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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
And There Was Light - Flute 2
Non classifié
74
Piano & claviers
Piano seul
39
Piano, Voix
11
Piano, Voix et Guitare
8
Piano Facile
4
Instruments en Do
2
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
+ 5 instrumentations
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Guitares
Guitare
6
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
2 Guitares (duo)
1
3 Guitares (trio)
1
Basse electrique
1
+ 2 instrumentations
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Voix
Chorale SATB
20
Pack Instrumental pour Chorale
14
Chorale 2 parties
11
Chorale 3 parties
8
Chorale TTBB
5
Chorale Unison
4
Voix Alto, Piano
2
Voix moyenne, Piano
1
Chorale SSAA
1
Voix Soprano
1
+ 5 instrumentations
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Vents
2 Saxophones (duo)
53
2 Clarinettes (duo)
22
2 Hautbois (duo)
11
Quatuor de Saxophones: 4 saxophones
7
Hautbois, Piano (duo)
6
Quintette de Saxophone: 5 saxophones
6
Clarinette et Piano
5
Saxophone Baryton, Piano
5
2 Flûte à bec (duo)
3
3 Saxophones (trio)
3
Saxophone Tenor et Piano
3
Saxophone Alto et Piano
3
Cor anglais, Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de saxophones
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Ensemble de Clarinettes
1
Clarinette, Guitare (duo)
1
Flûte irlandaise
1
Flûte à Bec
1
5 Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Clarinettes (trio)
1
3 Flûtes à bec (trio)
1
Clarinette
1
Clarinette Basse, Piano
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
+ 27 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
2 Trompettes (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Trombones (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de Cuivres
4
Trompette, Piano
4
Trombone et Piano
4
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Trio de Cuivres
2
Cor et Piano
1
4 Tubas
1
Ensemble de Cors
1
Trombone (partie séparée)
1
Cor (partie séparée)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trombones
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
2 Altos (duo)
12
2 Violoncelles (duo)
10
2 Violons (duo)
10
Violon et Piano
5
Harpe
5
Violoncelle, Piano
4
Alto, Piano
4
Violon, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
Violon
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orchestre
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
22
Orchestre à Cordes
14
Orchestre
7
Ensemble de cuivres
4
Orchestre de chambre
3
Cloches
2
2 Marimbas
1
Percussion (partie séparée)
1
Ensemble de Percussions
1
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Vous avez sélectionné:
And There Was Light - Flute 2
Orchestre de chambre
Partitions à imprimer
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Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
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Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Double Bass Concerto
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Orchestre de chambre
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Gavin Bryars
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Double Bass Concerto
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Schott Music - Digital
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SheetMusicPlus
2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chambe...
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2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.
$16.99
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And There Was Light - Flute 2
