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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Always There
Sheetmusicplus
Non classifié
328
Piano & claviers
Piano seul
160
Piano, Voix
43
Piano Facile
30
Piano, Voix et Guitare
27
Orgue
17
Piano grosses notes
12
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
3
1 Piano, 4 mains
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavier
1
1 Piano, 6 mains
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
10
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
4
4 Guitares (Quatuor)
1
Ensemble de guitares
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
77
Chorale 3 parties
23
Chorale 2 parties
20
Chorale TTBB
19
Chorale Unison
7
Voix duo, Piano
6
Chorale SSAA
6
Voix duo
3
Voix Soprano, Piano
3
Voix Tenor
3
Chorale SSAB, Piano
1
Chorale
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix haute
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
59
Saxophone, Clarinette (duo)
31
2 Clarinettes (duo)
29
2 Flûtes traversières (duo)
29
2 Flûtes traversières, Piano
25
Clarinette, Violon (duo)
21
Clarinette, Trompette (duo)
19
Flûte traversière et Piano
14
Hautbois, Clarinette (duo)
12
Flûte, Violon
12
2 Hautbois (duo)
12
Hautbois, Flûte
11
Flûte, Clarinette (duo)
11
Flûte, Trompette (duo)
11
Flûte traversière
10
Flûte, Saxophone (duo)
9
Flûte, Alto (duo)
9
Hautbois, Basson (duo)
8
Clarinette et Alto
8
Clarinette et Piano
7
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Piano (duo)
6
Quatuor de Saxophones: 4 saxophones
6
Clarinette
4
Saxophone Tenor et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Tenor
3
Saxophone Soprano et Piano
3
Saxophone Alto et Piano
3
Saxophone Alto
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Flûtes
3
Flûte, Hautbois (duo)
2
Saxophone (partie séparée)
2
Ensemble de Clarinettes
2
Quintette de Saxophone: 5 saxophones
1
Flûte, Hautbois, Basson
1
Ensemble de saxophones
1
Trio de Flûtes: 3 flûtes
1
Flûte et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Basson (duo)
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, violon (duo)
1
Clarinette, Violoncelle (duo)
1
+ 46 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
23
Trompette, Trombone (duo)
17
2 Trombones (duo)
14
2 Trompettes (duo)
14
Trompette
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone
6
Cor et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
3
Trombone et Piano
3
Trio de Cuivres
2
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
1
2 Tubas (duo)
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
Quatuor de cuivres: 4 trombones
1
2 Cors, Piano
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Cors (duo)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
181
Violon, Violoncelle (duo)
153
Trio à Cordes: violon, alto, violoncelle
114
Violon
114
Violon et Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Harpe
19
Violon, Alto (duo)
17
Alto, Piano
17
Violoncelle, Piano
16
2 Violoncelles (duo)
15
2 Altos (duo)
13
2 Violons (duo)
12
Violoncelle
8
Trio à Cordes: 2 violons, violoncelle
6
Alto seul
3
Contrebasse, Piano (duo)
3
4 Violoncelles
3
Violon (partie séparée)
2
2 Harpes (duo)
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Alto et Basson
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
105
Orchestre d'harmonie
73
Ensemble Jazz
28
Orchestre
16
Orchestre de chambre
13
Ensemble de cuivres
11
Jazz combo
8
Cloches
6
Fanfare
3
Marimba
2
Ensemble de Percussions
2
Ensemble d'École
1
Piano et Orchestre
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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Always There
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1
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.03 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
The Egret's Wishes《白鷺鷥的願望》
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long 馬…
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Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ 　本曲應白鷺鷥文教基金會之委託，特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ；全曲略分為四段，動機之發展亦為單純，但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian，第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ，大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002） The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99
19.32 €
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Orchestre de chambre
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Ma Shui Long 馬水é¾
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The Egret's Wishes《白鷺鷥的願望》
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SpringAutumnmusic
#
SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.57 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
4.6 €
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Orchestre de chambre
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David Warin Solomons
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Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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David Warin Solomons
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SheetMusicPlus
Orchestraining No. 4 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
4.6 €
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Orchestre de chambre
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Juan Maria Solare
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Juan Maria Solare
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Orchestraining No. 4 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Orchestraining No. 2 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
4.6 €
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Orchestre de chambre
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Juan Maria Solare
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Orchestraining No. 2 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Concerto in D minor for Trumpet and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.841054 Composed by Allessand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Watson #3411169. Published by David E. Watson (A0.841054). Marcello's Oboe Concerto in D minor written in 1717 arranged for Trumpet. A challenging transcription due to the extended fast passages in the upper register, especially in the 3rd movement. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
27.52 €
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Orchestre de chambre
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Allessandro Marcello
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David Watson
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Concerto in D minor for Trumpet and Strings
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David E. Watson
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.6 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Concert Version: Darwin: To Love the Earth - The Full Score - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004838 Composed by Leslie K…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004838 Composed by Leslie Kleen. Contemporary. Score and parts. 256 pages. Music From Riverside #4806269. Published by Music From Riverside (A0.1004838). Concert Version: Darwin: To Love the Earth is a concert musical (optional staging) about the life of Charles Darwin. This is an abbreviated version of the staged musical: Charles Darwin: To Love the Earth The main singing role is of Darwin himself, Henslow, and his wife, Emma, and sister Caroline. There are several speaking roles, and a chorus which is offstage. The words come from Darwin and letters from friends. It shows how he was successful in many ways but was always criticized which he had to endure. This is accompanied by a chamber orchestra: Piano, Flute, Oboe, Clarinet, Bassoon, French Horn, Violin, Viola, and Cello. The Full Score includes all musical numbers as well as spoken lines.
$10.00
9.2 €
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Orchestre de chambre
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Leslie Kleen
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Concert Version: Darwin: To Love the Earth - The Full Score - Score Only
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Music From Riverside
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SheetMusicPlus
Concerto in E flat for Trumpet and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.841053 Composed by Vincenzo …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E. Watson #3411167. Published by David E. Watson (A0.841053). Vuncenzo Bellini's Concerto in E flat, originally for Oboe. Written around 1820 it has been often noted for it's Operatic qualities and the use of Bel Canto Themes in the solo part. Included are parts for B flat Piccolo Trumpet and E flat Trumpet. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
27.52 €
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Orchestre de chambre
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Vincenzo Bellini
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David Watson
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Concerto in E flat for Trumpet and Orchestra
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David E. Watson
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SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
43.21 €
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Orchestre de chambre
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Hungarian Dance No. 5 in F Sharp Minor - Flute, Harp, Violin, Viola & Cello
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.735591 Composed by Johannes …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.735591 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 11 pages. Andrew Middleton #5033527. Published by Andrew Middleton (A0.735591). Brahms Hungarian Dances have always been crowd pleasers (both versions for piano duet and orchestra). This arrangement was created for Ensemble Kyma (check out their Facebook page https://www.facebook.com/EnsembleKyma/) to be used in an up and coming they have.As F sharp minor is not the most pleasant of keys there is also version available in G minor for the same instrumentation.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
8.27 €
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Orchestre de chambre
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Johannes Brahms
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Andrew Middleton
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Hungarian Dance No. 5 in F Sharp Minor - Flute, Harp, Violin, Viola & Cello
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Andrew Middleton
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SheetMusicPlus
Rondo in A minor for Cello and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
59.82 €
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Orchestre de chambre
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Cello and Orchestra
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Joel Jacklich
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SheetMusicPlus
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