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ACCORDEON
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AUTOHARPE
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Non classifié
1680
PIANO & CLAVIERS
Piano seul
1671
Piano, Voix
1249
Piano, Voix et Guitare
992
Piano Facile
531
Instruments en Do
109
Orgue
100
Piano grosses notes
81
Accompagnement Piano
73
1 Piano, 4 mains
27
Accordéon
19
Piano (partie séparée)
16
Piano Trio: piano, violon, violoncelle
6
Clavier
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
2
Ligne De Mélodie, Piano
2
Clavecin
2
2 Pianos, 8 mains
1
Accordéon, Voix
1
2 Accordéons
1
Instrument seul et Orgue
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
363
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306
Guitare
230
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103
Ukulele
92
Basse electrique
54
2 Guitares (duo)
8
Banjo
8
4 Guitares (Quatuor)
6
Mandoline
5
Guitare (partie séparée)
4
Ensemble de guitares
3
Basse électrique (partie séparée)
3
3 Guitares (trio)
3
Piano, Guitare (duo)
2
Dulcimer
2
Mandoline, Guitare (duo)
1
Dobro
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
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VOIX
Chorale SATB
786
Chorale 3 parties
198
Chorale TTBB
160
Chorale 2 parties
148
Voix seule
124
Voix duo, Piano
69
Chorale Unison
63
Voix Soprano, Piano
43
Chorale SSAA
40
Voix Alto, Piano
38
Voix Baryton, Piano
36
Voix Tenor, Piano
33
Chorale
30
Voix duo
22
Voix haute
20
Voix moyenne, Piano
6
Chorale SSAATTBB
6
Voix Mezzo-Soprano, Piano
5
Voix basse, Piano
5
Chorale SSATB
3
Chorale SSATTB
3
Voix, Guitare
2
Chorale SSATBB
1
Chorale, Orgue
1
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VENTS
Flûte traversière
242
Saxophone
215
Hautbois
202
Clarinette
186
Flûte à Bec
146
Flûte traversière et Piano
106
Clarinette et Piano
69
Saxophone Alto
68
Flûte, Hautbois, Clarinette, Basson
65
Saxophone (partie séparée)
58
Quatuor de Saxophones: 4 saxophones
55
Saxophone Tenor
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
46
Hautbois, Piano (duo)
43
Saxophone Alto et Piano
40
Hautbois (partie séparée)
36
Saxophone Tenor et Piano
34
Saxophone Soprano et Piano
31
2 Saxophones (duo)
31
2 Flûtes traversières (duo)
30
Quatuor de Clarinettes: 4 clarinettes
29
Flûte et Guitare
24
Clarinette (partie séparée)
19
2 Clarinettes (duo)
17
Flûte, Clarinette (duo)
16
Quintette de Saxophone: 5 saxophones
15
Flute (partie séparée)
15
Saxophone Baryton, Piano
15
Cor anglais, Piano
13
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Clarinettes
9
Clarinette, Guitare (duo)
9
Saxophone, Clarinette (duo)
9
Clarinette, Violon (duo)
8
Flûte à bec Soprano
6
Hautbois, Basson (duo)
6
Flûte, Trompette (duo)
5
Flûte, Violon
5
Ensemble de Flûtes
5
Flûte à bec Alto
5
Saxophone Soprano
5
Trio de Flûtes: 3 flûtes
5
Clarinette, Trompette (duo)
4
Flûte à bec Alto, Piano
4
Clarinette et Alto
4
Instruments en Mib
4
2 Flûtes traversières, Piano
4
Clarinette Basse, Piano
4
Hautbois, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
4
Saxophone et Guitare
4
Quatuor de Flûtes à bec
4
Saxophone Baryton
4
2 Hautbois (duo)
3
2 Flûte à bec (duo)
3
3 Clarinettes (trio)
3
Cor anglais, Guitare (duo)
3
2 Saxophones, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Flûte, Violon et Violoncelle
2
Flûte, Alto (duo)
2
Ensemble de saxophones
2
Flûte, Saxophone (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Tenor
2
Clarinette, Harpe (duo)
2
Harmonica
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ocarina
1
Flûte, Alto et Piano
1
Flûte, Clarinette et Basson
1
3 Saxophones (trio)
1
Clarinette, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
5 Flûtes à bec
1
Cor anglais et Harpe (duo)
1
Flûte à bec, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Piano
1
4 Hautbois
1
Flûte traversière, Orgue (duo)
1
Flûte, Basson et Piano
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
2 Hautbois et Basson
1
2 Clarinettes, Piano
1
Flûte, trombone et piano
1
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CUIVRES
Trompette
110
Trombone
83
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
74
Trompette, Piano
58
Trombone et Piano
50
Cor
43
Ensemble de Trompettes
35
Cor et Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette (partie séparée)
28
Trombone (partie séparée)
19
Tuba
15
