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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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An Inspiration
Non classifié
471
Piano & claviers
Piano, Voix
548
Piano, Voix et Guitare
374
Piano seul
368
Piano Facile
150
Piano grosses notes
30
Orgue
17
Instruments en Do
12
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Clavecin
6
Orgue, Piano (duo)
5
2 Pianos, 4 mains
2
Accompagnement Piano
2
Accordéon, Voix
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
+ 12 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
95
Guitare notes et tablatures
30
Guitare
25
Ukulele
3
Piano, Guitare (duo)
2
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Guitare, Violon, Violoncelle (trio)
1
Basse electrique
1
+ 4 instrumentations
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Voix
Chorale SATB
179
Chorale 3 parties
79
Chorale 2 parties
37
Chorale TTBB
33
Chorale SSAA
10
Voix duo, Piano
9
Voix Alto, Piano
9
Chorale Unison
7
Chorale
6
Voix, Guitare
3
Voix duo
2
Voix Baryton, Piano
1
Voix seule
1
+ 8 instrumentations
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Vents
Hautbois, Piano (duo)
85
Saxophone Alto et Piano
50
Flûte traversière et Piano
35
Clarinette et Piano
30
Saxophone Tenor et Piano
23
Clarinette
21
Quatuor de Saxophones: 4 saxophones
16
Saxophone Baryton, Piano
15
Flûte, Hautbois, Clarinette, Basson
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Flûte traversière
14
Flûte, Violon, Piano
13
Quintette de Saxophone: 5 saxophones
12
Saxophone Alto
12
Flute (partie séparée)
11
Ensemble de saxophones
11
2 Flûtes traversières (duo)
10
Saxophone (partie séparée)
10
Hautbois (partie séparée)
9
2 Clarinettes (duo)
7
Quatuor de Flûtes à bec
6
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Flûte, Clarinette (duo)
5
Ensemble de Clarinettes
5
2 Flûtes traversières, Piano
5
Saxophone Tenor
5
2 Saxophones (duo)
5
Flûte, Alto et Piano
4
Clarinette, Violoncelle (duo)
4
Ensemble de Flûtes
3
Flûte, Trombone (duo)
3
Flûte, Violoncelle
2
3 Saxophones (trio)
2
Flûte, Basson et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Violon
2
Clarinette (partie séparée)
2
2 Saxophones, Piano
2
Saxophone Soprano et Piano
2
Clarinette, Guitare (duo)
1
Piccolo
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
3 Clarinettes (trio)
1
Flûte, Trompette (duo)
1
Clarinette, Basson (duo)
1
Flûte, Saxophone (duo)
1
Saxophone
1
Flûte et Guitare
1
Saxophone, Clarinette (duo)
1
Flûte, trombone et piano
1
Cor Anglais
1
Cor anglais, Piano
1
Hautbois, Flûte
1
Flûte, Alto (duo)
1
Clarinette, Basson, Piano (trio)
1
+ 54 instrumentations
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Cuivres
Trombone et Piano
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Cor et Piano
25
Trompette, Piano
25
2 Cors (duo)
17
Quatuor de Cuivres
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette (partie séparée)
13
Trompette
13
Cor
13
Tuba et Piano
10
2 Trompettes (duo)
7
2 Trombones (duo)
6
Trombone (partie séparée)
6
Ensemble de Trombones
5
Trombone
5
2 Tubas (duo)
4
Euphonium, Tuba (duo)
3
Ensemble de Trompettes
3
Trompette, Violoncelle et Piano
2
Tuba
1
Cor (partie séparée)
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
Cor anglais, Piano
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon et Piano
67
Alto, Piano
54
Violoncelle, Piano
48
2 Violons (duo)
37
Violon
33
Violon, Violoncelle (duo)
25
2 Altos (duo)
18
Alto seul
11
Violon, Alto (duo)
11
Violoncelle
10
Trio à cordes
8
Harpe
7
Contre Basse
6
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Harpe, Violoncelle (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Violon (partie séparée)
3
Alto (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à cordes: 3 altos
3
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
2
Violon, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violoncelles, Piano
1
4 Contrebasses
1
Violon, Orgue
1
Ensemble d'Altos
1
Ensemble de Violons
1
Harpe et Piano
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
+ 34 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
49
Orchestre à Cordes
31
Orchestre
27
Cloches
11
Jazz combo
8
Ensemble de cuivres
7
Ensemble Jazz
5
Orchestre de chambre
4
Ensemble de Percussions
3
Marimba
2
Piano et Orchestre
1
Vibraphone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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Vous avez sélectionné:
An Inspiration
Orchestre de chambre
Partitions à imprimer
4 partitions trouvées
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The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Symphony No. 2, "Litanies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
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Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...
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Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
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