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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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METHODE : ETUDES
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OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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SheetMusicPlus
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Ventes
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
24277
PIANO & CLAVIERS
Piano seul
14904
Piano, Voix
6732
Piano Facile
5953
Piano, Voix et Guitare
2017
Orgue
1475
Instruments en Do
1418
Accompagnement Piano
1264
1 Piano, 4 mains
588
Piano Trio: piano, violon, violoncelle
304
2 Pianos, 4 mains
164
Accordéon
155
Piano (partie séparée)
128
Piano Quatuor: piano, 2 violons, violoncelle
97
Piano Quatuor: piano, violon, alto, violoncelle
77
Piano Quintette: piano, 2 violons, alto, violoncelle
54
Orgue, Piano (duo)
51
Orgue, Trompette (duo)
46
Piano grosses notes
29
Clavecin
25
1 Piano, 6 mains
23
2 Accordéons
13
Clavier
13
2 Pianos, 8 mains
9
Fake Book
3
2 Orgues (duo)
1
Concertina
1
Accordéon, Corde(s)
1
Accordéon, Piano
1
Orgue et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
1753
Guitare
1406
Ukulele
283
Piano, Guitare (duo)
273
Guitare (partie séparée)
264
Ligne De Mélodie, (Paroles) et Accords
256
2 Guitares (duo)
238
Basse electrique
222
4 Guitares (Quatuor)
79
Ukulele Baryton
75
Mandoline
62
Dulcimer
46
3 Guitares (trio)
34
Banjo
33
Guitare Pedal Steel
30
Ensemble de guitares
30
Paroles et Accords
28
2 Ukuleles
9
Mandoline, Guitare (duo)
9
Guitare, Violon, Violoncelle (trio)
7
2 Dulcimers (duo)
4
Ensemble de Ukulélés
3
Dobro
2
2 Mandolines (duo)
2
Luth
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
Basse électrique (partie séparée)
1
Cithare
1
Instrumentations suivantes
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VOIX
Chorale SATB
8785
Chorale 2 parties
3489
Chorale 3 parties
3271
Chorale Unison
2383
Voix duo, Piano
1730
Chorale TTBB
1295
Chorale SSAA
856
Voix duo
503
Voix Soprano, Piano
337
Voix Alto, Piano
261
Voix Tenor, Piano
213
Voix haute
205
Pack Instrumental pour Chorale
144
Voix moyenne, Piano
114
Voix Baryton, Piano
95
Voix seule
89
Voix basse, Piano
49
Chorale
33
Voix Tenor
31
Voix basse
21
Chorale SSATB
19
Chorale SSAATTBB
18
Chorale SSATTB
15
Voix Soprano
13
Soli, choeur mixte et accompagnement
9
Chorale SSAB, Piano
8
Male Voice
7
Voix Mezzo-Soprano, Piano
7
Chorale SSAB a cappella
5
Chorale SATTBB A Cappella
2
Voix, Guitare
2
Chorale SSAATB
1
Chorale SAATB A Cappella
1
Voix haute, Piano
1
Voix d'Enfants
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
2528
Clarinette et Piano
2016
2 Saxophones (duo)
1999
Hautbois, Piano (duo)
1964
Quatuor de Saxophones: 4 saxophones
1882
Saxophone Alto et Piano
1778
Saxophone (partie séparée)
1767
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1716
Flûte, Hautbois, Clarinette, Basson
1332
Saxophone Alto
1254
Saxophone Tenor et Piano
1216
Flûte traversière
1211
Clarinette
1192
2 Flûtes traversières (duo)
1058
Quatuor de Clarinettes: 4 clarinettes
1016
Saxophone Tenor
996
2 Clarinettes (duo)
917
Quintette de Saxophone: 5 saxophones
868
Saxophone Soprano et Piano
782
Hautbois (partie séparée)
782
Flûte, Clarinette (duo)
523
Quatuor de Flûtes : 4 flûtes
518
Saxophone, Clarinette (duo)
457
3 Saxophones (trio)
432
Flûte à bec Soprano
405
2 Hautbois (duo)
377