Euphonium
14
Cor anglais, Piano
13
Cor (partie séparée)
13
2 Trompettes (duo)
12
2 Trombones (duo)
12
Tuba et Piano
10
Quatuor de cuivres: 4 trombones
10
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Euphonium, Piano (duo)
8
Trompette, Trombone (duo)
8
Bass Clef Instruments
7
2 Cors (duo)
6
Instruments en Sib
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 cors
4
Tuba (partie séparée)
3
Cor anglais, Guitare (duo)
3
Trio de Cuivres
3
Ensemble de Trombones
3
Trompette, Violoncelle et Piano
2
3 Trompettes (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
2 Trombones, Piano
1
4 Euphoniums
1
2 Cors, Piano
1
2 Cors Anglais Et Pianoforte
1
Cor anglais et Harpe (duo)
1
Trombone, Tuba (duo)
1
Trompette, violon (duo)
1
4 Tubas
1
Trompette, Saxophone (duo)
1
Trombone basse
1
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CORDES
Violon
294
Quatuor à cordes: 2 violons, alto, violoncelle
172
Violon et Piano
114
Violoncelle
90
Violoncelle, Piano
77
Alto seul
59
Alto, Piano
47
Violon, Violoncelle (duo)
29
Harpe
29
Violon (partie séparée)
28
Contrebasse (partie séparée)
24
2 Violoncelles (duo)
20
Alto (partie séparée)
19
Trio à Cordes: violon, alto, violoncelle
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon, Alto (duo)
15
2 Violons (duo)
14
2 Altos (duo)
11
Contrebasse, Piano (duo)
11
Violoncelle (partie séparée)
9
Alto, Violoncelle (duo)
8
Violon, Guitare (duo)
8
Contre Basse
6
Piano Trio: Violon, Alto, Piano
5
Harpe, Voix
5
Harpe (partie séparée)
4
Ensemble de Violons
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
3
Harpe, Flûte (duo)
3
Trio à cordes
2
2 Violons, Piano
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
2
Violon, Tuba (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Harpe et Piano
1
Alto et Harpe
1
4 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
99
Orchestre
99
Ensemble de cuivres
70
Batterie
56
Orchestre à Cordes
55
Ensemble Jazz
42
Fanfare
31
Cloches
25
Orchestre de chambre
22
Jazz combo
17
Percussion (partie séparée)
17
Batterie (partie séparée)
12
Ensemble de Percussions
5
Vibraphone
2
Marimba
2
Xylophone ou Marimba ou Vibraphone
2
Xylophone
2
Instrumentation Flexible
2
Xylophone, Piano
1
Piano et Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
Xylophone (partie séparée)
1
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AUTRES
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Nearer, Still Nearer and Here I Am, Lord
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.917143 Composed by Dan Schut…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.917143 Composed by Dan Schutte, Leila N. Morris. Arranged by Alva J. Lee. Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Simple000 #4735987. Published by simple000 (A0.917143). Nearer, Still Nearer and Here I Am, Lord
$6.99
6.34 €
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Orchestre de chambre
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Dan Schutte, Leila N
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Alva J
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Nearer, Still Nearer and Here I Am, Lord
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simple000
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- orchestra (small)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.33 €
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Orchestre de chambre
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Traditional
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John Hoesly
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(I Am A Poor) Wayfaring Stranger- orchestra
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PRS&B
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.33 €
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Orchestre de chambre
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Traditional
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j
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
I am Thine , O Lord arr. By Chidi Oku
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.696699 By F.J . Crosby. By W…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.696699 By F.J . Crosby. By W.H. Doane. Arranged by Chidiebere Oku. Classical. Score and parts. 7 pages. CIDUC #304251. Published by CIDUC (A0.696699). Hymn Orchestral variation.
