
13
Piano Trio: piano, violon, violoncelle
11
Piano (partie séparée)
6
Ligne De Mélodie, Piano
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Clavier
1
Accordéon, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
279
Ligne De Mélodie, (Paroles) et Accords
226
Guitare
138
Ukulele
89
Paroles et Accords
61
2 Guitares (duo)
17
Basse electrique
12
Guitare (partie séparée)
10
Dulcimer
10
Banjo
7
Piano, Guitare (duo)
6
3 Guitares (trio)
2
Mandoline
2
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Cithare
1
Ukulele Baryton
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
500
Chorale 3 parties
147
Chorale 2 parties
135
Chorale TTBB
84
Chorale SSAA
45
Chorale Unison
40
Voix seule
29
Voix duo, Piano
22
Pack Instrumental pour Chorale
17
Voix duo
12
Chorale
10
Voix Soprano, Piano
9
Voix haute
5
Voix Tenor
4
Voix Baryton, Piano
4
Chorale SSATB
2
Voix Tenor, Piano
2
Voix Alto, Piano
2
Chorale SSAB, Piano
2
Chorale SSATTB
2
Chorale SSAATB
1
Voix basse
1
Chorale SSAB a cappella
1
+ 18 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Flûte traversière
80
2 Saxophones (duo)
77
Saxophone (partie séparée)
71
Saxophone
66
Saxophone Alto
66
Clarinette
64
Flûte traversière et Piano
64
Saxophone Tenor
62
2 Clarinettes (duo)
48
2 Flûtes traversières (duo)
48
Clarinette et Piano
46
Saxophone Alto et Piano
45
Flûte, Hautbois, Clarinette, Basson
36
Quatuor de Clarinettes: 4 clarinettes
35
Hautbois, Piano (duo)
32
Saxophone Tenor et Piano
32
Saxophone, Clarinette (duo)
31
2 Flûtes traversières, Piano
25
Quatuor de Flûtes : 4 flûtes
23
Quintette de Saxophone: 5 saxophones
22
Clarinette, Violon (duo)
21
Clarinette, Trompette (duo)
19
Hautbois (partie séparée)
15
2 Hautbois (duo)
14
Flûte, Clarinette (duo)
14
3 Saxophones (trio)
13
Flûte, Violon
13
Hautbois, Flûte
13
Ensemble de Clarinettes
13
Quintette de Clarinettes: 5 clarinettes
12
Hautbois, Clarinette (duo)
12
Flûte, Saxophone (duo)
11
Flûte, Trompette (duo)
11
Hautbois, Basson (duo)
10
3 Clarinettes (trio)
9
Flûte, Alto (duo)
9
Trio de Flûtes: 3 flûtes
9
Clarinette (partie séparée)
8
Ensemble de saxophones
8
Clarinette et Alto
8
Ensemble de Flûtes
7
Flûte et Guitare
7
Saxophone Soprano et Piano
7
Flute (partie séparée)
7
Flûte à bec Soprano
5
Ocarina
5
Instruments en Mib
4
Flûte, Clarinette et Basson
4
Saxophone Baryton
4
Hautbois
4
Flûte à bec Alto
4
Flûte, Hautbois (duo)
4
Flûte à Bec
3
Saxophone Baryton, Piano
3
Flûte, Violon, Piano
3
Saxophone Soprano
3
Flûte, Hautbois, Basson
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Clarinette (trio)
2
Cor anglais, Piano
2
Flûte à bec Alto, Piano
2
5 Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Cor Anglais
2
Clarinette, Guitare (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Violon
1
2 Flûte à bec (duo)
1
Clarinette, Harpe (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte irlandaise
1
Flûte, Violoncelle
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette, Piano (trio)
1
2 Clarinettes, Piano
1
Hautbois, Guitare (duo)
1
3 Hautbois
1
Hautbois, violon (duo)
1
Harmonica
1
Cornemuse
1
Saxophone et Piano
1
Clarinette Basse
1
Clarinette, Trombone (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Harmonica, Piano
1
Flûte, Harpe et Violoncelle
1
Flûte traversière, Basse continue
1
+ 88 instrumentations
Retracter
Cuivres
Trompette
78
Trombone
69
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Trombone (partie séparée)
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trompette (partie séparée)
34
Trompette, Piano
32
Cor
28
Trompette, Saxophone (duo)
23
2 Trombones (duo)
22
Cor et Piano
20
2 Trompettes (duo)
19
Trombone et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette, Trombone (duo)
17
Tuba
13
Quatuor de Cuivres
8
Quatuor de cuivres: 4 trombones
7
Euphonium
6
Tuba (partie séparée)
6
Cor (partie séparée)
5
Quatuor de cuivres: 4 cors
5
Trio de Cuivres
4
Instruments en Sib
4
Euphonium, Piano (duo)
4
Tuba et Piano
3
Bass Clef Instruments
3
2 Tubas (duo)
3
2 Cors (duo)
3
3 Trombones (trio)
2
Cor anglais, Piano
2
Cor Anglais
2
2 Euphoniums et 2 Tubas
2
