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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Angel Of Music
Non classifié
938
Piano & claviers
Piano seul
908
Piano, Voix et Guitare
362
Piano, Voix
300
Piano Facile
236
Orgue
106
1 Piano, 4 mains
39
2 Pianos, 4 mains
30
Instruments en Do
30
Piano grosses notes
28
Accordéon
25
Piano Trio: piano, violon, violoncelle
17
Accompagnement Piano
14
Orgue, Trompette (duo)
7
Piano (partie séparée)
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Ligne De Mélodie, Piano
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
200
Ligne De Mélodie, (Paroles) et Accords
103
Guitare
80
Paroles et Accords
57
Ukulele
41
Basse electrique
9
Piano, Guitare (duo)
5
4 Guitares (Quatuor)
4
Banjo
3
Dulcimer
2
Partitions De Groupes
2
2 Guitares (duo)
2
Guitare, Orchestre
1
2 Ukuleles
1
3 Guitares (trio)
1
Ensemble de guitares
1
Mandoline, Piano (duo)
1
Guitare (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
507
Chorale 3 parties
139
Chorale 2 parties
113
Chorale Unison
53
Chorale TTBB
46
Voix duo, Piano
41
Chorale
24
Chorale SSAA
21
Voix duo
7
Voix haute
6
Voix Soprano, Piano
6
Voix Baryton, Piano
6
Voix Alto, Piano
5
Voix seule
4
Chorale SSATTB
3
Voix basse, Piano
3
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Voix, Guitare
1
Chorale, Orgue
1
Chorale SSATB
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière
82
Flûte traversière et Piano
76
Clarinette
69
Clarinette et Piano
65
Saxophone
64
Saxophone Alto et Piano
56
Quatuor de Saxophones: 4 saxophones
46
Hautbois, Piano (duo)
45
Flûte, Hautbois, Clarinette, Basson
45
Saxophone Tenor et Piano
39
Saxophone Alto
38
Quatuor de Clarinettes: 4 clarinettes
38
Clarinette (partie séparée)
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Saxophone (partie séparée)
32
2 Saxophones (duo)
29
Saxophone Soprano et Piano
28
2 Flûtes traversières (duo)
25
Trio de Flûtes: 3 flûtes
24
Hautbois (partie séparée)
22
Saxophone Tenor
21
Flûte, Clarinette (duo)
20
Quatuor de Flûtes : 4 flûtes
19
2 Clarinettes (duo)
19
3 Saxophones (trio)
19
3 Clarinettes (trio)
19
Flute (partie séparée)
16
Ensemble de Flûtes
14
Flûte, Hautbois, Clarinette (trio)
13
Flûte, Violon, Piano
12
Flûte à Bec
10
2 Flûtes traversières, Piano
9
Ensemble de saxophones
9
Hautbois
8
Quintette de Saxophone: 5 saxophones
8
Saxophone Baryton, Piano
8
Quatuor de Flûtes à bec
7
Ensemble de Clarinettes
7
Flûte, Clarinette, Piano (trio)
7
Clarinette, Violon (duo)
6
Ocarina
6
Flûte à bec Soprano
6
Saxophone et Harpe
5
2 Clarinettes, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Violoncelle, Piano (trio)
5
Cor anglais, Piano
5
Flûte, Clarinette et Basson
4
Saxophone et Orgue
4
Flûte, Violon et Violoncelle
4
Clarinette, Violoncelle (duo)
4
Flûte, Violon
4
Clarinette, Harpe (duo)
3
Cor Anglais
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Clarinette, Orgue
2
Instruments en Mib
2
Flûte, Violoncelle
2
Ensemble à vent
2
Harmonica
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette Basse, Piano
2
Clarinette, Basson (duo)
2
Saxophone, Clarinette (duo)
2
Flûte irlandaise
2
Hautbois, Harpe
2
Clarinette, trompette et piano
2
Flûte, Alto et Piano
2
2 Flûte à bec (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano, Piano
1
Hautbois, Violoncelle
1
Flûte à bec Alto
1
Flute, harpe et violon
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Trompette (duo)
1
Hautbois, Flûte
1
Hautbois, Orgue
1
Clarinette et Alto
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle et Piano
1
Flûte, trombone et piano
1
Hautbois, Basson (duo)
1
Flûte et Guitare
1