$2.99
2.71 €
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Orchestre de chambre
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F
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Chidiebere Oku
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I am Thine , O Lord arr. By Chidi Oku
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CIDUC
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SheetMusicPlus
Where am I? for string quartet and flute
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomons #27327. Published by David Warin Solomons (A0.576513). Inspired by the poem Care Home by my father SN Solomons,
$12.00
10.88 €
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Orchestre de chambre
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David Warin Solomons
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Where am I? for string quartet and flute
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David Warin Solomons
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.76 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Orchestraining No. 4 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432026 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 15 pages. Juan Maria Solare #1012506. Published by Juan Maria Solare (A0.1432026). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fourth etude focuses on dynamics: crescendi and diminuendi, exploring the extremes forte vs piano and gradually changing from one to the other one.
$5.00
4.53 €
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Orchestre de chambre
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Juan Maria Solare
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Juan Maria Solare
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Orchestraining No. 4 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Orchestraining No. 2 [Orchestra]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1432016 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 18 pages. Juan Maria Solare #1012496. Published by Juan Maria Solare (A0.1432016). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.This second orchestral etude focus on tuning / intonation.
$5.00
4.53 €
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Orchestre de chambre
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Juan Maria Solare
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Orchestraining No. 2 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
90.65 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Concerto in D minor for Trumpet and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.841054 Composed by Allessand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Watson #3411169. Published by David E. Watson (A0.841054). Marcello's Oboe Concerto in D minor written in 1717 arranged for Trumpet. A challenging transcription due to the extended fast passages in the upper register, especially in the 3rd movement. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
27.11 €
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Orchestre de chambre
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Allessandro Marcello
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David Watson
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Concerto in D minor for Trumpet and Strings
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David E. Watson
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SheetMusicPlus
Concerto for Trumpet and Orchestra (set of orchestra parts including solo)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889881 Composed by Gary Frie…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889881 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 71 pages. Gary Friedman #12907. Published by Gary Friedman (A0.889881). Please see Concerto for Trumpet and Orchestra (score, piano reduction, and solo trumpet parts) for Description and audio clip. The combined pdf for that plus the all of the parts was too large for SheetMusicPlus to accept, so I am providing the parts here separately.