Tuba et Orgue
1
3 Trompettes (trio)
1
2 Cors, Piano
1
Ensemble de Cors
1
Ensemble de Trombones
1
Instruments en Fa
1
Ensemble de Trompettes
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
399
Violon, Violoncelle (duo)
209
Violon
190
Trio à Cordes: violon, alto, violoncelle
141
Violon et Piano
136
Violoncelle, Piano
73
Harpe
73
Violoncelle
69
Alto, Piano
51
2 Violons (duo)
44
Alto seul
44
Trio à Cordes: 2 violons, violoncelle
40
Violon, Alto (duo)
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
2 Violoncelles (duo)
26
2 Altos (duo)
17
Violon (partie séparée)
14
Alto (partie séparée)
10
Contrebasse (partie séparée)
10
Contrebasse, Piano (duo)
8
Contre Basse
7
Piano Trio: Violon, Alto, Piano
4
4 Violoncelles
4
2 Harpes (duo)
4
Violoncelle (partie séparée)
4
Trio à cordes: 3 violins
3
Violon, Guitare (duo)
3
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 3 violoncelles
3
Alto, Orgue
2
Harpe, Voix
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Orgue
2
Harpe et Piano
1
Trio à cordes: 3 altos
1
Harpe, Flûte (duo)
1
Alto et Basson
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
450
Orchestre à Cordes
220
Fanfare
93
Ensemble Jazz
88
Orchestre
69
Ensemble de cuivres
46
Orchestre de chambre
39
Cloches
36
Batterie
26
Ensemble de Percussions
13
Jazz combo
13
Ensemble d'École
6
Batterie (partie séparée)
6
Percussion (partie séparée)
4
Marimba
4
Vibraphone
2
Piano et Orchestre
1
Timbales (partie séparée)
1
Xylophone, Piano
1
Percussion
1
+ 15 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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Vous avez sélectionné:
Always
Orchestre de chambre
Partitions à imprimer
39 partitions trouvées
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1
26
Always
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Jazz
#
Billie Holiday
#
Douglas Meyer
#
Always
#
Douglas Meyer
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.873775 By Billie Holiday. By Irving Berlin. Arranged by Douglas Meyer. Jazz. Score and parts. 5 pages. Douglas Mey...
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Chamber Orchestra - Level 3 - SKU: A0.873775 By Billie Holiday. By Irving Berlin. Arranged by Douglas Meyer. Jazz. Score and parts. 5 pages. Douglas Meyer #3050873. Published by Douglas Meyer (A0.873775). A setting of Irving Berlin's classic Always for high voice and string quartet, always a favorite for weddings, anniversaries and celebrations of love and affection.
$12.99
Always
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Bon Jovi
#
Dico
#
Always
#
Dico
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1487233 By Bon Jovi. By Jon Bon Jovi. Arranged by Dico. Pop,Rock,Wedding. 55 pages. Dico #1064205. Published by Di...
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Chamber Orchestra - Level 4 - SKU: A0.1487233 By Bon Jovi. By Jon Bon Jovi. Arranged by Dico. Pop,Rock,Wedding. 55 pages. Dico #1064205. Published by Dico (A0.1487233). ALWAYS (Bon Jovi) - for chamber orchestraINSTRUMENTATION:- Score- Flute- Oboe- Horn F- Trumpet 1, 2- Trombone 1, 2- Drum Set (timp)- Piano- Strings (- Viola).
$52.00
Always
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Bon Jovi
#
Dico
#
Always
#
Dico Ferreira
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1487234 By Bon Jovi. By Jon Bon Jovi. Arranged by Dico. Pop,Rock,Wedding. 55 pages. Dico Ferreira #1064206. Publis...
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Chamber Orchestra - Level 4 - SKU: A0.1487234 By Bon Jovi. By Jon Bon Jovi. Arranged by Dico. Pop,Rock,Wedding. 55 pages. Dico Ferreira #1064206. Published by Dico Ferreira (A0.1487234). ALWAYS (Bon Jovi) - for chamber orchestraINSTRUMENTATION:- Score- Flute- Oboe- Horn F- Trumpet 1, 2- Trombone 1, 2- Drum Set (timp)- Piano- Strings (- Viola).
$52.00
Always On My Mind
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Elvis Presley
#
Roger Young
#
Always On My Mind
#
Roger Young
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1093914 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Roger Young. 20th Cen...
