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PIANO & CLAVIERS
Piano seul
553
Piano, Voix et Guitare
389
Piano, Voix
274
Piano Facile
261
Orgue
84
Instruments en Do
50
Accordéon
22
1 Piano, 4 mains
20
Orgue, Trompette (duo)
12
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
10
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6
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Clavier
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4
2 Accordéons
3
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GUITARES
Ukulele
375
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280
Mandoline
263
Guitare notes et tablatures
111
Ligne De Mélodie, (Paroles) et Accords
39
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16
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14
2 Guitares (duo)
7
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3
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2
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2
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2
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1
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1
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VOIX
Chorale SATB
249
Chorale 3 parties
59
Chorale TTBB
47
Chorale SSAA
36
Chorale 2 parties
17
Voix seule
13
Chorale SSAATTBB
7
Voix duo
5
Voix Soprano, Piano
5
Chorale Unison
5
Voix duo, Piano
5
Voix Mezzo-Soprano, Piano
4
Voix et basse continue
3
Voix basse
2
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
1
Chorale SSATB
1
Voix haute
1
Voix Tenor, Piano
1
Chorale
1
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VENTS
Harmonica
200
Flûte à bec Alto
196
Flûte à bec Soprano
176
Flûte traversière
63
Quatuor de Saxophones: 4 saxophones
59
Clarinette
52
Flûte traversière et Piano
44
2 Clarinettes (duo)
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Saxophone (partie séparée)
38
2 Saxophones (duo)
33
2 Flûtes traversières (duo)
28
Clarinette et Piano
28
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Alto
24
Saxophone Alto et Piano
22
Flûte, Hautbois, Clarinette, Basson
21
Hautbois, Piano (duo)
17
Hautbois (partie séparée)
15
Clarinette (partie séparée)
14
2 Flûte à bec (duo)
14
Quatuor de Flûtes : 4 flûtes
13
Quintette de Clarinettes: 5 clarinettes
12
Saxophone Soprano et Piano
12
Quintette de Saxophone: 5 saxophones
11
Saxophone Tenor et Piano
10
Hautbois
9
Ensemble de saxophones
7
Flûte, Clarinette (duo)
6
Flûte et Guitare
6
Flûte à Bec
6
Cor anglais, Piano
6
5 Flûtes à bec
5
Flute (partie séparée)
5
3 Clarinettes (trio)
5
Quatuor de Flûtes à bec
5
Saxophone Tenor
4
2 Hautbois (duo)
4
3 Saxophones (trio)
4
Hautbois, Basson (duo)
3
Saxophone, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano, Piano
3
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3
Hautbois, Flûte
3
Clarinette, Guitare (duo)
3
Flûte, Violon
3
Clarinette, Trompette (duo)
2
Cornemuse
2
Flûte à bec Alto, Piano
2
Flûte à bec, Guitare (duo)
2
Flûte traversière, Basse continue
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2
Clarinette, Violon (duo)
2
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2
Saxophone Baryton
2
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2
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2
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1
Clarinette Basse
1
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1
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1
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1
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1
3 Flûtes à bec (trio)
1
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1
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1
Saxophone
1
Ocarina
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
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1
Piccolo
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Hautbois, Violoncelle
1
Cor Anglais
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Flûte irlandaise
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
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CUIVRES
Quatuor de cuivres: 4 trombones
67
Quatuor de cuivres: 4 cors
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trompette
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone
21
Trompette, Piano
21
Cor
20
Cor et Piano
13
Trombone et Piano
13
Tuba
12
Trompette (partie séparée)
11
Ensemble de Trombones