$20.00
18.13 €
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Orchestre de chambre
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Gary Friedman
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Concerto for Trumpet and Orchestra
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Gary Friedman
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SheetMusicPlus
Concerto Grosso (2017) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
9.06 €
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Orchestre de chambre
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
93.83 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Meditation XVII - Parts
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contem…
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Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1028111). Meditation VXII - Text by John Donne (1572-1631).For Mezzo Soprano, Rock Ensemble and Chamber OrchestraA full set of parts. Score available separately.TextNo man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
$20.00
18.13 €
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Orchestre de chambre
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Ron Keinan
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Meditation XVII - Parts
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Ron Keinan
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SheetMusicPlus
Concerto in E flat for Trumpet and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.841053 Composed by Vincenzo …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E. Watson #3411167. Published by David E. Watson (A0.841053). Vuncenzo Bellini's Concerto in E flat, originally for Oboe. Written around 1820 it has been often noted for it's Operatic qualities and the use of Bel Canto Themes in the solo part. Included are parts for B flat Piccolo Trumpet and E flat Trumpet. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
27.11 €
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Orchestre de chambre
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Vincenzo Bellini
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David Watson
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Concerto in E flat for Trumpet and Orchestra
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David E. Watson
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SheetMusicPlus
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
35.31 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
18.12 €
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Orchestre de chambre
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
Rondo D major
Orchestre de chambre
2 Oboen, 2 Hörner, Streicher flute and chamber orchestra - intermediate to advanced - D…
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2 Oboen, 2 Hörner, Streicher flute and chamber orchestra - intermediate to advanced - Digital Download SKU: S9.Q558258 To Rondo C major. Composed by Wolfgang Amadeus Mozart. Hausmusik. Downloadable, Piano reduction with solo part. Op 244. Möseler Verlag - Digital #Q558258. Published by Möseler Verlag - Digital (S9.Q558258). Key: D major.Mozart schrieb das Rondo C-dur, KV 373 für Violine und Orchester 1781 für Antonio Brunetti, dem Konzertmeister der Salzburger Kapelle. Bereits im selben Jahr wurde das Werk von Brunetti aufgeführt; gedruckt wurde es aber erst 1800, neun Jahre nach Mozarts Tod. Ein Jahr später erschien eine nach D-dur transponierte Fassung für Querflöte und Orchester. Zur Zeit der Klassik war das Uminstrumentieren eigener oder fremder Werke nicht mehr so üblich wie im Barock. Aber es gibt noch genügend Beispiele; gerade Mozart liefert den besten Beweis (KV 413). Im Gegensatz zu der Ausgabe von 1801 ist die vorliegende Fassung enger am Originaltext orientiert, behält aber die Transposition nach D-dur bei; die Praxis hat gezeigt, dass die Querflöte in der D-dur-Fassung besser klingt.
$11.99
10.87 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Rondo D major
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Möseler Verlag - Digital
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SheetMusicPlus
Triplo concerto barocco
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: S9.Q5767 For Chamber Orchestra. Co…
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Chamber Orchestra - Digital Download SKU: S9.Q5767 For Chamber Orchestra. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q5767. Published by Schott Music - Digital (S9.Q5767). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella ’Concierto Barocco’ by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Picc. · 2 · 1 · Cornetto (oder Ob. d'am. oder Engl. Hr.) · 0 · 0 - 0 · 1 · 0 · 0 - P. S. (Marimba · 4 hg. Beck. · Crot. · 3 Gongs · Schellentr. · 2 Bong. · Tomt. · 2 afrik. Tr. · Trinidad Steel Drum · Tempelbl. · Schüttelrohr) (4 Spieler) - Cemb. (konzertierend) · Klav. (konzertierend) · Org. (konzertierend) · 1 Trumscheit - Str.
$29.99
27.19 €
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Orchestre de chambre
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Hans Werner Henze
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Triplo concerto barocco
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Schott Music - Digital
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SheetMusicPlus
Wesendonck-Lieder
Orchestre de chambre
1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 ·…
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1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamber orchestra - Digital Download SKU: S9.Q2899 Fünf Lieder für eine Frauenstimme auf Gedichte von Mathilde Wesendonck von Richard Wagner. Composed by Hans Werner Henze and Richard Wagner. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 15 minutes. Schott Music - Digital #Q2899. Published by Schott Music - Digital (S9.Q2899). German.During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze’s focal point of interest. In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.' - Hans Werner Henze.
$45.99
41.69 €
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Orchestre de chambre
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Hans Werner Henze and Richard Wagner
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Wesendonck-Lieder
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Schott Music - Digital
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
9.06 €
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
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Orchestre de chambre
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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