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Chamber Orchestra - Level 3 - SKU: A0.1093914 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Roger Young. 20th Century,Pop,Rock. Score and parts. 39 pages. Roger Young #698011. Published by Roger Young (A0.1093914). This is an instrumental chamber orchestra arrangement of Always on my mind which works equally well with single strings as it does with a string section. Melodies are passed throughout the sections for musical interest and enjoyment for the musicians.
$49.99
I Always Cry At Christmas
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Richard James Page
#
Todd Sheehan
#
I Always Cry At Christmas
#
Todd Sheehan
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1301401 Composed by Richard James Page. Arranged by Todd Sheehan. Chamber,Christmas,Contemporary,Jazz,Pop. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.1301401 Composed by Richard James Page. Arranged by Todd Sheehan. Chamber,Christmas,Contemporary,Jazz,Pop. Score and Parts. 45 pages. Todd Sheehan #891030. Published by Todd Sheehan (A0.1301401). A beautiful, poignant, modern Christmas song. Written by Richard Page (2010). Chamber Orchestra: 0000 - 4331 - jazz pf - jazz bass - drs - str Solo Tenor Vocal.
$100.00
She's Always A Woman
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Rock
#
Billy Joel
#
Chris Walden
#
She's Always A Woman
#
Chris Walden
#
SheetMusicPlus
By Billy Joel. By Billy Joel. Arranged by Chris Walden. Pop, Rock. Score and parts. 24 pages. Chris Walden #3225599. Published by Chris Walden...
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By Billy Joel. By Billy Joel. Arranged by Chris Walden. Pop, Rock. Score and parts. 24 pages. Chris Walden #3225599. Published by Chris Walden
$45.00
The Egret's Wishes《白鷺鷥的願望》
#
Orchestre de chambre
#
Ma Shui Long 馬水é¾
#
#
The Egret's Wishes《ç™
#
SpringAutumnmusic
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic ...
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Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ 　本曲應白鷺鷥文教基金會之委託，特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ；全曲略分為四段，動機之發展亦為單純，但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian，第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ，大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002） The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Shining Space:
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
Go The Distance
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Michael Bolton
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Demetrio Bonvecchio
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Go The Distance
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Demetrio Bonvecchio
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages...
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Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages. Demetrio Bonvecchio (Db Music) #1076837. Published by Demetrio Bonvecchio (Db Music) (A0.1500758). Go The Distance, here arranged for Chamber Orchestra, is a song I always wanted to arrange. With it's calming tones and energetic ending is a masterpiece from this memorable soundtrack. The piece ending is taken from the reprise of the song, which gives to it a grandioso ending.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
In Memoriam - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A....
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Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Orchestraining No. 4 [Orchestra]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Maria Solare
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Juan Maria Solare
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Orchestraining No. 4 [Orchestr
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contempo...
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Chamber Orchestra - Level 3 - SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
Orchestraining No. 2 [Orchestra]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Maria Solare
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Orchestraining No. 2 [Orchestr
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18...
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Chamber Orchestra - Level 3 - SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
Concerto in D minor for Trumpet and Strings
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Orchestre de chambre
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AVANCÉ
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Classique
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Allessandro Marcello
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David Watson
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Concerto in D minor for Trumpe
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David E. Watson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Wa...
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Chamber Orchestra - Level 5 - SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Watson #3411169. Published by David E. Watson (A0.841054). Marcello's Oboe Concerto in D minor written in 1717 arranged for Trumpet. A challenging transcription due to the extended fast passages in the upper register, especially in the 3rd movement. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
Divertimento in F Major K. 247
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Tyler Merideth
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Divertimento in F Major K. 247
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Tyler Merideth
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.782487 Composed by Wolfgang Amadeus Mozart. Arranged by Tyler Merideth. Classical,Graduation,Holiday,Standards,Wed...
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Chamber Orchestra - Level 5 - SKU: A0.782487 Composed by Wolfgang Amadeus Mozart. Arranged by Tyler Merideth. Classical,Graduation,Holiday,Standards,Wedding. Score and parts. 57 pages. Tyler Merideth #1771377. Published by Tyler Merideth (A0.782487). Wolfgang Amadeus Mozart's Divertimento K. 247 set for Horn, Trumpet, Strings and Piano. I arranged this work to fit a group that featured a very talented cellist. Two cello parts are included, one doubles the viola. This exciting work always feels like a celebration and is a joy to play. The contrasts in rhythmic elements and dynamics really engages young people.tylermerideth.com
$29.99
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Nocturne for Strings- Op. 26
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dana Taylor
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Nocturne for Strings- Op. 26
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Dana Taylor Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Da...