11
Trombone (partie séparée)
8
Tuba et Piano
8
Cor (partie séparée)
6
2 Euphoniums et 2 Tubas
6
2 Trompettes (duo)
6
2 Trombones (duo)
6
2 Cors (duo)
6
Cor anglais, Piano
6
Euphonium
5
Trompette, Trombone (duo)
4
Tuba (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cornet A Pistons
3
2 Euphoniums (duo)
3
Ensemble de Cors
3
Ensemble de Trompettes
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Cor (duo)
2
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
Tuba ou Euphonium ou Saxhorn
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
Trombone basse
1
Bass Clef Instruments
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
144
Violon
64
Violon et Piano
50
Violoncelle, Piano
39
Harpe
33
Violoncelle (partie séparée)
30
Alto, Piano
26
Alto seul
23
Violon (partie séparée)
16
Violoncelle
16
Trio à Cordes: violon, alto, violoncelle
16
2 Violons (duo)
14
Trio à Cordes: 2 violons, violoncelle
12
Alto (partie séparée)
12
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
11
Contre Basse
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
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7
Violon, Alto (duo)
5
2 Altos (duo)
5
4 Violoncelles
4
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3
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3
Alto, Violoncelle (duo)
2
Contrebasse (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violon, Basse continue
2
Alto, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
54
Orchestre à Cordes
45
Orchestre
41
Orchestre de chambre
35
Fanfare
30
Batterie
27
Ensemble de cuivres
22
Cloches
12
Ensemble Jazz
12
Quatuor à Vent : 4 instruments à vents
9
Jazz combo
6
Percussion (partie séparée)
6
Quintette à Vent
5
Marimba
4
Ensemble de Percussions
2
Timbales (partie séparée)
2
Percussion
2
Timbales
1
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AUTRES
Vous avez sélectionné:
Ann, R
Orchestre de chambre
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Canções com poemas de Vanne
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.937912 Composed by Hanspeter…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.937912 Composed by Hanspeter Reimann. 20th Century,Concert,World. Score and parts. 38 pages. Hanspeter Reimann #3099679. Published by Hanspeter Reimann (A0.937912). 5 Canções com poemas de Vanne para Soprano e Orquestra de Cordas.5 Lieder mit Gedichten von Vanne für Sopran und Streichorchester
$10.99
10.13 €
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Orchestre de chambre
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Hanspeter Reimann
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Canções com poemas de Vanne
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Hanspeter Reimann
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SheetMusicPlus
Schumann: "Hör' ich das Liedchen klingen" op. 48, No. 10; Arr. for String Quartet or Voice and Stri
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.785093 Composed by R Schumann. Arrange…
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Chamber Orchestra - Digital Download SKU: A0.785093 Composed by R Schumann. Arranged by D Oppenheim. Romantic Period. Score and parts. 8 pages. Dan Oppenheim #4725. Published by Dan Oppenheim (A0.785093). R Schumann: Hör' ich das Liedchen klingen op. 48, No. 10 Arr. for String Quartet and optional Voice. After Heine's lieder-cycle Dichterliebe (The Poet's Love).Find more of my arrangements - search Dan Oppenheim
$6.32
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Orchestre de chambre
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R Schumann
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D Oppenheim
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Schumann: "Hör' ich das Liedchen klingen" op. 48, No. 10; Arr. for String Quartet or Voice and Stri
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Dan Oppenheim
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SheetMusicPlus
Dialog für Flöte und Orchester
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.937909 Composed by Hanspeter…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.937909 Composed by Hanspeter Reimann. 20th Century,Contemporary. Score and parts. 24 pages. Hanspeter Reimann #1921231. Published by Hanspeter Reimann (A0.937909). Dialogue for Flute and Orchestra watch YouTube: https://www.youtube.com/watch?v=55A5XaSDrXk Single-Parts directly available from the composer.