Flûte, Basson et Piano
1
Flûte, Harpe et Violoncelle
1
+ 86 instrumentations
Retracter
Cuivres
Trompette
68
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trompette, Piano
57
Trombone
52
Trombone et Piano
46
Cor
32
Trombone (partie séparée)
32
Cor et Piano
31
Trompette (partie séparée)
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
2 Trompettes (duo)
20
Quatuor de Cuivres
19
Cor (partie séparée)
18
Tuba et Piano
17
Tuba (partie séparée)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
2 Cors (duo)
13
2 Trombones (duo)
13
Tuba
11
Quatuor de cuivres: 4 trombones
9
Trompette, Cor (duo)
7
Euphonium
7
3 Trompettes (trio)
7
Quatuor de cuivres: 4 cors
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trio de Cuivres
6
Euphonium, Piano (duo)
5
2 Trompettes, Clavier (piano ou orgue)
5
Cor anglais, Piano
5
Ensemble de Trombones
4
Trompette, Trombone, Piano
4
3 Trombones (trio)
4
Trompette, Violoncelle et Piano
4
Cor Anglais
3
Cor et Harpe
3
Quatuor de cuivres: 4 trompettes
3
3 Cors (trio)
3
2 Euphoniums et 2 Tubas
2
Trompette, Saxophone (duo)
2
Instruments en Sib
2
Bass Clef Instruments
2
Trompette, Trombone (duo)
2
Euphonium, Tuba (duo)
2
Ensemble de Trompettes
2
2 Tubas (duo)
2
4 Tubas
1
Trompette, Violoncelle (duo)
1
Cor et Orgue
1
Instruments en Fa
1
Ensemble de Tubas
1
Ensemble de Cors
1
Trombone, Orgue
1
Tuba et Orgue
1
+ 48 instrumentations
Retracter
Cordes
Harpe
173
Quatuor à cordes: 2 violons, alto, violoncelle
172
Violon et Piano
100
Violon
67
Violoncelle, Piano
60
Alto, Piano
55
Trio à Cordes: 2 violons, violoncelle
49
Violoncelle
47
2 Violons (duo)
39
Violon, Violoncelle (duo)
35
Violon (partie séparée)
28
Alto seul
27
Trio à Cordes: violon, alto, violoncelle
26
2 Harpes (duo)
19
Violon, Alto (duo)
19
2 Violoncelles (duo)
18
Contrebasse (partie séparée)
18
Alto (partie séparée)
16
Contre Basse
15
Violoncelle (partie séparée)
14
Trio à cordes: 3 violins
13
2 Altos (duo)
11
Alto, Violoncelle (duo)
10
Contrebasse, Piano (duo)
8
Quatuor à cordes: 4 violons
8
Violoncelle, Contrebasse (duo)
6
4 Violoncelles
6
Piano Trio: Violon, Alto, Piano
6
Trio à cordes
6
Harpe, Violoncelle (duo)
6
2 Contrebasses (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Violons, Piano
4
Harpe, Trombone (duo)
4
Trio à Cordes: 3 violoncelles
4
2 Violoncelles, Piano
3
Violoncelle, Orgue
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 altos
2
Ensemble de Violons
1
3 Harpes
1
Alto, Orgue
1
Harpe et mandoline
1
Violoncelle , Guitare (duo)
1
Violon, Orgue
1
Harpe et Piano
1
Ensemble de Violoncelles
1
Alto et Harpe
1
4 Contrebasses
1
Harpe, Voix
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
363
Orchestre
250
Orchestre à Cordes
89
Cloches
63
Ensemble Jazz
47
Ensemble de cuivres
38
Percussion (partie séparée)
16
Orchestre de chambre
14
Marimba
6
Timbales (partie séparée)
6
Percussion
5
Jazz combo
5
Batterie
5
Fanfare
4
Ensemble de Percussions
3
Quintette à Vent
3
Ensemble d'École
2
Batterie (partie séparée)
2
Xylophone, Piano
1
2 Marimbas
1
Instrumentation Flexible
1
Xylophone
1
Quatuor à Vent : 4 instruments à vents
1
Piano et Orchestre
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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SheetMusicPlus
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Vous avez sélectionné:
Angel Of Music
Orchestre de chambre
Partitions à imprimer
14 partitions trouvées
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1
Musica Proibita - Orchestral parts set
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Orchestral p
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pub...