Saxophone Baryton, Piano
364
Clarinette, Violon (duo)
357
Ensemble de Clarinettes
331
3 Clarinettes (trio)
309
Flûte et Guitare
301
Flûte à bec Alto
292
Ocarina
289
Ensemble de saxophones
285
Hautbois, Basson (duo)
269
Clarinette, Trompette (duo)
264
Clarinette (partie séparée)
251
Trio de Flûtes: 3 flûtes
249
Ensemble de Flûtes
243
Hautbois, Clarinette (duo)
236
Quintette de Clarinettes: 5 clarinettes
232
Hautbois
222
2 Flûte à bec (duo)
221
Flûte, Violon
205
Cor anglais, Piano
198
Flute (partie séparée)
175
Clarinette et Alto
167
Flûte, Saxophone (duo)
159
Hautbois, Flûte
156
Flûte, Alto (duo)
143
Flûte, Trompette (duo)
133
Saxophone Soprano
119
Clarinette, Guitare (duo)
117
Flûte, Violon, Piano
112
Flûte, Hautbois, Clarinette (trio)
110
Quintette de Flûte : 5 flûtes
109
Quatuor de Flûtes à bec
103
Clarinette Basse, Piano
101
Flûte, Clarinette et Basson
101
Flûte à Bec
99
Saxophone Baryton
95
Clarinette, Basson (duo)
93
Flûte, Violoncelle
80
Flûte, Violon et Violoncelle
79
Hautbois, Clarinette, Basson (trio d'anches)
77
Ensemble De Flûte à bec
76
Cor Anglais
75
Flûte, Violoncelle, Piano (trio)
66
Flûte, Hautbois (duo)
65
Clarinette, Violoncelle (duo)
54
Flûte, Clarinette, Piano (trio)
48
Flûte, Basson et Piano
46
Flûte, Hautbois, Basson
46
Flûte à bec Tenor
43
Flûte à bec Alto, Piano
42
Hautbois, Violoncelle
41
2 Clarinettes, Piano
40
Flûte, Trombone (duo)
39
Clarinette, Violoncelle, Piano (trio)
37
Flûte, Hautbois, Piano (trio)
37
2 Flûtes traversières, Piano
33
Harmonica
32
Cor anglais, Guitare (duo)
32
5 Flûtes à bec
32
Saxophone et Orgue
32
3 Flûtes à bec (trio)
31
Flûte, Alto et Piano
30
Hautbois, violon (duo)
29
2 Saxophones, Piano
27
Saxophone et Guitare
27
Flûte, Clarinette, Cor, Basson (Quartet)
24
Clarinette, Harpe (duo)
23
Flûte, trombone et piano
21
Flûte, Harpe et Violoncelle
21
Saxophone
21
Clarinette, Trombone (duo)
21
Hautbois, Guitare (duo)
18
Flûte, Violon, Violoncelle et Piano
16
Piccolo
16
Flûte à Bec, Piano
16
Hautbois et alto (duo)
15
Clarinette Basse
15
Flûte à bec Soprano, Piano
14
3 Hautbois
13
Piccolo, Piano
13
2 Clarinettes, Basson
13
4 Hautbois
11
Flûte traversière, Orgue (duo)
11
Flûte et Trio à cordes
9
Clarinette, trompette et piano
9
Clarinette, Basson, Piano (trio)
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Flûte, Tuba (duo)
7
Instruments en Mib
7
Clarinette, Orgue
7
Flûte irlandaise
6
Hautbois, Clarinette et Piano (Trio)
6
Flute, Cor (duo)
6
Ensemble à vent
6
2 Cors Anglais Et Pianoforte
6
Flûte, Violoncelle, Guitare
6
Clarinette, Tuba
6
Flute, harpe et violon
5
Clarinette, Alto et Piano (trio)
5
Clarinette, Contrebasse (duo)
4
Hautbois, trombone (duo)
4
Flûte, Violon, Guitare
4
Flûte à bec, Guitare (duo)
4
Flûte traversière, Basse continue
4
Hautbois, Basson et Piano
4
Flûte, Hautbois, Violon
4
Cornemuse
4
Hautbois, Harpe
4
Saxophone et Harpe
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Flûte, Clarinette, Violon (trio)
3
Hautbois, Trompette (duo)
2
Flûte à bec Alto, Basse continue
2
Saxophone, Violon (duo)
2
Hautbois, Violon, Piano
2
2 Hautbois, Piano
2
Flûte de Pan
2
Cor anglais et Harpe (duo)
2
Ensemble de Hautbois
2
Saxophone, Basson (duo)
2
Saxophone et violoncelle
1
Flûte traversière, Orchestre
1
Melodica
1
2 Harmonicas
1
Saxophone, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Orchestre
1
Saxophone et Piano
1
2 Flûtes à bec, Piano
1
Flûte, alto et harpe
1
Hautbois, Violoncelle et Piano
1