$9.80
9.03 €
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Orchestre de chambre
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Hanspeter Reimann
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Dialog für Flöte und Orchester
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Hanspeter Reimann
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.6 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
18.39 €
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Orchestre de chambre
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Therese Brenet
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Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Musik Fabrik Music Publishing
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SheetMusicPlus
In Dulci Jubilo - family band
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arrang…
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Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
4.6 €
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Orchestre de chambre
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Traditional
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Sophia Johanna
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Revelation of New Life
Orchestre de chambre
0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · …
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0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · 2 · 2 · 1) alto-solo, mixed choir and chamber orchestra - intermediate - Digital Download SKU: S9.Q24032 Advent Cantata for alto solo, miced choir and chamber orchestra. Composed by Bertold Hummel. This edition: vocal/piano score. Downloadable, Piano reduction. Op. 8. Duration 20 minutes. Schott Music - Digital #Q24032. Published by Schott Music - Digital (S9.Q24032). German.Als umfassende, nicht nur chormusikalische Offenbarung erweist sich Bertold Hummels Adventskantate Offenbarung neuen Lebens für Alt-Solo, gemischten Chor und Kammerorchester op. 8. In seinem 1953 im Auftrag des Südwestfunks geschriebenen Werk verarbeitet der 2002 verstorbene Komponist in sechs Abschnitten frühbarocke Kirchenlieder und stellt ihnen Psalm- und Bibelsprüche des Deutschen Psalters von Romano Guardini gegenüber. Dabei wechseln Antiphon, Choralbearbeitung, Chor-Psalmodie und eine Passacaglia einander ab. Es entsteht ein rhythmisch lebhaftes sakrales Werk voller Ausdruckstiefe und herber Klarheit, in dem an alte kirchentonale Psalmtöne anknüpfende melodische Substanz verarbeitet wird. Aber auch Einflüsse des späten Strawinsky sind unverkennbar. Das rund 20-minütige Werk kann wahlweise in deutscher oder englischer Sprache und anstelle des Kammerorchesters auch mit Klavier-/Orgelbegleitung musiziert werden. Es eignet sich natürlich zur Aufführung an einem Stück, kann aber auch – wie bei der Uraufführung geschehen – mit Zwischentexten zum Advent angereichert werden. Zudem ist eine Herauslösung einzelner Abschnitte der Kantate zur musikalischen Gestaltung von Adventsgottesdiensten bei dieser vorweihnachtlichen Komposition durchaus möglich.
$15.99
14.74 €
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Orchestre de chambre
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Bertold Hummel
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Revelation of New Life
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Schott Music - Digital
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SheetMusicPlus
Revelation of New Life
Orchestre de chambre
0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · …
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0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · 2 · 2 · 1) alto-solo, mixed choir and chamber orchestra - intermediate - Digital Download SKU: S9.Q23765 Advent Cantata for alto solo, mixed choir and chamber orchestra. Composed by Bertold Hummel. This edition: score. Downloadable, Score. Op. 8. Duration 20 minutes. Schott Music - Digital #Q23765. Published by Schott Music - Digital (S9.Q23765). German.Als umfassende, nicht nur chormusikalische Offenbarung erweist sich Bertold Hummels Adventskantate Offenbarung neuen Lebens für Alt-Solo, gemischten Chor und Kammerorchester op. 8. In seinem 1953 im Auftrag des Südwestfunks geschriebenen Werk verarbeitet der 2002 verstorbene Komponist in sechs Abschnitten frühbarocke Kirchenlieder und stellt ihnen Psalm- und Bibelsprüche des Deutschen Psalters von Romano Guardini gegenüber. Dabei wechseln Antiphon, Choralbearbeitung, Chor-Psalmodie und eine Passacaglia einander ab. Es entsteht ein rhythmisch lebhaftes sakrales Werk voller Ausdruckstiefe und herber Klarheit, in dem an alte kirchentonale Psalmtöne anknüpfende melodische Substanz verarbeitet wird. Aber auch Einflüsse des späten Strawinsky sind unverkennbar. Das rund 20-minütige Werk kann wahlweise in deutscher oder englischer Sprache und anstelle des Kammerorchesters auch mit Klavier-/Orgelbegleitung musiziert werden. Es eignet sich natürlich zur Aufführung an einem Stück, kann aber auch – wie bei der Uraufführung geschehen – mit Zwischentexten zum Advent angereichert werden. Zudem ist eine Herauslösung einzelner Abschnitte der Kantate zur musikalischen Gestaltung von Adventsgottesdiensten bei dieser vorweihnachtlichen Komposition durchaus möglich.