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Chamber Orchestra - Level 4 - SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Dana Taylor Music (A0.987737). Nocturne for Strings is a rondo where each section of the orchestra has a chance to stand out. I chose Advanced Intermediate because the mode tends to be mixolydian, with shifting tonal centers and keys, but always melodic,and the parts are interesting. Depending on your group Nocturne is full of teachable moments, from what makes it modal to how go we modulate from one key to the next, and why. And your musicians and audience alike will be humming this afterward. Parts sold separately.
$30.00
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Prelude - Hark the Glad Sound
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Orchestre de chambre
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INTERMÉDIAIRE
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Jill Elliott
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Prelude - Hark the Glad Sound
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Daffiddle Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.925226 Composed by Jill Elliott. Christian,Christmas. Score and parts. 8 pages. Daffiddle Music #4628655. Publishe...
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Chamber Orchestra - Level 3 - SKU: A0.925226 Composed by Jill Elliott. Christian,Christmas. Score and parts. 8 pages. Daffiddle Music #4628655. Published by Daffiddle Music (A0.925226). Wachet Auf is a popular piece for the first Sunday of Advent. This Prelude based on the old hymn tune, Bristol, is intended principally for use on the second Sunday of Advent. Our church music group has always played it in this arrangement, ie. with a flute solo, cello playing the continuo bass and various members of the band supplying the chorale, which appears from time to time through the piece. The obligato part could be played by a violin instead of a flute, and I will shortly provide a version for clarinet.
$3.99
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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Orchestre de chambre
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INTERMÉDIAIRE
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David Warin Solomons
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Bunny Rabbits for Chamber Orch
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons...
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Chamber Orchestra - Level 3 - SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
Hommage à György Ligeti - Score Only
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Orchestre de chambre
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AVANCÉ
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Amos Elkana
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Hommage à György L
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Amos Elkana
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1371596 Composed by Amos Elkana. 21st Century,Contemporary. 31 pages. Amos Elkana #955848. Published by Amos Elkan...
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Chamber Orchestra - Level 5 - SKU: A0.1371596 Composed by Amos Elkana. 21st Century,Contemporary. 31 pages. Amos Elkana #955848. Published by Amos Elkana (A0.1371596). This piece is composed for the same exact instrumentation as Ligeti's own Chamber Concerto. I have always admired György Ligeti. I spent many hours studying his music and especially his Chamber Concerto for 13 instrumentalists. Ligeti died while I was working on this piece and I decided to make this work my homage to him. Hommage à György Ligeti was composed using a compositional method that is inspired by the idea of Fractals. A series of four numbers (5,6,4,4) dictate the micro and macro structure of the work. This method of composition can organize not only the structure of a piece but also its pitch material, rhythmic material and more but, even if strictly applied, it leaves much room for intuition on the part of the composer.
$44.00
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Beliebte Annen-Polka op. 137
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Orchestre de chambre
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FACILE
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Classique
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Johann Strauss Sr
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Wim Lasoen
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Beliebte Annen-Polka op. 137
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Newzenmusic.org
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmu...
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Chamber Orchestra - Level 2 - SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmusic.org #3601913. Published by Newzenmusic.org (A0.927361). Arrangement for Salon Orchestra (Flute, Clarinet, Piano, Violin I, Violin II, Cello and Double Bass)Strauss programmed this polka for the Austrian Empress's name-day in 1842. Name-day celebrations at court always meant a carnival for the inhabitants of Vienna in those days. Strauss sr. directed the music for the court balls, namely in the Volksgarten. At its première, this Anna Polka was encored four times. Only one week after the feast, the published edition of the piano reduction already appeared. Interesting detail: its the publisher who adds 'Popular' (Beliebte) to the title, which was a brilliant move crowned with success: not only would this piece become an enduring crowd-pleaser, it also launched the Polka as the new dance sensation.
$18.50
The Banshee and the Wish, An Opera in One Act, Full Score and Individual Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Banshee and the Wish, An O
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.730528 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 184 pages. J...
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Chamber Orchestra - Level 4 - SKU: A0.730528 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 184 pages. James Nathaniel Holland #6295581. Published by James Nathaniel Holland (A0.730528). FULL SCORE AND INDIVIDUAL INSTRUMENT PARTS. Vocal Piano Score sold separately. Here American composer James Nathaniel Holland brings you The Banshee and the Wish is a tale based on an old Irish Legend with original libretto and 21st century music. A Irish soldier has lost his way home from the battlefields of World War I, and find a mysterious fairy maiden bathing and washing clothes in a river. He steals her comb knowing that she must grant any wish he desires. His wish is to return home. As always with the fairies, his wish is granted but with a catch. Accessible music for Soprano, Baritone and chamber orchestra. Score for: fl, ob, eh, clBb, bsn, hrn in F, timp/tri., hrp, and strings. Duration: 30 minutes.
$25.95
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
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