Flûte et Quatuor à Cordes
1
Clarinette, Saxophone, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1651
Trombone et Piano
1479
Trompette, Piano
1426
Trompette
1294
Quatuor de Cuivres : 2 trompettes, trombone, tuba
975
Cor et Piano
974
Trombone
873
Trombone (partie séparée)
768
Cor
760
Trompette (partie séparée)
646
Tuba
620
2 Trompettes (duo)
555
2 Trombones (duo)
511
Tuba et Piano
480
Quatuor de Cuivres: 2 trompettes, Cor, trombone
449
Quatuor de Cuivres
406
Trompette, Saxophone (duo)
366
Trompette, Trombone (duo)
351
Euphonium
300
2 Cors (duo)
270
Quatuor de cuivres: 4 trombones
253
Cor anglais, Piano
198
Euphonium, Piano (duo)
194
Cor (partie séparée)
188
Trompette, Cor (duo)
175
Quatuor de cuivres: 4 cors
162
Tuba (partie séparée)
154
Ensemble de Trombones
150
Ensemble de Trompettes
85
2 Tubas (duo)
85
Cor Anglais
75
Quatuor de cuivres: 4 trompettes
70
3 Trombones (trio)
63
Trio de Cuivres
57
3 Trompettes (trio)
52
Quatuor de cuivres: 2 trompettes, 2 trombones
45
Ensemble de Cors
44
4 Tubas
42
2 Euphoniums et 2 Tubas
39
Tuba et Orgue
35
Cor anglais, Guitare (duo)
32
Trombone basse
31
Cor, Violoncelle (duo)
27
Trombone, Orgue
25
Trombone basse et Piano
23
Trompette, Tuba (duo)
23
Euphonium, Tuba (duo)
22
Trompette, Violoncelle et Piano
21
Trombone, Cor (duo)
19
Trompette, violon (duo)
19
2 Euphoniums (duo)
18
Trombone, Tuba (duo)
17
Trompette, Violoncelle (duo)
16
Clarinette, Cor (duo)
15
Cor, Tuba (duo)
14
3 Cors (trio)
14
Cor et Basson (duo)
11
Instruments en Sib
10
3 Tubas (trio)
10
Cor et Orgue
10
Trompette, Basson (duo)
10
Bass Clef Instruments
10
Instruments en Fa
7
2 Trompettes, Clavier (piano ou orgue)
7
Cor et Harpe
6
2 Cors Anglais Et Pianoforte
6
Trombone, Violon (duo)
5
Trompette, Trombone, Piano
4
Cornet A Pistons
3
3 Euphoniums
3
Trompette, Harpe
3
Trompette et Guitare
3
2 Cors, Piano
2
Tuba ou Euphonium ou Saxhorn
2
Trombone, Alto (duo)
2
2 Trombones, Piano
2
Cor anglais et Harpe (duo)
2
Trompette, Euphonium (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, violoncelle (duo)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
4051
Violon et Piano
3023
Violoncelle, Piano
2049
Violon
1979
Alto, Piano
1885
Violoncelle
1283
Violon, Violoncelle (duo)
1014
Trio à Cordes: violon, alto, violoncelle
983
Harpe
953
2 Violons (duo)
874
Alto seul
779
2 Violoncelles (duo)
647
Quintette à cordes: 2 violons, alto, violoncelle, basse
581
Violon, Alto (duo)
527
2 Altos (duo)
514
Contrebasse, Piano (duo)
450
Contre Basse
357
Trio à Cordes: 2 violons, violoncelle
353
Alto (partie séparée)
327
2 Harpes (duo)
292
Violon (partie séparée)
269
Contrebasse (partie séparée)
244
Alto, Violoncelle (duo)
176
Piano Trio: Violon, Alto, Piano
172
Trio à cordes: 3 violins
148
4 Violoncelles
139
Violon, Guitare (duo)
113
Trio à Cordes: 3 violoncelles
99
2 Contrebasses (duo)
83
Quatuor à cordes: 4 violons
66
Violoncelle (partie séparée)
66
Quatuor à cordes : 4 altos
61
Trio à cordes: 3 altos
60
Violoncelle , Guitare (duo)
59
Harpe, Flûte (duo)
57
Trio à Cordes: 2 violons, alto
50
Violoncelle, Contrebasse (duo)
49
Alto, Guitare (duo)
43
Quintette à cordes: 2 violons, 2 altos, violoncelle
37
Violon, Basson (duo)
33
Harpe, Violon (duo)
27
Ensemble de Violons
25
Harpe, Voix
21
Violon, Clarinette, Piano (trio)
21
4 Contrebasses
21
Violoncelle, Orgue
20
Ensemble d'Altos
20
Alto et Basson
18
Harpe, Violoncelle (duo)
18
Alto et Harpe
17
Ensemble de Violoncelles
12