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Chamber Orchestra - Level 3 - SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3868799. Published by Pubblicato da Nicola Marasco (A0.931476). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$14.99
Musica Proibita - Full Score
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.931475 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 7 pages. Pub...
(+)
Chamber Orchestra - Level 3 - SKU: A0.931475 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 7 pages. Pubblicato da Nicola Marasco #3868791. Published by Pubblicato da Nicola Marasco (A0.931475). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$8.99
Lullabye (Goodnight, My Angel)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Billy Joel
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Gary D
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR G...
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Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR GARY D BELSHAW #3109511. Published by DR GARY D BELSHAW (A0.796624). For String Quartet plus a guest artist: Alto Sax, Clarinet, Flute, Oboe, or Trumpet. From Billy Joel's final album, River of Dreams (1993).How would you answer a 7-year-old's question, Where do we go when we die? The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose. It's got plenty of meaning without getting gushy or sentimental. I chose the Alto sax for its contrast with the strings; the other instruments allow you to select from a variety of guest artists.Thank you for considering this work; your impressions are valuable. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$14.99
Rejoice Mary (tune of O Come O Come Emmanuel) - strings and piano
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Orchestre de chambre
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FACILE
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Connie Boss
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Rejoice Mary
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801467 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #5987555. Publis...
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Chamber Orchestra - Level 2 - SKU: A0.801467 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #5987555. Published by Connie Boss (A0.801467). This is a song about Mary and the Angel Gabriel. It is set to the tune of O Come O Come Emmanuel, but It has a unique intro and the lyrics are changed for the verses after verse 1. You can purchase the mp3 and vocal music on here. cdboss@cvalley.net for questions. See Lyrics below:
$5.50
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flávio Régis Cunha
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Aria: Erbarme Dich, mein Gott
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,E...
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Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$14.99
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Flavio Regis Cunha
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Aria: Erbarme Dich, mein Gott
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FRC Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easte...
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Chamber Orchestra - Level 3 - SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 21 pages. FRC Music #110623. Published by FRC Music (A0.496445). The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo. Intermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$18.49
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Un Beau Dégoûtant - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Angelos Mavros
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Angelos Mavros
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Un Beau Dégoûtant
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Partiturae Immortales
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1079550 By Angelos Mavros. By Angelos Mavros. Arranged by Angelos Mavros. Classical. Score and parts. 17 pages. Pa...
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Chamber Orchestra - Level 3 - SKU: A0.1079550 By Angelos Mavros. By Angelos Mavros. Arranged by Angelos Mavros. Classical. Score and parts. 17 pages. Partiturae Immortales #683726. Published by Partiturae Immortales (A0.1079550). A mixture of intense and peaceful music.
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Concerto Grosso Opus 6 No 1 HWV 319
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Orchestre de chambre
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AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso Opus 6 No 1 HW
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
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Chamber Orchestra - Level 5 - SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
Mi Mancherai
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Josh Groban
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Oliver Payan
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Mi Mancherai
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Introito Music Bilbao
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.491702 By Josh Groban. By Luis E. Bacalov and Marco Marinangeli. Arranged by Oliver Payan. Film/TV. Score and part...
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Chamber Orchestra - Level 3 - SKU: A0.491702 By Josh Groban. By Luis E. Bacalov and Marco Marinangeli. Arranged by Oliver Payan. Film/TV. Score and parts. 21 pages. Introito Music Bilbao #107247. Published by Introito Music Bilbao (A0.491702). New Arrangement Of Mi Mancherai (You´ll forget Me) for Tenor And String Orchestra And Piano.
$51.00
Concerto Grosso (2017) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages...
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Chamber Orchestra - Level 4 - SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
Christmas Overture for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Edward David Zeliff
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Edward David Zeliff
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Christmas Overture for Chamber
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Edward David Zeliff
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 ...
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Chamber Orchestra - Level 4 - SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 pages. Edward David Zeliff #4787129. Published by Edward David Zeliff (A0.888270). This setting of four familiar Christmas Carols, O Come, All Ye Faithful, It Came Upon the Midnight Clear, Angels We Have Heard on High, and The First Noel, is in a classic overture style that makes a perfect opener for a Holiday concert. The Chamber Orchestra instrumentation utilizes a single winds and small brass configuration that was the foundation of light music arrangers and conductors like Percy Faith and Mantovani. It is both economical and well balanced for a concert I did featuring this and other customized arrangements for a solo soprano.
$35.00
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