$35.99
33.17 €
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Orchestre de chambre
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Bertold Hummel
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Revelation of New Life
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Schott Music - Digital
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SheetMusicPlus
The Enchanted Garden
Orchestre de chambre
2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen o…
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2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra - Digital Download SKU: S9.Q47444 Concertino for violin and chamber orchestra. Composed by Christian Jost. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q47444. Published by Schott Music - Digital (S9.Q47444). Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern – Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverkennbare Parallele zu unserer Gegenwart ist die Grundlage einer tiefgreifenden kompositorischen und inhaltlichen Auseinandersetzung mit Stoffen und Gesten der Alten Musik, die mich zu einer Reihe von Werken anregt. Sie wird mit dem Zaubergarten – Concertino für Violine und Kammerorchester gleichsam eröffnet. Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (darin ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik“, um sie durch das Prisma unserer Zeit unverbraucht und „magisch“ erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens“ begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost, Mai 2011Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik, um sie durch das Prisma unserer Zeit unverbraucht und „magisch erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost.
$36.99
34.09 €
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Orchestre de chambre
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Christian Jost
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The Enchanted Garden
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Schott Music - Digital
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SheetMusicPlus
Revelation of New Life
Orchestre de chambre
0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · …
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0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · 2 · 2 · 1) alto-solo, mixed choir and chamber orchestra - intermediate - Digital Download SKU: S9.Q23761 Advent Cantata for alto solo, mixed choir and chamber orchestra. Composed by Bertold Hummel. This edition: set of solo parts. Downloadable, Set of solo parts. Op. 8. Duration 20 minutes. Schott Music - Digital #Q23761. Published by Schott Music - Digital (S9.Q23761). German.Als umfassende, nicht nur chormusikalische Offenbarung erweist sich Bertold Hummels Adventskantate Offenbarung neuen Lebens für Alt-Solo, gemischten Chor und Kammerorchester op. 8. In seinem 1953 im Auftrag des Südwestfunks geschriebenen Werk verarbeitet der 2002 verstorbene Komponist in sechs Abschnitten frühbarocke Kirchenlieder und stellt ihnen Psalm- und Bibelsprüche des Deutschen Psalters von Romano Guardini gegenüber. Dabei wechseln Antiphon, Choralbearbeitung, Chor-Psalmodie und eine Passacaglia einander ab. Es entsteht ein rhythmisch lebhaftes sakrales Werk voller Ausdruckstiefe und herber Klarheit, in dem an alte kirchentonale Psalmtöne anknüpfende melodische Substanz verarbeitet wird. Aber auch Einflüsse des späten Strawinsky sind unverkennbar. Das rund 20-minütige Werk kann wahlweise in deutscher oder englischer Sprache und anstelle des Kammerorchesters auch mit Klavier-/Orgelbegleitung musiziert werden. Es eignet sich natürlich zur Aufführung an einem Stück, kann aber auch – wie bei der Uraufführung geschehen – mit Zwischentexten zum Advent angereichert werden. Zudem ist eine Herauslösung einzelner Abschnitte der Kantate zur musikalischen Gestaltung von Adventsgottesdiensten bei dieser vorweihnachtlichen Komposition durchaus möglich.
$41.99
38.7 €
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Orchestre de chambre
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Bertold Hummel
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Revelation of New Life
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Schott Music - Digital
#
SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
95.8 €
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Orchestre de chambre
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
18.39 €
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Orchestre de chambre
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
ATON part 17-Interlude and Chorus of the Liberals
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.576199 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.576199 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 48 pages. David Warin Solomons #5617. Published by David Warin Solomons (A0.576199). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 18 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
4.61 €
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Orchestre de chambre
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David Warin Solomons
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ATON part 17-Interlude and Chorus of the Liberals
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David Warin Solomons
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Full score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
17.97 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Full score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Vocal score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
10.14 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Viola part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Viola part
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Double bass part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
#
Orchestre de chambre
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Archè en o Logos - Double bass part
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Stefano Torchio
#
SheetMusicPlus
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