Harpe, Violon, Violoncelle
11
Violon, Orgue
11
Flûte, Contrebasse (duo)
11
2 Violons, Piano
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
2 Violoncelles, Piano
5
2 Altos, Piano
5
3 Harpes
4
Violoncelle, Basse continue
4
Violoncelle, Orchestre
4
3 Contrebasses
3
Violon, Basse continue
3
Harpe, Trombone (duo)
3
Violon, Violoncelle, Clarinette
3
Alto, Orgue
3
Harpe et Piano
3
Violon, Tuba (duo)
2
Harpe et Orgue
2
Violon, Trompette et Piano
2
5 Harpes
2
Trio à cordes
1
Autoharp
1
Harpe (partie séparée)
1
Harpe et mandoline
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
7711
Orchestre à Cordes
2049
Orchestre
1625
Cloches
1518
Ensemble Jazz
1455
Ensemble de cuivres
1073
Orchestre de chambre
633
Fanfare
444
Jazz combo
411
Ensemble de Percussions
214
Percussion (partie séparée)
158
Batterie
145
Batterie (partie séparée)
138
Marimba
45
Xylophone, Piano
37
Vibraphone
29
Timbales (partie séparée)
28
Xylophone
27
Percussion
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
2 Xylophones
10
Piano et Orchestre
10
Ensemble d'École
7
Instrumentation Flexible
5
Timbales
5
Quintette à Vent
4
Orchestre, Violon
4
3 Marimbas
3
Caisse Claire
3
Vibraphone et Marimba
2
Xylophone (partie séparée)
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Voix et Orchestre
1
Conga
1
Marimba et Orgue
1
Marimba ou Xylophone et Piano
1
Marimba, Piano (duo)
1
Bongos
1
2 Caisses Claires (duo)
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
7
Formation musicale - Solfège
2
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An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.66 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.63 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Stille Betrachtung an einem Herbstabend
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1010824 Composed by Anton Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1010824 Composed by Anton Bruckner. Arranged by Peter Le Tissier. Romantic Period. Score and parts. 13 pages. Peter Le Tissier #2845787. Published by Peter Le Tissier (A0.1010824). An arrangement of Anton Bruckner's eponymous miniature for solo Piano, written for Emma Thanner, a piano pupil of his, in 1863. Lasting roughly 3-4 minutes (depending on Tempo taken), and written for a small ensemble of Strings, Oboe, Clarinet, Bassoon and 2 Horns, this piece fits easily as an interlude into a concert programme.
$2.99
2.72 €
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Orchestre de chambre
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Anton Bruckner
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Peter Le Tissier
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Stille Betrachtung an einem Herbstabend
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Peter Le Tissier
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SheetMusicPlus
Love Is An Open Door
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1271552 By Kristen Bell & Sa…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1271552 By Kristen Bell & Santino Fontana. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Pedro Coelho. 21st Century,Broadway,Children,Musical/Show,Pop,Wedding. Score and Parts. 17 pages. Pedro Coelho #863952. Published by Pedro Coelho (A0.1271552). FULL SCORE of Love Is An Open Door by Robert Lopez & Kristen Lopez- Conductor- Piano-Violin I & II-Viola-Cello-Double Bass-Flute-Brass (trumpet in C & trombone).
$50.00
45.53 €
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Orchestre de chambre
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Kristen Bell & Santino Fontana
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Pedro Coelho
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Love Is An Open Door
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Pedro Coelho
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1134659 By Michael Buble. By…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1134659 By Michael Buble. By Mel Torme and Robert Wells. Arranged by Luis Cardoso. Christmas. 40 pages. Luis Cardoso #734707. Published by Luis Cardoso (A0.1134659). Arrangement of the well-known Christmas piece, “The Cristmas Song (Chestnuts Roasting On An Open Fire)â€, in Bb, for voice - Alto, Bass or Baritone - and orchestra - 2222 2200 1Perc Strings. Easy to perform, intimate piece, ideal for a music sharing moment at the Christmas concert. 4m30s.
$49.99
45.52 €
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Orchestre de chambre
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Michael Buble
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Luis Cardoso
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The Christmas Song
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Luis Cardoso
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.783772 By John Denver. By Me…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.783772 By John Denver. By Mel Torme and Robert Wells. Arranged by John Groves. Christmas,Contemporary,Holiday. Score and parts. 10 pages. John Groves #6590021. Published by John Groves (A0.783772). The Christmas Song (Chestnuts Roasting On An Open Fire) - Alto Sax Solo with String QuartetFun straight forward arrangement featuring Alto Sax soloist with string quartet or double up string parts if you want to create a rich robust string orchestra section sound.Score and Parts Included.Alto Sax2 ViolinsViolaCello.
$17.99
16.38 €
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Orchestre de chambre
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John Denver
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John Groves
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The Christmas Song
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John Groves
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SheetMusicPlus
The Banshee and the Wish, An Opera in One Act, Full Score and Individual Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.730528 Composed by James Nat…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.730528 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 184 pages. James Nathaniel Holland #6295581. Published by James Nathaniel Holland (A0.730528). FULL SCORE AND INDIVIDUAL INSTRUMENT PARTS. Vocal Piano Score sold separately. Here American composer James Nathaniel Holland brings you The Banshee and the Wish is a tale based on an old Irish Legend with original libretto and 21st century music. A Irish soldier has lost his way home from the battlefields of World War I, and find a mysterious fairy maiden bathing and washing clothes in a river. He steals her comb knowing that she must grant any wish he desires. His wish is to return home. As always with the fairies, his wish is granted but with a catch. Accessible music for Soprano, Baritone and chamber orchestra. Score for: fl, ob, eh, clBb, bsn, hrn in F, timp/tri., hrp, and strings. Duration: 30 minutes.
$25.95
23.63 €
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Orchestre de chambre
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James Nathaniel Holland
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The Banshee and the Wish, An Opera in One Act, Full Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
An Island Adventure
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.980312 Composed by Brian Henderson-Sel…
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Chamber Orchestra - Digital Download SKU: A0.980312 Composed by Brian Henderson-Sellers. 20th Century,Contemporary. Score and parts. 84 pages. Brian Henderson-Sellers #4639697. Published by Brian Henderson-Sellers (A0.980312). A piece for small orchestra illustrating a walk around an island, seeing the local sights (boats, birds etc.)
$2.99
2.72 €
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Orchestre de chambre
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Brian Henderson-Sellers
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An Island Adventure
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Brian Henderson-Sellers
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SheetMusicPlus
Scherzo for an Eclectic Ensemble - parts only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1019463 Composed by Simon Wa…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1019463 Composed by Simon Watkins. Contemporary. Score and parts. 43 pages. Simon Watkins #6237611. Published by Simon Watkins (A0.1019463). Parts only file for the piece of the same name available from this site. A jolly piece written for an amateur ensemble I used to conduct, including a mixed bag of instruments for a happy mix of musicians! Runs for between 7 and 8 minutes.
$15.25
13.89 €
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Orchestre de chambre
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Simon Watkins
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Scherzo for an Eclectic Ensemble - parts only
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Simon Watkins
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SheetMusicPlus
[arr. Luedeke] An der schönen blauen Donau
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.856118 Composed by Johann Strauss Jr. …
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Chamber Orchestra - Digital Download SKU: A0.856118 Composed by Johann Strauss Jr. Arranged by Raymond Luedeke. Contemporary,Romantic Period. Score and parts. 57 pages. American Composers Alliance Inc. #4638597. Published by American Composers Alliance Inc. (A0.856118). An arrangement of The Blue Danube for clarinet (parts for A and B-flat clarinets) and string quartet - PDF download includes score and parts.
$30.95
28.18 €
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Orchestre de chambre
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Johann Strauss Jr
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Raymond Luedeke
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[arr. Luedeke] An der schönen blauen Donau
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American Composers Alliance Inc.
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SheetMusicPlus
Scherzo for an Eclectic Ensemble - score and parts
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1019461 Composed by Simon Wa…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1019461 Composed by Simon Watkins. Contemporary. Score and parts. 85 pages. Simon Watkins #6237603. Published by Simon Watkins (A0.1019461). A jolly piece written for a mixed ensemble of amateur musicians I used to conduct, with players of varying experience. It runs for between 7 and 8 minutes and is unremittingly upbeat! Have fun...
$19.25
17.53 €
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Orchestre de chambre
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Simon Watkins
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Scherzo for an Eclectic Ensemble - score and parts
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Simon Watkins
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SheetMusicPlus
An emerald fantasy
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.996473 Arranged by Enrique L…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.996473 Arranged by Enrique Lacárcel. Contemporary,Folk,Holiday. Score and parts. 25 pages. Enrique Lacárcel #5987411. Published by Enrique Lacárcel (A0.996473). Based on two well-known Irish melodies (Siobhán Nà Dhuibhir and Drowsy Maggie), I composed this fantasy during the first weeks of the summer of 2020. Due to the social distancing recommendations imposed after the Covid-19 pandemic, I thought it would be a good idea write a work for a smaller orchestra than in my previous works that would allow me to occupy the entire stage if necessary, respecting this safety distance.
$6.99
6.36 €
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Orchestre de chambre
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Enrique Lacárcel
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An emerald fantasy
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Enrique Lacárcel
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SheetMusicPlus
An Evening Prayer
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.683895 Composed by Charles H…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.683895 Composed by Charles H. Gabriel. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. Score and parts. 11 pages. Gert Th. Walter #6258913. Published by Gert Th. Walter (A0.683895). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$7.99
7.28 €
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Orchestre de chambre
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Charles H
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Gert Th
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An Evening Prayer
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Gert Th. Walter
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.845993 By Nat Cole With N. R…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
45.52 €
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Orchestre de chambre
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Nat Cole With N
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Kyle Pudenz
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The Christmas Song
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ViolinVagabond Music
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SheetMusicPlus
Scherzo for an Eclectic Ensemble - score only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1019462 Composed by Simon Wa…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1019462 Composed by Simon Watkins. Contemporary. Score and parts. 42 pages. Simon Watkins #6237609. Published by Simon Watkins (A0.1019462). The score only file for the piece of the same name available on this site. A jolly piece written for a chamber ensemble of mixed instruments and blended experience I used to conduct. Runs for between 7 and 8 minutes.
$5.99
5.45 €
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Orchestre de chambre
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Simon Watkins
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Scherzo for an Eclectic Ensemble - score only
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Simon Watkins
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SheetMusicPlus
Soriadh Leis An Ait (Farewell to the Place)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.769920 Composed by Mairi Mho…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.769920 Composed by Mairi Mhor. Arranged by David D. Mason. Celtic,Contemporary,Holiday. Score and parts. 11 pages. David D Mason #4848255. Published by David D Mason (A0.769920). I have arranged this lovely Gaelic song written by Mairi Mhor for String Quartet with optional Organ (Piano) accompaniment. .
$6.99
6.36 €
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Orchestre de chambre
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Mairi Mhor
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David D
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Soriadh Leis An Ait
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David D Mason
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SheetMusicPlus
AN SILVIA - Op. 106 No. 4 (D. 891) - For Soprano or Tenor, Piano and (ad libitum) Cello - Score Only
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1041269 By Franz Schubert. B…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1041269 By Franz Schubert. By Franz Schubert. Arranged by Renato Tagliabue. Classical,Romantic Period. Score and parts. 4 pages. Renato Tagliabue #646005. Published by Renato Tagliabue (A0.1041269). Arr. with Controcanto of Cello Original Lyrics by William Shakespeare.
$12.90
11.75 €
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Orchestre de chambre
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Franz Schubert
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Renato Tagliabue
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AN SILVIA - Op. 106 No. 4
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Renato Tagliabue
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SheetMusicPlus
An Easter Medley (for solo horn and small ensemble)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.863117 Composed by Various C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.863117 Composed by Various Composers (1609-1789). Arranged by Jordan Grigg. Concert,Easter,Romantic Period,Sacred. Score and parts. 55 pages. Jordan Grigg #3385813. Published by Jordan Grigg (A0.863117).
$15.95
14.52 €
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Orchestre de chambre
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Various Composers
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Jordan Grigg
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An Easter Medley
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Jordan Grigg
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1268720 By Christina Aguiler…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1268720 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by George Naff. 20th Century,Children,Christmas,Film/TV,Holiday. Score and Parts. 36 pages. Craig Robert Levesque #861248. Published by Craig Robert Levesque (A0.1268720). This fun, easy version of The Christmas Song is scored for Choir, Piano, Strings, Woodwinds and Orchestra Bells. The childrens part in the choir is identical to the soprano voice.
$50.00
45.53 €
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Orchestre de chambre
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Christina Aguilera
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George Naff
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The Christmas Song
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Craig Robert Levesque
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SheetMusicPlus
Tears for the Death of an Infant, Solo Cello (Violin or Viola) and Orchestra from the Snow Queen Bal
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730410 Composed by James Nat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.730410 Composed by James Nathaniel Holland. Contemporary,Easter. Score and parts. 24 pages. James Nathaniel Holland #3365251. Published by James Nathaniel Holland (A0.730410). Excerpt from Act 2, Scene 1 Gerde Mourns the Death of Kai from the ballet The Snow Queen Trio for Solo Cello (or Solo Violin, or Solo Viola, and small orchestra by American Costa Rican composer James Nathaniel Holland. Sad and moving. Full score (in Concert pitch) and Individual parts (including solo parts) included. Piano reduction scores sold separately but measures match up to any arrangement and scores from the full ballet. Can be augmented with optional piano or organ from the reduction scores.Instrumentation: 1fl, 1clBb, 1bsn, 4 hrns in F, Chimes, solo cello (or solo violin or solo viola), stringsDuration: 4:29 minutesYouTube presentation (with cello): https://youtu.be/7bHPvmjvY_4Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook: https://www.facebook.com/jamesnathanielholland.
$15.95
14.52 €
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Orchestre de chambre
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James Nathaniel Holland
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Tears for the Death of an Infant, Solo Cello
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James Nathaniel Holland
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.98 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
72.85 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
9.11 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
68.29 €
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Orchestre de chambre
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373893 Composed by Béla …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. Bela Ugro #958369. Published by Bela Ugro (A0.1373893). Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists with a total of 116 pages.Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists.Content:Chamber Music: LITTLE BLUES (Percussion Duo) SZAMBA ROCK (Percussion Trio) CLICKER DRUMMERS (Percussion Quartet) START-UP BOOTS (Percussion Quartet) Parade:   5. SZAMBA (Percussion Quintet)   6. TRAPPOLÓ DRUMMERS (Percussion Quintet)Drumset duo:   7. LU-FUKY DRUMS   8. DARÃLÓKA   9. HINTATÓNIA  10. FAVÃGÓK PARADE DRUMSET DUOWith a diverse selection ranging from energetic duets to intricate quintets, this collection provides students with an immersive musical experience that encourages teamwork, creativity, and technical proficiency. Whether exploring rhythmic grooves or experimenting with innovative percussion techniques, Chamber Music with Percussion in School I. offers an enriching journey for both performers and audiences alike.Keywords: Percussion Chamber MusicSchool Ensemble MusicBéla Ugró CompositionPercussion QuartetPercussion QuintetDrumset DuoPercussion DuetsMusical ChallengesCreative Percussion PiecesTeamwork in MusicTechnical ProficiencyVibrant Music SheetsEnergetic Percussion MusicInnovative Percussion TechniquesImmersive Musical Experience.
$20.00
18.21 €
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Orchestre de chambre
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Béla Ugró
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Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
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Bela Ugro
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SheetMusicPlus
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